Showing posts with label Laura Ingalls Wilder. Show all posts
Showing posts with label Laura Ingalls Wilder. Show all posts

Tuesday, June 26, 2018

A #ChangeTheName Moment: the Laura Ingalls Wilder Award is now the Children's Literature Legacy Award

On Saturday afternoon, June 23, 2018, the board of directors of the Association for Library Service to Children (ALSC) voted to change the name of the Laura Ingalls Wilder Award. The change took place immediately. It is now the Children's Literature Legacy Award.
Update on July 21, 2018 re board of directors: when I uploaded this post on June 26 I used "executive board" by mistake. Jamie Naidoo wrote to me about that error; I subsequently corrected it but didn't note the initial error. Whenever you see errors in my posts, please let me know! I'm happy to change them. 
Today, I was over at Roger Sutton's post on the name change, and saw that Julie Corsaro had submitted a comment about the use of executive board. She didn't say who had made that error. If she was talking about my post, she could have written to me directly. In a second comment about it, Corsaro wrote 
"I’m glad to see that the error was corrected regarding the ALSC Board of Directors as the primary decision maker; regrettably, the change was not acknowledged in context as scholarship demands. As a result, this error has been replicated by others not understanding that it is incorrect nor taking the time to understand the structure of the association.  
Today's update addresses her concern that the error was "not acknowledged in context as scholarship demands." I first came across Corsaro in 2015, when, Edi Campbell organized a group of us to work on what we call the We're the People summer reading booklists. We shared the list on social media. In a comment to one of the places where we shared the list, Corsaro suggested that its emphasis discriminated against White people. I wondered, then, who she was and learned that she served as ALSC's president in 2010-2011. She was also on the 2017 Wilder committee that selected Nikki Grimes to receive what is now the Legacy Award. 
I am including her comment about the list because it illustrates the status of children's literature. Lot of people think it is a land of warm fuzzies, but it is fraught with politics. It is always interesting to see where and how people with power and influence weigh in, and what they choose to weigh in on. That goes for me, too! There is no such thing as neutrality, and those who suggest there is are, knowingly or not, advocating for a status quo that misrepresents and marginalizes those of us who have made gains in recent years. 
The vote took place at the American Library Association's 2018 Annual Conference, held in New Orleans.

As I write, I am in the New Orleans airport and reflecting on what I believe to be one of the most significant moments in children's literature. When I have more time, I will write more about why it is significant. If you have not read the books since your own childhood days, please do. Most adults I work with do not remember these pages from the book:



Those two pages were in a talk I delivered for the President's Panel on Monday afternoon. I also talked about books written today in which characters imagine themselves to be captured by Indians. I will turn my talk into a blog post as soon as I have some time to do that. I was live tweeting from the ALSC meeting when the vote took place. In news articles you will likely see some of my remarks.

As is often the case with some of the posts here at American Indians in Children's Literature, I will keep a log of items specific to the topic at hand. I advocated for the name change and support ALSC's decision.

To learn more about the name change:

Start with ALSC's website. There you will find an announcement about the change, a link to the report from the Task Force charged with taking a close look at the merits of a change. They solicited input from ALSC membership. The report is thorough. Please read it.

Here's the ALSC page: Welcome to the Children's Literature Legacy Award home page.


****

TIMELINE

News outlets have done several news articles. I am also going to link to some individuals (like Melissa Gilbert, who played the part of Laura on the tv show) who have spoken up about the change. I will be adding to this list over the next few days. If you see articles that I did not list, please let me know in a comment (and let me know if any of what I've written doesn't make sense, or if there are typos). Adding a quick note: the curated list includes a wide range of responses, including some from conservative sources and people who disagree with ALSC's decision. Thanks!

Feb 27, 2018

American Indians in Children's Literature: Big News! A Possible change to the name of the Laura Ingalls Wilder Award!


May 15, 2018

ALSC Awards Program Review Task Force Recommendation: Laura Ingalls Wilder Award


Saturday, June 23, 2018

ALSC Blog: Children's Literature Legacy Award #alaac18


Sunday, June 24, 2018
  • Video of Jacqueline Woodson, recipient of the 2018 Children's Literature Legacy Award (video played at 2018 Newbery, Caldecott, Legacy Award Banquet):




Monday, June 25, 2018
  • Melissa E. Gilbert (she played Laura on the Little House on the Prairie tv show) posted this to her Facebook page:
In my research for the musical and another Laura project I’m working on I’ve found it’s true. Caroline and many others were prejudiced against native Americans and people of color because they didn’t know or experience time around them. They were also very afraid of them. The native Americans particularly because they fought brutally. 
But let’s face it. We invaded their country, slaughtered thousands of them and stole their land. They fought back. 
It’s time for us to own that. 
In my opinion we need to have open discussions about historical atrocities to ensure they aren’t repeated. 
Especially in the current climate where a despotic dictator holds sway over so many people in our country. He feeds on people’s fears and hatred so wherever possible it’s incumbent on us to show people who we were and who we don’t ever want to be again. 
It’s unfortunate that it’s come to this but it’s a teachable moment.





June 26
  • A note from Debbie: I sure wish media would name ALSC rather than say 'book group'!
  • Another note: Overnight, the NYT changed the article title. I don't know why, or if that happens a lot, but this morning (June 27) it has a new title "Prestigious Laura Ingalls Wilder Award Renamed Over Racial Insensitivity." Here's a screen cap showing the first one, and the new one:   


June 27, 2018

June 29, 2018

July 3, 2018

July 5, 2018


July 6, 2018

July 7, 2018

July 9, 2018

July 10, 2018

July 19, 2018
July 25, 2018

Thursday, July 23, 2015

Set three: Links to Oyate's BOOKS TO AVOID pages

A few years ago, Oyate removed its Books to Avoid page. A great many people miss that page and write to me asking if I saved those reviews. I didn't--but they aren't gone forever! They're available on the Wayback Machine.

In order to fit within the 200 character limit on "Labels" (the labels are on the right and serve as an index of what is in the post itself), I am creating several pages of the links, arranging them alphabetically. This is the last set.

I'm also going to save a pdf of each one, just in case the Wayback Machine goes down.

Waldman, Neil. Wounded Knee
Wargin, Kathy Jo. The Legend of the Petoskey Stone
Wilder, Laura Ingalls. Little House on the Prairie 

See also:
Set 1
Set 2

Saturday, February 14, 2015

Stereotypes in Wilder's THE LONG WINTER

Earlier today, I saw a post on Facebook in which a person said, of Wilder's The Long Winter, "this is the only book that can put what's happening in Boston in perspective. It could be worse, wicked worse."

The woman who wrote that post must think she's being clever, comparing the blizzard in Boston to the one in The Long Winter. 

If you care about accuracy in how Native peoples are depicted, or if you care about how derogatory depictions of Native people impact the growing minds of Native and non-Native children, then I think we'd agree that it is long past time to set aside that series.

Because of their status and 
place of nostalgia in the minds 
of so many Americans, 
few books for children are as wicked 
as those in the Little House on the Prairie series.


Ah---you say, 'there were Indians in The Long Winter?'

Yes. The chapter called "Indian Warning" has a "very old Indian" in it. Here's from page 61:
"Heap big snow come," this Indian said.
As he gestures, the blanket he is wearing slides off his shoulder and his "naked brown arm" came out. He continues:
"Heap big snow, big wind," he said.
Pa asks him how long, and of course he says "Many moons" and holds up four, and then three fingers that mean seven months of blizzards.
"You white men," he said. "I tell-um you."
On page 186, the wind grows louder and louder. It reminds Laura of the "Indian war whoops" when Indians were doing "war dances" by the Verdigris River when she was younger.

See what I mean? Stereotypes. Set it aside.

Update, Feb 17, 2015:

Anonymous submitted a comment indicating I was engaging in ageism by focusing on the "old Indian." My point in quoting those words is not about age. My point is that he is nameless and tribeless, and speaks using "many moons" and "heap big" and "tell-um" --- all of which are examples of speech patterns non-Native people attribute to Native people. You see those phrases a lot, regardless of location and, often, time period. As a literary device, it works for those who don't know better or who haven't paused to think about the sheer diversity that existed/exists across the Native peoples of this continent.


Update, Feb 18, 2015:

Notes on Indian-hating-Ma didn't make it into the initial post, so I'm adding them here.

On page 64, Pa is talking about how he feels the need to hurry to get their house ready for winter, especially given the information he got from "that Indian...":
He stopped.
"What Indian?" Ma asked him. She looked as if she were smelling the smell of an Indian whenever she said the word. Ma despised Indians. She was afraid of them, too.
"There's some good Indians," Pa always insisted. Now he added, "And they know some things that we don't. I'll tell you all about it at supper, Caroline."
Debbie's comments: Elsewhere, I've written about the effect of those words on a 3rd or 4th grade Native child (the age at which the books are read or read aloud in class). Imagine the sneer on Ma's face. Imagine the face of that Native child. Imagine the face of the non-Native child, just taking in that hate. As for good Indians, who might they be, in this particular story? The one who helped Pa. Just like in Little House on the Prairie. The bad ones there were the ones who were gathering and didn't want the Ingalls family on land that was meant for Native people. My guess? Pa and Ma would say that bad Indians in The Long Winter are those who object to having their lands declared surplus by the federal government and then sold to family's like the Ingalls family. 

Wednesday, May 02, 2012

American Indians in Common Core, Appendix B, K-1 Text Exemplars

Dear K-1 Teachers,

I am writing to let you know about the ways that American Indians are presented in Appendix B of the Common Core Standards for English Language Arts.

There are 54 items listed on Appendix B. Some of them are terrific. I vividly remember, for example, my daughter giggling when we read "Strange Bumps" in Arnold Lobel's Owl at Home.

Though the Common Core booklets say that the items on the list are only meant to serve as "useful guideposts in helping educators select texts of similar complexity, quality, and range" for your own classroom, I know many of you will use the items on the lists. With the Common Core bearing down on you like a freight train, some of you will find it easier to teach the items on the list. Some of you are very busy, working far harder than most Americans realize. As a former elementary school teacher, I know how hard teaching can be. 

I'm writing to ask that---if you choose to teach the items on the list---that you not read Little House in the Big Woods. It is listed on the "Read-Aloud Stories" section of Appendix B. Here's an excerpt that I find troubling. It is on page 53 of Little House in the Big Woods. The first two paragraphs are context. It is the third paragraph that I want you to pay attention to:

When I was a little boy, not much bigger than Mary, I had to go every afternoon to find the cows in the woods and drive them home. My father told me never to play by the way, but to hurry and bring the cows home before dark, because there were bears and wolves and panthers in the woods.    

One day I started earlier than usual, so I thought I did not need to hurry. There were so many things to see in the woods that I forgot that dark was coming. There were red squirrels in the trees, chipmunks scurrying through the leaves, and little rabbits playing games together  in the open places. Little rabbits, you know, always have games together before they go to bed.    

I began to play I was a mighty hunter, stalking the wild animals and the Indians. I played I was fighting the Indians, until all woods seemed full of wild men, and then all at once I heard the birds twittering 'good night.'

Now, I want you to imagine reading that passage aloud (remember---this is a book the Common Core folks want you to read aloud) to children in your K-1 classroom, and, imagine that one or more of those children are Native children for whom their identity as Native is a day-to-day lived experience (as opposed to a family story of an ancestor, or, someone who is enrolled at their nation but not growing up in a way with that nation's ways of being Native).

Seems a bit cruel, doesn't it? To imagine what that Native child might feel like hearing that dear old Pa was stalking Indians or, as he says "wild men"? How can we possibly describe Little House in the Big Woods  as an exemplary text?!

As far as I can tell, other than the Indians/wild men that Pa stalks/fights, there aren't any other Native people in the other 52 books on the Common Core lists for K-1. So, if you were only going to use that set of items, Native children in your classroom would not see themselves reflected in the materials you're using.

I'm pretty sure, though, that most of you will use other items. I hope that some of them are children's books that portray American Indians in tribally specific ways (naming a specific tribal nation, and, providing accurate information about that tribe). I can recommend some wonderful books. They may be in your school library, or the local public library.

The ones that I want you to use are books written by Native authors. Each of them feature Native girls. I'm sharing those three today for a specific reason. Most people, when they think of American Indians, think of "chiefs" or "braves" or "warriors" --- males, in other words. This is, I think, in large part due to history books and historical fiction that focuses on wars, and "hostile Indians" who attack those poor innocent settlers. What gets lost in that narrow depiction is that those men (not "chiefs" or "braves" etc.) have mothers and sisters. They may have daughters, too! And as for "hostile" ---- they were fighting, not because they were "bloodthirsty savages" but because they were protecting their homelands! And, they were protecting their grandparents, mothers, wives, children...

Here's the three books I recommend you read aloud.

If you want to show children that Native children are part of today's society, and that our lives reflect modern American society and our Native societies, you could read them Jingle Dancer by Cynthia Leitich Smith. In it, Jenna is getting ready to dance at a pow wow for the first time. She lives in a pretty typical American house in a neighborhood with tree-lined streets and sidewalks. Her family helps her get ready. Using Jingle Dancer you can say "this book is by Cynthia Leitich Smith, a writer who is Muscogee Creek." Introducing Jenna and her identity, and Cynthia and her identity, can go a long way towards situating Native people in the present, not that long-ago past where you usually find us.



From there, you could read Joy Harjo's The Good Luck Cat to your students. In it, Harjo works with the idea that cats have nine lives. In The Good Luck Cat, a Native girl's cat--named Woogie--goes missing. As you turn the pages of the book, you'll learn about other times when Woogie's life was in danger. And, as you turn those pages, you see the girl's Native identity in visual markers throughout the book. Harjo is also Muscogee Creek.  You could pull out a map and show your students where the Muscogee Creek Nation is located. Head over to their website and learn all you can about them, and share it with your students. In my visit to their site today, I learned that as of May 2012, they have 72,740 enrolled citizens. What a cool bit of info to share! Smith and Harjo are two of 72,740 citizens. That could even be a math problem. (Subtract two from 72,740, and what do you get?)


My third recommendation is Jan Bourdeau Waboose's SkySisters. In it, two Ojibway sisters walk, in the night, to see the SkySpirits (Northern Lights).  As the girls are out, they view the things around them, not from a mainstream American perspective, but from their Ojibway perspective where a rabbit or deer or coyote is more than just an animal in the world. Waboose is Ojibway.


For the record, I think the Common Core is a bad idea.