Highly Recommended: THE PENCIL by Susan Avingaq and Maren Vsetula

 The Pencil

Written by Susan Avingaq (Inuk) and Maren Vsetula (not Native)

Illustrated by Charlene Chua (not Native)

Published in 2019

Publisher: Inhabit Media

Reviewer: Jean Mendoza

Review Status: Highly Recommended

After Debbie and I published our list of the best books we read in 2024, I came across a forgotten gem that will have a place on our 2025 list, though it's an older title. The Pencil by Susan Avingaq and Maren Vsetula had been hiding between two larger books on my shelf for a few years. Published in 2019, it's one of those "little" stories that seems simple but offers a lot to think about. 

Here's what the publisher, Inhabit Media in Nunavut (part of what's currently called Canada) says about it:

Susan loves watching her anaana write letters to people in other camps. Anaana has one precious pencil, and she keeps it safe in her box for special things. One afternoon, Anaana leaves the iglu to help a neighbour, and Susan and her siblings are left with their ataata. They play all their regular games but soon run out of things to do -- until Ataata brings out the pencil! As Susan draws and draws, the pencil grows shorter and shorter. What will Anaana think when she comes home?

This is one of AICL's "short and sweet" reviews -- a brief summary and four reasons we recommend the book.

Reason #1 to recommend The Pencil: Family situations children and adults can relate to.

Many a child has run out of things to do while waiting for something to happen. Many an adult has wondered what fun ideas they can offer next. Maybe that's less of a problem in these days of screens and apps, but even those can lose their charms after awhile.

It's too cold to go outdoors, and as the text and illustrations imply, the family does not have a lot of possessions. Susan reveals a truth that many families experience: "It was nice to spend some time with Ataata. Sometimes he even let us do things Anaana didn't let us do..." The illustration shows him telling a scary story. 

To keep his children occupied after they exhaust their repertoire of indoor fun, Ataata has to think outside the box -- or in this case, inside the box of Anaana's special things. He takes out her only pencil and last sheet of paper. 

Those two precious objects open up a world of engagement. Susan, Rebecca, and Peter enchant each other and Ataata with their drawings. I especially like the way the authors express Susan's delight as she begins to draw.  

When Anaana returns, she's dismayed at first to see what happened to her pencil.  (I could recall similar feeling, arriving home and seeing what our crew had been up to.) She reminds the family, "We won't be able to get another until we return to the trading post" -- which obviously is not something they can do every day. But Anaana also sees what a positive experience it was for them. She smiles, praises their drawings, and is glad they had a good time. 

Reason #2: The storytelling -- words and pictures

The Pencil is based on Susan Avingaq's childhood experiences. Contemporary sources I found say that iglus aren't used much as homes any more, but they remain an important part of Inuit cultural history. 

The plot and setting may seem uncomplicated, but the storytelling -- text and illustrations together -- feels masterful. The narrator and the other characters are very likable. Subtle details in the illustrations and text convey important details. An ulu, a specialized knife, is shown. One of their sled dogs who is outside wants Anaana's attention when she leaves the iglu, and when she returns. These are not indoor dogs. The children wear what might seem like a lot of clothing for people who are indoors, and they warm their hands over a small, contained fire, suggesting a cool indoor temperature. 

Few other furnishings are depicted. The pencil commands the reader's attention on the pages where it appears, just as it holds the attention of the characters. The end papers are also part of the story, featuring child-like drawings the three siblings showed their mother. 

The narrator says, "Our iglu was a very cozy place. We didn't have much, so our parents told us to use what we had wisely," but there is no sense that the family is deprived. The illustrations are full of joy, comfort, and affection. And I love the final illustration: a full moon shines down on the small community of iglus, their ice windows glowing in the night.

The story ends with the narrator remarking that "something as small as a pencil" had brought the family joy. She says she would always remember Anaana's reminder to use things wisely and take care of what they did have.

Reason #3: "Food for thought" 

This is a story about a resourceful family. Anaana's absence is an aspect of the community's resourcefulness -- women who know about having babies are a resource for women who are having them. Susan and her siblings use all their play resources (dolls, games) to keep themselves entertained while she's gone, and Ataata resourcefully produces the pencil and paper just in time. 

Teachers or caregivers sharing this story could ask children about times when they have been resourceful.

What might they do for fun if they had to stay indoors and not go anywhere? What if they had no phones or screens? What might they need to do to get along with the people with them?

The narrator makes two key points at the end of the story: that small, simple things can bring much joy, and that it's important to wisely use the things we have. People accustomed to a society of Plenty (perhaps Too Much), may think Susan and her family have "too little." It would be interesting to ask elementary-age kids to talk about small things that have brought them happiness, and about what "enough", "a lot" and "too little/few" mean to them. 

For an expanded perspective on those ideas, Richard Van Camp's wonderful May We Have Enough to Share would be a good companion book. 

Reason #4: The potential for further research and learning

Sharing The Pencil with children outside of an Arctic environment might require laying some groundwork. I have the impression that curricula in Canada include factual information about Inuit culture and history, but many children in the US may not have access to such knowledge. In fact, they may be exposed to stereotypes and misinformation instead. There's a teacher's guide for grades K-3 that looks very helpful.

The glossary at the back defines and gives pronunciations for Inuktitut words used in the story, such as qulliq (oil-burning lamp) and inuksuit (traditional stone marker). You could also introduce some other children's books with reliable information about life in the Arctic, such as How to Build an Iglu and Qamutiik: Inuit Tools and Techniques (by Solomon Awa) or Inuksiutiit: Inuit Tools. Both are published by Inhabit Media, and provide stereotype-free facts about items depicted in The Pencil.  

Related activities could include drawing with pencils, and acting out the story. This is one of those books that makes me wish to be back in the classroom!

     

        

The Pencil was published shortly before the COVID pandemic. I can imagine it brightened the days for children and families homebound during the worst of it, and would be an inspiration now for those stuck indoors because of winter weather. Teachers, librarians, parents -- get this book and the others I mentioned, and enjoy them with the kids!  

It's here! THE BIRCHBARK HOUSE in audiobook -- read by Louise Erdrich!

What a treat for December! The Birchbark House -- read aloud by Louise Erdrich -- is out! I've been waiting for it, with tremendous joy and anticipation. Why? Because the story Erdrich gave us in 1999 blew me away. 

In children's literature we talk about voice. We seek books written by Native people. We believe that their identity can give readers stories with more depth when the characters are of that writer's tribal nation. Erdrich does that exceptionally well with the words I read in her books, and when I listen to her reading one of her books, those spoken words take everything to a dimension that I can't adequately describe. I highly recommend it!

Order and download your copy from Birchbark Books, today! As you're out and about, give it a listen.  

Highly Recommended: STITCHES OF TRADITION by Marcie Rendon; illustrated by Joshua Mangeshig Pawis-Steckley

Stitches of Tradition (Gashkigwaaso Tradition)

Written by Marcie Rendon (enrolled member of the White Earth Nation)

Illustrated by Mangeshig Pawis-Steckley (Anishinaabe; member of Wasauksing First Nation

Published in 2024

Publisher: Heartdrum (Imprint of HarperCollins)

Reviewer: Debbie Reese

Review Status: Highly Recommended

****

Regular readers of AICL know that I urge them to look at author's notes whenever they pick up a book by a Native writer. Doing that gives you (teacher, parent, librarian, professor, reviewer...) information that you probably did not get in school or college. That information supports the reading you'll do when you flip back to the front of the book and start reading the words and looking at the illustrations. 

Marcie Rendon's note for Stitches of Tradition is outstanding. Her note focuses on ribbon skirts. The second paragraph stands out to me:

Skirts are worn not only in traditional ceremonies but also as a political statement. There are many different teachings about the skirt, but the most important thing to remember is that the ribbon skirt says, We are here. We have survived genocide. We are resilient and beautiful.

Some words make me pump my fist and declare YES. Those words did precisely that. The dedication did, too. Rendon's is "For all the grandgirls." And the illustrator, Mangeshig Pawis-Steckley's is "To the women who raised me, and to all the matriarchs guiding us to a brighter future." Imagine more loud declarations from me. 

All right! So what is this story about? Here's the description:

An Ojibwe grandmother carefully measures and selects just the right colors of fabric, and her sewing machine hums whirr, whirr, whirr late into the night.

In the morning, her growing granddaughter has a beautiful new ribbon skirt to wear, a reminder of her nookomis and the cultural traditions that stitch together her family with love.

That basic scene repeats as that grandaughter gets older and her grandma makes another skirt. This part is especially dear because I can see it in my memory and imagine it in other Native homes across the country: 

Nookomis whips out a measuring tape. She measures how round I am from my belly button back around to my belly button. She measures how long I am from my waist to my ankle. She says, "You're growing so tall." 

Deep sigh--thinking about times when I was being measured or when I was doing the measuring for one of our traditional dresses--and for the time when I'll be measuring my granddaughter and reading this lovely book to that granddaughter! 

Now for the political part. At various times as the granddaughter gets older, she needs a new skirt. About halfway through the story we read that her auntie, who is a lawyer, is becoming a district judge. The granddaughter and grandma need new skirts to honor her at the upcoming swearing in. So Nookomis gets out that measuring tape and measures her granddaughter. And then, she says:

"Noozhishenh, now you must measure me." 
Sweet as can be! And oh so real! 

Here's the swearing-in page:

 

This book is full of goodness and reality of who Native people are, culturally and politically, and there's layers to it, too, with deep significance for Native people. For those who are Ojibwe there's things in the illustrations that will call to them. Obviously, I highly recommend Stitches of Tradition!  

Highly Recommended! CHOOCH HELPED by Andrea L. Rogers, illustrated by Rebecca Lee Kunz

Chooch Helped

by Andrea L. Rogers (citizen of the Cherokee Nation)

illustrated by Rebecca Lee Knuz (citizen of the Cherokee Nation)

Published in 2024

Publisher: Levine Querido

Reviewer: Debbie Reese

Review Status: Highly Recommended

****

Sometimes a story reaches right into your being and makes you laugh, smile, wince, and then it makes you feel loved. That is my experience reading Chooch Helped by Andrea L. Rogers. She's a citizen of the Cherokee Nation. Illustrations are by Rebecca Lee Kunz, who is also a citizen of the Cherokee Nation. 

Look at the cover. Kunz's art captures precisely what we see as we begin reading Chooch Helped. The posture of the girl as she peers over her shoulder at the boy watering a plant, spilling water as he does it captures what we see in the first part of the book. His red cape and red boots... how many of us have memories of siblings or cousins who wore things like that?!  How many of us have a younger brother or sister who--even as they grew into toddlerhood--were called "the baby"? Chooch Helped invites us to revisit our own memories and, perhaps, tell our little ones about an auntie or uncle who annoyed us when we were kids. I adore what this story does for me, and can't wait to read it to kids! 

Setting that aside for now, this story does more than touch on memories. In a straightforward way, Rogers introduces us to some Cherokee words. Cherokee families may feel a special delight seeing their language in this book. The rest of us may tell our children words in our own languages as we read Chooch Helped. 

I urge you to get a copy and flip to the back matter. Take a look at those pages before reading the book with kids. You'll find a glossary that tells you how to say the Cherokee words in the story. And, you'll find the Author's Note and the Artist's Note. Rogers and Knuz give us tribally specific information that they've put on each page. To most readers, the page where Chooch helps tune up bicycles is just a page about a kid helping his dad fix bikes but in her note, Rogers gives us more depth. She tells us about the 

Cherokee Nation's Remember the Removal Bike Ride. Here's that portion:

In the Artist's Note, Kunz tells us about Cherokee patterns in baskets and as I studied the illustrations to find it, I spotted (and loved) the green footprints we learn about as we get to the end of the story. That reveal is clever and delightful and oh-so-perfect! I adore this book! 

Get a few copies for friends! If you're a teacher, get one for your classroom, and librarians, get copies for your library system. 

Highly Recommended: LET'S GO! haw êkwa! BY JULIE FLETT

Let's Go! haw êkwa!

Written and illustrated by Julie Flett (Cree-Metis)

Published in 2024

Publisher: Greystone Kids

Reviewer: Jean Mendoza

Review Status: Highly Recommended

What a treat I had tonight! While browsing through a shelf of the newest books in the children's department at our library, I came across several by Indigenous writers and illustrators. One of them was this sweet-and-substantial story of skateboarding, inspiration, friendships, and fun by award-winning artist Julie Flett.

Here's how the publisher summarizes the book:

Every day, a little boy watches kids pass by on skateboards, and dreams of joining them. One day, his mother brings a surprise: her old skateboard, just for him! haw êkwa! Let’s go! Together, they practice on the sidewalk, at the park, in Auntie’s yard—everywhere. But when it comes time to try the skatepark, the skateboarders crash down like a waterfall. Can he find the confidence to join them?

There are many, many reasons I like and recommend this book.  Here are four.

Reason #1 for recommending Let's Go! haw êkwa!: The illustrations.

The back matter tells us the illustrations were rendered in pastel and pencil, composited digitally. They have the feel of cut paper collage, without feeling stuck to the page. They remind me of what a good sports photographer can do -- "freezing" the subject in a way that implies continuing action. Two "learning to skateboard" pages show phases of the process, including a mishap, each with its own space. Many other illustrations are two-page spreads; the ones that showcase the fluidity of skateboarding are especially impressive. 

Reason #2: use of the Cree language

The Cree phrase "haw êkwa!" (part of the title) means something like, "Okay then!" according to Flett's note to readers at the end of the story. She explains that she and her son became interested in Cree words to describe the "flow state" skateboarders can experience, so they consulted friends at the Cree Literacy Network, who came through with several words and phrases to share with readers. Intriguing! It's possible I've missed something in other books, but this is the first time I've encountered use of Indigenous words to talk about such complex concepts in a book for young children. Of course there is much to gain in sharing Indigenous names for objects, colors, and numbers; this provides additional layers of respect for and knowledge about an Indigenous language.

Reason #3: all kinds of affirmations 

When one of my young relatives was into skateboarding years ago, they said there was a lot of animosity toward skateboarders. That's probably still the case in some places -- but not in Let's Go! Julie Flett dedicates the book to a young skateboarding enthusiast who sought her out at a book-signing, and to her sons and their friends in their skateboarding community. The protagonist and friends are many shades of brown, reflecting the diversity of their group and contradicting the mistaken notion that skateboarders are primarily white. This appears to be a single-parent family, and it's portrayed as loving and supportive. Not only does Mom give her son her old skateboard -- she also drives the children all over the place to visit skate parks! 

Reason #4: read-aloud potential

Teachers who share the book can invite children to participate in the reading in several ways. At the appropriate times, they can call out, "Let's go! haw êkwa!" They can make the sound of the wheels on pavement: "cacussh, cacussh, cacussh." They can move their bodies as the skateboarders do in the illustrations. After the story, they may want to talk about their own ways of getting involved in an activity. Do they usually jump right in, or do they watch and learn for a while before telling themselves, "Let's go!" They might also want to think about experiences that give them the feeling that they have "become a part of something -- and myself," as the protagonist has.

I am quite a fan of Let's Go! haw êkwa!  I'm hoping every librarian, teacher, and relative of a child reads it and shares it -- and buys multiple copies for their shelves and to give to children.

Highly Recommended: I'M FINDING MY TALK, by Rebecca Thomas, illustrated by Pauline Young

HIGHLY RECOMMENDED

I'm Finding My Talk

by Rebecca Thomas (Mi'kmaw)

Illustrations by Pauline Young

Published in 2019

Publisher: Nimbus Publishing

Reviewer: Debbie Reese

Review Status: Highly Recommended

****

A reader wrote to ask me about I'm Finding My Talk. I did not know about the book prior to being asked about it. I was able to get a copy and deeply touched by it. The author's father was in a residential school in Canada. Because of his experience at the school, he was not able to teach Thomas about their language or culture. In the US those schools -- designed to 'kill the Indian and save the man' -- are called boarding schools. 

When I started reading it, I saw that Nimbus (the publisher) dedicated it to Gregory Younging. He was a leading figure in publishing of Native people in Canada. He was Cree. I saw that Thomas dedicated it to her father. So did Young. Her "I will do my best, Dad" embody so much of the emotion and tenacity Native people in the US and Canada carry as we move forward on our homelands. We work to preserve what we have and we work to recover what was taken from us.

Here's the words Thomas gives us on the first page: 

I'm finding my talk.

The one I never had.

The one that the schools

Took away from my dad.

Young's illustration shows us Thomas's father, eyes closed and head down as he stands in front of the residential school he was at when his talk was taken from him. Together, Thomas's words and Young's illustrations give us facts. 

I deeply appreciate the page because these facts are often rendered in overly dramatic ways that take the dignity from the persons being depicted. That dignified presentation continues throughout the book. We see Thomas learning words and getting to know people in her family and community, and their cultural ways. 

This picture book is outstanding. It leaves room for readers to see, and to come to understandings of what those schools did to Native people. Because it is a picture book, some may think it belongs in an elementary school classroom, but I encourage you to read and talk about it in classrooms at every grade level. It touches me, personally. Our cultural ways were always part of me but language? Not so much. My parents were at boarding school. So--Thomas is speaking to any Native people who are learning their language, and she's speaking to non-Native people who don't know about residential or boarding schools. 

In interviews, Thomas tells us that she read Rita Joe's poem (also a book illustrated by Young), I Lost My Talk and was inspired to write I'm Finding My Talk. I'll look for Rita Joe's book and review it here. In the meantime I'll be thinking about this book as I go through my day. 

Highly Recommended: THIS LAND: THE HISTORY OF THE LAND WE'RE ON by Ashley Fairbanks; illustrations by Bridget George

HIGHLY RECOMMENDED

This Land: The History of the Land We're On

Written by Ashley Fairbanks (White Earth Anishinaabe)

Illustration by Bridget George (Anishinaabe from Kettle and Stony Point First Nation)

Published in 2024

Publisher: Crown Books for Young Readers

Reviewer: Debbie Reese

Review Status: Highly Recommended

****

Wow! I love how this book starts! The words on the first double-paged spread say "This is my house." Behind it is a river. Beside the house is a tall pine tree. We see a family by the tree. 

Turn the page and see "Before us, another family lived here." On that page, the illustrations are family portrait style. Four different families are shown, each family unique, each clad in modern clothes. 

Turn the page again and we read the words "Before our house was here, there was another family, with a different kind of house." On that page we see see wigwams in a village and the families who lived in them. The people in that village are wearing clothes with Anishinaabe designs. Behind that village is the river we saw earlier, and that tree? It is a small, young tree.

All the faces and families up to that point are cheery, happy. With the words and illustrations on these pages, Fairbanks and George take us from the present into the past, helping readers see, learn, and feel that the land they're on was someone else's before. 

Another page turn and we get hard history. That phrase is used a lot in social justice networks and curriculum, where educators choose to share truths about history that are often omitted. It is a fact that Europeans who came onto Native homelands wanted that land, and the government helped them get it by removing Native peoples from their homelands. We see that on the next page turn. Here's a portion of that page: 

(Image from my copy of the book)

It is followed by another page of hard history. 

But then, we turn the page again and see the little girl from the very first page, running down the street to her friend's house. That friend, TJ, is Anishinaabe. We see him and his grandma standing in a doorway, smiling and waving at the little girl. 

With another page turn we see the little girl, TJ, and his grandmother making bread. The little girl tells us that TJ's grandmother told her about other Native people. At the top of the page, we see nine different people in traditional clothing. 

Picture me, smiling! One of them is a Native woman who is dressed the way I dress when I'm home for one of our ceremonies. That 'wow' I felt when I first read the book continues! The little girl is on a road trip. Here's a sentence you'll get to: 

At the Grand Canyon, I learned that eight tribes call it home: the Havasupai, Yavapai, Paiute, Hopi, Zuni, Hualapai, Apache, and Diné.

Note: Eight tribes call it home. Present tense verbs! In workshops and professional development, I push very hard to encourage educators to use present tense verbs to talk about us. Again, picture me smiling! 

This book is going to be featured in my work, for sure! Another page spread tells us that Disney World is on Seminole land, the White House is on Nacotchtank and Piscataway land, and that Mount Rushmore is on Oceti Sakowin land. There's a link to a database to see what land you (reader) are on, and that page is followed by a page of discussion questions and suggestions to learn more about the people of that land. Illustrations on that page show Native people holding up signs with their tribal nation's name. 

Can you feel and understand why I highly recommend this book? Get more than one copy if you can, and if you'd like to support Native-owned bookstores, go there (in person or on line). One option is Birchbark Books. This could be an illustration of me. GET THE BOOK! 

(Image from my copy of the book)

Highly Recommended! BOOZHOO! HELLO! by Mangeshig Pawis-Steckley

 

Boozhoo! Hello! 

Written and illustrated by Mangeshig Pawis-Steckley (member 

of Wasauksing First Nation)

Translated by Mary Ann Corbiere (Wiikwemkoong Unceded Territory)

Published in 2024

Publisher: Groundwood Books/House of Anansi Press

Reviewer: Debbie Reese

Review Status: Highly Recommended

****

As you see, we are giving this book a 'highly recommended' review. But... 

Some books are delightful! 

I could also say 'delightfully recommended' because it is precisely the sort of book I would have used back when I was teaching kindergarten and first grade, and that I would have read to our daughter when she was little. Most elementary school teachers know this style of book. Questions are posed and answers given in the text but we can answer as we please, in the moment! 

Cast your eyes up to the cover, above, and look at that wolf's smile as it looks over its shoulder. See the joy in its face? That's where the delight is. The style of Pawis-Steckley's art is called Woodland. In an author's note he tells us he began drawing this book for his newborn daughter. As she grew, he shared the art he was creating. She would clap and smile. I read that author's note after I read the book. I had felt something special as I read it, and now that I have read the author's note, I get it. His illustrations are infused with his daughter's clap, and her smile. 

The format for Boozhoo! Hello! is this: on the left side of the double-paged spread is a page filled with an illustration. Facing it is a page of text in large font. Those words, as you might guess by the book's title, are in Anishinaabemowin at the top half of the page and English at the bottom half, as shown below.

This marvelous book begins with a rising sun and moves through a day's journey. On that first page, it is morning in the woods. "What" I imagine myself saying enthusiastically to a group of children, "do you see?" The sun! Flowers! Trees! Someone would say 'there's an animal behind the trees.'  It is the wolf! When we turn the page we see this:

One of my favorite pages is the one with a young otter on its back in the water, splashing, smiling, playing. A dear one in my own family loves otters. I think he's gonna like that page. 

See why I'm so delighted? 

As we near the end of the book, we see a page where three "little ones" (children) are asked what they hear. Turn the page and we see these words:

gookookoo debtaagzit

dbaajmat dbikak?

Shhh! Mbe nbaak!

Nahaaw, gookookoo.

Gga-waabmin.

an owl hooting

goodnight?

Shhh! It's time to sleep 

now.

Goodnight, owl. 

Imagining myself again, reading that last page in a quiet voice and pointing out the moon, the stars, the owl's closed eyes...  

Highly Recommended: NAVAJO CODE TALKERS by Danielle C. Burbank

HIGHLY RECOMMENDED

Navajo Code Talkers

Written by Danielle C. Burbank (Diné)

Published in 2024

Publisher: Dorling Kindersley

Reviewer: Debbie Reese

Review Status: Highly Recommended

****

I love that Danielle C. Burbank (Diné) opens her book, Navajo Code Talkers, with the word Yá'át'ééh! It signals that we're going to learn about the Code Talkers from someone for whom this is not a subject. Instead, it is her family's life.

On that first page, she tells us her grandfather served as a Code Talker in the US Marines, that the Navajos refer to themselves as Diné (it means "the People"), and that readers will learn about Diné culture, language, and lifeways. 

At the bottom of that page is a photo of Burbank and her grandfather, Deswood R. Johnson, Sr. 

Later, you'll see photos of her daughter and her great grandmother. What we are fortunate to have in this book, is information rooted in her family, her tribal nation, and its history. Earlier this week I wrote about Olympic Gold Medal winner Billy Mills, and that in his book, he tells us that his Native ancestors didn't give up when odds were against them. Their steadfast way mattered to Billy Mills. I see that 'didn't give up' attitude throughout Navajo Code Talkers. 

Because this book is from an insider's perspective, we learn about how Diné culture shapes their way of being in the world and how it shaped how the Code Talkers became who they are and how they persevere when odds are against them. Burbank tells us about kinship and how that mattered, and matters. 

She introduces us to several Diné Code Talkers and their experiences with, for example, boarding school. On page 23, we meet Samuel Tom Holiday, who talks about his older brother, Henry, and how Henry helped Samuel prepare for boarding school. Teachers who are providing students with information about boarding schools will find his story compelling. 

I particularly like the photo on page 10, showing Diné school children reading a signpost at Dream Diné School in Shiprock, New Mexico. Words on the signpost are in their language. Each one points to their sacred mountains. But, as I read on, I find that Burbank does an excellent job of making readers understand that the Code Talkers are not simply a group of Marines. She humanizes them--pulling them from mythical status as vital to a war effort--to a place of knowing them as parents and grandparents whose parents and grandparents had been through a lot, and persevered. 

There's a lot in this book meant for fourth and fifth graders that most people haven't learned. By that, I mean people should read it, regardless of age. You can order it directly from the publisher. I got an e-copy for a few dollars. 

I'm grateful to Burbank for all she did to make this book available to all of us, Native or not. Others are, too. Her nation's library hosted her for a reading a few days ago. And take time to read Diné author writes Navajo Code Talkers book for elementary school readers in Source NM. 

Highly Recommended: WINGS OF AN EAGLE: THE GOLD MEDAL DREAMS OF BILLY MILLS, by Billy Mills and Donna Janell Bowman, illustrated by S. D. Nelson

                  HIGHLY RECOMMENDED 

Wings of an Eagle: The Gold Medal Dreams of Billy Mills

by Billy Mills (Oglala Lakota) and Donna Janell Bowman (not Native)

Illustrated by S. D. Nelson (Standing Rock Sioux Tribe)

Published in 2024

Publisher: Little, Brown Books for Young Reader

Reviewer: Debbie Reese

Review Status: Highly Recommended

****

I spent several hours over the last two weeks, watching the 2024 Olympics. Part way in, I saw that Billy Mills was there. He was sharing photos to his Facebook page. I pulled up the video of his race and shared it with my family. I've seen it many times before, but every time I watch it, I feel a huge surge of excitement. And joy, and pride. Take a look:

Pretty cool, isn't it?!

Now, order a copy of his autobiographical picture book, Wings of an Eagle: The Gold Medal Dreams of Billy Mills! I've heard him speak and know some of his life story but I'm really glad to see his book. Published on July 2, 2024 by Little, Brown Books for Young Readers, I got my copy during the 2024 Olympics. 

There are many pages that stood out as I read the book. His parents died when he was a child. His dad's words after his mother's death become a refrain as he grows into adulthood. A photographer asked him to step away from a group of runners because of his skin color. 

In this post, I focus on the page in his adulthood when he's a Marine at a base in California. Up to then, he ran in high school at Haskell Institute in Kansas, and then in college at the University of Kansas. On the page where he talks about the grueling training he does while he's in the Marines, we read:

I visualize the finish-line tape breaking across my chest 

again and again, 

as if fueled by Indigenous ancestors

who didn't give up when all odds were against them.

Their footsteps are etched into the earth

like a story waiting to be told.

When I qualify for the 1964 Olympics,

I carry the hopes of many.

Because we are stronger together.

I'm going to repeat (and put in bold) some of those words, here: "fueled by Indigenous ancestors who didn't give up when all odds were against them." Across the US and Canada, I hear similar words from Native people. Fueled by Indigenous ancestors who didn't give up. Heck, that guides me, too! When things feel weighty I remember Po'Pay and Pueblo ancestors who didn't give up in the 1500s when European invaders sought to destroy us. Native leaders negotiated to protect the generations that came after them. I suppose some of you are thinking my words here are sappy, but that's ok. I'm here. Billy's here. We're here. 

And he's leading, still! Mills established an organization called Running Strong for American Indian Youth. The final pages of the book provide many photos of his work with youth. Back matter also includes a terrific note from Mills, one from the illustrator, S. D. Nelson, and one from the co-author, Donna Janell Bowman. If you've heard me in a professional development workshop, you know I direct teachers, librarians, parents, and caregivers to study the back matter before using the book with children! There, you'll get information you probably never had before you picked up this wonderful book. 

Update at 4PM on August 13: There's a curriculum guide! Written by Dr. Natalie Martinez! She rocks. Download and use it. 

I'll end this review with a request to get multiple copies of the book for your classroom and school library, and with S.D. Nelson's illustration of Billy crossing the finish line. See the joy in Billy's face? And look at that eagle (remember I said his dad's words become a refrain?)! Highly recommended! 

Highly Recommended: BEHIND EVERY RUG by Daniel W. Vandever and Lynne Hardy

Those who follow my work know that I've been frustrated many times with things Scholastic does. Sometimes, though, they do a good thing. Case in point? Behind Every Rug. 

HIGHLY RECOMMENDED

This little book is by Daniel W. Vandever. I highly recommended his previous books. Fall In Line, Holden! came out in 2017 from Salina Bookshelf and his self-published Herizon came out in 2021. Both won the picture book award from the American Indian Library Association. His newest book, Behind Every Rug is for readers 6-8 years old. 

On the first page of Behind Every Rug, we see a little girl, Nizhoni, as she has just gotten off the school bus. Her mom is waiting for her on the sidewalk. Nizhoni is shown in athletic shoes, jeans, a hoodie, and a backpack. Her mother is wearing moccasins, a Navajo-style skirt and woven belt. She's got a set of car keys in her hand. 

In other words? This is a story set in the present day. 

Online, Vandever said this story is based on his own experiences as a child growing up in St. Louis, Missouri. Some of you are nodding because you know Native people are in big cities and on reservations. Those of you who are nodding are gonna want to get this book, ASAP! You know that wherever we are, people in our families may wear items that reflect who we are, and that in our homes we have items that reflect our cultural identity (in Vandever's book, Diné). For Native students, Vandever's book is a terrific mirror of their lives. Those of you surprised by a story about a Native family -- set in the present day -- you need this book ASAP, too, to give students in your school or classroom a window onto a Diné family's life.

The words on that first page are spoken by Nizhoni, who tells her mom that she has to take something to school the next day that shows her Navajo culture. On subsequent pages, her mom makes suggestions. We see the items her mother is suggesting. And we read Nizhoni's responses to her mom. There's a hesitancy, an anxiety. How will classmates respond to her and the item she chooses to share? Finally, she decides to take the rug she and her grandmother made. She's nervous when her teacher calls her name but students respond positively. Her words remind classmates of people in their families and things they do. Nizhoni then gives them more information about how the rug was made. Visually we're in different place. We see her grandmother, and her grandmother's hogan. In the end, Nizhoni realizes that being different is not scary. 

Behind Every Rug is in Scholastic's Our Voices: School & Friends collection. Here's the problem.  I can't figure out a way for you to purchase the book. You have to buy a single-copy collection (one copy of ten different books) for $26.99 but you don't know what the other ten books are. Updating on July 14 to say that the editor for the book sent me a link with the titles of the other books.  Maybe the information is available and I'm not finding it on the Scholastic website! If you see a way to get just that one book, let me know. If a Scholastic rep sees this post, maybe they'll let us know. Perhaps you can ask your child's teacher or a resource person at your school to order the collection. 

And! Just announced today (July 5) is another self-published book from Vandever. Titled We Weave, he shared the cover: 

Bottom line? Look for books by Daniel W. Vandever! 

HIGHLY RECOMMENDED: THE BEE MOTHER

Imagine an overcast, cold, windy, completely dreary early spring day. A plain brown cardboard envelope arrives from Portage & Main -- it must be a review copy of one of their latest books for young people. Rip the cardboard and what should emerge but a much-larger-than-life portrait of a fuzzy, black and yellow pollen-spotted bumble bee foraging on a bright pink flower! "Spring WILL come," the bee seems to say, "and you'll be seeing me. Here's my story." 

This bee is the creation of Metis artist Natasha Donovan. The book is The Bee Mother by Gitxsan writer Hetxw'ms Gyetxsw (Brett D. Huson). That's Nox Ap in Gitxsanimx.  Here she is on the back of our recliner.

The Bee Mother

Written by Hetxw'ms Gyetxsw (Brett D. Huson) (Gitxsan)

Illustrated by Natasha Donovan (Metis)

Published in 2024

Publisher: Highwater Press

Reviewer: Jean Mendoza

Review Status: Highly Recommended 

AICL has enthusiastically recommended the other six books in the "Mothers of Xsan" series. We've urged educators to use them in science curricula. They blend Indigenous (Gitxsan) knowledge and western science, to follow a year in the lives of different animal species significant to the ecosystem of the Gitxsan homeland: sockeye salmon, grizzly bear, wolf, eagle, raven, and frog. There's growing public awareness of the importance of bees in ecosystems across the continent, so The Bee Mother is a timely and relevant addition to the series.

Nox Ap, the bumblebee queen, is the center of the factual narrative, but the author also spends time on two similar insect species-- yellowjacket wasps (also native to the region), and honeybees, introduced to what's currently called North America by humans but now significant to Gitxsan communities. Teachers are likely to find the distinctions among them helpful, as children often are fearful of stinging insects, and have a lot of misinformation about them.

Like other Mothers of Xsan books, The Bee Mother text is engaging, and centers Gitsxan knowledge and words. Natasha Donovan's illustrations are, as always before, appealing and built on fact, and sometimes incorporate formline figures created the author. It's a very effective collaboration overall. There's a good reason these books garner awards and all kinds of positive recognition.

This series is evidence that good picture books aren't only for younger children. Mothers of Xsan books invite readers to engage with the world outside. By showing connections between Gitsxan life and the animals, they also encourage all readers to think deeply about their own relationships with the other species that make their homes on Earth.

 The Bee Mother would be a great resource anywhere on the continent that bees can be found -- and they're just about everywhere. It would be especially cool to invite students to make observational drawings of bees (whether from careful catch-and-release, or preserved specimens, or photographs). When satisfied with their drawings, they could augment them with accurate colors and textures, moving from basic observation to expressing deeper knowledge and understanding of their subject. 

If you're teaching with The Bee Mother, you and your students might want to check out this Bibliovideo interview with Natasha Donovan. Edited on 6/21/2024 to add a link to a Teacher Guide by Jerica Fraser, available as a free e-book from Portage and Main Press.

 It's been months since that cold gray day when my copy of The Bee Mother arrived, with its promise that Spring would come eventually. Today, my prairie plants are finally in bloom, and outside my front window, a bumblebee buzzes around the sunlit spiderwort and coneflower. I'd better go take a closer look.

 

Highwater Press in Winnipeg, Manitoba

HIGHLY RECOMMENDED: Andrea L. Rogers and Madelyn Goodnight's WHEN WE GATHER (OSTADAHLISIHA): A CHEROKEE TRIBAL FEAST

 

When We Gather (Ostadahlisiha): A Cherokee Tribal Feast 

Written by Andrea L. Rogers (Citizen of the Cherokee Nation)

Illustrated by Madelyn Goodnight (Citizen of the Chickasaw Nation)

Published by Heartdrum (HarperCollins)

Pub Year: 2024

Reviewer: Debbie Reese

Status: Highly Recommended

In professional development workshops that I do where I ask people to bring books with Native content, I look over what they've brought. Lots of old -- and not good -- nonfiction (series books and biographies) and fiction. I also see dreadful books by Paul Goble that look like they're Native, but they're not. A better way to describe them is "white man's Indian" which means a white imagining of Native life and culture. 

More and more, in recent years, I see that someone has brought in a terrific book. An example is Jenny Kay Dupuis's I Am Not A Number. A librarian bought that one in last week. Another had Lindstrom and Goade's We Are Water Protectors. And another had Christine Day's biography of Maria Tall Chief. Terrific, for me, is books by Native writers who are writings stories from their own nation(s) and family experiences (like Jenny's), or who give readers a Native point of view on someone who has significance to Native communities (like Christine's), or that are set in the present day (like Carole and Michaela's). 

Due out this week is another that I hope every library will add to their shelves. Of course, I'm talking about Andrea Rogers and Madelyn Goodnight's When We Gather (Ostadahlisiha): A Cherokee Tribal Feast.  

Some things I love:

On the first page we see a luscious green landscape. Why does that matter? When they think "Native" a lot of people imagine deserts or plains. A face: Native people were, and are, everywhere.  

In that lush landscape, a little girl is kneeling by a plant with slender leaves that rise up out of the grass. We'll come to know it is wild onions. The girl and her family set out harvesting them for a gathering at the community center where families have brought beans, grape dumplings stew, corn soup, and catfish for a wild onion dinner. 

I love seeing Native words in books! Just there, just part of the way it is. The clues are all there to know what Agilisi and Agiduda mean. And they're in a modern day house because, yeah, we are still here and it bugs us to have to say those words. Books like this one, though, help make that point. 

Flipping to the author's note, I read that Rogers visited Cherokee homelands in Georgia. She tells us about the forced removal of the Cherokee, Creek, Chickasaw, Choctaw, and Seminole nations from the southeastern US. She also tells us about a special place: New Echota, their former capital.  I call attention to "capital" because Americans associate that word with a state, but many do not know that we were, and are, sovereign nations. Rogers used "nation" but using additional words like "capital" help readers get further down that path of knowing what Native sovereignty means. 

Any teacher or librarian that is doing something that is about family gatherings can add this book to that unit or program. And if you've got a way to do so, make some of the food you see in the book! Smith provides four recipes. Dig in! 

News! Louise Erdrich's THE BIRCHBARK HOUSE will be available as an audiobook

As far as I know, there are no 'anniversary editions' of Louise Erdrich's The Birchbark House. Today, a teacher wrote to me about the book. She's using it with her students. So--it is on my mind. I realized it came out 25 years ago. I went over to Birchbark Books and saw that come May 7th of this year, you can listen to Erdrich reading the book! Yes--it is going to be made available as an audiobook. Birchbark Books works with Libro to make audio books available. When I clicked through, I saw this:

I ordered it, of course! I've listened to Erdrich read her work before and am really looking forward to this! Back in 1999, I was in graduate school. I had completed my coursework and was working on my dissertation, which was a study of children's books that were recommended or written about in Young Children. That is a practitioner's journal published by the National Association for the Education of Young Children. As you might guess, I was looking specifically at images of Native peoples in those books. For the most part I found book by non-Native writers, stereotypes and bias. I ought to look at the journal now. I hope they feature books by Native writers.

In the midst of that study, a wonderful book came out: The Birchbark House by Louise Erdrich. It was first published in 1999 by HyperionBooks for Children and according to WorldCat, there are now 37 editions. This year -- 2024 -- marks the 25th year since its initial publication. Here's the original cover:

Erdrich did the illustration on the cover--and inside, too. Over the next years, the cover changed. It was a finalist for the National Book Award, and so that seal appeared on subsequent printings. And, Erdrich wrote more books about the character, Omakayas, and so the words "Book One of the Birchbark House Series" were also added to the cover:

The teacher who wrote to me about the book wanted help specifically with the pronunciation of the Ojibwe words in the book. Come May, we'll hear Erdrich speaking them aloud. Tiffany--your email inspired this post today. Thank you. 

HIGHLY RECOMMENDED: If You Lived During the Plimoth Thanksgiving, by Chris Newell and Winona Nelson

If You Lived During the Plimoth Thanksgiving

Written by Chris Newell (citizen of Passamaquoddy Tribe at Indian Township)

Illustrated by Winona Nelson (member of Leech Lake Band of Minnesota Chippewa)

Published in 2021

Published by Scholastic

Reviewer: Debbie Reese

Status: Highly Recommended

****

There are many sentences and passages in If You Lived During the Plimoth Thanksgiving that I wholeheartedly welcome. Here's one from page 8:

"The story of the Mayflower landing is different 

depending on whether the storyteller 

viewed the events from the boat or from the shore."

That line jumped out as I started reading Chris Newell and Winona Nelson's nonfiction picture book. The cover art positions the reader in a different place. Think for a moment about the cover of most books you've seen about Thanksgiving. They show "Pilgrims and Indians" gathered around a table, or, they show the Mayflower en route. With the cover art of If You Lived During the Plimoth Thanksgiving, readers are invited to revisit this moment from the vantage point of a Native person. Here's a close up of that part of the cover:

Published in 2021 by Scholastic Press, it offers teachers a Native perspective--not just on Thanksgiving--but on history. Most readers are likely familiar with the "If You Lived" series that includes ones that purport to be about Native peoples but that are chock full of errors and bias. I'm glad to see this book -- written and illustrated by Native people. From that vantage point, everything in the book is different from the hundreds (thousands?!) of children's books about Thanksgiving. 

In this review, I'm choosing to select a few passages like the one on page 8 that are different than what you have probably seen in other books, before. 

Many books say the Mayflower arrived in the "New World." Newell's book says:

...the ship arrived in Wampanoag territory at the village of Meeshawm, in what is now known as Provincetown, Massachusetts.

Newell names the tribal nation (Wampanoag) and the name of their village, Meeshawm. I bet you've never seen "Meeshawm" before. And he used the phrase "what is now known." As you spend more time reading newer books and articles you'll see more and more writers using that phrase. It may feel awkward but those words are powerful. They tell readers there's a longer history to that place and its name. The phrase invites readers to ask 'what was it known as before?' and 'who called it that?' 

Throughout the book, Newell provides "Did You Know?" boxes in bright colors, like this one in yellow: 

The complete text in that box is:

The English commonly used the labels "Indians" or "savages" to describe the multiple nations of peoples and cultures they encountered in America. "Savages" was incredibly demeaning. Even though the terms were inaccurate and dehumanizing, they became familiar in English terminology. Today the language has changed and generalized terms like "American Indian," "Native American," "First Nation," "Indigenous," or 'Native" are all in use. However, Native peoples prefer to be called by their tribe or nation whenever possible. 

In professional development workshops I do, I talk about the importance of being tribally specific. That's what Newell is asking readers to do. Use the name of a person's nation. When you talk about Newell's book, you can say "This book is by Chris Newell, a citizen of the Passamaquoddy Tribe at Indian Township. It is illustrated by Winona Nelson, who is a member of the Leech Lake Band of Minnesota Chippewa." You could show students the website of the Passamaquoddy Tribe at Indian Township and the website of the Leech Lake Band of Minnesota Chippewa.  You can use their sites as primary sources of information. 

In many books you'll find information about Pilgrims camped on shore in December of 1620, huddled around a campfire for warmth. Illustrations will also show "Indians" in very little clothing shooting arrows at those Pilgrims. The "Indians" are shown that way throughout these books, no matter the season. Winona Nelson's illustrations in If You Lived During the Plimoth Thanksgiving are different. They are accurate. In winter, she shows them in clothing appropriate for the cold temperatures: 

I recommend you study illustrations carefully. In many books you'll see the "Indians" barefoot--again, regardless of season or what they are doing. In If You Lived During the Plimoth Thanksgiving, the only bare feet you'll see are those of this toddler-in-arms. Another reason Nelson's illustrations stand out is because they include women and children. 

I recommend that teachers get a copy of If You Lived During the Plimoth Thanksgiving and study it carefully. Use it with students, in part or in whole, but use it! What you gain from reading it yourself will help you improve your instruction about Native peoples, overall. What you learn by reading it will help you spot problematic text and illustrations in whatever book you're reading. It'd be great if you do more with it: consider forming a study-group with fellow teachers where you use this book to revisit the ways that the Mayflower or Thanksgiving or Native content is presented in your school. The possibilities! There are many.