The strength of what she says lies in her ability to reconsider the book once she had new information about it, and then, to stop using it. I've certainly had that experience many times.
I remember--vividly--reconsidering The Five Chinese Brothers when I began graduate study at UIUC in 1994. I grew up on our reservation (Nambe) in New Mexico, attending a US government day school in first grade. The librarian from the local public school would drive over to our school every two weeks with a cardboard box filled with books. The fourteen (or so) of us Pueblo kids would choose books from his box. That box of books was our library. [As I write this, I can cynically imagine an author reading my blog and thinking "hmmm... that would make a good story." I hope nobody tries to turn my story into a book or a passage in a book. I can imagine the ways the story would be done wrong, as the author filled in gaps with his/her (likely) faulty knowledge of my life as a kid on our reservation.]
Two books stand out from that time. One is Little Owl Indian. I will write about that one another day.
The second is The Five Chinese Brothers. It carries enormous significance for me---a kid learning to read, and loving that books could take me to other places and times. In graduate school, I gained new information about it, and I let it go. I took it off its pedestal, and now use it in my classes to describe that process... That process of letting go of something with emotional significance. It isn't a bad thing to do, or a sign of weakness. It is called learning.
Update: July 18, 2007
The Spring 2007 issue of Journal of Children's Literature, published by the Children's Literature Assembly of the National Council of Teachers of English includes a column called "A Dozen Great Books." On the list is The Five Chinese Brothers, of which the columnist says "Five brothers who look exactly alike use their special powers to save First Brother from being unfairly punished."
In the intro, the columnist says "...I longed to retitle this column 'A Dozen Great Books That Tickled My Imagination, Delighted My Sense of Humor, Taught Me The Power of Language, Encouraged Me To Listen To My Own Stories, Allowed Me To Glimpse The Vast and Varied Word Beyond the Cornfields of Illinois Where I Was Growing Up, Encouraged Me To Go Within Myself And Listen To My Own Stories, Comforted Me, And Basically Changed My Life.'" She also says she came to know the book through Captain Kangaroo's television program.
Below is what I said last August about Ten Little Rabbits, in a post about a book called Brave Bunny. I hope you read what I wrote and also what Tricia has to say at "Reconsidering Ten Little Rabbits: Evaluating Books from the Viewpoint of Other Cultures."
Update: Thursday, July 19
The tribes represented (or rather, misrepresented) in Ten Little Rabbits are Sioux, Tewa, Ute, Menominee, Blackfoot, Hopi, Arapaho, Nez Perce, Kwakiutl, Navajo.
Bunnies appear frequently in children's books, and there is at least one very popular book that features bunnies dressing up like Indians. Ten Little Rabbits by Virginia Grossman came out in 1991. The illustrations (by Sylvia Long) are attractive. No doubt, some view the title as a clever take-off on "Ten Little Indians" which many children still sing in their pre-school classrooms.
It is a counting book, so (by definition), each page features a numeral and objects to count. In this case, the objects for counting are rabbits dressed in the regalia of a specific tribal nation. I urge readers---especially Native ones---to take a look at the book. Is your tribe represented? Is it correctly represented?
There is a page intended to show Pueblo Indians. On that page, two male rabbits are shown dancing in Pueblo-like attire, standing in front of an adobe wall. But! They are shown facing each other, and there are only two of them (this is the page for the numeral two). There are no dances at Nambe (my home) that are done that way.
At the end of the book is a double-page spread (two pages facing each other) that have "information" about each tribe depicted in the book. I deliberately put "information" in quotation marks, because the "information" about Pueblo people is wrong. Grossman says that we "stage" a dance in which the male dancers "leap and stamp to wake up the spirits."
Sadly, this "information" makes the book more attractive to parents and teachers who are trying to bring accurate and authentic books to the classroom. I'm sure that Grossman and Long didn't intend to dupe their readers, but I think they've done all children a disservice. Once again, Native people are objectified (one little, two little....), and these gorgeous illustrations and "information" add to the already too-big pile of hooey that passes for knowledge about American Indians.
Next time you're in your local library, see if Ten Little Rabbits is on the shelf. If you're willing, approach the librarian, and point out problems with the book. It has FACTUAL errors. In my view, it should be weeded (pulled off the shelf and taken out of circulation).
If you're interested in reading more about Ten Little Rabbits, see Theresa L. McCarty's article "What's Wrong with Ten Little Rabbits?" published in 1995 in a journal called The New Advocate (volume 8, #2, page 98).
UPDATE, MARCH 26, 2009:
See also the review by Lisa Mitten and Naomi Caldwell Wood, of the American Indian Library Association.