December 10, 2014
VoWac Publishing Company
P.O. Box 75
Faulkton, SD 57438-0075
info@vowac.com
Dear VoWac,
From your website, I see that you've been developing and providing curriculum materials for schools for 32 years. I read that you take pride in providing teachers with effective teaching tools.
Katelyn Martens, a Literacy Media Specialist, shared a page from one of your workbooks that I'd like you to reconsider. Martens received her Masters of Library and Information Studies from the University of Wisconsin. She was part of the Tribal Libraries, Archives, and Museums Project there, where she, along with a great many people, received training in the accurate depiction of Native peoples. Such programs are vitally important because they prepare young people to work with an increasingly diverse US population. This is the page she shared with me:
The bottom half of that worksheet (and the first line, too, "The Indian___...") reflect a monolithic view of Native peoples. By that, I mean that children who use this page come away associating "Indian" with a feathered headdress, a tipi, a drum, moccasins, and a peace pipe. In fact, there are over 500 federally recognized tribal nations in the US, and there is tremendous variety in language, stories, and material culture. The headdress you use, for example, is crudely rendered but similar to what Plains Indians wear, but nothing like the headdresses worn by other men of Native Nations in other parts of the country.
The other problem is that Plains men who wear such headdresses are esteemed amongst their people for their diplomatic and spiritual leadership, and peace pipes are items of diplomacy. The way that you've shown this "Indian" not only misinforms the children completing the worksheet, it demeans Native people overall by showing that Indian in this maze activity. It may be helpful to think of other esteemed leaders in a similar maze activity. Like, perhaps, the Catholic Pope, looking for his sceptre.
With this in mind, I encourage you to remove that page and look throughout your materials for ones similar to it. These are the sorts of things that a Native child may have trouble with because it throws that child into cognitive dissonance. That dissonance may cause the child to perform poorly on that page--not because he doesn't know the rule being taught--but because Native heritage is being misrepresented and demeaned. Because there is such a high drop out rate amongst Native children, I'm sure you want to do everything you can to help, rather than hinder, their success in school.
With this worksheet, you are not providing teachers with an effective teaching tool.
Sincerely,
Debbie Reese
American Indians in Children's Literature
cc: Facebook, Twitter
- Home
- About AICL
- Contact
- Search
- Best Books
- Native Nonfiction
- Historical Fiction
- Subscribe
- "Not Recommended" books
- Who links to AICL?
- Are we "people of color"?
- Beta Readers
- Timeline: Foul Among the Good
- Photo Gallery: Native Writers & Illustrators
- Problematic Phrases
- Mexican American Studies
- Lecture/Workshop Fees
- Revised and Withdrawn
- Books that Reference Racist Classics
- The Red X on Book Covers
- Tips for Teachers: Developing Instructional Materi...
- Native? Or, not? A Resource List
- Resources: Boarding and Residential Schools
- Milestones: Indigenous Peoples in Children's Literature
- Banning of Native Voices/Books
- Debbie on Social Media
Showing posts with label Tribal Libraries Archives and Museums (TLAM). Show all posts
Showing posts with label Tribal Libraries Archives and Museums (TLAM). Show all posts
Wednesday, December 10, 2014
Monday, March 11, 2013
Guest Post: Indigenous Knowledge and Children's Literature, by Katelyn Martens
Editor's Note: A few weeks ago, I gave an online lecture (via Skype) to the Tribal Libraries, Archives, and Museums (TLAM) class at the University of Wisconsin, Madison, School of Library and Information Science. Here's a description of TLAM from their website:
Today's post on AICL is by Katelyn Martens, a student in the TLAM class. Published on the TLAM blog, I'm pleased to be able to share it here, too. Thanks, Katelyn! And check out her post about Sherman Alexie, too.
In its fifth year at the University of Wisconsin – Madison School of Library and Information Studies (SLIS), TLAM is an experimental project to bring indigenous information topics to LIS education through service-learning, networking, and resource sharing with Wisconsin’s tribal cultural institutions. The TLAM Project currently encompasses a graduate topics course; the Convening Culture Keepers mini-conference series for Wisconsin tribal librarians, archivists, and museum curators; numerous community engagement projects with our partners; and a brand new TLAM Student Group.
Today's post on AICL is by Katelyn Martens, a student in the TLAM class. Published on the TLAM blog, I'm pleased to be able to share it here, too. Thanks, Katelyn! And check out her post about Sherman Alexie, too.
_______________________________________________
“Indigenous Knowledge & Children’s Literature”*
Think about the types of children’s books you grew up
reading. Were American Indians present? What did you learn about them? Was it
factual or a misrepresentation? How did you know?
On Thursday, TLAM had the pleasure of chatting with Debbie
Reese, a respected educator who is tribally enrolled at Nambe Pueblo in
northern New Mexico. Debbie is an advocate for authentic American Indian
children’s literature, which led her to launch the American Indians in
Children’s Literature (AICL) blog in 2006. Through AICL, she challenges the
all-too-common misrepresentation of American Indians in children’s literature
and helps educators, librarians, and the general public find good materials.
Debbie highly recommends JINGLE DANCER |
While Debbie shared her thoughts on sovereignty, sacred
spaces, and politics, it was the issue of authenticity that I connected with
the most. As a future school librarian, my goal is to have a well-balanced
collection with titles that give students accurate, authentic representations
of American Indian communities. To do that, though, especially with limited
budgets, it’s essential that we all seek out reviews from respected,
knowledgeable sources. AICL is a great place to start!
It’s especially important because, as Debbie noted, many
books harbor “micro aggressions,” stereotypes that the majority culture may not
even acknowledge but harm others. Clifford’s
Halloween by Norman Bridwell (1986) is an example. Not only does Clifford
wear a large headdress of feathers, he appears to be smoking a “peace pipe” and
wears a serious expression. This image conveys many stereotypes to children,
including that “Indians” are something to dress up as rather than people living
in contemporary societies, working at contemporary professions, and living
amongst the general American public.
It’s through librarian and educators in alliance with
American Indian communities that we can present contemporary images, truthful
histories, and well-researched stories to our young people. I’ll make a
concerted effort to align my book choices with her suggestions.
Thank you, Debbie, for taking the time to share your
knowledge with us!
-Katelyn Martens
Debbie’s recommendations on what to look for in children’s
literature:
- Books giving information in contemporary society
- Tribally specific texts
- Books affirming American Indian cultures – these must be well researched
She suggests that librarians and educators should:
- Know at least one nation in-depth through reading and research
- Visit tribal websites with children in order to learn about their everyday lives
- Speak up for great children’s books so they stay in print
- Speak out on problematic texts in order to promote better alternatives
*Disclaimer: All
personal opinions are my own and do not represent all members of the TLAM
class, TLAM student group, Debbie Reese, or other affiliated parties.
Subscribe to:
Posts (Atom)