Quileute Response to TWILIGHT

Pasting below an extended excerpt from a New York Post article. Called "Vampire Vacation: Twilight Fans Turn a Quiet Indian Reservation into an Unwitting Tourist Mecca," it is the first time I've seen a Quileute response to Twilight. The news article was posted online at 1:32 AM on July 5th, 2009.

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"Twilight" author Stephenie Meyer chose Forks after Googling for the rainiest place in America and was pleased to find the Quileute nearby. 

Locals marvel at how much she got right, but the economically depressed reservation is ambivalent about "Twilight" and how its 350 residents should capitalize on it. Compared to Forks, where visitors can pose with Bella's truck and participate in a "Twilight" look-alike contest, the reservation is cloaked in centuries-old anonymity. 

"There are mixed feelings," says tribal council member Anna Rose Counsell. Over the last three months, the tribe has struggled over what to do. "This is a phenomenon that is happening whether we like it or not." 

Tribal leaders hired a p.r. pro, Jackie Jacobs, in February after being inundated with "Twilight" inquiries. The tribe opened its Wednesday night drum circle to all visitors, which recently included two families of "Twilight" fans. 

At the tribe-owned Oceanside Resort, director Renee Rux says business is up 30 percent, thanks to "Twilight." "It's been huge for us," Rux says. The resort recently partnered with a charter boat company to offer "Twilight" tour packages for $250. 

At the moment, the shop stocks few "Twilight" souvenirs, including hand-knit hats emblazoned with "Bella," "Jacob" and "Edward." Another holds $8 bottles of sand, labeled "Jacob's Treasure. 

Rux, a non-native, retrained the staff to reach out to visitors. "That's the paradigm shift," she says. "People [now] want that experience of being with the Quileute."
A hospitality industry veteran, Rux promised to add $1 million to the resort's $2 million in revenue when she was hired last September. It's just not clear how much the Quileute people want to share their culture for profit. 

Hospitality is an ingrained part of their culture, but elders are worried about building a tourist economy. They fret about how their creation story is portrayed in the book. The tribe says they were changed from wolves to humans by a traveler. Meyer took literary liberty, enabling them to change back at will in an eternal battle against vampires. 

"This is our opportunity to educate people on Quileute history," Counsell says. 

At the Wednesday drum circle, artist and grandmother Ann Penn-Charles works up a sweat in the kitchen while a group of men sing traditional songs. More than 75 people have come on this night for the tribe's free dinner and music. 

Quileute artists take pride in harvesting their own materials, whether it's raw animal sinew for a drum or cedar bark for baskets. Penn-Charles says she's felt judged by some tribal members because she knits the names of "Twilight" characters into traditional cowichin hats. They sell for $50 at the resort store, or $25 directly from her. 

"They're resentful. They think we're selling out," Penn-Charles says. "It's not. It makes your car payment, or those braces your kids need." 

The tribe has hired a business developer, Justin Finkbonner, who also spearheads a crusade to market Quileute and other native artists. 

"We have so many talented artists here, so many untapped," Counsell says. "They don't know how to market." 

In Forks, Chinook Pharmacy owner Chuck Carlson, agrees. He's seen a 20 percent jump in business thanks to "Twilight" merchandise, but the store only carries one Quileute craft -- tiny hand-woven cedar baskets that sit behind a glass case and sell for $49. 

"They need to take more advantage of what's going on," Carlson says. "I don't think they understand how to do that." 

In particular, he feels the tribe should profit from the tour buses that rumble through the reservation. "I would be saying, 'Hey, you're coming down here, you're making a lot of money off us. You need to share some of that profit.' " 

The tribe is now talking about working with tour operator Dazzled by Twilight. Its evolution as a business likely will only grow as the rest of the books are made into movies. In later books, the Quileutes' role becomes nearly as prominent as the Cullens'. 

Fans of La Push hope visitors who come for "Twilight" will learn to appreciate the area's natural allure. That could help connect the Quileutes to more sustainable tourism, such as fishing trips with a Native American guide, kayak rentals and eateries focused on fresh seafood that will attract culinary tourists. 

Tribal publicist Jacobs practically scoffs at questions about what the Quileutes will do once "Twilight" fades. 

"The Quileute have traced their ancestry to the Ice Age," she says. "One day, 'Twilight' will go away and they will continue being the hospitable, welcoming people they've always been, practicing the culture they have been practicing for tens of thousands of years.

Some time back, I saw something that said cast members would be at Quileute Days July 17-19th, but there is nothing about it on the tribe's website and no mention of it in the news story above.

Update, October 23, 2009

Want to see more that I've written about Twilight? Try...
"Stephenie Meyer's TWILIGHT" (May 19, 2008)
"Meyer's TWILIGHT, Second Post" (May 25, 2008)
Terrific essays about Meyer's character "Jacob" (June 30, 2008)
"Has Stephenie Meyer read this?" (Oct 23, 2009)

Recent reader comments...

If you're interested in reader comments to older posts, here's a list of recent ones:

Robin on More on 'I am part Native American'

Mantelli on Dear Penny

Anonymous on Slapin: Open Letter to Beth Kanell

Anonymous on Verla Kay's BROKEN FEATHER

JPM on Dear Penny

Anonymous on Meyer's Twilight: Second Post

Anonymous on Research Study on Subtle Discrimination

Jennifer on Where is your copy of THE EDUCATION OF LITTLE TREE

There is a "supplier of library promotional materials and reading incentives" called Upstart that sponsors a contest called "Vote for Books" (thanks, Christine, for writing to tell me about this contest). It is loosely timed to follow the presidential election cycle, with the votes tallied on November 4th and winners announced November 5th.

As I understand it, this is how it works:

January 1 to April 31st: Visitors to the site nominated books in these categories: Picture Books, Chapter Books, Series for Young Readers, and Series for Older Readers.

May 1st: Most-nominated books were announced.

Sept 1: Voting begins on top eight finalists in each category.

Sept. 22: Round 2 begins with top 4 in each category.

Oct 13: Two top finalists will "face off" in the final round of voting.

Nov 4: Votes will be tallied

Nov 5: Winners will be announced

This "voteforbooks" campaign is relevant to American Indians in Children's Literature because two of the books in the current round (round 2) in the "Series for Older Readers" category are Meyer's Twilight and Wilder's Little House on the Prairie. Both books have Native characters, but as I and others have noted on this blog, both writers do a poor job at depicting Native culture.

But! Both are top sellers. Erroneous presentation of American Indians, apparently, doesn't matter.

Odd, too, that LHOP is in the same category as Twilight. LHOP for older readers?!

That category, Series for Older Readers, has two other books still in the running. They are Harry Potter and The Spiderwick Chronicles. I don't know how the sponsors decided what books to put up against each other in the brackets, but it does seem (to me) that it was arranged so that the "face off" would be between Harry Potter and Twilight. We'll see.

Terrific essays about Meyer's character "Jacob" in TWILIGHT

A post to YALSA about people of color in fantasy led me to a livejournal post about Jacob, the Quileute character in Stephenie Meyer's Twilight saga.

Saskaia (the author of the essay) is finished with the first three books (I'm partway thru the second one, having set it aside to read and work on Landman's Apache: Girl Warrior. By the way, it would be so cool if the powers-that-be over at Candlewick would say "STOP THE PRESSES!" and cancel the release of Landman's book in the U.S.).

In this 'slice' of a larger essay, saskaia (the author doesn't capitalize the first s) considers the plausibility of Jacob. Here's an excerpt:

While Jacob is surely overwhelmed with being a teen werewolf attending the tribal high school while patrolling Quileute land in all of his free time, I can scarcely believe that he and the other Quileute characters never attend powwows or social dances - not one is ever mentioned. It's disconcerting to anyone familiar with Native culture in the United States, especially reservation culture where powwows and social dances still serve as the major arena for socialization.

Saskaia has an engaging style of writing. I enjoyed reading her critique and am with her as she says

I am all for deviation for the typical character archetype but this is where I am thrown from the story, out the window and into my street. I can buy that Jacob thinks himself in love with Bella, but where are Jacob's experiences so he can freely choose Bella? Where are the other Native women?

Saskaia has a link in her essay that I'm placing here, too: Stephenie Meyer's use of Quileute Characters. This is her first post about the saga, wherein she talks about herself (she is Native) and says

While Jacob was written to be mostly age-appropriate, I think she did fall into uber-sexy warrior territory after his first phasing as a werewolf...

Do take a few minutes to read saskaia's critiques. They are terrific!

[Update, 12:54 CST, June 30, 2008---Saskaia's got quite a following! My sitemeter stats show lot of hits from livejournal. Welcome to my site!]

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If you want to read more on the ways that the Quileute's are portrayed in the series, look over to the right side of this page. Scroll up or down till you see the section labeled TWILIGHT SAGA. There you'll see several links to posts about the series.

Native literary magazine: RED INK

As noted yesterday, I'm in Tucson, visiting the American Indian Language Development Institute. Yesterday I was in Angie Hoffman's class on children's literature. Her class is outstanding. In discussion, students talked about how eye-opening Angie's class has been for them. One said she had read Meyer's TWILIGHT saga, and now after this class, is looking at Meyer's books with new eyes and insights. Students in the class work with Native children. Angie is White Mountain Apache, working on her dissertation at the University of Arizona.

In yesterday's class, students read aloud poetry. Some read poems they wrote. Marlon B. Evans (Akimel/Tohono O'odham) read a poem he wrote. After listening to him, I asked if he'd had any of his poems published. In fact, he has, and you can find them in two volumes of Red Ink Magazine. He was featured in Volume 13, No. 2, and he has four poems in the most recent volume (Vol. 14, No 1, Spring 2008). Red Ink is a student run publication at the University of Arizona, published by the American Indian Studies Program. Individual subscriptions to it are $25/year (two issues are published each year), and $35/year for an institutional subscription.

I think you'd be pleasantly surprised at what you find in Red Ink. Graphic art, photography, poetry, short stories... By new poets and established writers, too, like Simon Ortiz and Laura Tohe.

Visit Red Ink's website and place your subscription. If you appreciate Native literature, you'll love this magazine, and ought to consider using it in college lit classes. If you're a school teacher, the poems and stories are best suited for junior and senior English classes, while the graphics can be studied by 7th and 8th graders. The art on the front cover alone is worth the subscription cost. With this post is the cover of Vol. 13, #2. The art is by Ryan Redcorn. In both issues I mentioned above, you will find art by Bunky Echo-hawk. Regular readers of my blog know I especially like his work.

A special shout out here to Ashley Tsosie-Mahieu (Dine). Ashley is a graduate student at the University of Illinois. Her short story "Walk in Beauty" is published in Volume 13, #2.

Last, a warm thank you to Martha L. Dailey. Martha is Dine. I love her poem, "Reflections of Spider Woman." It reminds me of my grandmother. Here's the opening lines of that poem. It is a sample of what you'll find in Red Ink. (If I can secure permission, I'll include the entire poem. Note---I got permission!)


Reflections of Spider Woman
Martha L. Dailey

After you died, we sifted through a footlocker
found under your bed. We sorted through
your belongings and uncovered
a hidden part of your past --
turquoise jewelry, a '65 T-Bird title,
and photo after photo of memories
frozen in exact dimensions.

Mom was given a squash blossom,
Aunt Dot took the silver bracelet,
Uncle Jesse wanted the concho belt.
Like land divided into plots,
each person was given something of value--
small parts to your greater whole.

I claimed a 3 x 3 photo
of you crouched, legs kneeling,
weaving a rug on a makeshift loom.
Your fingers bent strategically,
threading colored yarn in and out,
over and under, through and through.
A map full of lines running
wild across your hands,
connecting one point to another.
One deep line tells of a time
you pawned a saddle for food.
Another line holds the tears
from the pain you withstood
at the birthing of twelve kids--
one of which is my mom.

Was I a line? or just a dot?
Did I mean enough of something
to you to be placed in an archaic
structure of memories cut into your skin?

The Old Ones say don't speak of the dead.
Your name called aloud keeps your spirit here
and not to the place where you begin again.

Eight years after your death,
I still don't call to you.

Addition to the site

Meyer's Twilight, Mikaelsen's Spirit Bear, Alexie's Diary. These and other books get a lot of attention on this site. To help you find all the posts on each of these books, I'm adding a new section to the site. It's way at the bottom. It is called "CLUSTERS." It'll take a while to add all the books and all the links for each title. To start, I added the links to discussions of Caddie Woodlawn. I hope it makes the site more user-friendly. When you have specific troubles with the site, please let me know! Trouble, suggestions for improvement, etc. I do this site for you, so I need (and use) your feedback to improve the layout of the site.

Another award for Alexie's YA Novel

Editors Note on Feb 25, 2018: Please see my apology about promoting Alexie's work. --Debbie

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Roger Sutton, editor at Horn Book, just posted to the child_lit listserv, that Sherman Alexie's The Absolutely True Diary of a Part Time Indian has won the 2008 Boston Globe-Horn Book Award for Fiction and Poetry. Roger's post says:

"Novelist Sherman Alexie is new to young adult literature but not to acclaim. A 1995 PEN/Hemingway Award recipient for his first collection of short stories for adults, he is also a poet, a film director, and a standup comic. Last fall, The Absolutely True Diary of a Part-Time Indian won the National Book Award for Young People’s Literature."

The award will be presented October 3rd in Boston. Acceptance speeches are printed in the The Horn Book Magazine.

Congratulations, again, to Sherman! I look forward to his work in progress, which is another YA novel: Radioactive Love.

Consider handing Alexie's DIARY to students that are enthralled with Meyer's TWILIGHT saga. His realistic depictions of Native youth in Washington are way better than hers.

TWILIGHT/Treaties

In drafting yesterday's post, some information on treaties dropped out, so I'm posting that now.

Treaties are agreements between state entities, generally called nations. When tribal leaders enter into a treaty, it is with a state entity, not a small group that operates in a way that is different from the rest of its group.

In TWILIGHT, Meyer has Quileute elders making a treaty with a group of vampires. Elders are esteemed in Native communities. Their counsel is highly valued. When they are leaders, they are in a position to negotiate treaties. Otherwise, they cannot. Perhaps Jacob's great grandfather was a leader. She doesn't say.

She also uses 'truce' to describe the agreement made by Jacob's great grandfather and Edward's pack. That could be a more apt term for this agreement, but it implies these two groups had been fighting, which is not the case.

Using 'treaty' gives vampires the status of a nation. I wonder how much Meyer actually knows about treaties? Does she know tribes are sovereign nations and that is necessary for a treaty? Or, does she really think that any member of any group can enter into a treaty?

Debbie

Meyer's Twilight: second post

A few days ago, I posted passages from Stephenie Meyer's Twilight. Passages of the Native content in the book... I talked about the Quileute boy, Jacob, but didn't include the physical description of him. Here it is:

Jacob...

"looked fourteen, maybe fifteen, and had long, glossy black hair pulled back with a rubber band at the nape of his neck. His skin was beautiful, silky and russet-colored; his eyes were dark, set deep above the high planes of his cheekbones. He still had just a hint of childish roundness left around his chin. Altogether, a very pretty face" (p. 119).

A plausible description; realistic, predictable.

On page 234, Bella and Edward are in his car, in her driveway, talking. At this point in the book, Bella knows Edward is a vampire. Edward sees a car approaching. Staring at the car, Edward's expression is a "mix of frustration and defiance." Bella gets out, Edward takes off. In the approaching car is Jacob and his dad, Billy. Meyer describes Billy like this:

"In the passenger seat was a much older man, a heavyset man with a memorable face--a face that overflowed, the cheeks resting against his shoulders, with creases running through the russet skin like an old leather jacket. And the surprisingly familiar eyes, black eyes that seemed at the same time both too young and too ancient for the broad face they were set in. Jacob's father, Billy Black. I knew him immediately, though in the more than five years since I'd seen him last I'd managed to forget his name when Charlie had spoken of him my first day here. He was staring at me, scrutinizing my face, so I smiled tentatively at him. His eyes were wide, as if in shock or fear, his nostrils flared."

Another complication, Edward has said.

Billy still stared at me with intense, anxious eyes. I groaned internally. Had Billy recognized Edward so easily? Could he really believe the impossible legends his son had scoffed at?

The answer was clear in Billy's eyes. Yes. Yes, he could."

Meyer's physical description of Billy is not as well done as her description of Jacob. Cheeks resting on his shoulders? Yikes! And black eyes? Actually, there is no such thing as "black" eyecolor. Dark brown, yes, but black? No. Meyer is not alone in that error; lot of writers say Indians have black eyes. Eyecolor aside, consider the adjectives: too young, too old. Conveying... vitality? wisdom?

Update: Tuesday, May 27, 2008
A reader wrote to say that her father's cheeks rest on his shoulders. She says that is what gravity does to the face, and wonders if I'm trying to make the point that a Quiluete wouldn't have that happen to them. She's being a bit sarcastic, saying explicitly that my comment on Billy's cheeks and eyecolor are nit-picky and take away from the validity of my other concerns. In response to her.... Yes, I do know that age and gravity effect the skin tone, but cheeks resting on shoulders.... the only image I could come up with in my mind was of Jabba the Hutt! The question on eye color: I stand by it. It is not biologically possible to have black eyes. They may be very dark brown, but not black. That in itself is not a big deal. Put the remark into context, however, and it becomes important. When trying to convey the idea that Native people are scary and threatening, writers often use 'black' eye color to invoke a sense of fear. I know... Bella is not afraid of Billy and Meyer is not trying to make Billy out as a scary person.

Charlie (Bella's dad) is the chief of police in Forks. On page 236, he says to Jacob:

"I'm going to pretend I didn't see you behind the wheel, Jake,"

to which Jacob replies

"We get permits early on the rez."

That line "we get permits early on the rez" stands out to me. I wonder if the Quileutes do, in fact, give drivers permits to 15-year-olds? As sovereign nations, some tribal nations issue automobile license plates that are valid, just as any state-licensed-plate is. With a tribally issued license plate, a tribal member can drive anywhere. As yet, I don't know about driver's permits/licenses.

Update: Tuesday, May 27th, 2008
Some tribes do issue driver's permits, but the Quileute's do not. I called their tribal offices and asked. All driver's licenses held by Quileute's are issued by the State of Washington.

I'm digging into research on Meyer's novels because Twilight is being made into a movie. The part of Jacob will be played by an actor named Taylor Lautner. In this interview, he says that in preparing for this part, he learned that through his mother, he is part Potawatomi and Ottawa. It doesn't sound like he was raised Potawatomi or Ottawa. In the interview, he talks about meeting Quileute tribal members.

About his character, he says he loves the contrast in Jacob's Native American side and his werewolf side:

Lautner: His Native American side ... he is very friendly and outgoing. He loves Bella and is very loyal to Bella and his dad. But on the werewolf side, they're very fierce and just attacking, and they have this huge temper. So there's a lot of stress and things going on inside him as he's trying to keep his temper to himself. I love that part, which Stephenie [Meyer, on whose novel the movie is based] created, with the contrast between the Native American side and the werewolf side of him.

At the close of the interview, he talks about a line he likes, about being half-naked. I think he's referring to a part in the second book, New Moon, where he transforms into a werewolf. That suggests that parts of New Moon will be included in the film.

So...

In Meyer's stories, there are white vampires that do not hunt humans. White humans, that is. But, they might hunt their natural enemies--the Quileutes who were wolves before being turned into men--who they might attack if they are in a weakened condition. To protect the Quileutes, an elder made a treaty with the vampires. They promised not to expose the vampires presence to the whites (pale-faces) and in turn, the vampires promised not to go onto the reservation.

My thoughts...

First, you have to accept the premise that the vampires and Quileute ancestors are traditional enemies. Then, you have to imagine that the elders have decided to give these enemies a chance. The elders think this particular group of enemies/vampires--because they are controlling their urge to attack humans--are deserving of a chance to co-exist nearby. But they don't quite trust them, so, the all agree that the vampires will stay off the reservation. In return, the tribe will not expose the vampire's identity to the good people of Forks.

In telling Bella about the identity of the vampires, Jacob laughs that he has violated the treaty.

Hmmm...

Tension between vampires and Quileutes, but no tension between the white people in Forks and the Quileutes. Because it is fantasy, we've got to suspend disbelief and accept the vampire/Quileute tension. And, because it is fiction, we're encouraged to believe that the people of Forks and the Quileutes get along. But, relations between whites and Quileutes have been complicated. In the 70s, the northwest tribes were engaged in legal proceedings to have fishing rights based on the treaties honored. Here's a line from this document: "More than a century of frequent and often violent controversy between Indians and non-Indians over treaty right fishing has resulted in deep distrust and animosity on both sides. "

A treaty between the vampires and the Quileutes, but no mention of treaties between Quileutes and the federal government. Is Meyer assuming her readers know about such treaties and reservations?

A Native laughing about violating a treaty. Possible, but not likely. Particularly unlikely for a reservation-raised Native. There's always an exception to every generalization, but I doubt that an actual Quileute teen would say the things that Jacob does.

I've got the second book on order...
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Stephenie Meyer's TWILIGHT

Many people have written to ask me about a young adult novel called Twilight. Written by Stephanie Meyer, Twilight is the first book in the "Twilight Saga." The "Twilight Saga" has been on the New York Times best-seller list for 40 weeks and as of this day, is in the number 1 spot.

I've been asked about it because the books include werewolves who are Native. Quileute, to be precise, from the La Push reservation in Washington. Quileute is not made up, and neither is La Push. Both are real.

I read the book, quickly. Here's passages that begin on page 124. The Quileute boy, Jacob, is with the protagonist, Bella, on an outing. Bella's love interest is a guy named Edward Cullen. Bella suspects Edward is different (doesn't know yet that he's a vampire), and is trying to get information out of Jacob. I'll start with Bella speaking to Jacob, and his reply:

"What was that he was saying about the doctor's family?" I asked innocently.

"The Cullens? Oh, they're not supposed to come onto the reservation."

Jacob feels he's said too much, but Bella promises she won't tell anyone. Assured with her promise, Jacob goes on, saying:

"Do you know any of our old stories, about where we came from--the Quileutes, I mean?" he began.

"Not really," I admitted.

"Well, there are lots of legends, some of them claiming to date back to the Flood--supposedly, the ancient Quileutes tied their canoes to the tops of the tallest trees on the mountain to survive like Noah and the ark." He smiled, to show me how little stock he put in the histories. "Another legend claims that we descended from wolves--and that the wolves are our brothers still. It's against tribal law to kill them.

"Then there are the stories about the cold ones." His voice dropped a little lower.

"The cold ones?" I asked, not faking my intrigue now.

"Yes. There are stories of the cold ones as old as the wolf legends, and some much more recent. According to legend, my own great-grandfather knew some of them. He was the one who made the treaty that kept them off our land." He rolled his eyes.

"Your great-grandfather?" I encouraged.

"He was a tribal elder, like my father. You see, the cold ones are the natural enemies of the wolf--well, not the wolf, really, but the wolves that turn into men, like our ancestors. You would call them werewolves."

"Werewolves have enemies?"

"Only one."

I stared at him earnestly, hoping to disguise my impatience as admiration.

"So you see," Jacob continued, "the cold ones are traditionally our enemies. But this pack that came to our territory during my great-grandfather's time was different. They didn't hunt the way others of their kind did--they weren't supposed to be dangerous to the tribe. So my great-grandfather made a truce with them. If they would promise to stay off our lands, we wouldn't expose them to the pale-faces." He winked at me.

Jacob goes on, eventually telling her the cold ones are vampires. Then he says:

"Pretty crazy stuff, though, isn't it? No wonder my dad doesn't want us to talk about it to anyone."

I couldn't control my expression enough to look at him yet. "Don't worry, I won't give you away."

"I guess I just violated the treaty," he laughed.

"I'll take it to the grave," I promised, and then I shivered.

"Seriously, though, don't say anything to Charlie. He was pretty mad at my dad when he heard that some of us weren't going to the hospital since Dr. Cullen started working there."

"I won't, of course not."

"So do you think we're a bunch of superstitious natives or what?" he asked in a playful tone, but with a hint of worry. I still hadn't looked away from the ocean.

There's more as the book progresses, but none of the reviews mention the werewolf/Quieluete material...

More later. (And if you've read the books, please comment.)

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If you want to read more on the ways that the Quileute's are portrayed in the series, look over to the right side of this page. Scroll up or down till you see the section labeled TWILIGHT SAGA. There you'll see several links to posts about the series.