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Wednesday, May 14, 2008
"I" Still Isn't for Indian, by Nina Lindsay
Saturday, May 10, 2008
Response from Ben Mikaelsen re TOUCHING SPIRIT BEAR
A brief note for now: I understand the desire to feel sympathy for Mikaelsen, or to defend freedom of speech and his freedom to write what he wants to. My concern lies with the children who read (in this case) his books:
- the Tlingit children who read his book and know he misrepresents their culture, and
- the non-Tlingit children who may think they've learned something about Tlingit culture.
Below is Mikaelsen's response. I invite your comments, and am working on a reply that I will post in the next few days.
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People within any culture can be wonderfully diverse in beliefs and life styles. The reality of Circle Justice is that it has been used in different forms by First Nation people for hundreds of years. I first heard about Circle Justice from a prosecuting attorney in
Thursday, May 08, 2008
Resources for Evaluating Tlingit Content in TOUCHING SPIRIT BEAR
Visit these sites. They are primary sources. There aren't any "answers" to specific questions, but they do provide background information about the Tlingit people.
- Central Council of the Tlingit and Haida Indian Tribes of Alaska.
- Sealaska Heritage Institute
- Alaska Native Knowledge Network
On page 19 of Mikaelsen's Touching Spirit Bear, he refers to the "at.oow." Go to these sites to learn about at.oow. Does his presentation of it match what you learn?
Artstream Board Member, Tom Jimmie(8/14/2012: Link broken)- Rosita Worl's Introduction to the Tlingit Culture and Repatriation
Here are some print resources:
Dauenhauer, Nora Marks, and Richard Dauenhauer, Haa Tuwunaagu Yis, for Healing our Spirit: Tlingit Oratory (Seattle: University of Washington Press, 1990.)
deLaguna, Frederica, Under Mount Saint Elias: The History and Culture of the Yakutat Tlingit, Smithsonian Contributions to Anthropologu, Vol. 7 (Washington: Smithsonian Institution Press, 1990).
Emmons, George Thornton, The Tlingit Indians (Seattle: University of Washington Press, 1991).
Kan, Sergei, Symbolic Immortality: The Tlingit Potlatch of the Nineteenth Century (Washington: Smithsonian Institutions Press, 1989).
Olson, Wallace M. The Tlingit: An Introduction to their Culture and History (Auke Bay, AK: Heritage Research, 1991).
Worl, Rosita, "History of Southeastern Alaska since 1867" in Handbook of North American Indians, ed. William c. Sturtevant, vol. 7, Northwest Coast, ed. Wayne Suttles (Washington: Smithsonian Institution, 1990).
And, here are some news articles that sound a lot like the premise for the story told in Touching Spirit Bear:
"The Banishing Judge," in Time Magazine, September 12, 1994.
"Indian Boys' Exile Turns Out to Be Hoax," in
Tuesday, May 06, 2008
Powhatan statement on Pocahontas
In 1995, Roy Disney decided to release an animated movie about a Powhatan woman known as "Pocahontas". In answer to a complaint by the Powhatan Nation, he claims the film is "responsible, accurate, and respectful."
We of the Powhatan Nation disagree. The film distorts history beyond recognition. Our offers to assist Disney with cultural and historical accuracy were rejected. Our efforts urging him to reconsider his misguided mission were spurred."
If you teach about Pocahontas, or are selecting books about her for your library or classroom, you might want to read the entire statement. In fact, you might want to have your students read it!
Update: Sunday, May 10, 2010
The link to the statement in the original blog post has been replaced with a link to the Internet Archive because the Powhatan Renape Nation's website is down.
Monday, May 05, 2008
Congratulations to Eric Gansworth
Some weeks ago, I posted Eric Gansworth's poem "Loving That Land O'Lakes Girl." Eric is an enrolled member of the Onondaga Nation. The poem is in his book, A Half-Life of Cardio-Pulmonary Function. Eric wrote to me earlier today with terrific news.
It is on the Spring 2008 National Book Critics Circle's "Good Reads" list. Congratulations, Eric!
To read details, go to the blog called "Critical Mass: The Blog of the National Book Critics Circle Board of Directors." Click here to get there. If you're developing a syllabus for a senior English lit class, consider adding Eric's book to your list.
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Sunday, May 04, 2008
A response to Richie's review of GHOST OF SPIRIT BEAR, and a critical look at TOUCHING SPIRIT BEAR
He opens his review with this excerpt from Black-Eyed Peas "Where is the Love?"
"Wrong information always shown by the media
Negative images is the main criteria
Infecting the young minds faster than bacteria
Kids wanna act like what they see in the cinema
Yo', whatever happened to the values of humanity
Whatever happened to the fairness in equality
Instead of spreading love we spreading animosity."
He goes on to praise Ghost of Spirit Bear, but again and again, I come back to the lyrics he opened the review with...
"Wrong information always shown by the media" --- That describes, perfectly, the way that Native peoples are portrayed in the movies, cartoons, advertisements, commercial products, and, of course, children's books.
"Wrong information" also perfectly describes Mikaelsen's first book, so it is puzzling that Partington uses that phrase to describe the book. Either Richie hasn't read criticism of Native imagery in Touching Spirit Bear, or, like so many others, he thinks a critique of Mikaelsen's misuse and misrepresentation of Tlingit people doesn't matter.
Touching Spirit Bear relies on and draws heavily from Mikaelsen's ideas about American Indians. His writing includes stereotypes, old and new. 'Old' meaning those older ones that put American Indians in the same class as animals; 'new' meaning the new-age use of Native spirituality.
Chapter 1 opens with Cole in a boat on his way to spend a year on an island in Alaska. This is "banishment" and the outcome, we are told later, of Circle Justice. With Cole are two men, both of them Tlingit. One is Garvey, who is "built like a bulldog with lazy eyes" (p. 3). The other is Edwin who "stared forward with a steely patience, like a wolf waiting" (p. 4)
Bulldog? Wolf? Is this a style Mikaelsen uses to describe all his characters? Here's how he describes Cole:
"He was an innocent-looking, baby-faced fifteen-year-old from Minneapolis..." (p.5)
And here's Peter, the kid Cole beat up:
"...the skinny red-haired boy," (p. 7)
Cole's parents:
"His mom acted like a scared Barbie doll, always looking good but never fighting back or standing up to anyone" (p. 9)
"His dad was a bullheaded drinker with a temper" (p. 9).
Bullheaded is certainly derived from an animal, but the term is common usage for someone who is determined to do what he wants, regardless of what others might think or want. Given that, I think it is different from the ways that Garvey and Edwin are described.
It is through Garvey that Cole learns about Circle Justice. Based on my reading about Circle Justice, Mikaelsen (through Garvey) does a reasonably accurate job of laying it out on pages 10-12. Where Mikaelsen goes astray is when Cole gets banished. Several meetings of the Circle have taken place, but Cole isn't making any progress. In frustration he tells the people at the meeting: "Send me someplace where I'm not in your face and can't hurt anyone. But why do I have to go to jail?" (p. 55).
Garvey replies "I'm a native Tlingit," he said. "I was raised in Southeast Alaska. It is possible I could make arrangements to have Cole banished to a remote island on the Inland Passage" (p. 55-56).
This banishment to an island comes straight out of the pages of the newspapers in 1994. "Indian Boys' Exile Turns Out to Be Hoax" ran in the New York Times. Reading it is much like reading the early part of Touching Spirit Bear. Except for the part of the article that reads:
"Now it turns out there is no such thing as banishment in Tlingit culture, according to tribal leaders and elders in Alaska."
Hmmm... That gives me pause. Let' see... the article came out in 1994. HarperCollins published Touching Spirit Bear in 2001. Apparently the book wasn't vetted. Maybe they don't do that with fiction? MAYBE THEY SHOULD!!! Course, I know of two books that experts critiqued prior to publication, but the writer/publisher chose to ignore the suggestions (those two are Ann Rinaldi's My Heart is on the Ground, and one of those Indian in the Cupboard books by Lynn Reid Banks).
Course, the book reading world loved Touching Spirit Bear! It's on all manner of "Best Books" lists, it has gotten many awards and glowing reviews. The Horn Book Guide is the only major review journal that panned it, giving it a 5 (out of 6) and calling it "Marginal, seriously flawed, but with some redeeming quality." I'm not sure what the redeeming quality is. "Marginal" and "seriously flawed" are dead on, though.
If you're an editor, get fiction manuscripts reviewed by experts, and when the experts point out problems, listen to the problems. Do not assume that the research the author has done is sufficient. It is likely that he/she is ill-informed.
Be mindful of the sources that you use when creating/writing/reviewing a story with Native characters or content. Today, more than ever, it is possible to find material written by Native people. You don't have to rely on biased and outdated material to do your research!
I know---there's a lot of people out there who are huge fans of Touching Spirit Bear. Seems there's a strong feeling that this book helps kids who are bullies. It may do that, but it also helps everyone stoke their incorrect stereotypical ideas about who Native people are. For that reason, I cannot and do not recommend it.
Notes:
(1) Touching Spirit Bear has been written about twice before on this website. See Beverly Slapin's review and a piece I wrote about comments posted to her review "Reaction to Slapin's review."
(2) Also see resources that can be used to evaluate the Tlingit content in Touching Spirit Bear.
(3) Read Ben Mikaelsen's response here.
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Saturday, May 03, 2008
Jorge Argueta's ALFREDITO FLIES HOME
[This review may not be published elsewhere without written permission of its author, Beverly Slapin.]
Alfredito and his grandma and parents are preparing to go home to
Thursday, April 24, 2008
Presentation of American Indian Library Association Youth Lit Award
Accepting awards there will be:
Joseph Medicine Crow, for Counting Coup: Becoming a Crow Chief on the Reservation and Beyond
Sherman Alexie, for The Absolutely True Diary of a Part-Time Indian
Tim Tingle and Jeanne Rorex Bridge, for Crossing Bok Chitto: A Choctaw Tale of Friendship and Freedom
To order tickets, send a check or money order made out to:
Lisa Mitten
32 Stewart Street
New Britain CT 06053
Wednesday, April 23, 2008
Van Camp and Leitich Smith at Illinois Youth Literature Festival
Exciting news to share! Two of my favorite Native writers--Cynthia Leitich Smith and Richard Van Camp--will be in Urbana-Champaign October 4th, 2008 for our Youth Literature Festival.
The festival starts on October 2nd, with author visits to schools in the area, and culminates on Saturday, October 4th, with storytelling, puppetry, readings, lectures, book signings, and discussions.
Visit the website for more info!
Tuesday, April 22, 2008
Beverly Slapin's review of Joseph Bruchac's BUFFALO SONG
Tuesday, April 15, 2008
Something I wrote ten years ago...
I'm pasting that reflection here today, and I've added some images. It captures my thoughts of ten years ago, and there are things in it that I want to respond to. For now, here's that essay.
____________________
Thoughts on Not Seeing Oneself
I grew up on a small Indian reservation in
Twenty-five years later, I was teaching first grade for the public school district that eventually consolidated
Five years later, I moved from the
During my second semester, I took a course in multicultural children's literature and slowly became aware of why I felt I was in a dream world. It became clear that I was finally in the place Tip took me to. Those images I saw in Tip represented something I did not have as a child, but had found and embraced joyfully as an adult.
The feelings of joy became bittersweet as I realized that I treasure the two and three story houses and the huge piles of leaves because those images were connected to learning to read. I began to wonder - what if my basal reader had contained illustrations of brown
Of course, this is an unanswerable question, but it does speak to the need we recognize in the 90's, for children to see themselves in their books--to see their life experiences validated in the books they read, be they basal readers or children's literature. This means that we need to give children books with characters that look like they do. We say it is necessary for their self esteem.
I don't know if my childhood self esteem was hurt by not seeing myself in my books, but I do know my heart soars today when I see my culture in the pages of Dianne Hoyt-Goldsmith's Pueblo Storyteller or Marcia Keegan's Pueblo Boy, or Michael Lacapa's Less Than Half, More Than Whole. I suspect this is true for all of us, with different books and in other media. Aren't we all thrilled when we see national magazines do a feature story on a small town near our own? Don't we all sit up straighter and grin?
Multicultural literature is suffering a sort of backlash as the 90's draw to a close. Some critics attack multiculturalism as an effort to balkanize
Wednesday, April 09, 2008
2008 Lacapa Spirit Prize Winner
PRESS RELEASE
Winner Named: Lacapa Spirit Prize for Southwest Children’s Literature
April 6, 2008
The Lacapa Spirit Prize is proud to announce its 2008 winner. Named for Michael Lacapa, children’s book illustrator and writer who died in 2005, the award honors the legacy of his artistic vision and talent for storytelling. This prize acknowledges great books for children that best embody the spirit of the peoples, culture and natural landscape of the Southwest. Books published in the two years prior to the award are eligible for consideration.
The 2008 Lacapa Spirit Prize for Narrative was awarded to “Jóhonaa’éí: Bringer of Dawn” by Veronica Tsinajinnie, illustrated by Ryan Singer, published by Salina Bookshelf Inc.
“Jóhonaa’éí: Bringer of Dawn” is a beautiful and peaceful story of the relationship the sun has to the earth and its inhabitants as he rises every morning and brings dawn. Veronica Tsinajinnie’s bilingual narrative is powerfully subtle in its presentation of Navajo culture. The story chronicles the journey of Jóhonaa’éí, the sun, as he passes over land, plants, animals, and humans, ushering in a new day. After Jóhonaa’éí wakes the field mice, the rabbits, and the sheep, he is “contented to know his job is done…” He finally arrives at a hogan door to wake “his children” who live inside. The sun then watches as the family offers “white corn to the morning spirits” and “give thanks to the bringer of dawn” before they begin their day also content to know that their job is done as well. Young readers will delight in Tsinajinnie’s progressive repetition, recognizing the daily path as one they, too, walk.
Michael Lacapa (Apache, Tewa and Hopi) worked with the Apache tribe in developing multicultural educational curricula for Native school-age children and often used storytelling as a teaching tool.
He was an exceptional storyteller and the talented illustrator of such books as “The Magic Hummingbird,” “Spider Spins a Story,” and “The Good Rainbow Road.” He is the author/illustrator of “The Flute Player,” “Antelope Woman” and “Less Than Half, More Than Whole,” the latter co-authored with his wife Kathy.
The Lacapa Spirit Prizes will be awarded to recipients during the 10th Annual Northern Arizona Book Festival in