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Friday, May 12, 2023

NOT RECOMMENDED: Lois Duncan's STRANGER WITH MY FACE

I begin with a sample of the book covers for Duncan's Stranger With My Face, overlaid with the red X that I use to signal that a book is not recommended. There are several different covers, which means the book sold well enough to get reissued with a new cover.




In her article for the May/June 2023 issue of Horn Book Magazine, Angeline Boulley talks about Lois Duncan's Stranger With My Face. She wrote:
The first time I read a story that featured a Native American protagonist, I was a high school senior. It was a significant experience for me. As an Ojibwe teen, I hadn't realized my absence in books until that moment. In Stranger with My Face by Lois Duncan, teen Laurie learns she was adopted as a baby and that she is Native American. I was excited and intrigued to dive into the mystery-thriller in which Laurie's twin sister, Lia, reconnects with her via astral projection. 

My excitement quickly subsided, to be replaced by something unfamiliar and uncomfortable. I didn't have the words at the time to convey exactly why I felt so disappointed and, even, embarrassed. Now--as an adult with a twenty-year career striving to improve public education for and about Native Americans--I understand that the story lacked authentic representation and perpetuated stereotypes of Indigenous peoples. 
Boulley's article pushed me to take a look at Stranger with My Face. Previously, I've read Season of the Two Heart (published in 1964). Both are deeply problematic. As an adult, Angeline Boulley is able to describe an emotion she had experienced as a Native teen. That emotion? Embarrassment. What do non-Native teens feel today, when they read the book? What do non-Native readers feel? What do non-Native readers take away from the book?

Today, I listened to a podcast about the book (recorded 4 years ago) by two adults who discuss books they read as teens. They are clearly enthralled by the book and have no idea the Native content is problematic. 

Here's the book description:
Laurie Stratton finally has everything a sixteen-year-old could ever want. But just as her perfect summer comes to a close, things start to unravel when her boyfriend insists he saw her out with another guy-when Laurie was really home sick! More mysterious sightings convince Laurie someone very real is out there, watching her. . . .

The truth reveals a long-lost sister who has spent the years growing bitter and dangerous. She has learned how to haunt Laurie, but the visits soon become perilous. She wants something from Laurie-her life!
Stranger with My Face was first published by Little Brown in 1981. It was named an ALA Best Books for Young Adults and as the covers above show, it did very well. It was republished in 2011, with some edits to the content and an interview with Duncan, done by young adult author Jenny Han. 

Han asks Duncan about the Native content (p. 291):
Jenny: The glimpse into Navajo culture is fascinating, and in the end, it's what saves Laurie. Do you have any ties to Navajo or Native American culture?

Lois: I spent most of my adult life in New Mexico, surrounded by Navajo culture. 
That's it: Lois lived in New Mexico, "surrounded" by Navajo culture. In several places, I read that she lived in Albuquerque starting in the early 1960s. The Navajo Nation is not in Albuquerque. There were, and are, Navajo people in Albuquerque, but Duncan said "Navajo culture." As I sit here, my thoughts on "Navajo culture" are of Navajo art forms like sandpaintings and woven rugs. What does she mean? 

Let's take a look at the Navajo content in her book. I lay it out by page number with content or description of content on that page, followed by my comments in italics. The story is set on the east coast, mostly on an island. The protagonist is a seventeen-year-old teen named Laurie. Her boyfriend is Gordon. 

p. 23

I didn't have the sort of looks you found just everywhere. Gordon kidded sometimes that I could be part Indian with my dark coloring, high cheekbones and almond eyes. "Bedroom eyes," he called them, meaning they were sexy. My father referred to them as "alien" because they were the same shape as the eyes he gave to the maidens from other worlds in his novels. When I looked at my parents--both of them so fair--and at Neal and Meg with their light blue eyes and freckled noses, I wondered sometimes how I had managed to be born into such a family.

Deb's Comments
Dark coloring and high cheekbones? Those are stereotypical markers. And, those "bedroom eyes" bother me. The phrase sexualizes a teen girl. The book was first written in 1981 and revised in 2011. I suppose some women would be ok with that term in 1981 but in 2011? Surely not! When the 2011 edition was done, that passage could have been edited out, but apparently neither Duncan or her editor thought it was a problem. It is, however, a significant problem. Native women experience violence from non-Native men at alarming rates. 

Laurie's dad calls her eyes "alien." He's a sci-fi writer and uses that word to describe "maidens from other worlds." He means other planets, but reading those words hits me in a different way. As we come to find out, Laurie's birth mother was Navajo. The adoption part of the story took place in Gallup, New Mexico--which borders the Navajo Nation's reservation. Laurie is definitely not from "another world" but the white family that adopted her? We could say they are from another world. But really, her dad's use of the word is awkward and ought to be have taken out of the revised edition.

p. 52

Before we get to page 52, Laurie's friends, Laurie's family, and Laurie start to sense and see someone/something that looks like Laurie. 

Meanwhile, a new family has moved to the island. It includes a girl named Helen. They've moved from Tuba City, Arizona, where Helen's parents taught at an Indian boarding school. Laurie starts to become friends with Helen. Here's their conversation on page 52:
Helen told me about a boy named Luis Nez.
That was the name he used at school," she said. "I wasn't allowed to know his Indian name. The Navajos are a private people. Luis was my boyfriend, but there was so much that he couldn't share with me." She paused, and then raised her hand to touch the tiny turquoise carving at her throat. "When I left, he gave me this." 
"What is it?" I asked, hoisting myself up on one elbow so as to see better.
"A fetish," Helen said. "It's an eagle, predator of the air. When Luis learned we were coming east by plane, he carved it for me. Turquoise is the Navajo good-luck stone. A turquoise eagle protects the wearer against evil spirits from the skies."
Deb's Comments 

Duncan tells us that Helen's family has moved from Tuba City, Arizona which is within the borders of the Navajo Nation. It is likely that the boarding school her parents taught at is Tuba City Boarding School. That's fine, but what about the passage about his Indian name? All we really get from that is that Navajos are kind of mysterious. 

Remember that Duncan told Han that she was surrounded by Navajo culture? Duncan was a white woman (she died in 2016). When Duncan died, people offered tributes to her body of writing, especially for the crime, gothic, supernatural, and horror stories she wrote for teen readers. She told Jenny Han in the interview that she experienced astral projection herself (more on that later) several years after the book came out when her daughter was murdered.  

Duncan didn't have to depict Laurie as being Native. Laurie could have been white. Why did Duncan depict her as Navajo (actually, Laurie's birth mother was Navajo and her birth father was white)? To some readers it might seem cool, or as Han said "fascinating" but if the reader is Native or Navajo in particular, it is not cool. 

When Laurie first saw Lia (her twin), Lia is a scary, ghost-like image. On page 65, Laurie learns that she was adopted. Laurie's parents had gone to New Mexico to adopt a baby. They saw twin babies. Her mother held and liked Laurie, but not Lia. When she held Lia, she felt that the baby was strange and that she would not be able to love her so they did not adopt Lia. Her placements in foster homes never worked out. Much later in the story we learn that Lia has malevolent motives, driven by jealousy and she uses astral projection to harm others. 

The passage on page 52 has things in it that Duncan depicts as cultural: a name and how it is/is not used, and a stone and its significance within a culture. Living in Albuquerque, Duncan would probably know about stores where Native art is sold. Carved stone figures (fetishes) were, and are, quite popular items. She may have asked a shop keeper about the significance of turquoise (the stone) and eagles (the fetish Helen has been given). In this book, that fetish is a key plot device. Duncan needed an item that would fit with the astral projection plot. In the interview with Han, Duncan likens the fetish to rosary beads or bread and wine in Communion. 

I wish that Duncan had depicted Laurie and Lia as white characters and used rosary beads instead of making them Navajo. In choosing to use Navajo culture, she casts Navajo people as mysterious and, well, evil. Angeline Boulley felt embarrassed and I bet Navajo readers feel that, too. 

p. 53

When Laurie tells Helen that people see her in places she wasn't actually at, Helen asks her if she was using astral projection:
"Using what?" I said in bewilderment.
"You know--sending your mind out from your body? Luis's father used to be able to do it." She paused. "If you had, you'd have known it. It's something you have to work at."
"I don't know what you're talking about," I said. What did Luis's father do?"
"I'm not sure exactly," Helen said. "Luis didn't talk much about it. He seemed to take it for granted. The medicine men could do it whenever they wanted, I think, and some of the others too. The way Luis described it, the person has to will himself out of his body. It takes tremendous concentration."
Debbie's Comments:

Above (through Helen), Duncan is introducing readers to astral projection as something that a Navajo medicine man does. Laurie's bewilderment and responses further Duncan's depiction of Navajo's as mysterious. 

As the story continues, Helen and Laurie talk about astral projection, and Laurie tries to find out more information about her twin. Helen and Laurie grow closer, as friends. But then something happens to Helen. She falls, hits her head, and ends up in the hospital. It becomes clear that Lia is responsible for Helen's fall. That makes Helen the most recent person who Lia hurt out of jealousy. The turquoise eagle necklace plays a prominent role towards the end of the story. Megan (Laurie's little sister) throws it at Lia who has occupied Laurie's body. On contact, Lia is driven from Laurie's body and Laurie retakes control of her body. 

p. 97

Lia lived with their mother for a short time before she died. Laurie remembers asking Lia (who was visiting Laurie via astral projection) to tell her about their mother. Lia tells her that their mother never smiled because the world had been cruel to her. In her telling, Laurie says Lia creates "some sort of fairy tale from another place and time." Laurie can't recall Lia's precise words but remembers it this way:
There was once a young Navajo girl, Lia said, so lovely that all the men in her village wanted to wed her, and she was married at the age of thirteen to the son of the Chief. So, without having known girlhood, she settled down to being a wife. Then one day when she was seventeen, the same age we are now, a trader came through the village in a pickup truck buying turquoise and silver jewelry. He was handsome and fair-complexioned with hair the color of sunshine, and the girl took one look at him and fell violently in love. He asked her to come away with him. She told him that was impossible. But suddenly, when she realized that he was really leaving, she climbed into the cab beside him and rode away with him, leaving everything she owned behind in her husband's hogan. 
"I belong to you now," she told the trader. "I will love you and stay beside you until the day I die."
But the trader was a casual man who was used to willing girls and good times, and after several months with his Indian maiden he grew tired of her. 
"Go back to your people," he said. "That's where you belong."
"I can't," the girl told him. "My husband would never take me back. Besides, I am going to bear your child."
"That's your problem, not mine," said the trader.
She thought he was joking. But that night he did not come home to her. She sat for three days in their apartment, waiting, until finally she had to realize that he had left her. In the top drawer of his bureau she found an envelope with money in it and a note that told her to put the baby up for adoption. Enclosed was the address of the Hastings Agency.
The "baby" turned out to be twin girls with the trader's fine feathers. They had lighter skin than their mother's, but had inherited her hair and eyes. Obeying the instructions in the note, the young mother took them to the agency, but because they were of mixed blood they were classified as "hard to place." 
"Won't your family help you raise them?" the director, Mrs. Hastings, asked. "The Navajo people always take care of their own."
The girl explained that she could not return to the reservation with half-breed children.
"The people would drive me out," she said. "I am married to the son of the Chief."
Laurie's telling of the conversation with Lia continues, with Lia describing their mother's attempts to raise her alone. They lived in one low-cost apartment after another, and that their mother supported them by cleaning houses. Sometimes she'd take Lia to them. They were beautiful. At the end of the day, Lia and their mother would go back to their apartment, eat, and go to bed. She was miserable. She'd imagine the ocean, that their mother had seen when she went searching for the trader. Laurie asks when she had time to do that, and Lia told her that their mother would just lie still on the bed and "go." Laurie realizes that their mother also had the power to do astral projection. One place she looked for the trader was in California because Indian jewelry was in demand there. 

Debbie's Comments

In Lia's story to Laurie, we see outsider writing. Duncan has a Navajo character--Lia--speaking about their origin but she sounds like a white girl telling a European fairy tale. "There was once" as the opener kicks it off. It continues with notions of beauty making a Navajo person much-desired by others. And what the heck... Lia uses "Indian maiden"? That grates! And, being married at thirteen? Jean Craighead George did that, too, in Julie of the Wolves. 

White traders did go through Native communities, buying items they would later sell and it is reasonable to think that Lia and Laurie's mother fell in love with one but I don't know about her calling her own children "half breed" and I don't know if "the people" would reject her. Calling them "the people" also grates. She's talking about her own community. Again--this is supposed to be a Native voice, but it sure doesn't sound like one to me. I also wonder about "the Chief." The Diné (Navajo) people use "chairman" to refer to their leader. The word "chief" was used to refer to Manuelito but that was in the 1800s. Duncan's "chief" sounds more like the romanticized kind of thing that outsiders come up with. 

****

Summing up: I read the whole book more than once to do this write up and analysis of significant passages in the Stranger With My Face. I think I've done all I need to. I wish Duncan had not depicted Laurie and Lia as Navajo. It wasn't necessary for a horror story about twins and astral projection. In fact, when a film version of it was made in 2009, Laurie and her sister are not Navajo. Have you seen the film? Was there a necklace in it that saves Laurie in the end? Objects do have significance, within any peoples' spirituality or its religious ways of being, but in this book, something that *might* be significant to Navajo people sounds more like holy water to me. In so many ways, this book fails. It is fiction, and people will defend it being on shelves because of that. I hope my "not recommended" label encourages some librarians to reconsider it. 






Monday, October 10, 2022

Highly Recommended: FOREVER COUSINS written by Laurel Goodluck; illustrated by Jonathan Nelson

 
HIGHLY RECOMMENDED!
Forever Cousins
Written by Laurel Goodluck (Mandan, Hidatsa and Tsimshian member)
Illustrated by Jonathan Nelson (Diné)
Published by Charlesbridge
Publication Year: 2022
Reviewer: Debbie Reese
Status: Highly Recommended

****

As I turned the pages of Forever Cousins, I thought back to the early 1990s when we left Nambé's reservation to go to graduate school in Illinois. Our daughter was three years old. She and her cousins were in tears. The always-present playing options were about to change. 

When you start reading Forever Cousins, you'll meet Amanda and Kara and to a lesser degree, Forrest. You'll learn a lot about them. The two girls are together all the time. Sometimes they're doing things most kids in the U.S. do--like make jelly sandwiches--and sometimes they're doing something Native kids do, like dancing at a powwow. On the cover you see both girls have dolls. Those are quite special! They were made for them by their magúu (the author's note tells us that magúu is a Hidatsa word that means grandmother).

We learn that they live in a city and that Kara and her family are moving from the city to the Rez. They'll see each other in a year. A year! In subsequent pages we see the two, both feeling alone while doing the same activity. Amanda is at a powwow in the city (we see tall buildings in the background), holding her doll close as she sits on a folding chair. Kara is at a powwow on the Rez (we see low hills in the background). Her mom offers her some fry bread but she just hugs her doll and shakes her head.  

Throughout, Nelson's illustrations set the story very much in the present day. That's especially evident on the page where the two girls talk to each other using a video platform on their cell phones. Like anyone, we use all the forms of literacy and communication available to us! I like that but I also like the page where Amanda gets a post card from Kara. Finally it is time for Amanda and her family to hit the road! It'll take two days to get to the Rez. Nelson shows us their joy when they cross a state border. That made me smile. When we drove from Illinois to Nambé, we'd cheer just like that when we crossed from Texas into New Mexico! 


Amanda and her family arrive at the reunion, and after some initial shyness, the cousins have a great time and we see the families gathered while a new baby gets his Hidatsa name. It is then time to say their goodbye's. 

The story Goodluck and Nelson share in the pages of Forever Cousins is a joy to read and look at. Like the recent books by Native writers, it has an extensive Author's Note that provides teachers with information that helps them understand why Amanda and Kara and their families aren't on the reservation when the story starts. In her note, Goodluck says that the characters in her book represent her and her cousins growing up in the 1960s and 1970s in the Bay Area suburbs of California. She shares some background about her family and cousins and how the city and the Rez were both home and community. She says:
As a matter of fact, we are dual citizens: first enrolled members of sovereign Tribal Nations and then citizens of the United States. The term "sovereign nation" means a Tribal Nation that governs itself. If it is federally recognized, then it has a governmental relationship with the United States as a nation with a nation.
Those of you who know me probably guess that my heart is soaring as I read those sentences! Teachers: download Affirming Indigenous Sovereignty: A Civics Inquiry by Sarah B. Shear, Leilani Sabsazlian, and Lisa Brown Buchanan. It'll provide you with ideas on how you can incorporate tribal sovereignty into your classroom. 

In the portion of her note titled "From the Reservation to the City" she tells us that her parents moved from their reservation to the city because of the Indian Relocation Act of 1956. It was a federal program that was described as a way for Native people to move to cities and get vocational job training--but there was more to it than that. Goodluck writes:
In actuality, the federal government wanted to erase Native culture by moving Native people to cities so they would adapt to the lifestyles of white people. 
I am so glad to see that sentence in this book! This is the honesty that ought to be in every book! 

She goes on to say that her parents were able to get jobs in the city, but that the government promise of a job did not work for most tribal people. They endured discrimination and racism. I have uncles and aunts who moved to cities for jobs. Some got those jobs and stayed in those cities, others came back very soon. I suggest you read Indian No More because it, too, is about this relocation program. 

I'm sharing the final paragraph in the note because it is so very powerful:
The treatment of Native Americans in the United States was and sometimes still is despicable. But as with the family in this story and with my own family, unjust experiences forge tight bonds between us and make us strong. Our resiliency is rooted in our ceremonies and culture. We have a deep love of home. The land reminds us of our ancestors, storytelling helps us make good decisions, and we continue to have love and loyal family connections that are unbreakable.

Forever Cousins is tribally specific. Both, the author and illustrator, are Native. The story is set in the present day. It can--and should be--read year-round (not confined to a heritage month or day). It is getting a 'highly recommended' label from me, but my enthusiasm for the book is much more than a 'highly recommended' label conveys. With this story and the note, Goodluck and Nelson give teachers or parents information that they can carry with them when they close this book and choose another one that features Native people. They see us as people who live in a city or on a reservation. They can see us as people whose identities and lives as Native people are central to who we are, and who share the same sorts of joys and fears that kids of other cultures do, too. 

Forever Cousins is one of the best books I've read. I'm delighted to read it, to write about it, and to recommend it to everyone.


Tuesday, November 30, 2021

Highly Recommended: ON THE TRAPLINE by David A. Robertson and Julie Flett

 

On the Trapline
Written by David A. Robertson (Member, Norway House Cree Nation)
Illustrated by Julie Flett (Cree-Métis)
Published by Tundra Books
Published in 2021
Reviewer: Debbie Reese
Status: Highly Recommended

****

When most kids visit or travel with a grandparent to a special place, they drive or fly on a commercial airplane. For this trip, this grandfather and grandson start out on a small propeller airplane. 

On the Trapline is based on Robertson's visit--with his father--to his father's trapline. In the book launch he talked about going to that trapline. His father had not been to it since his childhood. Robertson had never seen it. For that father and son, then, it was a special moment when they would be walking, together, on homelands known to the father but not to the son. When his father stepped onto that homeland, Robertson said (in the book launch) that his dad seemed younger. Many of you may have had an experience like that with someone you love. I have. There is a joy that radiates from within. For me, and for Robertson, there is also a quiet to it all. Filled with so much! 

The visit that Robertson and his father took to the trapline became the exquisite picture book, On the Trapline. On the way to the trapline, the grandson asks questions about things he sees, and about things his grandfather talks about. Readers learn, for example, about the school Moshom went to where "all of us had to talk about learn in English." The grandson asks "Did you still get to speak Cree?" and his grandfather replies, "My friends and I snuck into the bush so we could speak our language." That language is on most pages of the book. On the page about Moshom's school, you'll find this sentence:
Ininimowin means "Cree language."
That is a deceptively simple set of words. They seem straightforward, and yet, they are filled with meaning! Here's a bit of the art that Julie Flett created for that page:


See? Children, in the bush. They look like they are playing. I imagine they are--but as they do--they speak to each other in Cree. 

When they get to the trapline, "Moshom's eyes light up." He points and says "That's my trapline." Then, there's more and more and more for this young Cree boy to learn about his grandfather's life on the trapline. 

Robertson and Flett's book received starred reviews from the major review journals. This occurred before, when they worked together on When We Were Alone. As was the case then, I highly recommend you get a copy of On the Trapline. 

 

Sunday, November 14, 2021

Highly Recommended: ALL BOYS AREN'T BLUE: A MEMOIR-MANIFESTO by George M. Johnson


All Boys Aren't Blue: A Memoir-Manifesto
Written by George M. Johnson 
Cover Art by Charly Palmer
Published in 2020
Publisher: Farrar Straus Giroux (Imprint of Macmillan)
Reviewer: Debbie Reese
Review Status: Highly Recommended

****

The author of All Boys Aren't Blue is not Native, but on occasion, someone will ask me about the Native content in a particular book. That's the case this time. Here's the description:
In a series of personal essays, prominent journalist and LGBTQIA+ activist George M. Johnson explores his childhood, adolescence, and college years in New Jersey and Virginia. From the memories of getting his teeth kicked out by bullies at age five, to flea marketing with his loving grandmother, to his first sexual relationships, this young-adult memoir weaves together the trials and triumphs faced by Black queer boys.

Both a primer for teens eager to be allies as well as a reassuring testimony for young queer men of color, All Boys Aren't Blue covers topics such as gender identity, toxic masculinity, brotherhood, family, structural marginalization, consent, and Black joy. Johnson's emotionally frank style of writing will appeal directly to young adults.
I finally got a copy of the book and like so many others, was pulled in to Johnson's writing. There is such care in these essays! Some evoked tears. Chapter 10, "A Lesson Before Dying" is about his grandmother. The tears are about death but more than that, they're about truth. About being real with each other. What that feels like, why it matters so much. 

My heart squeezed as I read Johnson's essays about his identities. He is Black. He is gay. I thought of the many young people who have already read his book and through Johnson's words, been wrapped in an embrace of who they themselves are. As I write this review, Johnson's book is showing up on banned book lists. My heart aches for those who are watching all that happening. It is an assault, on them, but the outpouring of support for Johnson signals a perseverance in the face of hate. 

Now: the Native content. Chapter 5 is titled "Honest Abe" Lied to Me. 

When I read the words in that title, I nodded. In that essay, Johnson writes about elementary school, third grade, especially, and the history they were taught (and performed) in a play about Thanksgiving, the Revolutionary War, the signing of the Declaration of Independence and the Emancipation Proclamation. He writes about a Thanksgiving poster that used to hang on the school that showed (p. 87):
... American Indians sharing food with the Pilgrims at the first Thanksgiving. 
   *takes deep breath*
What it doesn't show is that the Pilgrims stole the American Indians' food when they first arrived on the Mayflower, because they weren't prepared for winter. 
I like that Johnson includes that because that particular holiday is coming up and kids across the country are being miseducated about it. Johnson's critique might not be noticed by some readers, but others--Native ones, especially--will notice and appreciate it. 

Johnson's in-depth questioning of the history he'd been learning began in junior high (page 93): 
We learned that Abraham Lincoln wasn't all he was cracked up to be. We learned about the Emancipation Proclamation, but also read some of the statements he made that weren't in the history books. The ones that were disparaging toward Black Americans and the fight for equality. 
And (p. 93-94),
We learned that Lincoln had many thoughts that never seemed to make it into the pages of the history books.

He shares some of those statements made by Lincoln, including this one (p. 94):

"My paramount object in this struggle is to save the Union, and is not either to save or to destroy slavery. If I could save the Union without freeing any slave I would do it, and if I could save it by freeing all the slaves I would do it; and if I could save it by freeing some and leaving others alone, I would also do that."

Two years ago when Jean Mendoza and I visited a high school class that was using An Indigenous Peoples' History of the US for Young People we learned that Black students were taken aback by what we included about Lincoln. 

There was--and is--no reason for anyone to go through painful moments learning the facts about Lincoln or any other person or moment in history. The information is available. Johnson and the students we worked with that day are, essentially, speaking clearly to those who will listen: tell the truth about history! 

Truth. 

That's what I find in All Boys Aren't Blue. The book is about Johnson's identities and it is about a country's identity. It is searing, and delivers one truth after another. I highly recommend it--and I recommend you read it. Pushing back on misrepresentations or mischaracterizations of books requires knowing what they say.  

Friday, April 23, 2021

Guest Review: An-Lon Chen's review of WHO WAS SACAGAWEA? by Judith Bloom Fradin and Dennis Brindell Fradin

Note from Debbie: In February of 2021, I received an email from a parent who had questions about a scene in Judith Bloom Fradin and Dennis Brindell Fradin’s biography of Sacagawea. That parent is An-Lon Chen. We began an email conversation. What she wrote struck me as the sort of activity that I want readers of AICL to see. First is the questioning, and then, the research, and all though that research process, collisions with the historical record, the master narrative, and what children learn. An-Lon's essay demonstrates the work some parents do when they read a children’s book to their child. I wish more parents would write about the work they do, and share that work. Publishers do pay attention to critical examinations of the books they publish. Writers do, too (for examples, see Revised and Withdrawn).

Note on April 27, 2021: You can follow An-Lon Chen on Twitter: https://twitter.com/anlonchen

**** 

An-Lon Chen's Review of Who Was Sacagawea?


I didn’t set out to write a book review when I contacted Dr. Reese about a scene in chapter 4 where Sacagawea learns that her brother, Cameahwait, is going to break a promise he had made to Meriwether Lewis. I was looking for help in finding the source material for that scene in Who Was Sacagawea? by Judith Bloom Fradin and Dennis Brindell Fradin. The book was published in 2002, but is still in print today from Penguin Random House. My family loves the Who Was? biography series and this was the first time I felt the need to do any fact-checking.



An old college friend eventually helped me locate the source material in Lewis and Clark’s expedition journals. Later in this review, I will post it side-by-side with its retelling in the children’s book. It’s an eye-opening look at how much any given author’s interpretation of Sacagawea’s inner thoughts and feelings is a reflection of that author’s own beliefs and their own racial stereotypes, however well-intentioned. (Readers with time constraints can jump directly to the scene in question the Fiction? Or Deceptions? section of this review, though I feel that its full significance is best appreciated in context.)


In this review, I will shine a light on that scene, a racist illustration, and a dishonest and evasive portrayal of United States government actions in the wake of the Lewis and Clark expedition. However, the problem with Sacagawea is much bigger than one particular book. Who Was Sacagawea? is, in all likelihood, one of the better Sacagawea books out there. The authors clearly cared about their subject matter and succeeded in telling a highly engaging story about a courageous heroine. Unfortunately, the story itself has deeper problems than they seem to have realized.


I was, to be honest, caught by surprise. I am not Native American and don’t have any particular insight into, or knowledge about, Sacagawea’s story. I am, however, a Chinese-American mother of a biracial child, and I am painfully aware of how deeply racist first impressions can linger. I was disturbed enough after reading Who Was Sacagawea? aloud to my five-year old daughter that I felt morally obligated to research and write this review.

Introduction

My daughter first learned about Sacagawea from a board book that was gifted to us called A is for Awesome by Eva Chen. That board book is not the subject of this review, but I include the illustration because it visually demonstrates two important aspects of how Sacagawea's story is told.



First and foremost, all we know about Sacagawea is what white men have written about her, in the third person. We have no record of her own internal thoughts and feelings. In A is for Awesome, Sacagawea is one of the few women in the book whose page doesn’t include an upbeat, inspirational speech balloon with a quote from her (like the one shown for Ginsburg). From a few scraps in Lewis and Clark’s voluminous journals, Sacagawea’s life has been constructed, re-constructed, appropriated, and re-appropriated by white suffragists, historians, schoolteachers, writers, and politicians. We, the non-Native American audience, remain fascinated by Sacagawea because her trek across the western United States with a baby on her back makes for such a good story.


The second aspect of her life story that A is for Awesome shows us is Sacagawea’s happy smile. A smile seems like an inconsequential thing to point out, especially in light of the more obvious question - where’s her baby? But the smile is important because Sacagawea has been used by two centuries’ worth of white authors to justify white expansionism. If Sacagawea can smile about the Lewis and Clark expedition and its aftermath, then we, too, are given permission to smile.


In an email I received from Dr. Reese, she says that she doesn’t know of a decolonized children’s biography of Sacagawea. In her own words from that email:


I'd promote that (non-existent) book so much because teachers all across the country could use it to teach kids how to analyze false narratives. People who don't want the narrative disrupted won't like it, but those who do... like me, well, we'd love it.


I’m going to pause here for a confession. Much as I want this non-existent biography to exist, I too have a strong emotional response to the story as we know it. In reading through the original Lewis and Clark journals, I too am drawn by Sacagawea’s bravery and resourcefulness and resilience. I too hear the siren song that inspired her countless white biographers, who wanted to bring her back to life and give her a voice. For these reasons, I do empathize with them. Her story is not a blank slate: from the journals, we glimpse just enough of her life to desperately want to know the rest. Without any existing window into her thoughts and feelings, we invent our own motivations for her actions. We don’t necessarily set out to write a revisionist history, but we do so simply because what we wrongly perceive as a blank slate is so frustrating and so tempting.


An honest biography would refrain from reconstructing what know from the journal fragments. It would also reframe the larger story in the context of Sacagawea’s own people rather than that of the white expedition. Finally, it would tell the story of her appropriation, which is fascinating and sad in its own right.


The white suffragists who rediscovered Sacagawea had a narrative of their own to disrupt: that history is made exclusively by men. Unfortunately, these women introduced their own explicitly colonialist message. Eva Emery Dye, the novelist who popularized Sacagawea to a white audience ninety years after her death, patriotically credited Sacagawea with “unlocking the gates of the mountains, and giving up the key to her country... giving over its trade and resources to the whites, opening the way to a higher civilization.” [1] [2]


This talk of giving the country over to the whites resonates with a sizable percentage of Americans today. That is the result of misrepresentations of her life story and this country's story. I think it is important that we all take a harder look at Sacagawea’s portrayal in children’s books, and recognize that schoolchildren are receiving that same misrepresentation to this very day. I don’t believe it’s possible to address any of the errors, omissions, and fabrications in Who Was Sacagawea? without seeing how neatly they fit together in support of the colonialist, expansionist narrative first put forth by turn-of-the-century white suffragists. Again, I don’t believe the children’s book authors explicitly intended to push this particular agenda. For too many of us, it is hard to see the bias in the materials we inherit.

Revisionist History

Framing the Story

Who Was Sacagawea? opens with these words (p. 2):


In the year 2000, the United States issued a new dollar coin. Its “heads” side shows an American-Indian woman. She is carrying her baby.


Who is this young woman? Her name was Sacagawea (Sa KA ga WE a). Two hundred years ago, she went with the Lewis and Clark expedition. The explorers traveled across the American Northwest. When the explorers were hungry, she found food. When they met Indians along the way, she acted as a translator. Thanks to Sacagawea’s help, the expedition was a success.


The Lewis and Clark expedition changed American history. It helped the United States settle a huge region. This area included what became the states of Idaho, Washington, and Oregon.


This is the standard framing for Sacagawea’s adventures. Schoolchildren learn at an early age that the Lewis and Clark expedition enabled white settlement in the Northwest United States, and that the expedition would have failed at multiple junctures if not for Sacagawea. This framing sets her up as the person who scored the game-winning touchdown for the other team.


The standard framing also sets up a false timeline and false sense of historical scale. Readers are given the impression that civilization began in Idaho, Washington and Oregon only after they were organized into the states we know today. In reality, tribes on the Columbia River Plateau had been trading with tribes on the Pacific coast by canoe for thousands of years, and trading with tribes across the Rocky Mountains by horseback for hundreds of years. Although the thirty-three members of the Lewis and Clark expedition were the first white people to make face-to-face contact with these inland tribes, many of them already possessed white trade goods and knowledge of white people obtained through their intertribal trade network [3]. From their perspective at the time, the Lewis and Clark expedition was no different from any of the French, British, and Spanish expeditions that had come and gone before [4].


Below, I’m going to quote every passage in Who Was Sacagawea? that addresses the white settlement of Native lands. This is a comprehensive recitation, down to the last sentence fragment. This is the revisionist American history lesson I delivered to my daughter when I read the book aloud to her. Unteaching it is easier said than done. She trusts the written word.

Resettlement to Reservations

The only information about Indigenous peoples’ forced resettlement to reservations is ignominiously buried in a two-page encyclopedic-like sidebar about buffalo, which I will reproduce here in its entirety (pp. 20-11):


Buffalo Hunting


The American bison is also called the American buffalo. A large male bison is about the size of a small minivan. At the time of the Lewis and Clark expedition, more than 50,000,000 bison roamed the Great Plains. The Shoshone and the other Plains Indians depended on them for food, warm clothing, and shelter. Their tipis were made from buffalo hides.


Whites begin to settle on the Great Plains shortly after the expedition. The United States government tried to force the Indian tribes to live on the reservations - smaller pieces of land.


In the late 1800s, white buffalo hunters killed all but 550 American bison. Having lost their food and shelter, the Indians moved to the reservations.


During the mid-1900s, some bison were returned to the prairies. Today, 150,000 bison live on ranches and in national parks in the United States and Canada.


The passage creates the false impression that the “Indians” (it’s unclear which) voluntarily moved to the reservations. It gives no sense of the geographical size and scope of the lost homelands in comparison with the ever-shrinking, often fatally distant reservations. And it also creates a more subtle and insidious false sense of scale by enumerating the buffalo’s huge population numbers in detail while lumping together all the “Indians” into one indistinct mass. Because the terms “Indians” and “Plains Indians” are used so generically, it’s impossible to figure out which nations and tribes either term refers to. 


Sacagawea’s Lemhi Shoshone, who lived in the Rocky Mountains on the other side of the Continental Divide and only hunted buffalo seasonally, are lumped in with the Plains Indians. I honestly can’t tell whether the “Indians'' who “moved to the reservations” when there were only 550 bison left, are just the Plains Indians (of which only the Mandan and the Hidatsa are even mentioned in the book), or all the Indian nations and tribes on the entire continent who were forcibly removed to reservations in the name of white settlement.


Though the Lemhi Shoshone and Nez Perce Indians of the Pacific Northwest are lauded in the book for having helped the Lewis and Clark expedition, this confusing sidebar about buffalo and Plains Indians is the closest the book comes to mentioning the wars, broken treaties, depletion of natural resources, incursion of white settlers, and political pressures that forced them onto reservations within less than a century. Let me say that again: that is the only place in the book where readers get even a hint of honest information about what Americans and the US government did to Indian people.

Exploration and Discovery

In Who Was Sacajawea? there are too many references to themes of exploration and discovery to list them all. This is the only one that acknowledges that the land originally belonged to the Indians (p. 21):


The voyagers would do more than visit the territory of the Louisiana Purchase. They would also explore what is now Idaho, Washington, and Oregon. Great Britain also had its eye on this territory. Jefferson wanted American explorers to get there first. That would strengthen U.S. claims to the region. Nobody stopped to think that the land already belonged to the Indians.


Ultimately, the exploration and discovery narrative becomes the driving force. We see the virgin landscape unfold through explorer's eyes, from the expedition’s early days in St. Louis to the beached whale at the Pacific ocean.


The discovery narrative is so powerful and compelling, it inevitably overpowers the fact presented on page 21 that the Indians were there first. Devoid of context, it is like a carcinogen warning on the side of a package. The reader sees it and forgets about it. Without having been introduced to the diverse and distinct Indigenous peoples of the “unexplored” Columbia River plateau, and without having learned anything about their relationship with the land or the miles and the millennia that it spans, it’s easy for the reader to promptly dismiss the fact that the land already belonged to the Indians.

Commemoration

At the very end of the journey, we learn (p. 95):


The Lewis and Clark expedition reached St. Louis in late September. Cheering crowds greeted the men. They were heroes. They had explored vast and distant lands. Lewis and Clark had paved the way for America's settlement of the west.


The expedition is credited with enabling the invasion and occupation of Native homelands, and the book celebrates along with the cheering crowds. In the final chapter, “Honoring Sacagawea,” we learn less about the modern-day fate of her people than we did earlier when we read that today, there are over 150,000 buffalo on ranches and in national parks (p. 102):


During the 1800s, Indians and whites fought many wars. White people did not want to honor any Native Americans. By 1900, the fighting had ended. The country was getting ready to celebrate the expedition’s 100th anniversary. That was when Americans ‘discovered’ Bird Woman. Suddenly, she became very well-known. Sacagawea has had more landmarks named for her and memorials built in her honor than any other American woman. 


Idaho, Montana, Oregon, and Wyoming have mountains named for Sacagawea. Washington and North Dakota have lakes named for her.


So how did the fighting end? Who won the wars? Do Indians still exist today? We never find out, as the book immediately segues into a recitation of Sacagawea’s many landmarks and memorials. 


In reality, the fighting ended only about thirty years before the unveiling of Sacagawea’s first major statue at the 1905 Portland World’s Fair. White veterans of the last Northwest Indian wars against the Modoc, Nez Perce, Bannock, and Paiute tribes were present among the crowds [5]. White female suffragists unveiled Sacagawea’s statue, draped it in an American flag, and gave speeches lauding her selfless, patriotic, and vital role in America’s westward expansion [6]. Make no mistake: Sacagawea’s statue was a propaganda piece and a victory celebration.


The irony is evident in the Sacagawea dollar coin released in 2000. Whose “liberty” is the United States government celebrating, and in whose God do we trust? Certainly not Sacagawea’s, or that of her Lemhi Shoshone tribe, or that of any other contemporaneous American Indian nation.



Erasure


At the 1905 Portland World’s Fair, National Woman Suffrage Association President Anna Shaw hailed Sacagawea as a memory of a conveniently vanishing race [7]:

“Your tribe is fast disappearing from the land of your fathers. May we, the daughters of an alien race who slew your people and usurped your country, learn the lessons of calm endurance, of patient persistence and unfaltering courage exemplified in your life…”  

Who Was Sacagawea? propagates the same nostalgic myth of the vanishing Indian by concluding with a recitation of Sacagawea’s many monuments and memorials while failing to mention that all the Indigenous tribes encountered by the reader in the book still exist today. For this review, I did a lot of research and learned a lot.


Sacagawea’s Lemhi Shoshone lived in their relatively isolated homeland valley for two more years after the 1905 Portland World’s Fair. Though they had remained mostly neutral during the Nez Perce, Bannock, and Sheepeater Wars, they were ultimately driven by political and economic pressures to relocate to the Fort Hall Reservation, 200 miles away. Tribal members refer to this exile from their homeland as their own “Trail of Tears” [8]. Though the small number of Lemhi Shoshone who remained in or returned to their homeland have not succeeded at obtaining federal recognition, they remain a distinct society today [9]. The Lemhi Shoshone who relocated to the Fort Hall Reservation are now part of the Shoshone-Bannock Tribes, a federally recognized sovereign nation with over 5,900 members. 


The Nez Perce tribe that aided the expedition after they crossed the Bitterroot Mountains is a federally recognized tribal nation with over 3,500 citizens. Though the Nez Perce Reservation is located on part of their homeland in north-central Idaho, the Nez Perce who aligned with Chief Joseph during the Nez Perce War of 1877 spent eight long and deadly years in exile on reservations in Kansas and Oklahoma before finally being allowed to return to the Pacific Northwest in 1885. 


The Mandan Indians in North Dakota who helped feed the expedition during the winter of 1804-1805 were ravaged by multiple smallpox epidemics and allied with the Hidatsa and the Arikara in order to survive. Today, they are the Mandan, Hidatsa, and Arikara Nation, with 16,770 enrolled members. In 1949, the federal government displaced over 80% of their population in order to build the Garrison Dam. The loss of the river-valley homeland that had been their agricultural livelihood left The Three Tribes devastated economically, socially, and spiritually [10]. In 1985, Congress awarded them $149.5 million in just compensation for the lands underneath the lake created by the dam. This lake is called Lake Sakakawea, so named by the US Army Corps of Engineers who built the dam [11].


There are currently 574 federally recognized tribes and 1.9 million tribally enrolled members in the United States today. This tally doesn’t include the Chinook and Clatsop tribes of the Lower Columbia River that are featured in the book for having traded with the expedition at the very end of their journey. The Chinook Nation, which includes both these tribes, is still fighting for federal recognition. Their struggle is not the focus of this piece, but it’s well worth visiting their own website to learn more. Ironically, because they never signed a ratified treaty or officially ceded homelands, they are now denied COVID relief and other forms of federal aid [12].


All these nations and tribes survived the white occupation of their ancestral homelands. So why were they written out of Who Was Sacagawea? Why do we get a modern-day update on the buffalo and the dollar coin and the namesake lake in North Dakota, but no update on the people themselves? Because in order to justify the discovery and settlement narrative, we need to pretend that the people we displaced no longer exist.


I’m going to shift gears at this point, from the larger historical canvas to the scene in the book that took me down the path that led to this review.

Fiction? Or Deceptions?

We know just enough from Lewis and Clark’s journals to be deeply drawn to Sacagawea as a human being, and we become emotionally invested in giving her a happy ending. I think many children’s biographers paint a false portrait of Sacagawea not for ideological reasons, but because letting her share in the happy ending of the white expedition is the only way to give her a happy ending at all. Rather than using Sacagawea’s story to reflect on hard truths about white settlement of Indigenous homelands, we now use it to assuage our collective guilt.


Most narratives downplay how little agency Sacagawea had in her own life. Sacagawea's husband, Toussaint Charbonneau, was a predatory man who “married" at least five Native American girls, the last when he was 80 and she was 14 years old [13]. According to the Lewis and Clark journals, Sacagawea herself was captured in a raid at age 10 or 11 by the rival Hidatsa tribe (referred to in the book as the Minnetaree) and either sold, traded, or gambled away to Charbonneau when she was 13.


The authors of Who Was Sacagawea? go to great lengths to try and make Sacagawea’s backstory palatable to younger readers. In the first few pages, they insert an awkward paragraph explaining that like all Shoshone girls, she would have been married at age 13 or 14 to an older man within her own Shoshone tribe. My impression is that this is intended to soften the blow of her ensuing capture and forced marriage to Charbonneau.


In Chapter 4, Sacagawea emotionally reunites with her Lemhi Shoshone tribe in present-day Idaho after five years and 600 miles of separation. She learns that her brother Cameahwait is the new chief. He becomes part of the translation chain that allows the Lewis and Clark expedition to trade for horses and guides from the Shoshone in order to cross the Bitterroot Range of the Rocky Mountains.


Here, the book’s authors launch into speculation as to why Sacagawea stayed with the white expedition instead of staying with her people, conveniently avoiding the possibility that she may not have had a choice. But even that editorialization isn't enough, because the book also introduces a new, illustrated plot point (pp. 60-61):


Bird Woman must have been tempted to stay with her people. However, she chose to move on with the Corps of Discovery. We can only guess why. Perhaps she felt loyal to the explorers. They had treated her and Pomp kindly. She may never have felt so important before. The chance to visit other Indian tribes and see the ocean must also have been exciting to a young girl.


The explorers were still among the Shoshone when Bird Woman overheard something shocking. Her brother had changed his mind. He was going to break his promise. He was going to keep the horses and take his hungry people to hunt buffalo. Sacagawea told Charbonneau what she had learned. She asked him to tell Captain Lewis. Lewis confronted Cameahwait. The chief was ashamed. He would keep his word after all, he said. Once again, Sacagawea had helped save the expedition.


This is the point where I went on a protracted hunt for the original source material. The passage above felt a little too convenient. Here is a photo of that page:



This scene establishes Sacagawea’s brother as a deceitful, unreliable Indian, plants Sacagawea firmly on her husband's side, and firmly aligns her with the white expedition. The reader can relax and enjoy the rest of the book, believing that Sacagawea chose of her own free will to stay with the good guys.


Is it any wonder that some Native Americans think of Sacagawea as a traitor? Look at the illustration in the book above: Sacagawea is eavesdropping from behind a tree, and she’s about to snitch on her Shoshone brother to her white husband. As I am about to demonstrate, this scene is entirely fictitious. No part of it ever happened. But it appears in this biography. We’re conditioned to believe the words in print without question.


Here is the actual source material, with the only mention of Sacagawea underlined in blue. I will guide you through it, shortly. [14]




“Whilst at dinner we learnt by means of Sacajawea” (page 110) is the only mention of Sacagawea in this entire passage. All we learn from it is that she conveyed some information. There is no indication about how or why she chose to share that information, or that it was secret in any way, or that she had overheard it from behind a tree. All those details provided on page 60 and 61 of Who Was Sacagawea?, in other words, were invented wholesale.


The actual information being conveyed is more difficult to decipher without some context. I will summarize and give the needed background.


At the time of the journal passage, the expedition and Cameahwait’s party are camped some distance away from the Shoshone village in the Bitterroot Mountains. At this point, Lewis and Clark have traded for some horses from Cameahwait, and Cameahwait has indicated willingness to trade more. Lewis and Clark want the entire combined party to travel to the Shoshone village in order to continue bargaining for their needed horses. Cameahwait, however, has just instructed a runner (as conveyed by Sacagawea) to have his people leave the village and meet Lewis and Clark’s party at their current encampment instead. 


From there, they will make their seasonal journey down to the buffalo-hunting grounds on the Great Plains of present-day Montana. All of Lewis’s subsequent pontification refers to the horses he thinks he’s entitled to once they reach the Shoshone village in the mountains, not to any horses that have actually been promised. At the end of page 111 in the journals, Cameahwait agrees to change his plans. In subsequent journal entries, everyone arrives at the village and Lewis bargains for his horses.


Nowhere is there any indication that Cameahwait attempted to steal back horses that he had already traded away, or that Sacagawea saved the expedition by overhearing secret plans and ratting on her brother to her husband. The passage in Who Was Sacagawea? is entirely fictitious.


Not only is it fictitious, it is actively harmful. Why was that passage so believable that two decades’ worth of editors, reviewers, librarians, parents and schoolchildren never (to my knowledge) questioned it? Because it plays into our negative stereotypes of Native Americans. Because the shifty, capricious Indian chief fits neatly into our worldview and our preconceptions.


As for Sacagawea’s motivations in leaving behind her Shoshone people and staying with her husband, I found no information in the Lewis and Clark journals other than the following passage about the Shoshone man she had been betrothed to. As it turns out, he was still alive but didn’t want her back (p. 118).


When we brought her back, her betrothed was still living. Although he was double the age of Sacajawea, and had two other wives, he claimed her, but on finding that she had a child by her new husband, Chaboneau, he relinquished his pretensions and said he did not want her.


I assume that the authors of Who Was Sacagawea? read the same passages I read. Why was the passage above not offered as a possible reason Sacagawea stayed with the white expedition? Why was the passage about Cameahwait re-imagined into a traitorous plot point?


Because we want that happy ending so badly. Portraying Sacagawea as winning with the good guys is much easier than addressing what happened to those other guys. Sacagawea gets the happy ending we want her to have, but it is at the cost of being airlifted to the other team.

Sacagawea’s Son

I have one last critique of Who Was Sacagawea? in particular, and the Sacagawea story in general. Both have to do with Sacagawea’s baby.


The illustrator of Who Was Sacagawea?, like the authors, clearly cares about his characters and has clearly done research in bringing them to life. That said, I can’t get over this picture of Sacagawea’s one-year old son:




The hunched back, the weak chin, and the enormous feet look like they were inspired by popular imagery of Neanderthals. The Lewis and Clark expedition was 200 years ago, not 40,000 years ago. I’m sure the illustrator meant well. But it’s easy for subconscious bias like this to creep into illustrations, and go uncaught by an editorial and publishing team. As with the fictitious plot point about the traitorous Indian chief, this baby is believable only because of our own latent stereotypes and preconceptions.


The final story element that appears in every account of Sacagawea’s life is William Clark’s fondness for both her and her child. After repeated offers, Clark adopted the boy when he was about six years old. Sacagawea died shortly after giving birth to his sister two years later. Clark adopted the baby girl as well. She doesn’t appear in his records at all after her initial adoption, and may not have survived past childhood.


It’s easy for contemporary readers to see Clark’s adoption of Sacagawea’s son as being sweet and heartwarming, without recognizing the underlying worldview and preconceptions of the era: kind white adoptive parents will civilize the savage child and give that child a better life. I have yet to see any account of Sacagawea’s life that addresses the adoption of her children in the context of the United States government’s soon-to-be-realized practices of forced assimilation, now commonly referred to as cultural genocide.


The broader topic of assimilation is far too complex for a review like this to address. I’ll instead follow Dr. Reese’s advice and point readers to the recent film Dawnland, which tells the heartbreaking story of how Indigenous children were removed from their homes in order to “save them from being Indian.” The investigation shown in Dawnland was conducted through Maine’s Truth and Reconciliation Commission, the first of its kind in the United States. Last year, then-Congresswoman Deb Haaland (now Secretary of the Interior), a member of the Laguna Pueblo Tribe, introduced a similar bill at the federal level. The main section of this bill is well worth reading.

Decolonizing Sacagawea

Above, I wrote briefly that an honest biography of Sacagawea, with the tragic parts told, would look very different from the biographies that schoolchildren read today. When we zoom in, the exploration and discovery story is endlessly appealing. But when we zoom out, we can better see the false framing, the false timeline, the invasion and occupation story, the assimilation story, the appropriation, the wishful thinking, the latent stereotypes, and the ongoing harm.


I honestly don’t believe that any of this can be fixed for the target audience of the Who Was? series. A newly rewritten Who Was Sacagawea? with corrections made to all its falsehoods and errors would still be a dramatization beyond what we can reasonably know about Sacagawea’s own internal motivations, and it would still feature the same exploration, discovery, and settlement narrative. Tamper too much with any of these elements, and the story loses its appeal. Despite everyone’s best intentions, it would slowly get zoomed back in and edited back down to its previous form, perhaps with a few awkward and unconvincing disclaimers.


Older students could perhaps benefit from an entirely different treatment of Sacagawea’s story, one that bypasses the false dramatization and instead presents all the primary source journal fragments in their original form, along with the tools and context necessary to understand why and how they got assembled together to fit the familiar, colonialist narrative. Even then, there are many chasms where such a book and its readers could easily get trapped. This would prevent them from reassembling the puzzle pieces into a more honest form. I don’t pretend to be able to navigate past these chasms, but I will point them out because I’ve encountered each of them multiple times over the course of researching this piece.


First and foremost, there’s the strong desire to save both Sacagawea and the Lewis and Clark expedition from being cast as the bad guys. This is understandable, given that the explorers weren’t the ones who authorized the invasion, occupation, and cultural genocide that followed the expedition. It can be difficult to grasp that even though the Lewis and Clark expedition didn’t directly do the harm, it was and is an extremely effective vehicle for justifying the harm done to Native peoples. This justification happens in other places and times, too, as shown by the engineered lake over Mandan Indian homelands--a lake that was named for her, and the statues of her, everywhere. Her name is used to serve the same purpose: justifying colonialism.


A decolonized biography of Sacagawea would need to focus on dismantling the propaganda rather than arguing about everyone’s good intentions. Straw man arguments against Sacagawea being a traitor tend to fall into this trap. No, she herself wasn’t a traitor in the Benedict Arnold sense. She didn’t name the lake. But her story routinely gets told to children in a way that betrays her people: revisionist history followed by erasure and hollow commemoration. We lose sight of the betrayal when we take swings at the straw man.


Another potential chasm is the fact that Sacagawea and her descendants proudly figure in multiple tribes’ oral histories, at odds with the scanty written record that says she died at age 25. It’s tricky to avoid passing judgment on the veracity of competing claims, and it’s even trickier to avoid taking tribal members’ pride in their kinship with Sacagawea as license to continue telling our own harmful version of the story. My hope is that we can respect the Lemhi Shoshone, Shoshone-Bannock, Wind River Shoshone, Hidatsa, and Comanche histories while recognizing that popularizing one or more of them would have little effect on the revisionist history currently being taught to children. Even though we could, in theory, give Sacagawea a happier personal ending by adopting a version of the story where she leaves her white husband and reunites with her own (Shoshone or Hidatsa or Comanche) people, the happier personal ending doesn’t change the broader political and historical canvas. 


Perhaps the most significant chasm is the whiteness of the source material itself. The Lewis and Clark expedition diarists, despite their best efforts, were not reliable ethnographers. Their journals contain numerous misrepresentations of Indian traditions and customs. An honest biography would need to address and compensate for those misrepresentations, which is much easier said than done. Sacagawea spent most of the journey alone among white people. She’s an easy heroine to offer up to white kids precisely because of her isolation. They get a semblance of diversity without ever needing to experience an Indigenous society or lifeway or worldview.


I haven’t commented on the authenticity of any of the cultural details in Who Was Sacagawea? because I am not Native American myself, but even I cringed every time the book made blithe generalizations about “Indian” customs without specifying which tribe they belonged to. Is it common for all Indians to have many different names during childhood (p. 6)? Do all Indians refer to late October as “Moon of the Falling Leaves” (p. 23)? Do all Indians refer to the middle of winter as “Frost in the Tipi” (p. 31)? No, of course not. These cultural details, even if they’re authentic, are unique to specific tribes. But mixing and matching those details is apparently good enough for white authors writing for white children. Sacagawea’s story unfortunately lends itself to this surface-level treatment because the reader meets a lot of tribes without lingering long enough to differentiate between them.


Getting past these chasms goes well beyond my own knowledge or ability. I will, however, offer one screening question for any future biography of Sacagawea that purports to be decolonized: is the reader upset by the end of the story? Has the reader acquired enough cultural and historical context from outside the expedition itself to mourn the government betrayals and the lost homelands? If the reader is not actively mourning, then perhaps the book in their hands is still the same old story that continues to deny the truths of what happened.


If this sounds depressing, there are other ways to offer hope. There are other Indigenous heroes and heroines to celebrate, especially for the younger audience of the Who Was? series. There are contemporary heroes and heroines who would help kids realize that Native Americans still exist today. Endlessly rehashing the Sacagawea story seems to make white people feel better, but it’s ultimately an avoidance mechanism. It’s an easy way to get a Native American heroine onto a bookshelf without challenging white mindsets and white worldviews. It pushes better books off the shelf and prevents better books from being written.


There are better books already out there. My daughter and I are slowly making our way through some of the selections on Dr. Reese’s website. We both loved Buffalo Bird Girl: A Hidatsa Story by S. D. Nelson (Abrams, 2013). That’s a start. I too have a lot to learn.


References


[1] Blee, Lisa (2005). Completing Lewis and Clark's Westward March. Oregon Historical Quarterly, 106(2), 245. Retrieved from https://www.ohs.org/research-and-library/oregon-historical-quarterly/upload/Blee-Completing-Lewis-and-Clark.pdf


[2] Oregonian, July 7, 1905. Retrieved from https://oregonnews.uoregon.edu/lccn/sn83025138/1905-07-07/ed-1/seq-11/


[3] Conner, Roberta (2006). Our People Have Always Been Here. In Josephy, Alvin Jr. (ed.), Lewis and Clark through Indian Eyes: Nine Indian Writers on the Legacy of the Expedition (p. 90). Vintage.


[4] Ibid, p. 100.


[5] Blee, Lisa (2005). Completing Lewis and Clark's Westward March. Oregon Historical Quarterly, 106(2), 239. Retrieved from https://www.ohs.org/research-and-library/oregon-historical-quarterly/upload/Blee-Completing-Lewis-and-Clark.pdf


[6] Ibid, pp. 239-245.


[7] Brooks, Joanna (2004). Sacajawea, Meet Cogewea. In Fresonke, Kris, and Mark Spence (eds.), Lewis & Clark: Legacies, Memories, and New Perspectives (p. 184). Berkeley:  University of California Press. Retrieved from http://ark.cdlib.org/ark:/13030/kt4q2nc6k3/


[8] Campbell, G. (2001). The Lemhi Shoshoni: Ethnogenesis, Sociological Transformations, and the Construction of a Tribal Nation. American Indian Quarterly, 25(4), 556-567. Retrieved from http://www.jstor.org/stable/1186016


[9] Ibid, p. 567.


[10] “MHA Nation History.” Mandan, Hidatsa, and Arikara Nation, MHA Nation. Retrieved April 6, 2021 from www.mhanation.com/history


[11] Cross, Raymond (2004). “Twice-born” From the Waters. In Fresonke, Kris, and Mark Spence (eds.), Lewis & Clark: Legacies, Memories, and New Perspectives (p. 117). Berkeley:  University of California Press. Retrieved from http://ark.cdlib.org/ark:/13030/kt4q2nc6k3/


[12] Fernando, Christine (2021, February 27). “Pandemic leaves Chinook Nation in Washington, other tribes not federally recognized, at higher risk.” The Seattle Times. https://www.seattletimes.com/seattle-news/health/covid-19-pandemic-leaves-chinook-nation-other-tribes-without-us-recognition-at-higher-risk/ 


[13] TW - sexual violence. “Toussaint Charbonneau.” National Parks Service. U.S. Department of the Interior, April 10, 2015. https://www.nps.gov/jeff/learn/historyculture/toussaint-charbonneau.htm


[14]  Lewis, Meriwether & Clark, William (1814). “History of the expedition in command of Captains Lewis and Clark to the sources of the Missouri : across the Rocky Mountains down the Columbia River to the Pacific in 1804-6 : a reprint of the edition of 1814 to which all the members of the expedition contributed” (pp. 110-111). Toronto: Morang.

Retrieved from https://archive.org/details/historyofexpedi02lewi/page/110/mode/2up