Showing posts with label Publication Year 2025. Show all posts
Showing posts with label Publication Year 2025. Show all posts

Monday, September 29, 2025

Highly Recommended: MIYA WEARS ORANGE



HIGHLY RECOMMENDED!


 Miya Wears Orange
Written by Wanda John-Kehewin (Cree-Metis, Kehewin Cree Nation)
Illustrations by Erika Rodriguez Medina 
Published in 2025
Publisher: Highwater Press
Reviewer: Jean Mendoza
Review Status: Highly Recommended

Debbie and I have talked with many non-Native educators who know the importance of teaching about hard aspects of Indigenous peoples' history. Good teachers want to do it "right." We try to impress on them that conversations about those difficult topics may land differently with Native children than with others. We kept this fact in mind when adapting An Indigenous Peoples' History of the United States for Young People, carefully choosing how we presented some of the most painful situations in history.  

Miya Wears Orange begins when Miya's well-intentioned non-Indigenous teacher reads aloud from a story about the Canadian residential schools. The teacher does not seem to anticipate how the story might effect Miya. 

Miya is the only Indigenous child in her class. The lesson makes her deeply uncomfortable; it is about injustice and tragedy that affected children like her, and families like hers. But she isn't able to put that into words. Wanda John-Kehewin does a very good job of expressing how a child might feel and behave, when unexpectedly exposed to distressing information related to their identity. Having worked with young children in classrooms and therapeutic settings, I'm impressed by the layers of understanding evident in the portrayal of Miya's experience. The emotional content rings true. (I felt the same way about the social-emotional content of her teen novel, Hopeless in Hope.)

Eventually, Miya is able to tell her mother what's bothering her. Her mother listens and answers her questions. She gives Miya time to come to terms with what the new information means. Miya finds her way. (Incidentally, the illustrations depicting mother-child interactions are very warm and give a strong sense of how secure their relationship is.)

The teacher may not have understood Miya's heritage. Or she may have assumed that Miya's family had already introduced her to the history of the residential schools. But that was a mistaken assumption, and Miya was left in the moment to struggle with the emotional weight of the new knowledge. Perhaps the teacher could have alerted families of Native kids so they could be prepared for their children's responses, or so they could lay some groundwork for the children.

I'd love to see this book shared with educators and librarians as an example of why they must proceed with care and caution when they discuss boarding schools/residential schools with children -- especially Indigenous children. That goes for high schoolers as well as elementary grade kids. And of course, we think the book belongs in the hands of children, too.



Tuesday, June 24, 2025

Highly Recommended: REDress

 

HIGHLY RECOMMENDED


REDress: Art, Action, and the Power of Presence
Edited by Jaime Black-Morsette (Metis)
Published by Portage and Main Press
Published in 2025
Reviewer: Jean Mendoza
Review Status: Highly Recommended

Have you seen social media images of Native women with red handprints on their faces? Do you know the symbolism? 

The red handprint is a symbol of protest against violence against Native women and girls. Its meaning  expanded to include violence against LGBTQ+ and Two-Spirit Native people. For decades, Native communities in the US and Canada have tried to call attention to the fact that significant numbers of Native women, girls, and LGBTQ+ people have been disappearing, or been killed, while law enforcement shows little interest in finding perpetrators. In one recent case that made some headlines, families of two missing First Nations women wanted authorities to search a Canadian landfill where they were certain their missing loved ones had been hidden. Officials insisted that would be too expensive. The families  prevailed and the missing women's remains were found. Serial killers and sex traffickers can flourish when law enforcement behaves as if Indigenous victims don't warrant full investigations. The red handprint is one of several symbols of insistence on justice for MMIWG2S.

This is a short-and-sweet review of a 2025 anthology focused on another approach to honoring and raising awareness of the murdered and missing: Jaime Black-Morsette's REDress: Art, Action, and the Power of Presence

Here's a description from the publisher:

In 2010, Métis artist Jaime Black-Morsette created the REDress Project—an art installation consisting of placing red dresses in public spaces as a call for justice for Missing and Murdered Indigenous Women, Girls, and Two-Spirit people (MMIWG2S). Symbolizing both absence and presence, the red dresses ignite a reclamation of voice and place for MMIWG2S. Fifteen years later, the symbol of the empty red dress endures as families continue to call for action.

In this anthology, Jaime Black-Morsette shares her own intimate stories and memories of the REDress Project along with the voices of Indigenous women, Elders, grassroots community activists, artists, academics, and family members affected by this tragedy. Together they use the power of their collective voice to not only call for justice for MMIWG2S, but honour Indigenous women as keepers and protectors of land, culture, and community across Turtle Island.

And here are four reasons we recommend REDress.

Reason #1: It sheds needed light on the phenomenon of murdered and missing Indigenous people, and on the experience of the people and communities affected by those losses.

Reason #2: It combines visual and verbal images to powerful effect. It's a sobering book, a beautiful, powerful, reverent tribute to Indigenous victims of violence, for (and from) those who are left without them. And take a look at that cover! Wow!

Reason #3: It's a collection of voices.  Essays, poetry, photos, and commentary by more than a dozen Indigenous creators address loss, violence, healing, and the roles art and performance can play on the path toward justice.

Reason #4: The publisher provides a free teaching guide e-book. Discussing the murdered and missing requires preparation and sensitivity. The teaching guide offers structure and suggestions for conversations about the book and the topic.

Reading and discussing REDress can be a powerful experience for older teens and adults. We urge librarians, high school teachers, and arts educators to order multiple copies and share them widely.