THE CHRISTMAS COAT by Virginia Driving Hawk Sneve

On December 6, 2011, I learned about a new book called The Christmas Coat: Memories of My Sioux Childhood, by Virginia Driving Hawk Sneve. Earlier this week, I read it, and like it very much. Here's the cover:

The book is subtitled "Memories of my Sioux Childhood" and that's Virginia on the cover. These are her memories. Perhaps the subtitle signals that there may be other books in the works. I hope so!

In The Christmas Coat, we come to know a young Virginia and her family in South Dakota in the 1940s or thereabouts. That's "a long time ago" to any young child, but in this "long time ago" story, we have Native children who, like other children of that time period, wear things like... green sweaters rather than the popular stereotype that suggests that "real" Indians wear buckskin and feathers.  Like people of any culture or nation, we have clothing that we wear at specific times for specific purposes. Virginia wore that green sweater, but doing so did not--and does not--make her "less" Native.

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The Christmas Coat won the 

2011 Youth Literature Award from the 

American Indian Library Association. 

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On the cover, we see three children in buckskin and feathered headdresses. The reason they're dressed that way is because they are playing the part of the Wise Men at a Nativity pageant. The accompanying text says "They wore headdresses that only the wise leaders and elders of the tribe could wear."

You see, Virginia's dad is an Episcopal priest in their village. That plays a major role in the story. People from church congregations in the eastern part of the United States would send boxes of clothing to churches on reservations. The winter boxes include coats. Virginia needs, and wants, a new coat... How she gets one is the plot of the story.  With Christmas 2011 a few days away, children all over the US are filled with wants, and needs, too. As such, the story will resonate with children and their parents, too.

Beneath that plot, however, is a wealth of information that children can pick up. As I said last week, Christmas at my mom's is a mix of traditional Pueblo ways, and, mainstream things like Christmas trees and Santa Claus (I played the part of Santa last year):

The Santa in Virginia's story brings a bag of gifts. Inside that bag is a mix of traditional and mainstream items. Virginia's present from Santa is one of the dolls you see in his bag (image from illustrator, Ellen Beier's website):

Beier's illustrations are terrific. See more of them here. She did a lot of research and work that helped her create the images that beautifully capture Virginia's story.

I hope Holiday House has more of Virginia's stories in the works. If you're still looking for a gift for someone, consider getting a copy of The Christmas Coat right away. Get two! One to give this year, and another copy for next year, too, for another child.

 The Christmas Coat was featured on NPR earlier this week.

Details:
The Christmas Coat: Memories of My Sioux Childhood
Written by Virginia Driving Hawk Sneve, illustrated by Ellen Beier
Published in 2011 by Holiday House
Support independent, Native-owned bookstores! Order it from Birchbark Books. 

The Christmas Coat won the 2011 Youth Literature Award from the American Indian Library Association. 

New book by Virginia Driving Hawk Sneve!

Just saw something I must check out! Virginia Driving Hawk Sneve has a new book out... 

Read about it at Cynsations, where Cynthia Leitich Smith has an interview with the illustrator, Ellen Beier.

What I find intriguing about the cover is the children in traditional clothing looking at the Christmas tree. If you were at my mom and dad's home at Nambe Pueblo on Christmas Eve, you'd see something like that....  Those of us who were dancing that night would be in traditional clothes, and, there'd be a Christmas tree there, too.

Definitely looking forward to reading it!

Virginia Driving Hawk Sneve: "...so little is known about the women."

In Completing the Circle, Virginia Driving Hawk Sneve says "so little is known about the women." In history textbooks, and in children's books, Native women and girls are largely absent. When they are present, they're anonymous figures and beasts of burden who prepare food, haul wood, tan hides, and take care of children. They are usually nameless and called "squaw," even by others in their tribe. Does that make sense? Would the Native peoples of the southwest or northeast use the same word for woman? Not likely, but as a society, we've come to think that all Native peoples call their women squaws (or "princess" --- but I'll save that discussion for another time). When we read "squaw" in Elizabeth George Speare's 1957 book Calico Captive, or her 1983 Sign of the Beaver, or Dalgliesh's 1954 The Courage of Sarah Noble, we don't even pause. It fits with our flawed ideas about Native culture and Native women.

In reality, each tribe has its own word for woman. And, women in Native societies past and present were not marginalized in the ways that history textbooks and childrens books suggest. Some books by Native authors give us a different picture, and that's what today's post is about. Instead of Calico Captive, Sign of the Beaver, or The Courage of Sarah Noble, read the books listed below. These authors provide readers with well-rounded female Native characters whose lives more accurately reflects the lives of Native women and girls.

For readers in elementary school:
Birchbark House, by Louise Erdrich
Daughter of Suqua by Diane Johnston Hamm
Children of the Longhouse, by Joseph Bruchac
Sees Behind Trees, by Michael Dorris

For readers in middle and high school:
Waterlily, by Ella C. Deloria
Night Flying Woman, An Ojibway Narrative, by Ignatia Broker
Halfbreed, by Maria Campbell