There's much to think about (and respond to) in her article. For now, I point you to this portion of the article, where Mitali discusses her novel, The Sunita Experiment.
After the novel was published, a reviewer chastised me for the “unnecessary exoticization” of my protagonist. Here’s how I ended the story, with Sunita championing her South Asian heritage by trying on a saree and modeling it for the guy she likes:
“You look… just like I thought you would, Sunni,” he whispers when she reaches him. “Are you sure you’re still Sunita Sen and not some exotic Indian princess coming to cast a spell on me?”
“I’m sure, Michael,” she tells him, giving him one of her trademark smiles just to prove it.
I fumed, but, dang it, the reviewer was right. Exotic Indian princess? What was I thinking? Enduring a twinge of shame, I moved on and tried to learn from my mistake.
When my publisher decided to reissue the book in 2005, I was asked if I wanted to make any changes. “Yes!” I shouted, pumping my fist.
Here’s how the book, renamed The Not-So-Star-Spangled Life of Sunita Sen, ends now:
“You look… just like I thought you would, Sunni,” he whispers when she reaches him. “Are you sure you’re still the same Sunita Sen? The California girl?”
“I’m sure, Michael,” she tells him, giving him one of her trademark smiles just to prove it.
Thank goodness for second chances.
Mitali's self-disclosure is important. And rare. For her disclosure, I am grateful. I can point to it as an example of an author accepting and incorporating criticism, using that criticism to grow. To make the book better. To give the reader something better than was there before.
Years ago when Ann Rinaldi's My Heart is On the Ground came out, I approached her at an NCTE conference, introduced myself, and started talking. I wanted her to revisit that book, rethink it, maybe even rewrite it. I wanted her to join me in a conference panel where we could talk about mistakes and growth. I imagined how much the industry could change. Ann Rinaldi is a leading writer. She's got lot of fans. It seemed to me such a wonderful opportunity.
She didn't see it that way. She drew back from the table where she was sitting, pulling away from me. She listened to me and said no, and, that she'd never write another book about American Indians again.
Part of me was really glad that she said she would never write another one, but part of me was disappointed over a lost opportunity.
That Mitali is openly writing about her decision means a lot. Thank you, Mitali.
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