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Monday, September 25, 2006
Rina Swentzell's CHILDREN OF CLAY: A FAMILY OF PUEBLO POTTERS
Like most people, I feel warm and happy when I find some aspect of my life in an unexpected place (provided, of course, that it is presented accurately and with integrity). Such was the case several years ago when I came across Children of Clay: A Family of Pueblo Potters, a photo essay by Rina Swentzell.
Published in 1992 in Lerner's "We Are Still Here" series of photo essays, I especially like Children of Clay because of its photographs of pueblo people (in this case, from Santa Clara Pueblo). From the baby on the cover to the children and adults throughout the book, readers see Pueblo people working and playing in the present day.
Teachers looking for an art lesson or activity that is related to American Indians might consider clay projects. Using Children of Clay with your students, they can see Pueblo kids making things with clay. You can teach your students that:
1) American Indians did not vanish or become extinct.
2) Pueblo Indians are in New Mexico.
3) There are 19 Pueblos (there is a map of them in the book).
4) They are all different, with different names and locations.
5) There are over 500 federally recognized tribal nations in the US today.
A note of caution: Young children could easily develop an idea that "Pueblo Indians make pots." While that is true for some, it is important to tell your students that not all of us are potters.
Friday, September 22, 2006
Jean Craighead George's JULIE OF THE WOLVES
First published in 1972 by Harper & Row, Julie of the Wolves won the Newbery Medal in 1973. It is included on a wide range of recommended book lists. It is available in audio and video; there is a sequel to it. Numerous teacher's guide and activity books are available for teachers to use when teaching the book. This is the summary of the Julie of the Wolves (from the Library of Congress):
"I humbly would not recommend the book to be put on school shelves."
Spend some time on the Alaska Native Knowledge Network pages. Read Martha Stackhouse's review of Julie of the Wolves. There is much to learn on their site about this and many other popular children's books set in Alaska (i.e. Gerald McDermott's Raven: A Trickster Tale from the Pacific Northwest).
To find the book reviews, go to Honoring Alaska's Indigenous Literature, and click on "Examining Alaska Children's Literature" and "Critiquing Indigenous Literature for Alaska's Children."
"While running away from home and an unwanted marriage, a thirteen year old Eskimo girl becomes lost on the North Slope of Alaska and is befriended by a wolf pack."A few days ago on child_lit (an Internet listserv for discussion of children's books), a subscriber posted a link to a review of the book on the Alaska Native Knowledge Network webpage. The reviewer, Martha Stackhouse, is Inupiaq. She points out misrepresentations and misconceptions of Inupiaq culture, and says
"I humbly would not recommend the book to be put on school shelves."
Spend some time on the Alaska Native Knowledge Network pages. Read Martha Stackhouse's review of Julie of the Wolves. There is much to learn on their site about this and many other popular children's books set in Alaska (i.e. Gerald McDermott's Raven: A Trickster Tale from the Pacific Northwest).
To find the book reviews, go to Honoring Alaska's Indigenous Literature, and click on "Examining Alaska Children's Literature" and "Critiquing Indigenous Literature for Alaska's Children."
Thursday, September 21, 2006
Native Americans and Thanksgiving
Reenactments of historical events are a much loved pastime. I first came across one 12 years ago in Illinois. On a field were people dressed as knights, carrying all manner of weaponry. I thought it was a movie set, but learned it was a group that does this on a regular basis.
In school, we teach children to do reenactments, like "The First Thanksgiving." Lots of time is spent making hats and headdresses and other articles of clothing, and, talking about "The First Thanksgiving."
But is this particular reenactment best practice? Is it educationally sound? Certainly, it is fun for some of those who do it, but should teachers and children be doing it at all?
Teachers work very hard, but receive little respect for their work. And, they are underpaid, too, often spending chunks of their too-small salaries to buy things their schools cannot provide. Due to lack of time and resources, teachers often recycle activities from one year to the next. I think Thanksgiving reeactments are one of those things that gets recycled. Developing new ways of teaching about Thanksgiving will take time and money. Before that can happen, however, teachers must learn more about Pilgrims, Indians, and "The First Thanksgiving."
They can start with Deconstructing the Myths of "The First Thanksgiving," a free resource by Judy Dow and Beverly Slapin, available at Oyate. At the bottom of "Deconstructing the Myths" are two lists of recommended books.It includes three lists of books: 1) Recommended Books about Thanksgiving, Also take a look at their "Books to Avoid" about Thanksgiving .
Not surprising, but still disheartening, is the number of books on the first two lists. Dow and Slapin's short list includes only one work of fiction: Jake Swamp's Giving Thanks: A Native American Good Morning Message, published in 1995 by Lee and Low. The other five children's books on their list are non-fiction, and one is a teacher resource. In contrast, there are over 80 books on the "Books to Avoid" list, but it doesn't have to stay that way.
Teachers are a powerful group. You can effect change. Because of teachers' letters telling them that children were using "Indian Red" to color Indians red, Crayola changed the name of their "Indian Red" crayon to "chestnut." With Thanksgiving coming up, perhaps teachers can push publishers to give them better books. To find contact information for them, go to Children's Book Publishers at Kay Vandergrift's website on children's literature. (You'll have to hunt around on a publisher's website to find their "contact us" page with addresses and phone numbers.)
Obviously, we need more books on Dow and Slapin's recommended list, but they won't be written unless people ask for them.
In school, we teach children to do reenactments, like "The First Thanksgiving." Lots of time is spent making hats and headdresses and other articles of clothing, and, talking about "The First Thanksgiving."
But is this particular reenactment best practice? Is it educationally sound? Certainly, it is fun for some of those who do it, but should teachers and children be doing it at all?
Teachers work very hard, but receive little respect for their work. And, they are underpaid, too, often spending chunks of their too-small salaries to buy things their schools cannot provide. Due to lack of time and resources, teachers often recycle activities from one year to the next. I think Thanksgiving reeactments are one of those things that gets recycled. Developing new ways of teaching about Thanksgiving will take time and money. Before that can happen, however, teachers must learn more about Pilgrims, Indians, and "The First Thanksgiving."
They can start with Deconstructing the Myths of "The First Thanksgiving," a free resource by Judy Dow and Beverly Slapin, available at Oyate. At the bottom of "Deconstructing the Myths" are two lists of recommended books.
Not surprising, but still disheartening, is the number of books on the first two lists. Dow and Slapin's short list includes only one work of fiction: Jake Swamp's Giving Thanks: A Native American Good Morning Message, published in 1995 by Lee and Low. The other five children's books on their list are non-fiction, and one is a teacher resource. In contrast, there are over 80 books on the "Books to Avoid" list, but it doesn't have to stay that way.
Teachers are a powerful group. You can effect change. Because of teachers' letters telling them that children were using "Indian Red" to color Indians red, Crayola changed the name of their "Indian Red" crayon to "chestnut." With Thanksgiving coming up, perhaps teachers can push publishers to give them better books. To find contact information for them, go to Children's Book Publishers at Kay Vandergrift's website on children's literature. (You'll have to hunt around on a publisher's website to find their "contact us" page with addresses and phone numbers.)
Obviously, we need more books on Dow and Slapin's recommended list, but they won't be written unless people ask for them.
Labels:
thanksgiving
Wednesday, September 20, 2006
A Review of Ben Mikaelsen's TOUCHING SPIRIT BEAR
__________________
SEPTEMBER 20, 2006: Beverly Slapin's review of Ben Mikaelsen's Touching Spirit Bear
Editor's Intro to Slapin's Review: American society loves to love Indians and things-Indian. Or rather, things they think are Indian. There’s a long history of exploiting our ways of being. Touching Spirit Bear is another example of that exploitation. You don’t have to buy or read it. There are better books available. To find them, visit the Oyate website.
[Note: This review is used here with permission of the author, Beverly Slapin. It may not be published elsewhere without her written permission.]
For centuries, restorative justice or circle justice has been practiced in one form or another by many Indian communities. The object is to restore the wellbeing of the victim or the victim’s family, rather than to punish the offender. This is done through a multi-step talking-circle approach, in which the people most affected by the crime, along with community representatives, come together to heal and to try to agree on a fair and reasonable settlement. The sentencing plan involves commitment by the community, family members, and the offender. In 1996, a pilot circle justice project, in conjunction with the criminal justice system, was initiated in Minnesota .
In Touching Spirit Bear, Cole Matthews is an angry, out-of-control Minneapolis teen, the son of wealthy, abusive alcoholic parents, convicted of viciously beating a classmate. This manipulative and violent young offender is given one more chance: to take part in the circle justice program. Soon Cole finds himself on a remote Alaskan island in Tlingit territory, banished for a year, overseen by a Tlingit parole officer and a traditional elder—and watched by an enormous white “spirit bear.” Here, he resists, wrestles with, and ultimately comes to terms with this chance to take responsibility for what he’s done.
Ben Mikaelsen’s writing, in places, is evocative and a dead-on accurate portrayal of a troubled teen. After the bear near-fatally mauls Cole, there are excruciatingly detailed descriptions of his struggles to survive by eating worms and bugs, a live mouse and even his own vomit. With broken ribs, legs and an arm, and too weak to get up, he defecates in his pants, and fights to stay alive. It is during this time that Cole begins to understand his vulnerability and his relationship to everything that surrounds him. It is here that his transformation begins.
All of this having been said, Touching Spirit Bear is fatally flawed by Mikaelsen’s inexcusable playing around with Tlingit culture, cosmology and ritual; and his abysmal lack of understanding of traditional banishment. It is obvious that what he doesn’t know, he invents. Edwin, the Tlingit elder, instructs Cole to: jump into the icy cold water and stay there as long as possible; pick up a heavy rock (called the “ancestor rock”) and carry it to the top of a hill; push the rock (now called the “anger rock”) back down the hill; watch for animals and dance around the fire to impersonate the animal he sees (called the “bear dance,” “bird dance,” “mouse dance,” etc.); announce what he’s learned about the characteristics of that animal from his dance; and finally, carve that animal on his own personal “totem pole.”
This is all garbage. The purpose of banishment is to isolate a person so that, in solitude, he can think deeply about his life and relations, and prepare to rejoin his community. When someone is banished, he is left to learn on his own whatever is to be learned. It is not about white boys “playing Indian.” It is not about teaching white boys the rituals of another culture. And most especially, it is not about carrying rocks up a hill and performing a bunch of stupid cross-cultural animal impersonation dances.
The author’s own relationship with bears and his supposed almost-close-enough-to-touch encounter with a “three-hundred-pound male Spirit Bear” notwithstanding, Touching Spirit Bear is a terrible book.
—Beverly Slapin
Labels:
not recommended,
Touching Spirit Bear
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