About Christine Taylor-Butler's Facebook Post

On Monday, September 7, 2015, Christine Taylor Butler started a conversation on Facebook by talking about heated conversations that took place over some things that Maggie Stiefvater said about writing the other (if you didn't follow it, see her response on her Tumblr page). Christine wrote (quoting what she said in its entirety):

I am watching the Maggie Stiefvater controversy and finding myself thinking that we don't progress as an industry because the internet has developed a new phenomena. The "attack by blog" cowardice from narcissistic sociopaths who use it as a form of passive aggressive expression for their anger management issues.

We don't have dialogue - we have attacks. We don't invite debate. We demand rote adherence to a single point of view.

We anoint movements as surrogates for real action and change but ignore the others that were on the front lines of the battle.

We attack the white speakers, but not the conference organizers who perpetuated the problem.

Why attack Maggie, when we didn't attack the authors who were appointed to an all-white male BookCon panel.

This. Must. Stop.

Children's literature is about creating engaging works for children. Not wars between angry content creators who, unable to pinpoint the true villains, tear down each other.

This. Must. Stop.

For those who can't conceive of sharing the landscape so diversity has a broader meaning. For those who say whites can't write "other" instead of addressing the real problem which is that those of us who are "other" should be able to write across boundaries, too, I say get out of the kidlit business and write for adults. Because you don't understand where the real problem lies.

As people responded to her, I read some comments that indicated some people may be unaware that, in children's literature, the discussion of "who can write" is not a new one. I posted a comment with a link to my post about dinner with Deborah Wiles. That post includes a quote from Kathryn Lasky, a writer who called critics "self-styled militias of cultural diversity." That quote is from 1996.  A few minutes later I got a notification saying Ellen Hopkins had commented on Christine's post, so I went back to see how the conversation was developing. My comment was gone. Christine had deleted it. That was surprising to me. Right after Ellen's comments, I saw one from Christine:

In that comment, she didn't name the blogger. Because she'd just deleted my comments, I assumed she was talking about me. I had asked her for an ARC. I did review her book, The Lost Tribes. At that point I more or less shrugged it off.

Later, however, there was a longer post (below) sent to her 800+ friends that I felt I couldn't shrug off. In it, she replaced "Dine (Navajo)" with "another culture" and "Indian Outreach Center" with "Outreach Center". Even without the references to Native culture, people who she sent it to thought she was talking about me. They wrote to me to ask about it. They sent me the text itself. I also received screen shots of it. Here's the text (my apologies for the not-great quality of the screen caps):

In the longer comment, this line is the one that prompted me to write this post:

"She didn't bother to explain in her blog that over several months she and I had discussed the research I had done."

The reason that line prompted this post? Lot of writers and editors write to me, seeking my help with content specific to Native people. My worry about that line? She was scaring people away from seeking my help. If they assume--like I and others did--that she was talking about me, she was effectively casting doubt on my integrity.

Was addressing it, however, buying in to social media drama? Yesterday morning (Tuesday, September 9), I said (on Facebook) that I was thinking about writing this post. Yesterday afternoon, Christine said (in a comment to me) that she was not talking about me. Other things she said in that comment contradicted that assertion. She deleted that comment, too. I don't have a copy of it.

Contradictions aside, I can take her at her word. This post was intended to be my effort to make sense of what Christine was saying. In an early draft of this post, I wrote about our interactions via Facebook and email, quoting extensively from those interactions. I'm setting that draft aside.

As Christine's initial post (top of this page) indicates, this is a heated moment in children's literature as we (once again) engage the debate of who-can-write. It is heated in adult literature, too. As I write, people are discussing Sherman Alexie's post about why he decided, in his role as editor of The Best American Poetry 2015, to include a poem by Michael Derrick Hudson, a white man who submitted that poem with the name "Yi-Fen Chou" rather than his own name. I think Alexie was wrong to include it. Writers use pen names for many reasons. Names matter. There are studies that show that people with ethnic names are, for example, denied job interviews, loans, and opportunities to publish. In some of those studies, the very same content is submitted using names like Smith, and those applications get further in the process.  Hudson did the opposite thing. He exploited a marginalized population for personal gain. There are excellent responses to Alexie's decision. See, for example, the letter by Craig Santos Perez.

I'm on the record, for those who don't know, for preferring Native writers because when a teacher or librarian shares a Native-authored book with a child, that teacher or librarian can use present tense verbs to tell that child about that author and that author's tribal nation, that nation's website, and so on. Those present tense verbs push back on the idea that we're a primitive people, and ideas that we no longer exist. My review recommending On the Move by Flynn, who is not Native is evidence that I think a non-Native person can write a story about Native people.

As for what Christine said about bloggers attacking authors? Some writers view negative criticisms as attacks, or, as dangerous. I understand they feel that way to writers, but the work I do here on AICL and elsewhere privileges the children who will read what writers write.

Update, Wednesday, September 16, 2015
I continue to be puzzled by this incident. Though Christine said it is not me she was talking about, interesting things come my way. For example, I posted a review of her book at Amazon several weeks ago. I get notifications when someone comments on a book I reviewed there. I've gotten two notifications in the last few days that suggest I am the person she is talking about:

Obviously, I disagree with KCmomof2. I don't care what genre someone is working in; if there are Native people in the book, the presentation of them must be accurate. I'm also revisiting the premise of the book in its entirety. None of the main characters (including the Navajo girl) are actually human beings. They're all aliens, masquerading as human beings. It is a twist on playing Indian that I find troubling.

For the record: It wasn't me who discussed research with her over a period of months. Via Facebook messenger, we talked in November of 2014 about Native identity because she was forming an award committee and wanted me to sit on it to help the committee understand the nuances of Native identity. She never mentioned her book. When I learned about it in January, I asked for an ARC. She told me about the Navajo character, and that Serise (the character) would have a greater role in the next book. I provided her with my mailing address and cautioned her that the people she asks to vet it cannot be the teens she met when she was on the Navajo reservation for two weeks doing missionary work.

Year 2014 at American Indians in Children's Literature

I launched American Indians in Children's Literature in 2006. This is the first time I'm doing a recap of any given year. I started it in 2014, thinking I could post it in time for the end of 2014/start of 2015 when everyone is doing year end reflections, but it took far longer than I anticipated. I hope you enjoy it. It isn't comprehensive. I did over 100 posts in 2014. Here are some high and low points that stood out to me.

I always welcome your comments and emails. I make typos--and am always grateful to those of you who write to tell me about them. I fix 'em, thanks to you!

January

Travers in the Indian jewelry she wore all the time

Saving Mr. Banks came out in theaters. Reading a response to the movie prompted me to write Travers (author of Mary Poppins): "I lived with the Indians..." Do read that post! From the background on Travers to the side-by-side comparisons I did of the first edition and the revised edition without the racist images and text... Well... lots of fascinating info!

Always looking for young adult books set in the present day, and when I find them, hoping they'll be good... Among its many problems, Liz Fichera has Native characters being saved by white ones. Not necessarily a bad thing, but definitely a story line that we see far too often.  Hooked is on my not recommended list. It got a thumbs down, too, from Naomi Bishop, of the American Indian Library Association.

Brian Floca replied to my review of Locomotive. That post was one of AICL's most-read pages for 2014.

Though Mary Pope Osborne's Magic Tree House series is much-loved, I found many problems with Thanksgiving on Thursday. She found a new way to misrepresent Squanto in her book (it was published in 2002, but AICL looks at old and new books).

In other media, I learned about murals at post offices. It was interesting to see the differences in murals of Native peoples done by Native artists versus the stereotypical ones done by white artists.

My post about John Green's use of sarcasm regarding Native peoples generated a lot of discussion in the comments to it but also on Facebook. This sarcasm is in The Fault in Our Stars. 

I read--and recommended--The Giant Bear: An Inuit Folktale. It has a teacher's guide, too! Check it out.

I was thrilled to learn that Eric Gansworth's If I Ever Get Out of Here was chosen as one of YALSA's Best Fiction for Young Adults for 2014.

And, the American Indian Library Association announced the winners of its Youth Literature awards!

February

I was nervous about being interviewed for a CNN story about young adult literature. As I thought about that interview, I wrote about several books for young adults, noting that librarians and teachers must not let Alexie's young adult novel be "the single story" they read/share about Native peoples.

Tim Tingle's How I Became a Ghost and Eric Gansworth's If I Ever Get Out of Here were selected for discussion at CCBC-Net. The discussion was quite intense! The post includes a link to CCBC-Net. (By the way, CCBC won't be hosting their listserv anymore. I'll miss it.) If you're in a bookstore, these are the covers of their books:

I was pleased to see Laurie Halse Anderson's treatment of Native content in her The Impossible Knife of Memory. 

March 

In my review of Tim Tingle's How I Became a Ghost, I took special delight in his use of "Choctaw Nation" in the chapter heading for his opening chapter.

I had a rather long back-and-forth with Rosanne Parry over problems I found in her Written In Stone. I grew weary of that back-and-forth. It is unfinished. In the summary (above) for January, I noted how white characters save Native ones in Hooked. Parry is a white writer with good intentions, but has blinders to issues in how she went about her story. She asked me for input but then rebutted that input. It is similar to what Lynn Reid Banks did, and what Ann Rinaldi did (invite but reject input from Native scholar).

I did an analysis of books by/about American Indians sent to the Cooperative Center for Children's Books at Wisconsin in 2013. No surprise to see that most books by major publishers were by not-Native writers and that they had a lot of stereotyping and errors, while books by small publishers were by Native writers, and they were definitely far better in quality!

With so much interest in Rush Limbaugh's books for children, I decided I best take a look at the first one. It was just like listening to his show. No surprise there, but important to list its problems, especially since he went on to be named author of the year by the Children's Book Council.

It was a year in which Dan Snyder, owner of the Washington pro football team, preyed on tribes as he looked for Native people to endorse his use of a racist name for his team. My post on March 25 was about the foundation he set up for that preying activity.

April

For over a hundred years, Native people have spoken against misrepresentations of Native people. These things matter. Our youth struggle in school. They're inundated with misrepresentations in their books and other places, too, like with mascots. I looked at some of the data on graduation rates and linked it to stereotyping.

In February, I wrote about being interviewed by CNN. The story was uploaded in April (if the link to he CNN page doesn't work, send me an email and I'll send you a pdf).

I am thrilled to be part of an article that pointed to the work of excellent writers like Matt de la Pena, Sharon Draper, Walter Dean Myers, Cindy Pon, Malinda Lo, Sherman Alexie, Eric Gansworth, Cynthia Leitich Smith, and Debby Dahl Edwardson, and, a key person in the book publishing world, Cheryl Klein. Do read the article.




I read--and loved--Chukfi Rabbit's Big, Bad Bellyache by Greg Rodgers. He incorporated Choctaw words into the story. As you scroll down to December, you'll see the cover of Greg's book, and a photo of him, too. Sadly, he passed away in December.

April marks the month when the We Need Diverse Books campaign was taking form. It isn't the first time that a group of people took action to decenter the whiteness of literature. This time--with the demographic make-up of the US about to shift from white majority--could mean whiteness does, in fact, get decentered. My first post about the campaign was uploaded on April 28.

May

In the middle of May I participated in a twitter chat about the We Need Diverse Books campaign. I advocated for books by Native writers and was (as usual) challenged for that advocacy. The outcome was a post about that advocacy that included a photo gallery of Native writers and illustrators who have done books for children or young adults. I later turned that post into a page that is now in my menu bar above (beneath AICL's logo) that I am steadily adding to periodically.

I read a delightful picture book: Hungry Johnny by Cheryl Minnema and Wesley Ballinger! Though it features Ojibwe people, it is a lot like Pueblo gatherings, where elders take center stage.

And, another delightful picture book I read in May is Sweetest Kulu by Celina Kalluk and Alexandria Neonakis.

And yet another delight that month was Arigon Starr's Super Indian comic!

One of the many dreadful books I read in 2014 is Julia Mary Gibson's Copper Magic. The stereotypical mystical Indian theme is front and center in this young adult novel, and, well, it is yet another awful book from a major publisher! It was also disheartening to see stereotypes in the popular Where's Waldo series.

June

First week of June, I wrote about the We Need Diverse Books campaign. I support what they're doing. The WNDB group did a presentation at Book Expo on May 31. My post was a compilation of tweets and photos coming from BEA.

I did an in-depth analysis of Katherine Kirkpatrick's Between Two Worlds. Like too many books from major publishers, it is replete with errors and stereotypes about Native people. Rubbing noses? Sheesh!  It is a great example of the work ahead of the We Need Diverse Books campaign.

Stereotypes like those Kirkpatrick used are one problem. Another is ambiguity. Paul Goble's much-acclaimed The Girl Who Loved Wild Horses doesn't specify a tribe. There is no one-size-fits-all for Native nations.

In the middle of the month I read two outstanding books. Both are tribally specific, both are the work of Native people. I highly recommend them: Donald F. Montileaux's Tasunka: A Lakota Horse Legend and Arigon Starr's Annumpa Luma--Code Talker.  Also in the middle of the month, Beverly Slapin sent me her review of Joseph Bruchac's Killer of Enemies. It won the Young Adult award from the American Indian Library Association.

Towards the end of the month, I wrote up a review of a "Native American Zodiac" that was circulating widely. One rule of thumb that'll help you know if something is worthwhile is to ask "is this tribally specific." With this zodiac, the easy answer is no. Yet, it is hugely popular, so I hope you'll read the critique and share it with others.

July

The month kicked of with a wonderful look at Tim Tingle's remarks at the American Library Association's conference. He won the American Indian Library Association's Youth Literature Award for How I Became A Ghost and was there to receive his award.

In the middle of the month, I wrote a bit about E. B. White. Did you notice the Native content in Stuart Little? Take a look.

A librarian wrote to ask me about Gary Paulsen's Mr. Tucket. I hadn't read it before. Her request prompted me to read it. I did a chapter-by-chapter analysis. Though Paulsen was tribally specific, he drew heavily on stereotypes.

August

Earlier in the year, a person at the Library of Congress asked if I could recommend a Native mystery writer that they could have at the National Book Festival. I asked colleagues in my Native network of scholars and writers, and was pointed to the work of Cherokee writer, Sara Sue Hoklotubbe. At the end of the month, I wrote about her Sadie Walela series.

As I was recovering from a broken ankle, I didn't do much blogging at all, but I did read Hoklotubbe's books. I like them very much! I'm glad she was able to be at the National Book Festival. In the days following her reading, I thoroughly enjoyed the photos and stories she shared about the experience on her Facebook page.

September

A very high point for the month was reading--and loving--Dreaming in Indian: Contemporary Native American Voices. 

I was glad to see it getting lot of positive buzz from mainstream journals, too. School Library Journal listed it as Best Book 2014 in the Nonfiction category. It is a terrific example of what we need to see lots of so the publishing industry moves away from what we get from Goble, Paulsen, Kirkpatrick, Gibson, Parry, Limbaugh, Osborne...

Speaking of Goble, I wrote about him, asking Was Paul Goble adopted into the Yakima and Sioux tribes?

I put out a call for books for early readers. A learned that Jack Prelutsky's It's Thanksgiving had been redone in 2007, but that the stereotypical problems in the earlier book (published in 1982) were unchanged.

I read The Education of Little Tree. I knew it was deeply problematic, but didn't know just how bad it is. I was surprised at some of its content. Cherokee "mating dances"?! Reading that part, I shook my head. So much wrong with it, and yet, it circulates and sells, and sadly--informs readers and writers, too.

Maybe its power in misinforming people is evident in publication of books like Heather Sappenfield's The View From Who I Was. The author meant well--they always do--but the Native community is quite irate over what she did in her book. I did a careful read of it and shared it with her and her editor. Some changes were made as a result... Instead of "costume" she used "regalia" but those are easy changes and don't get at the foundational problems with the book.

There are problems in Bouwman's The Remarkable and Very True Story of Lucy and Snowcap (Two Lions, 2012) and Bow's Sorrow's Knot (Arthur A. Levine Books, 2013). Lots of writers love the "mystical" Indian. There's a lot of that in Nordgren's Anung's Journey (Light Messages Publishing, 2014),  too.

Looking back, it was a tough month. I also wrestled with Neal Shusterman over his Unwind series. He read my review and responded with a comment. Later in the year I wrote more about his books.

October 

High points first!

Carol Lindstrom's Girls Dance Boys Fiddle is terrific. Published in 2013, it is from a small press in Canada called Pemmican Publications.

From another small publisher, Native Northwest, we got the gorgeous and bilingual counting book, We All Count: A Book of Numbers by Julie Flett.

At the other end of the publishing continuum is Sebastian Robertson's picture book biography about his dad, Robbie Robertson. Way cool.

The low points are two picture books by big publishers that diss Native people. They are As An Oak Tree Grows by Brian Karas (Nancy Paulsen Books, 2014) and Thomas Jefferson: Life, Liberty and the Pursuit of Everything by Maira Kalman (Penguin, 2014).

Over in the UK, The Guardian worked with Seven Stories Press on a diversity initiative that includes Amazing Grace and Apache: Girl Warrior. Both stereotype Native people and ought not be on a list of diverse books.

In contrast to those low points is K. V. Flynn's On The Move. Flynn isn't Native but it is obvious he did his homework to write On The Move. His characters are from specific tribes and they're well developed, too.

I ended the month with a look at Virginia Stroud's Doesn't Fall Off His Horse. Published in 1994 by Dial Books, it is excellent and now available in ebook.

November

November is always a stressful month for two reasons. For several years now, the President of the US has designated it as a month dedicated to Native peoples. Because it is also the month that the US celebrates Thanksgiving, things get awfully skewed to a romantic narrative that misinforms and miseducates children about America and American Indians. It is also a month in which I'm asked to do guest posts and lectures.

In preparation for a television interview that would be televised later in the month on CUNY TV, I wrote up Some Thoughts about Native Americans and Thanksgiving. I pointed to some of my favorite books.

Here's info about the Twitter chat I did for We Need Diverse Books. It was storified by the WNDB team. WNDB team member Miranda Paul interviewed me over at Rate Your Story, which is a site designed to help writers and the WNDB team asked me to do a Tumblr post, which I titled Why I Support WNDB.

Beverly Slapin contributed two items: a great review of Kim Shuck's Rabbit Stories and with Kim, a satirical piece, How to Write a Dystopian Young Adult Novel (or short story) with Native Characters for Fun and Profit.

A perfect reference book for the month is David Treuer's Everything You Wanted to Know about Indians But Were Afraid to Ask. Packed with solid info you can use to enrich your own ability to discern the good from the not-so-good (or just plain awful).

Treuer's book is one that I wish writers who incorporate or feature Native content would read. During a WNDB twitter chat on diversity, Francesca Lia Block's name came up. I tweeted the links to my posts on the problems in her books. To my surprise, she was online, too, and apologized. I was thrilled but then someone else suggested I read her Teen Spirit. I did, and its got problems, too. It seemed to me that her apology was kind of shallow, then. Maybe if she'd said, in her apology, that Teen Spirit had the same kinds of problems, the apology would be more meaningful. Maybe writers just do not criticize their own books. Ever. I'm trying to think of an example. If you have one, let me know!

A high point of the month was taping a segment for CUNY's Independent Sources. It aired around Thanksgiving. I love the images they prepared for it--using books I recommend--and the video itself is pretty good, too.

Two other high points: reading Cynthia Leitich Smith's Feral Curse and Roy Boney's We Speak In Secret. I highly recommend both.

And--big sigh--there was a lot of activity related to Peter Pan. It was on television as a life performance. I have two posts about it. "True Blood Brothers" includes a link to the earlier one.

December

Outside of trade books, there are those in basal series. I rarely see them, but should figure out how to do more about them. Starting in November, Native parents in Alaska started writing to me about four books in the McGraw Hill "Reading Wonders" series. Goodness! Some dreadful items there. The outcome of meetings with parents was that the superintendent decided to withdraw the four books.

Back in trade books, I read and do not recommend Nick Lake's There Will Be Lies or Neal Shusterman's Unwholly or Unsouled.  These are from major publishing houses with a lot of heft. A lot of problematic content, in other words, getting pushed out and added to the too-high-pile of misinformation about Native peoples.

On the plus side, I finished the month with reviews of Tim Tingle's House of Purple Cedar and Erika Wurth's Crazy Horse's Girlfriend. 

I highly recommend Tingle's book (Note from Debbie: Due to questions during 2021 regarding this author's claims to being Native, I am no longer recommending anything by Erika Wurth.) both of those books for young adults. And--a rare event on AICL--I recommended a nonfiction book for children. I need to do more on nonfiction! A Children's Guide to Arctic Birds is terrific.

Just before Christmas, the Native community across the country was shocked and saddened to learn that Choctaw writer, Greg Rodgers, had passed away.  His first picture book came out in 2014. A delightful story, we were looking forward to his career as a writer.

I looked over everything I'd read over the year and put together AICL's Best Books of 2014 list. It has 17 books on it. Most--but not all--are by Native writers.

As I post this recap of 2014, we're well into 2015. I'm grateful to those of you who read and share AICL's posts and glad for every comment I get. Keep sending me email! Your emails direct a lot of what I do here.

And remember! All the work I do is with young people in mind. I respect writers and the work they do, but the people closest to my heart are those who read your work. When it has problems, I'll note it because those finely crafted words writers give to children can inspire them, but they can also hurt them. And when those words are well done, I'll celebrate what you do. I'll share it with moms and their kids. Like my niece and her daughter. This is who we're all here for.

Time Magazine's Almost All White list of 100 BEST YOUNG ADULT BOOKS OF ALL TIME

Let's take a look at Time Magazine's list of 100 best young adult books of all time. Here's how they compiled that list (adding this info a couple of hours after I loaded this post):

To honor the best books for young adults and children, TIME compiled this survey in consultation with respected peers such as U.S. Children’s Poet Laureate Ken Nesbitt, children’s-book historian Leonard Marcus, the National Center for Children’s Illustrated Literature, the Young Readers Center at the Library of Congress, the Every Child a Reader literacy foundation and 10 independent booksellers. 

Ninety-one are by white authors. Nine are by authors of color. Two of the nine authors of color have two books on the list (Myers and Yang):

• Sherman Alexie
• Isabel Allende
• Walter Dean Myers
• Marilyn Nelson
• Pam Munoz Ryan
• Mildred D. Taylor
• Gene Luen Yang 

With only seven authors of color on the list, I think it is fair to say that Time Magazine has put together an Almost All White list. People who study children's books know that my "all white" refers to Nancy Larrick's article from the 1960s, in which she noted that the books in her library were almost all white. Over 50 years ago, she made that observation. We're still there, aren't we? Dismal. Depressing.

Focusing on Native depictions in the books, there's one book on it that doesn't reduce Native people to caricatures or stereotypes (Alexie's The Absolutely True Diary of a Part-Time Indian). It stands alone.  Several books on Time's list have problematic content regarding Native people:

• Alcott's Little Women (character doing "Indian war whoop" and passage about "Indian in full war costume)
• Anderson's Tiger Lily (see review)
• Block's Weetzie Bat (see review)
• Fitzhugh's Harriet the Spy (when Ole Golly blushes, the text reads that she looked "exactly like a hawk-nosed Indian)
• Green's The Fault in Our Stars (see review)
• Meyer's Twilight (see review)
• Paterson's Bridge to Terabithia (characters go to museum to see dinosaurs and Indians; diorama of Indians hunting buffalo is "three dimensional nightmare version of some of his own drawings)
• Speare's The Witch of Blackbird Pond (talk of fighting Indians and wolves)
• Twain's Huckleberry Finn (see review)
• Wilder's Little House on the Prairie (see reviews)

Next time you weed books in your library, consider replacing some of those books (above) with some excellent books by/about Native people. This page of Best Books includes ones that I recommend, and ones that have won the American Indian Library Association's book awards.

For your convenience, here's Time's list of young adult books, and here's my analysis of their top 100 children's books.

Alcott, Louisa May. Little Women
Alexie, Sherman. The Absolutely True Diary of a Part-Time Indian 
Allende, Isabel. City of the Beasts
Alexander, Lloyd. The Book of Three
Alexander, Lloyd. The Chronicles of Prydain
Anderson, Jodi Lynn. Tiger Lily
Anderson, Laurie Halse. Speak
Anderson, M.T. Feed
Baum, L. Frank. The Wonderful Wizard of Oz
Block, Francesca Lia. Dangerous Angels (the Weetzie Bat Books)
Blume, Judy. Are You There God? It's Me, Margaret
Bosch, Pseudonymous. Secret (series)
Bradbury, Ray. The Illustrated Man
Bradley, Kimberly Brubaker. For Freedom: The Story of a French Spy
Carroll, Lewis. Alice's Adventures in Wonderland
Castellucci, Cecil. Boy Proof
Cleary, Beverly. Beezus and Ramona
Clements, Andrew. Frindle
Collins, Suzanne. The Hunger Games
Cooper, Susan. The Grey King
Cormier, Robert. The Chocolate War
Crutcher, Chris. Whale Talk
Dahl, Roald. Charlie and the Chocolate Factory
Dahl, Roald. Danny the Champion of the World
Dahl, Roald. Matilda
DiCamillo, Kate. The Miraculous Journey of Edward Tulane
DiCamillo, Kate. The Tiger Riding
Donnelly, Jennifer. A Northern Light
Fitzhugh, Louise. Harriet the Spy
Forbes, Esther. Johnny Tremain: A Story of Boston in Revolt
Frank, Anne. The Diary of a Young Girl
Funke, Cornelia. The Thief Lord
Gaiman, Neil. The Graveyard Book
Green, John. The Fault in Our Stars
Green, John. Looking for Alaska
Golding, William. Lord of the Flies
Goldman, William. The Princess Bride
Grahame, Kenneth. The Wind in the Willows
Haddon, Mark. The Curious Incident of the Dog in the Night-Time
Hardinge, Frances. The Lost Conspiracy
Hinton, S. E. The Outsiders
Hughes, Richard. A High Wind in Jamaica
Jones, Diana Wynne. Dogsbody
Juster, Norton. The Phantom Tollbooth
Key, Watt. Alabama Moon
Knowles, John. A Separate Peace
Konigsburg, E. L. From the Mixed-Up Files of Mrs. Basil E. Frankweiler
LeGuin, Ursula. A Wizard of Earthsea
Lee, Harper. To Kill a Mockingbird
L'Engle, Madeleine. A Wrinkle in Time
Leviathan, David. Every Day
Lewis, C.S. The Lion, the Witch, and the Wardrobe
London, Jack. The Call of the Wild
Lowry, Lois. The Giver
Lowry, Lois. Number the Stars
McKay, Hilary. Saffy's Angel
Meyer, Stephanie. Twilight
Montgomery, L. M. Anne of Green Gables
Morpurgo, Michael. Private Peaceful
Myers, Walter Dean. Fallen Angels
Myers, Walter Dean. Monster
Nelson, Marilyn. A Wreath for Emmett Till 
Ness, Patrick. The Knife of Never Letting Go
Ness, Patrick. A Monster Calls
Nix, Garth. Sabriel
O'Brien, Robert C. Mrs. Frisby and the Rats of Nimh
Palacio, R. J. Wonder
Paterson, Katherine. Bridge to Terabithia
Paterson, Katherine. Jacob Have I Loved
Paulsen, Gary. Hatchet
Poe, Edgar Allan. Tales of Mystery and Imagination
Pullman, Phillip. The Golden Compass
Pullman, Philip. His Dark Materials
Raskin, Ellen. The Westing Game
Rawlings, Marjorie Kinnan. The Yearling
Riordan, Rick. The Lightning Thief
Rowling, J.K. Harry Potter (series)
Ryan, Pam Munoz. Esperanza Rising
Sachar, Louis. Holes
Salinger, J. D. The Catcher in the Rye
Scott, Michael. The Alchemyst: The Secrets of the Immortal Nicholas Flamel
Selznick, Brian. The Invention of Hugo Cabret
Sis, Peter. The Wall: Growing Up Behind the Iron Curtain
Snicket, Lemony. A Series of Unfortunate Events: The Bad Beginning
Speare, Elizabeth George. The Witch of Blackbird Pon
Stead, Rebecca. When You Reach Me
Stewart, Trenton Lee. The Mysterious Benedict Society
Taylor, Mildred D. Roll of Thunder, Hear My Cry
Thompson, Craig. Blankets
Tolkien, J.R.R. The Hobbit
Tolkein, J.R.R. The Lord of the Rings
Travers, P. L. Mary Poppins
Twain, Mark. Huckleberry Finn
Whaley, John Corey. Where Things Come Back
White, E.B. Charlotte's Web
White, T. H. The Sword in the Stone
Wilder, Laura Ingalls. Little House on the Prairie
Yang, Gene Luen. American Born Chinese
Yang, Gene Luen. Boxers and Saints
Zusak, Markus. The Book Thief

NATIVE WRITERS: VOICES OF POWER, by Kim Sigafus and Lyle Ernst

Editors note on Oct 2, 2018: This volume includes Joseph Boyden, a writer whose claim to Native identity has been challenged. When that news broke, I wrote about it at Dear Teachers: Do you teach Joseph Boyden's THREE DAY ROAD?  It also includes Sherman Alexie, who has been accused of inappropriate behaviors that led the American Indian Library Association to withdraw its award to him for his ABSOLUTELY TRUE DIARY OF A PART TIME INDIAN. For information, see An Open Letter about Sherman Alexie. 

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Native Writers: Voices of Power by Kim Sagafus and Lyle Ernest is part of the Native Trailblazers Series published by 7th Generation Native Voices. Here's the cover:

And here's an excerpt from the Introduction that I do not remember seeing before in a book meant for young readers:

There have been entirely too many falsehoods and myths written about the Native people of the United States and Canada. The depiction of Native people depends entirely on the writer's perspective. For example, a 1704 French and Indian raid on colonial settlers in the village of Deerfield, Massachusetts, was described as a massacre, whereas the annihilation of a village of sleeping Cheyenne Indians in 1864 was celebrated as a victory over "hostiles." Both are examples of the European American historical perspective, which has also been prevalent in movies, making Hollywood one of the biggest sources of distorted facts and stereotypes about Indians.

Teachers and librarians who use this book to do author studies... make sure you spend time with that intro! If you're into contests, challenges, or research investigations, you might ask students to look for examples of biased language.

Those of you familiar with Louise Erdrich and Sherman Alexie will recognize their photos on the cover. There is a chapter for both of them. I'm sure you've got their books, but you ought to have books by the other others, too. They are:

Joseph Boyden, Ojibwe (see editors note at the top of this page)

N. Scott Momaday, Kiowa and Cherokee

Marilyn Dumont, Cree and Metis

Tomson Highway, Cree

Joseph Bruchac, Abenaki

Maria Campbell, Metis

Nicola Campbell, Interior Salish of Nle7Kepmx and Msilx/Metis

Tim Tingle, Choctaw

For each author, there's several pages of biographical information, followed by a list of "Selected Works" and Awards. The works range from children's books to those for adult readers, but the audience isn't included, so you'll want to make sure you do a bit of research before ordering to make sure the book will work for your classroom or library. Though Native Writers is what is called "a slim volume" (just over 90 pages), it is packed with info. I highly recommend it, but don't assume it is complete...  To the authors it includes, I'd add Cynthia Leitich Smith and Richard Van Camp. Both are at the very top of my lists.

Order it directly from 7th Generation.

Guest Post: Indigenous Knowledge and Children's Literature, by Katelyn Martens

Editor's Note: A few weeks ago, I gave an online lecture (via Skype) to the Tribal Libraries, Archives, and Museums (TLAM) class at the University of Wisconsin, Madison, School of Library and Information Science. Here's a description of TLAM from their website: 

In its fifth year at the University of Wisconsin – Madison School of Library and Information Studies (SLIS), TLAM is an experimental project to bring indigenous information topics to LIS education through service-learning, networking, and resource sharing with Wisconsin’s tribal cultural institutions. The TLAM Project currently encompasses a graduate topics course; the Convening Culture Keepers mini-conference series for Wisconsin tribal librarians, archivists, and museum curators; numerous community engagement projects with our partners; and a brand new TLAM Student Group.

Today's post on AICL is by Katelyn Martens, a student in the TLAM class. Published on the TLAM blog, I'm pleased to be able to share it here, too. Thanks, Katelyn! And check out her post about Sherman Alexie, too.  

_______________________________________________

“Indigenous Knowledge & Children’s Literature”*

Think about the types of children’s books you grew up reading. Were American Indians present? What did you learn about them? Was it factual or a misrepresentation? How did you know?

On Thursday, TLAM had the pleasure of chatting with Debbie Reese, a respected educator who is tribally enrolled at Nambe Pueblo in northern New Mexico. Debbie is an advocate for authentic American Indian children’s literature, which led her to launch the American Indians in Children’s Literature (AICL) blog in 2006. Through AICL, she challenges the all-too-common misrepresentation of American Indians in children’s literature and helps educators, librarians, and the general public find good materials.

Debbie highly recommends JINGLE DANCER

While Debbie shared her thoughts on sovereignty, sacred spaces, and politics, it was the issue of authenticity that I connected with the most. As a future school librarian, my goal is to have a well-balanced collection with titles that give students accurate, authentic representations of American Indian communities. To do that, though, especially with limited budgets, it’s essential that we all seek out reviews from respected, knowledgeable sources. AICL is a great place to start!

It’s especially important because, as Debbie noted, many books harbor “micro aggressions,” stereotypes that the majority culture may not even acknowledge but harm others. Clifford’s Halloween by Norman Bridwell (1986) is an example. Not only does Clifford wear a large headdress of feathers, he appears to be smoking a “peace pipe” and wears a serious expression. This image conveys many stereotypes to children, including that “Indians” are something to dress up as rather than people living in contemporary societies, working at contemporary professions, and living amongst the general American public.

It’s through librarian and educators in alliance with American Indian communities that we can present contemporary images, truthful histories, and well-researched stories to our young people. I’ll make a concerted effort to align my book choices with her suggestions.

Thank you, Debbie, for taking the time to share your knowledge with us!

-Katelyn Martens

Debbie’s recommendations on what to look for in children’s literature:

• Books giving information in contemporary society
• Tribally specific texts
• Books affirming American Indian cultures – these must be well researched

She suggests that librarians and educators should:

• Know at least one nation in-depth through reading and research
•  Visit tribal websites with children in order to learn about their everyday lives
•  Speak up for great children’s books so they stay in print
•  Speak out on problematic texts in order to promote better alternatives

*Disclaimer: All personal opinions are my own and do not represent all members of the TLAM class, TLAM student group, Debbie Reese, or other affiliated parties.

Thumbs up to some titles on CBC Diversity's Goodreads Bookshelf

Update on Sep 30 2023: I (Debbie Reese) no longer recommend Bruchac's work. For details see Is Joseph Bruchac truly Abenaki? As you read through this post you will see I have struck thru references to Bruchac.

A few days ago, I gave a thumbs down to some titles on CBC Diversity's Goodreads Bookshelf. Today, I want to give a thumbs up to the inclusion of Native authors whose books are on CBC list:

The Christmas Coat: Memories of My Sioux Childhood by Virginia Driving Hawk Sneve
The Porcupine Year by Louise Erdrich
Chickadee by Louise Erdrich
The Game of Silence by Louise Erdrich
Bearwalker by Joseph Bruchac
Wolf Mark by Joseph Bruchac
Squanto's Journey by Joseph Bruchac (Update, 10/26/1028: I do not recommend Squanto's Journey.)
The Absolutely True Diary of a Part-Time Indian by Sherman Alexie (Update, 10/26/1028: I do not recommend Alexie's books.)

Update: February 4, 2013 

Returning to the post above to do a more complete observation of the CBC Diversity's "native-american-inuit" bookshelf:

Lakota author/artist S.D. Nelson is on the list. He's done several books. I really like his Greet the Dawn the Lakota Way. I'm not as keen on his Buffalo Bird Girl: A Hidatsa Story.

I'm glad to see Walking on Earth and Touching the Sky on the list. It is a book of poems, edited by Timothy P. McLaughlin and illustrated by S.D. Nelson. McLaughlin is not Native. He's worked extensively with students at Santa Fe Indian School, taking them to national competitions.

Thomas M. Yeahpau's book, X-Indian Chronicles: The Book of Mausape, is on the list, too. I have to read that one again. It set me back on my heels when I read it the year it came out.

The list has several books on it by Linda Little Wolf. I have never come across her name or her books before. Under "Accomplishments" at the Author's Den website, info provided says that she is of Cherokee and Lakota Sioux heritage. It doesn't say she's enrolled in either one. It says she's one of the foremost educators and speakers on Plains Indians, so her name ought to be familiar to me, either through gatherings of Native writers, or writings by Native literary critics, but I don't know who she is. I'll see what I can learn.

Moving on to writers who are not Native, I'm really pleased to see Debby Dahl Edwardson's My Name Is Not Easy on the list. It wasn't there before (I made a pdf of the bookshelf back in January), and it being there now tells us the list is in development. That's terrific. Debby is married to an Inupiat man and they've got several children. I spent time with Debby and her daughter in Anchorage, in August of 2012. It is one of my cherished memories.

Coming up: Native American Month 2012

We're about a week away from the month that the President of the United States designates as Native American Month. Below are suggestions on how you might get your library ready for parents, teachers and students who come into your library looking for materials on American Indians.

In this post, you'll find links to ALA's READ posters that feature Sherman Alexie, author of THE ABSOLUTELY TRUE DIARY OF A PART TIME INDIAN. You'll also find links to the Indigenous Languages Development Institute, where you can buy a wall clock with numerals in a Native language, and READ posters in Indigenous languages, available from the Tulsa American Indian Resources Center:

Creating a Library Atmosphere that Welcomes American Indians:
http://americanindiansinchildrensliterature.blogspot.com/2012/10/creating-library-atmosphere-that.html

In these posts, you'll find recommended books about American Indians, by age group:

Top Board Books
http://americanindiansinchildrensliterature.blogspot.com/2011/04/top-board-books-for-youngest-readers.html
Top Ten Books for Elementary School
http://americanindiansinchildrensliterature.blogspot.com/2010/07/top-ten-books-recommended-for.html
Top Ten Books for Middle School
http://americanindiansinchildrensliterature.blogspot.com/2010/07/top-ten-books-recommended-for-middle.html
Top Ten Books for High School
http://americanindiansinchildrensliterature.blogspot.com/2010/07/top-ten-books-recommended-for-high.html

If you want some guidance on how to help students do research on American Indians, using encyclopedias and websites, see

Resources for Projects on American Indians
http://americanindiansinchildrensliterature.blogspot.com/2007/03/resources-for-american-indian-research.html

If you're looking for books and materials about boarding schools for American Indians, here's some:

Boarding Schools for American Indians
http://americanindiansinchildrensliterature.blogspot.com/2008/02/as-more-resources-and-books-are.html

If you want guidelines on how to evaluate the content of a Native site, here's an excellent page about that:

Guidelines for Evaluating American Indian Web Sites
http://www.u.arizona.edu/~ecubbins/webcrit.html

And, if you want to develop your understandings of the ways that American Indians are not "multicultural" or "people of color", see:

We Are Not "People of Color"
http://americanindiansinchildrensliterature.blogspot.com/p/we-are-not-people-of-color.html

If you're looking for a Question/Answer book about American Indians, this one by the National Museum of the American Indian is outstanding:

Do All Indians Live In Tipis?
http://americanindiansinchildrensliterature.blogspot.com/2007/10/do-all-indians-live-in-tipis.html

Did you know that "papoose" is not the American Indian word for baby?

Papoose?
http://americanindiansinchildrensliterature.blogspot.com/2008/02/papoose.html

Did you order Louise Erdrich's newest book in the Birchbark House series? If not, do it today! Chickadee is terrific!

Louise Erdrich's Chickadee

http://americanindiansinchildrensliterature.blogspot.com/2012/08/louise-erdrichs-chickadee.html

I'll close with this:

Too many people think that American Indians died off, due to warfare and disease. When the emphasis in library displays is American Indians of the past, you inadvertently contribute to that idea. Librarians are a powerful group of people. You can help Americans be less-ignorant about American Indians.  

Research studies show that American Indian students drop out at exceedingly high rates. Scholars attribute this, in part, to their experience with curricular materials in school. Materials set in the past, materials that stereotype American Indians, and materials that are factually incorrect or highly biased against American Indians, cause Native students to disengage from school. Libraries can interrupt that disengagement, or, they can contribute to it...

As human beings, we love to see reflections of ourselves and our hometowns. They can a source of pride or a boost to the self-esteem. But---that is only true if they are accurate. Native people want that, too, but American society has a long way to go to get there. 

Libraries can get us there, but we'll need your help year-round, not just in November. I hope the resources I shared in this post will be ones that you spread out, all year long.

See also Creating a Library Atmosphere that welcomes American Indians