A few words about Louise Erdrich's MAKOONS

Louise Erdrich's Makoons came out a few days ago. On August 13th, I took a look at Amazon, and saw that it was their #1 New Release in their Children's Native American Books category.

Erdrich is Ojibwe. The characters in her story are, too, which makes Makoons and the other books in the Birchbark House series an #ownvoices book (the #ownvoices hashtag was created by Corinne Dyuvis).

I love the series. I read the first one, Birchbark House, when it came out in 1999.

Birchbark House began in 1866 when we met Omakayas, a baby girl whose "first step was a hop" (page 5 of Birchbark House). Omakayas is an Ojibwe word that means Little Frog. Makoons is the 5th book in the Birckbark House series. In the 4th one, Chickadee, we met Omakayas as an adult with twin sons, Chickadee, and Makoons. I've got Makoons open and started reading it, but after reading the prologue, I'm pausing to remember the other books and characters.  The books and the characters in them live in my head and heart for many reasons.

When my daughter was in third grade, her reading group started out with Caddie Woodlawn but abandoned it because of its problematic depictions of Native people. The book they read instead? Birchbark House. One of their favorite scenes from the book is when Omakayas has gone to visit Old Tallow to get a pair of scissors and has her encounter with a mama bear and her bear cubs. Indeed, they wrote a script and performed that chapter for their class (and of course, parents!). My daughter played the part of Omakayas. The prop she made for their performance is the scissors in their red beaded pouch. I've got them stored away for safekeeping. They represent my little girl speaking up about problematic depictions.

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Chickadee is captured in Chickadee. The story of his capture and his return is what Chickadee is about. Makoons was devastated by that capture. The worry over his brother makes him sick. That sickness is where Makoons opens. In the prologue, Makoons is recovering as he listens to Chickadee sing to him. They spend hours together. Makoons remembers, and tells Chickadee about, a vision he had while sick. Their family will not return to their homeland. They're going to be strong and learn to live on the Plains but they will, Makoons tells Chickadee tearfully, be tested. The two boys are going to have to save their family... but won't be able to save them all.

A gripping and heartbreaking moment, for me, as I start reading Makoons. 

Louise Erdrich's CHICKADEE

With immense satisfaction and a deep sigh, I read the last words in Louise Erdrich's Chickadee and then gazed at the cover. Chickadee is the fourth book in her Birchbark House series, launched in 1999.

My copy arrived yesterday afternoon and I immediately began reading--but not racing--through Chickadee, because it is written with such beauty, power, and elegance that I knew I'd reach the end and wish I could go on, reading about Omakayas and her eight-year-old twin boys, Chickadee and Makoons.

There was delight as Erdrich reintroduced Omakayas and Old Tallow, and when she introduced a man in a black robe, I felt a knot in my belly as I wondered how Erdrich would tell her young readers about missionaries.

The sadness I felt reading about smallpox in Birchbark House gripped me, too, as did the anger at those who called us savage and pagan.

Resilience, though, and the strength of family and community is woven throughout Chickadee.  I'll provide a more in-depth analysis later. For now, I want to bask in the words and stories that Louise Erdrich gives to us Chickadee and throughout the Birchbark House series.

You can order a signed copy of Chickadee from Birchbark Books. And if you don't have the first three books in the series, order them, too.

CHICKADEE, Erdrich's next book in BIRCHBARK HOUSE series

Back in May, Louise Erdrich blogged about Chickadee, the next book in the Birchbark House series. In it, Erdrich writes, Omakayas and her family have moved onto the Great Plains:

I realized that for the sake of this book series we had to move there around 1866.  This is a fascinating year for all sorts of reasons, but for the main character, Chickadee, it is a year of unusual adventure.   Some odd things happen to Chickadee.  He challenges a man named Skunk.  He is kidnapped by two brutish louts who want a servant.  He learns to cook a wretched concoction called bouyah.  Chickadee runs away from well meaning but heartless missionaries.  He learns to survive completely alone in the woods helped by his namesake, the chickadee, who teaches him a song that can heal.  There is lots more, including a visit to Saint Paul, the first city he has ever seen, and composed at the time of shacks, pubs, treeless mansions, and lots of trading companies.  

I'm definitely intrigued. In comments, Erdrich says the book will be out in November of 2012. In the meantime, you might want to get the first three and read (or reread) them. Consider getting signed paperback copies from Erdrich's store, Birchbark Books.

The Birckbark House 

The Game of Silence
 

The Porcupine Year

To date: Most popular page at American Indians in Children's Literature...

On August 8, 2010, I created a video using Google's "Search Story" program. Since then, it has become the most popular page on my site, and, it appears on a lot of other sites, too.  I'm reposting it here today.





The books I featured are:

The People Shall Continue, by Simon Ortiz. I chose that because that book embodies our perseverance (by our, I mean indigenous people) in the face of a 400+ year history of warfare. It is a perseverance that includes all peoples who stand together in the face of adversity and persecution.

Jingle Dancer, by Cynthia Leitich Smith. This is second in my line-up because in the text and illustrations, readers can see the joy and vibrancy of our present-day lives---a joy and vibrancy I feel when I'm home at Nambe, dancing or helping my daughter or my nieces and nephews get ready to dance.

Hidden Roots, by Joseph Bruchac was next because in it, readers get a powerful look at just one of those moments in history when laws were passed to get rid of us.... this one was sterilization programs in Vermont in the 1930s.  Note from Debbie in Jan of 2024: I no longer recommend Bruchac's books. For details, see: Is Joseph Bruchac really Abenaki?

Last is Birchbark House, by Louise Erdrich.  In this, the first of several books about Omakayas, a young Ojibwe girl, readers gain a Native perspective on the effects of Europeans moving on to homelands of Native peoples. Unlike the way that Laura Ingalls Wilder portrayed 'other' to her characters, Erdrich doesn't dehumanize other to the characters in Birchbark House.

The soundtrack I used was one of a small set of options. The music has that excitement I feel when I'm reading and writing about books that I cherish.  I'm happy to know its getting a lot of traffic, and I hope it is helping people find my site, and increasing their ability to look critically when selecting children's books.

New cover for Erdrich's BIRCHBARK HOUSE

Each semester in my courses at Illinois, we read Louise Erdrich's Birchbark House. It's a terrific book, as are the two that followed it, Game of Silence, and, Porcupine Year.

This time, one of the students had a copy with a cover I'd not seen before. Instead of Louise's art on the cover, this one has a photograph (shown here) of a young girl. No doubt the publisher is following a trend of putting photographs rather than illustrations on book covers when a book is reprinted. The rationale is that the photograph is more appealing to the consumer. I wonder who the girl in the photo is?

[Update: December 14, 10:15 AM CST. Heather (in comment) asked to see both covers, so I've added the original cover.]

Erdrich's Illustrations on Notecards

As fans of Birchbark House know, the illustrations in the book were done by Louise Erdrich.

Her store, Birchbark Books, was exhibiting at the Native American Literature Symposium I attended in Minnesota earlier this month. Among the many wonderful books were notecards that are reproductions of the art Erdrich did for Birchbark House.

Click here to get to the on-line site for the store. At present, their catalog is not available online, but contact info is, so call them up if you want a set of the cards. I got several sets. If I recall correctly, each set was $12 and includes six cards.

Louise Erdrich Rejects Honorary Degree

News from last week (April 20th, 2007): Louise Erdrich, author of several outstanding children's books was offered an honorary degree from the University of North Dakota.

Why? Because UND's mascot is the "Fighting Sioux." The article appeared in several papers, including the Minneapolis-St. Paul StarTribune: "Author Erdrich rejects UND honors over 'Fighting Sioux' nickname."

Native students, staff, and faculty at UND and UIUC, and Native organizations and tribal nations have long called for the end of these mascots (or symbols, as the term of choice at UIUC) for sports teams. UIUC's "Chief Illiniwek" is no longer being used at UIUC.

If you haven't yet bought and read and shared The Birchbark House or its sequel, The Game of Silence, visit the Oyate website and get them. They are excellent.

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Update: 11:30, 4/25/2007
Here is the text of Erdrich's letter:

Dear President Kupchella,

It means a great deal to me that the University of North Dakota has offered me an honorary degree. I would like to thank the professors and members of the administration who worked so hard for my nomination, and also the trustees for this great sign of support.

The University of North Dakota has educated members of my family, and members of my tribe, the Turtle Mountain Band of Chippewa. I am proud of my family's association with this fine institution. I would be only to happy to accept this degree, were it not for the UND endorsed logo. The Fighting Sioux logo has alienated many good and hardworking tribal people, as well as decent folk who do not like to see others denigrated as sports symbols.

I know all of the arguments about the logo inside out, as do you, President Kupchella, but I would just like to add these comments. The Fighting Sioux logo has become a locus for hatred. By holding onto this antiquated symbol, UND tacitly endorses biased and racist behavior against the very people I believe you would, truly, rather honor and know as the complex people we are.

The University of North Dakota could provide great leadership and further the cause of human understanding, as well as take a step toward acknowledging the first people of the Dakotas, by removing this symbol and declaring peace. No more Fighting Sioux. Let us stop using American Indians as mascots the way animals are used.

Again, I regret having to having turn down this wonderful honor. My family regrets this too. I really do wish that I could accept.

Sincerely Yours,

Louise Erdrich