Showing posts sorted by relevance for query GHOST HAWK. Sort by date Show all posts
Showing posts sorted by relevance for query GHOST HAWK. Sort by date Show all posts

Tuesday, November 05, 2013

SLJ's 2013 Focus On "Resources and Kid Lit about American Indians"

School Library Journal has a "Focus On" series in its Collection Development category. Each "Focus On" is devoted to a single topic. This month, I'm the author of the Focus On column. For it, I provided an annotated list of over 30 children's and young adult books and apps. Most are by Native authors of the U.S. or Canada. The column this month is Resources and Kid Lit about American Indians.





I love the book cover layouts SLJ's staff put together to go with the column. I love them so much, that I am reproducing them here. I would love to see these books on display in every library in the country! As I look at each cover, I remember vividly where I was when I read each one. That's because these books are outstanding. 

I'll take a moment, too, to thank members of the American Indian Library Association for their help in locating apps. I couldn't include all of them, but plan to write about those that I list below, and some that I learned about too late to include for the article. 

I'll also take a moment to point you to my previous Focus On column for SLJ. Published in 2008, it was the prompt for me to come up with my "Top Ten" lists (see top right column of AICL for links to those Top Ten lists). I'll be adding the books in the 2013 Focus On column to the Top Ten lists, too. 



Thanks, SLJ, for providing me with an opportunity to put these terrific books in front of a wide audience!

Please take time to go directly to the article and read the annotations. They're brief, but I've written--or will write about--each one of them on AICL. Here's the list. For previous/future posts on them, look for them in the 'label's section (far right column towards the bottom) or simply type the book title (in quotation marks) in the search bar (top left corner right).

BOARD BOOKS
Baby's First Laugh, by Beverly Blacksheep
Boozhoo, Come Play with Me, by Deanna Himango
Cradle Me, by Debby Slier
Little You, by Richard Van Camp
Good Morning World, by Paul Windsor

ELEMENTARY
Whale Snow, by Debby Dahl Edwardson
Chickadee, by Louise Erdrich
Kunu's Basket: A Story from Indian Island, by Lee DeCora Francis
Chikasha Stories, Volume One: Shared Spirit, by Glenda Galvan
Fatty Legs: A True Story, by Christy & Margaret Pokiak-Fenton
Greet the Dawn: The Lakota Way, by S. D. Nelson
Buffalo Bird Girl: A Hidatsa Story, by S. D. Nelson
The Christmas Coat: Memories of my Sioux Childhood, by Virginia Driving Hawk Sneve
Saltypie: A Choctaw Journey from Darkness Into Light, by Tim Tingle
Kamik: An Inuit Puppy Story, by Donald Uluadluak

MIDDLE SCHOOL
Trickster: Native American Tales: A Graphic Collection, edited by Matt Dembicki
My Name is Not Easy, by Debby Dahl Edwardson
If I Ever Get Out of Here, by Eric Gansworth
Triple Threat, by Jacqueline Guest
Under the Mesquite, by Guadalupe Garcia McCall
Walking on Earth, Touching the Sky: Poetry and Prose by Lakota Youth at Red Cloud Indian School, edited by Timothy P. McLaughlin
Native Writers: Voices of Power, by Kim Sigafus and Lyle Ernst
Super Indian: Volume One, by Arigon Starr
How I Became a Ghost, by Tim Tingle

HIGH SCHOOL
Rethinking Columbus: The Next 500 Years, edited by Bill Bigelow and Bob Peterson
Killer of Enemies, by Joseph Bruchac Update on Sep 30 2023: I (Debbie Reese) no longer recommend Bruchac's work. For details see Is Joseph Bruchac truly Abenaki?
The Round House, by Louise Erdrich
House of Purple Cedar, by Tim Tingle
Code Talker Stories, by Laura Tohe
The Moon of Letting Go: And Other Stories, by Richard Van Camp
Robopocalypse, by Daniel H. Wilson

APPS
Anompa: Chickasaw Language Basic, Chickasaw Nation
Bramble Berry Tales--The Story of Kalkalilh: Book One, Rival Schools Media Design
Navajo Toddler, Isreal Shortman
Ojibway, Ogoki Learning Systems

WEBSITES
Chickasaw Kids, Chickasaw Nation
Infinity of Nations Culture Quest, National Museum of the American Indian


Saturday, May 10, 2008

Response from Ben Mikaelsen re TOUCHING SPIRIT BEAR

Over on the listserv for California's librarians, I posted my critique of Touching Spirit Bear. It sparked some discussion. The moderator said he thought it was getting personal in nature and that the conversation ought to be dropped. In the meantime, he said he'd ask the book's author, Ben Mikaelsen, about my concerns. Yesterday, the moderator posted a reply from Mikaelsen. The moderator said the discussion is closed, that the author should have the final word. I disagree but respect his decision and will not continue that conversation on that listserv. However, I do think further conversation is necessary, so will do that here.

A brief note for now: I understand the desire to feel sympathy for Mikaelsen, or to defend freedom of speech and his freedom to write what he wants to. My concern lies with the children who read (in this case) his books:
  • the Tlingit children who read his book and know he misrepresents their culture, and
  • the non-Tlingit children who may think they've learned something about Tlingit culture.
When I first read Mikaelsen's book a few years ago, I read somewhere (can't recall) that he had been on an airplane with a Tlingit elder who told him about the Tlingit people and their ways. At that time, I wrote to Mikaelsen (through his website) to verify that story, and someone replied (not Mikaelsen) saying that had not happened. That person did not offer any additional information.

Below is Mikaelsen's response. I invite your comments, and am working on a reply that I will post in the next few days.

--------------------------------------
From: Ben Mikaelsen [mailto:ben@benmikaelsen.com]
Sent: Friday, May 09, 2008 9:09 AM
To: Pilling, George
Subject: Touching Spirit Bear

Hello George,

So nice to talk with you. Please feel free to post this on the blog if you feel it appropriate. Normally I don't feel confronting people serves much purpose. In this case, however, this lady is using her position to spread such misleading and erroneous information. Let me know what you think.

Touching Spirit Bear has not received much criticism from inside or outside the Native American or First Nation Community since publication. Most people who know me, know how thoroughly I researched the Tlingit culture. I had any number of Tlingits review the manuscript for me to make sure I had it "right." The few criticisms I have received have been from people who subscribe to the notion that unless you share a perspective, you cannot write to it. Using this logic, I could not have written my book Tree Girl because it holds a female perspective. I could not have written Petey or Stranded because they contained a disabled person's perspective. Sparrow Hawk Red, Red Midnight and Countdown would not have been valid because of the Hispanic and Maasai cultures they portrayed. The irony of Countdown is the biggest criticism I ever received on that book was from a black professor. She accused me of not being remotely accurate with my portrayal of Maasai culture. Ironically, that book has been used for years in Tanzania in their public girls' schools specifically because they like the accurate portrayal of the Maasai.

As for my accuracy in Touching Spirit Bear, I stand by what I've written and can defend every word. The Tlingit culture was peripheral to my story so there was no need to go into cultural aspects in great depth. Anybody familiar with any of the First Nation Cultures knows that their cultures are very complex and a person can spend a lifetime learning all the nuances. This was not possible or necessary for my purposes. This said, all of the healing methods portrayed, carrying the ancestor rocks, dancing the dances, carving the totems, turning the clothes inside out, soaking the ponds, breaking the sticks of anger, etc., all were shared with me by a First Nation spiritual leader. How somebody would categorically say these methods aren't used in Tlingit culture resorts to a troubling level of stereotyping.

People within any culture can be wonderfully diverse in beliefs and life styles. The reality of Circle Justice is that it has been used in different forms by First Nation people for hundreds of years. I first heard about Circle Justice from a prosecuting attorney in Minneapolis who had gone up to the Yukon with several other lawyers and judges to learn Circle Justice methods from First Nation elders there. As for banishment, that is simply one form of Circle Justice. There was a case of banishment a few years ago that did not work in Alaska because the boys thought they were movie stars with the press coming out to the islands to interview them. Nothing about that event or anything written on that event had any influence on my book. I did interview three First Nation men in Canada who had each experienced banishment for an extended period when they were younger. Two of these men were Tlingit. I did not dream up any of the methods that I portrayed in the book which makes criticism of my use of these methods even more puzzling.

I offer the following thoughts. Over the course of my career, all of my books have drawn censorship challenges for a variety of reasons. A Newberry author who I choose to leave anonymous, sat me down once and said, "Ben, knowing you and how thoroughly you research your books, don't you realize that most criticism has nothing to do with your books. Most criticism comes from fanatical zealots who are trying to forward their own agendas. They are like bugs flying to a fire. They look for someone else's limelight because they do nothing to deserve their own." I also remember that same author's next admonition. "Ben, it is simple to avoid criticism and challenges, just write bland books that don't do you or the world any good. But I never thought that was what you were about."

I will end by saying simply that I have conducted my writing career with three simple rules. Every word I write must be well researched, be for the good of a child and come from my heart. I can proudly defend every one of my novels and say that every word written in both Touching Spirit Bear and its new sequel, Ghost of Spirit Bear, has met these tests. I can only dream of a world where all criticism meets that same standard.

Warmest thoughts, Ben Mikaelsen



Saturday, November 25, 2006

Index of Books Reviewed (or otherwise referenced) in A BROKEN FLUTE: THE NATIVE EXPERIENCE IN BOOKS FOR CHILDREN

In 2005, one of the very best resources for critical reviews of book with American Indian content was published. The book is called A Broken Flute: The Native Experience in Books for Children. Reviews in the book are by 58 different people, many of whom are American Indian.

Reviews in A Broken Flute look critically at the way that American Indians are presented. A good many children’s books with Native content receive rave reviews from mainstream journals whose primary concern is with the literary aspects of a story. Too often, little attention is paid to the accuracy of the story, or the underlying bias and ideology that casts American Indians in ways that suggest we are super- or sub-human creatures whose existence is confined to the remote past, or a mythological space and time. 

If you arrived at this webpage due to an Internet search on a specific title, I encourage you to locate a copy of A Broken Flute and read the review therein. If you already own the book, use the review to help children learn how to look critically at the ways that American Indians are presented in the book. A Broken Flute is available from Oyate.

1621: A New Look at Thanksgiving
Abiding Appalachia: Where Mountain and Atom Meet
Acorn Soup
Across the Wide River
Adaline Falling Star
Adopted by the Eagles
Adventure on Thunder Island
After and Before the Lightning
An Algonquian Year: The Year According to the Full Moon
"Amazing Indian Children" Series:
  • Amee-nah: Zuni Boy Runs the Race of His Life
  • Doe Sia: Bannock Girl and the Handcart Pioneers
  • Kunu: Winnebago Boy Escapes
  • Moho Wat: Sheepeater Boy Attempts a Rescue
  • Naya Nuki: Shoshoni Girl Who Ran
  • Om-kas-toe: Blackfeet Twin Captures an Elkdog
  • Pathki Nana: Kootenai Girl Solves a Mystery
  • Soun Tetoken: Nez Perce Boy Tames a Stallion
American Indian Myths and Legends
American Indian Mythology, Kiowa Voices, Vol. II: Myths, Legends and Folktales
American Indian Stories
American Indian Trickster Tales
America's Fascinating Indian Heritage
Amikoonse (Little Beaver)
And Still the Turtle Watched
Angela Weaves a Dream: The Story of a Young Maya Artist
Anna's Athabaskan Summer
Antelope Woman
Apache Children and Elders Talk Together
Apache Rodeo
April Raintree
Ararapikva: Creation Stories other People
Arctic Hunter
Arrow Over the Door
Arrow to the Sun: A Pueblo Indian Tale
Ashkii and His Grandfather
As Long as the Rivers Flow
Atlas of the North American Indian
Away from Home: American Indian Boarding School Experiences
Back in the Beforetime: Tales of the California Indians
Bead on an Anthill: A Lakota Childhood
Bears Make Rock Soup and other stories
Behind Closed Doors: Stories from the Kamloops Indian Residential School
Beneath the Stone: A Mexican Zapotec Tale
Best Thanksgiving Book: ABC Adventures
Bighorse the Warrior
The Big Tree and the Little Tree
Bineshinnh Dibaajmowin/Bird Talk
The Birchbark House
The Bird who Cleans the World and the Mayan Fables
The Birth of Nanbosho
The Birthday Bear
Bison for Kids
Black Elk Speaks: Being the Life Story of a Holy Man of the Oglala Sioux
Blackfoot Children and Elders Talk Together
Black Mountain Boy: A Story of the Boyoood of John Honie
The Blizzard’s Robe
The Blue Roses
Boarding School Seasons: American Indian Families, 1900-1940
Boat Ride with Lilian Two Blossom
Bone Dance
The Book of Medicines
Boozhoo, Come Play with us
The Boxcar Children: The Mytstery of the Lost Village
A Boy Becomes a Man at Wounded Knee
The Boy Who Loved Mourning
The Boy Who Made Dragonfly
A Braid of Lives: Native American Childhood
Brave Bear and the Ghosts: A Sioux Legend
Brave Eagle’s Account of the Fetterman Fight
The Bravest Flute: A Story of Courage in the Mayan Tradition
Bring Back the Deer
Brothers in Arms
Brother Eagle, Sister Sky
Buffalo: with Selections from Native American Song-Poems illustrated with original paintings
Buffalo Before Breakfast
Buffalo Bird Woman’s Garden: Agriculture of the Hidatsa Indians
Buffalo Days
Buffalo Dreams
Buffalo Hunt
The Buffalo Jump
Building an Igloo
Bury My Heart at Wounded Knee: An Indian History of the American West
Caddie Woodlawn
California Missions to Cut out: Book 1
California Missions: Projects and Layouts
Caribou Song/atihko nikamon
Cherokee Sister
Cheryl Bibalhats/Cheryl’s Potlach
Chester Bear, Where Are You?
Cheyenne Again
The Chichi Hoohoo Bogeyman
Children of Clay: A Family of Pueblo Potters
Children of the First People
Children of the Great Muskeg
Children of Guatemala
Children of the Indian Boarding Schools
Children of the Midnight Sun: Young Native Voices of Alaska
Children of the Maya: A Guatemalan Odyssey
Children of Native American Today
Children of the Sierra Madre
Children of the Tlingit
Children of the Longhouse
Children of Yucatan
The Choctaw Code
Chronicles of American Indian Protest
Clambake: A Wampanoag Tradition
Clamshell Boy: A Makah Legend
Cloud Eyes
Continuum
"Council for Indian Education" Series:
  • Charlie Young Bear
  • The Day of the Ogre Kachinas
  • Fire Mate
  • From the Ashes
  • Heart of Naosaqua
  • Navajo Long Walk (Armstrong)
  • Nesuya's Basket
  • Quest for Courage
The Courage of Sarah Noble
A Coyote Columbus Story
Coyote Fights the Sun: A Shasta Indian Tale
Coyote and the Fire Stick: A Pacific Northwest Indian Tale
Coyote and the Grasshoppers: A Pomo Legend
Coyote and the Laughing Butterflies
Coyote and Little Turtle
Coyote in Love
Coyote in Love with a Star
Coyote and the Magic Words
Coyote Makes Man
Coyote Places the Stars
The Coyote Rings the Wrong Bell
Coyote Sings to the Moon
Coyote Steals the Blanket: A Ute Tale
Coyote Stories
Coyote Stories for Children
Coyote Stories of the Montana Salish Indians
Coyote Stories of the Navajo People
Coyote: A Trickster Tale from the American Southwest
Coyote the Trickster
Coyote and the Winnowing Birds
Crafts for Thanksgiving
Crazy Horse: The Strange Man of the Oglalas
Crazy Horse’s Vision
Crow Children and Elders Talk Together
The Crying Christmas Tree
Dakota Dreams
Dancing Drum: A Cherokee Legend
Dancing Rainbows
Dancing with the Indians
Dancing with the Wind: The ArtsReach Literary Magazine
Daniel Boone and the Wilderness Road
Daughter of Suqua
Day of the Dead: A Mexican- American Celebration
The Days of Augusta
The Day Sun Was Stolen
Death of the Iron Horse
Dezbah and the Dancing Tumbleweeds
The Diary of Anne Frank
Did You Hear Wind Sing Your Name? An Oneida Song of Spring
The Dirt is Red Here
Dirt Road Home
Discovering the Inca Ice Maiden
Doe Sia: Bannock Girl and the Handcart Pioneers
Doesn’t Fall Off His Horse
Don’t Know Much About Sitting Bull
Dragonfly Kites/pijihakanisa
Dragonfly’s Tale
Dreamcatcher (Maynard)
Dreamcatcher (Osofsky)
The Dreamcatcher: Keep your happy dreams-forever!
Drumbeat, Heartbeat: A Celebration of the PowWow
Durable Breathe
Eagle Feather
Eagle Feather—An Honor
Eagle Song
Earth Daughter: Alicia of Acoma Pueblo
Earth Maker’s Lodge: Native American Folklore, Activities, and Foods
Earthmaker’s Tales: North American Indian Stories About Earth Happenings
Education for Extinction: American Indians and the Boarding School Experience, 1875-1928
Elderberry Flute Song: Contemporary Coyote Tales
Emma and the Trees/Emma minwaah mtigooh
Enduring Wisdon: Sayings from Native Americans
Eskimo Boy: Life in an Inupiaq Eskimo Village
The Eye of the Needle
Eyes of Darkness
False Face
Feather in the Wind
A Few More Stories: Contemporary Seneca Indian Tales of the Supernatural
Firefly Night
Fire Race: A Karuk Coyote Tale
The First American Thanksgiving
First Came the Indians
First Nations Families
First Nations Technology
The First Thanksgiving (George)
The First Thanksgiving (Hayward)
The First Thanksgiving (Jackson)
The First Thanksgiving (Rogers)
First Woman and the Strawberry: A Cherokee Legend
Five Little Katchinas
The Flute Player
Follow the Stars: A Native American Woodlands Tale
Food and Recipes of the Native Americans
Forbidden Talent
Fort Chipewyan Homecoming: A Journey to Native Canada
Fox on the Ice/mahkesis miskwamihk e-cipatapit
Fox Song
Four Seasons of Corn: A Winnebago Tradition
From Abenaki to Zuni: A Dictionary of Native American Tribes
From the Belly of the Beast
From the Deep Woods to Civilization
From the Land of the White Birch
Frozen Land: Vanishing Cultures
The Gathering: Stories for the Medicine Wheel
The Gift of the Sacred Pipe
Ghost Dance (Seale)
The Ghost Dance (McLerran)
The Ghost Dance Religion and the Sioux Outbreak of 1890
A Gift for Ampato
Gift Horse
The Girl Who Chased Away Sorrow: The Diary of Sarah Nita, a Navajo Girl, New Mexico, 1864
Giving Birth to Thunder, Sleeping with His Daughter: Coyote Builds North America
Giving Thanks: A Native American Good Morning Message
Gold Fever
Goodbird the Indian: His Story
The Good Luck Cat
Good News from New England: A True Relation of Things Very Remarkable at the Plantation of Plimoth in New England
The Grandchildren of the Incas
Grandchildren of the Lakota
Grandfather Drum
Grandfather Four Winds and Rising Moon
Grandmother’s Pigeon
Grandma’s Special Feeling
Grandmother Five Baskets
Grandmother’s Dreamcatcher
Grandmother’s Gift: Stories from the Anishinaabeg
The Great Buffalo Race
The Great Canoes: Revising a Northwest Coast Tradition
Green Grass, Running Water
Growing up Native American
Growing Up: Where the Partridge Drums Its Wings
Halfbreed
The Handbook of North American Indians, California
Headliner’s Island
Hands-on Latin American: Art Activities for All Ages
Hau Kola-Hello Friend
A Heart Full of Turquoise
Here Comes Tricky Rabbit!
Hiroshima No Pika
History of the Ojibway Nation
Home Country
Home to Medicine Mountain
Honour the sun
Horse Raid: An Arapaho Camp in the 1800s
House Made of Dawn
How the Birch Tree Got Its Stripes
How Chipmunk Got his Stripes
How to Draw Indian Arts and Crafts
How Eagle Got His Good Eyes
How the Indians Bought the Farm
How the Loon Lost Her Voice
How Magpie Got His Yellow Bill
How the Mouse Got Brown Teeth
How Raven Freed the Moon
How the Robin Got Its Red Breast: A Legend of the Sechelt People
How the Seasons Came: A North American Indian Folktale
How the Stars Fell Into the Sky
The Hunter and the Woodpecker
I Can’t Have Bannock but the Beaver Has a Dam
If You Were At…The First Thanksgiving
I Knew Two Metis Women
Iktomi and the Buzzard
Iktomi and the Coyote
Iktomi and the Ducks
Iktomi Loses His Eyes
I Heard the Owl Call My Name
I’ll sing ‘til the day I die: Conversations with Tyendinaga Elders
The Illustrated History of the Chippewas of Nawah
in a vast dreaming
Indian Boyhood
Indian Cartography
Indian Crafts and Activity Book
Indian Heroes and Great Chieftains
The Indian Industrial School, Carlisle, Pennsylvania
The Indians’ Book
The Indian in His Wigwam
The Indian School
Indian School Days
Indian School: Teaching the White Man’s Way
Indian Shoes
In the Fifth World: Portrait of the Navajo Nation
Ininatig’s Gift of Sugar: Traditional Native Sugarmaking
Initiation
Into the Moon: Heart, Mind, Body, Soul
In Two Words: A Yup’ik Eskimo Family
Iron Horses
Isaac’s Dreamcatcher
Ishi: America’s Last Stone Age Indian
Ishi Rediscovered
Ishi’s Journey, from the Center to the Edge of the World: A Historical Novel about the Last Wild Indian in North America
Ishi: The Last of His People
Ishi’s Tale of Lizard
Ishi in Two Worlds: A Biography of the Last Wild Indian in North America
Island of Los Luggage
Is My Friend at Home? Pueblo Fireside Tales
Itch Like Crazy
It Could Always Be Worse
It’s a Family Thanksgiving
Jack Pine Fish Camp
James Bay Memories
Jason and the Sea Otter
Jason’s New Dugout Canoe
Jingle Dancer
The Journal of Julia Singing Bear
Jumping Mouse and the Great Mountain: A Native American Tale
“Just Talking About Ourselves”: Voices of Our Youth
Ka-ha-si and the Loon: An Eskimo Legend
Karok Myths
"Kaya" Series:
  • Changes for Kaya: A Story of Courage
  • Kaya's Escape! A Survival Story
  • Kaya's Hero: A Story of Giving
  • Kaya and Lone Dog: A Friendship Story
  • Kaya and the River Girl
  • Kaya Shows the Way: A Sister Story
  • Meet Kaya: An American Girl
Keepers of the Animals: Native American Stories and Wildlife Activities for Children
Keepers of the Earth: Native American Stories and Environmental Activities for Children
Keepers of Life: Discovering Plants through Native American Stories and Earth Activities for Children
The Killing of Chief Crazy Horse: Three Eyewitness Views by the Indian, Chief He Dog, the Indian-White, William Garnett, and the White Doctor, Valentine McGillycuddy
Kinaalda: A Navajo Girl Grows Up
Kokopelli and the Butterfly
Kokopelli’s Gift
Kokopelli, Drum in Belly
Kumak’s House: A Tale of the Far North
Ktunaxa Legends
Kwulasulwut: Stories from the Coast Salish
Kwulasulwut II: More Stories from the Coast Salish
Kyle’s Bath
Lakota and Dakota Animal Wisdom Stories
Lacrosse: The National Game of the Iroquois
Ladder to the Sky: How the Gift of Healing Came to the Ojibway Nation
Lakota Sioux Children and Elders Talk Together
Land of the Spotted Eagle
The Landing of the Pilgrims
Last Leaf First Snowflake to Fall
The Last Warrior
The Last Yahi: A Novel About Ishi
The Ledgerbook of Thomas Blue Eagle
The Legend of Jimmy Spoon
The Legend of Mexicatl
The Legend of the Lady Slipper
The Legend of Lady’s Slipper
The Legend of Leelanau
The Legend of the Loon
The Legend of Mackinac Island
The Legend of Sleeping Bear
The Legend of Spinoza, the Bear Who Speaks from the Heart
Legend of the White Buffalo Woman
Legends of the Iroquois
Lessons from Mother Earth
Lessons from Turtle Island: Native Curriculum in Early Childhood Classrooms
Less than Half, More than Whole
Let’s Be Indians!
Let’s Celebrate Thanksgiving
Lies to Live By
The Life and Death of Crazy Horse
The Light on the Tent Wall
Listen to the Night: Poems for the Animal Spirits of Mother Earth
Little Bear’s Vision Quest
Little Coyote Runs Away
The Little Duck/Sikhpsis
Little Eagle Lots of Owls
Little Firefly: An Algonquian Legend
A Little History of My Forest Life: An Indian-White Autobiography by Eliza Morrison
Little House on the Prairie
Little Voice
Little White Cabin
The Lone Ranger and Tonto Fistfight in Heaven
The Long March
Longwalker’s Journey: A Novel of the Choctaw Trail of Tears
Lord of the Animals: A Miwok Indian Creation Myth
Lost Bird of Wounded Knee: Spirit of the Lakota
The Lost Boy and the Monster
Luminaries of the Humble
Maata’s Journal
Maybe I Will Do Something: Seven Coyote Tales
Maii and Cousin Horned Toad
Mali Npnaqs: The Story of a Mean Little Old Lady
Mama, Do You Love Me?
Mama’s Little One
Manabozho’s Gifts: Three Chippewa Tales
The Manitous: The Spiritual World of the Ojibway
The Matchlock Gun
Mayers: A Yucatec Maya Family
Mayuk the Grizzly Bear
Meet Mindy: A Native Girl from the Southwest
Meet Naiche: A Native Boy from the Chesapeake bay Area
Meet Tricky Coyote!
Memory Songs
The Middle Five: Indian Schoolboys of the Omaha Tribe
Millie Cooper’s Ride: A True Story from History
Minik’s Story
Mink and Cloud
Mink and Grey Bird
Mink and Granny
Mink and Whale
Minuk: Ashes in the Pathway
The Mishomis Book: The Voice of the Ojibway
Missions of the Central Coast
Missions of the Inland Valleys
Missions of the Los Angeles Area
Missions of the Monterey Bay Area
Missions of the San Francisco Bay Area
Missions of the Southern Coast
Mohawk Trail
Montezuma and the Aztecs
Moon Mother: A Native American Creation Tale
Moonstick: The Seasons of the Sioux
The Moon, the Sun, and the Coyote
More Earthmaker’s Tales: North American Indian Stories About Earth Happenings
More Star Tales: North American Indian Stories about the Stars
Morning on the Lake
Morning Sun, Black Star: The Northern Cheyenne Indians and America’s Energy Crisis
The Morning the Sun Went Down
Mourt’s Relation: A Journal of the Pilgrims at Plymouth
Murdo’s Story: A Legend from Northern Manitoba
“Mush-hole”: Memories of a Residential School
Muskrat Will Be Swimming
My Arctic 1, 2, 3
My Grandmother’s Cookie Jar
My Heart Is on the Ground: The Diary of Nannie Little Rose, a Sioux Girl, Carlisle Indian School, Pennsylvania, 1880
My Indian Boyhood
My Name is Seepeetza
My Navajo Sister
My People, the Sioux
Mystery of Coyote Canyon
Mystery of the Navajo Moon
Myths of the Cherokee
Myths and Legends of the Sioux
Nanabosho Dances
Nanabosho: How the Turtle Got Its Shell
Nanabosho, Soaring Eagle, and the Great Sturgeon
Nanobosho Steals Fire
Nanabosho and the Woodpecker
Native America: Portrait of the Peoples
Native American Culture Series: Arts and Crafts
Native American Culture Series: Child Reading
Native American Culture Series: Daily Life
Native American Culture Series: The European Invasion
Native American Culture Series: Spiritual Life
Native American Culture Series: Tribal Law
A Native American Feast
Native American Gardening: Stories, Projects, and Recipes for Families
Native American Picture Books of Change: The Art of Historic Children’s Editions
Native American Testimony
Native Americans
Native Americans in Children’s Literature
Native Americans: Projects, Games and Activities for Grades K-3
Native Americans: Projects, Games and Activities for Grades 4-6
Native North American Literature
The Naughty Little Rabbit and Old Man Coyote
Navajo ABC: A Dine Alphabet Book
Navajo Coyote Tales
Navajo Creation Myth: The Story of the Emergence
Navajo Long Walk (Armstrong)
Navajo Long Walk (Bruchac)
Navajo Stories of the Long Walk Period
Navajo: Visions and Voices Across the Mesa
Night Is Gone, Day Is Still Coming: Stories and Poems by American Indian Teens and Young Adults
The Night the White Deer Died
Nishnawbe: A Story of Indians in Michigan
No Borders
No Parole Today
Northern Lights: The Soccer Trails
Northwest Coast Indians
Northwoods Cradle Song: From a Menominee Lullaby
No Time to Say Goodbye: Children’s Stories of Kuper Island Residential School
Ocean Power: Poems from the Desert
Of Mother Earth and Father Sky: A Photographic Study of Navajo Cultures
Of Plymouth Plantation
Ojibwa Texts
The Ojibway Dream
Ojibway Family Life in Minnesota
Old Bag of Bones: A Coyote Tale
Old Enough
Old Father Storyteller
The Old Hogan
One Little, Two Little, Three Little Pilgrims
One More Story: Contemporary Seneca Indian Tales of the Supernatural
On Mother’s Lap
On the Trail of Elder Brother: Gous’gap Stories of the Micmac Nation
On the Trail Made of Dawn: Native American Creation Stories
Orca’s Song
The Other Side of Nowhere
Our Journey
Outfoxing Coyote
Outlaws, Renegades and Saints: Diary of a Mixed-up Halfbreed
Pablo Remembers: The Fiesta of the Day of the Dead
Pah
Partial Recall: Photographs of Native North Americans
Pasquala: The Story of a California Indian Girl
The Path of the Quiet Elk
People of the Breaking Day
People of Salmon and Cedar
The People with Five Fingers
Photographs and Poems by Sioux Children
Pia Toya: A Goshute Indian Legend
The Pilgrims and Me
The Pilgrim’s First Thanksgiving
Pipaluk and the Whales
The Place at the Edge of the Earth
Plains Indians Diorama to Cut and Assemble
Pomo Basketmaking: A supreme art for the weaver
Popul Vuh
A Portrait of Spotted Deer’s Grandfather
Potlach: A Tsimshian Celebration
Power
Powwow
Powwow Summer: A Family Celebrates the Circle of Life
The Prince and the Salmon People
Protectors of the Land: An Environmental Journey to Understanding the Conservation Ethic
Pte Oyate: Buffalo Nations, Buffalo People
Pueblo Boy: Growing Up in Two Worlds
Pueblo Girls: Growing Up in Two Worlds
Pueblo Storyteller
Quest for the Eagle Feather
Questions and Swords: Folktales of the Zapatista Revolution
A Quick Brush of Wings
Quillworker: A Cheyenne Legend
Rachel’s Children
The Rainbow Bridge
The Rainbow Bridge: A Chumash Legend
Rainbow Crow
A Rainbow at Night: The World in Words and Pictures by Navajo Children
Rain Is Not My Indian Name
Rainy’s Powwow
The Range Eternal
Raven and the Moon and The Oystercatcher: Two Haida Legends
Raven Goes Berrypicking
Raven Returns the Water
Raven and Snipe
Raven’s Gift
Raven’s Light: A Myth from the People of the Northwest Coast
The Raven Steals the Light
Raven: A Trickster Tale from the Pacific Northwest
A Really Good Brown Girl
Recovering the Word: Essays on Native American Literature
Red Hawk’s Account of Custer’s Last Battle
Red Hawk and the Sky Sisters: A Shawnee Legend
Red Flower Goes West
Red Indian Fair Book
Red Parka Mary
red woman with backward dyes
The Return of crazy horse
Rising Voices: Writings of Young Native Americans
A River Lost
Rolly’s Bear
The Rough-Face Girl
Runs With Horses
The Sacred Harvest: Ojibway Wild Rice Gathering
Sadako and the Thousand Paper Cranes
Saanii Dahataal: The Women Are Singing
Salmon Boy
A Salmon for Simon
Salmon Summer
Sculpted Stones/Piedras Labradas
Seaman’s Journal: On the Trail with Lewis and Clark
The Sea Monster’s Secret
Searching for Chipeta: The Story of a Ute and Her People
The Second Bend in the River
The Secrets and Mysteries of the Cherokee Little People, Yunwi Tsunsdi
The Secret of the White Buffalo
Seeds of Struggle, Songs of Hope: Poetry of Emerging Youth y Sus Maestros del Movimeniento
Selu: Seeking the Corn Mother’s Wisdom
Seminole Children and Elders Talk Together
The Seven Fires: An Ojibway Prophecy
The Seven Visions of Bull Lodge as Told by His Daughter Garter Snake
Seya’s Song
Shannon: An Ojibway Dancer
Shingebiss: An Ojibwa Legend
Shooting Back from the Reservation: A Photographic View of Life by Native American Youth
The Sign of the Beaver
Sika and the Raven
Sing Down the Moon
Sing Down the Rain
The Sioux: Facts, Stories, Activities
Sitting Bull, Champion of the Sioux
Sitting Bull and His World
Skeleton Man
The Sketchbook of Thomas Blue Eagle
Skunny Wundy and other Indian Tales
SkySisters
The Snake that Lived in the Santa Cruz Mountains and Other Ohlone Stories
Soaring Spirits: Conversations with Native American Teens
Solar Storms
Soloman’s Tree
Son of Raven, Son of Deer: Fables of the Tse-Shaht People
Song of the Hermit Thrust: An Iroquois Legend
Song of Sedna
Songs from the Loom: A Navajo Girl Learns to Weave
Songs of Shiprock Fair
The Song Within My Heart
The Sound of Flutes
Speak to Me Words: Essays on Contemporary American Indian Poetry
Spider Spins a Story: Fourteen Legends from Native America
Spider Woman
The Spirit Line
Spirit of the Maya: A Boy Explores His People’s Mysterious Past
Spirit of the White Bison
Spirit Transformed: A Journey from Tree to Totem
Spirit Voices of Bones
Spotted Eagle and Black Crow: A Lakota Legend
Spotted Tail’s Folk: A History of the Brule Sioux
The Spring Celebration
Squanto and the First Thanksgiving
The Star Maiden
Star Tales: North American Indian Stories about the Stars
Stories of the Road Allowance People
The Story of Blue Elk
The Story of Colors/La Historia de los Colores
A Story of the Dreamcatcher
The Story of the First Thanksgiving
The Story of Jumping Mouse: A Native American Legend
The Story of the Pilgrims
A Story to Tell: Traditions of a Tlingit Community
The Storyteller’s Sourcebook
The Story of Thanksgiving (Bartlett)
The Story of Thanksgiving (Skarmeas)
Strong Hearts: Native American Visions and Voices
The Sugar Bush
Sunflower’s Promise: A Zuni Legend
Sunpainters: Eclipse of the Navajo Sun
Supper for Crow: A Northwest Coast Indian Tale
A Symphony of Whales
T’aal: The One who Takes Bad Children
The Tale of Rabbit and Coyote
Ten Little Rabbits
Testimony: Death of a Guatemalan Village
The Thanksgiving Beast Feast
Thanksgiving Fun Activity Book
Thanksgiving Day (Gibbons)
Thanksgiving Day (Rockwell)
Thanksgiving: A Native Perspective
The Thanksgiving Story
That Tricky Coyote!
Thunderwoman: A Mythic Novel of the Pueblos
The Truth about Sacajawea
There Still are Buffalo
They Dance in the Sky: Native American Star Myths
They Were Strong and Good
This Land is My Land
Those Tiny Bits of Beans
Thunder Bear and Ko: The Buffalo Nation and Nambe Pueblo
Time Among the Navajos: Traditional Lifeways on the Reservation
Tjatjakiymatchan (Coyote): A Legend from Carmel Valley
To Kill an Indian: Indian Views on the Last Days of Crazy Horse
To Live in Two Worlds: American Indian Youth Today
Tonweya and the Eagles and Other Lakota Tales
Totem Pole
Totem Pole Carving: Bringing a Log to Life
Truth and Bright Water
The Turkey Girl: A Zuni Cinderella Story
Turkey’s, Pilgrims, and Indian Corn
Turquoise Boy: A Navajo Legend
Turtle Island: Tales of the Algonquian Nation
Turtle Lung Woman’s Granddaughter
Turtle Meat and other Stories
Turtle’s Race with Beaver
Two Bad Boys: A Very Old Cherokee Tale
Two Bear Cubs: A Miwok Legend from California’s Yosemite Valley
Two Old Women: An Alaska Legend of Betrayal, Courage and Survival
Two Pairs of Shoes
Urban Voices: The Bay Area Indian Community
The Upstairs room
The Vanishing Race and Other Illusions: Photographs of Indians by Edward S. Curtis
Vatos
The Very First Americans
The Very First Thanksgiving Day
Voice of the Turtle: American Indian Literature 1900-1970
Waboseg (An Ojibwe story about Rabbits’ ears)
Waheenee: An Indian Girl’s Story
Wait for Me!
Walking the Choctaw Road
Walks in Beauty
Walk Two Moons
Waleye Warriors: An Effective Alliance Against Racism and for the Earth
War of the Eagles
Waterlily
Watership Down
We Are All Related: A Celebration of Our Cultural Heritage
We Are the Many: A Picture Book of American Indians
Weaving a California Tradition: A Native American Basketweaver
Weave Little Stars Into My Sleep: Native American Lullabies
Whale Brother
Whale Girl
When Beaver Was Very Great
When the Chenoo Howls: Native American Tales of Terror
When the Moon is Full: A Lunar Year
When the Rain Sings: Poems by Young Native Americans
When the World Ended, How Hummingbird Got Fire, How People Were Made
Where Courage Is Like a Wild Horse
Where Did You Get Your Moccasins
Where Only the Elders Go—Moon Lake Loon Lake
Where There Is No Name for Art: The Art of Tewa Pueblo Children
Where the Rivers Meet
Whispers Among the Mission Trail
Whispers from the First Californians: A Story of California’s First People
White Buffalo Woman: A Storybook Based on Indian Legend
White Wolf
who will tell my brother?
Why Buffalo Roam
Wild Rice and the Ojibway People
The Winter People
Winter Thunder: Retold Tales
Wisahkecahk Flies to the Moon
The Wish Wind
WolfStar
Women of the Struggle: Portraits and Testimony of Native American Women
Word Up! Hope for Youth Poetry
The World of Manabozho: Tales of the Chippewa Indians
The Worry Stone
Wounded Knee
Writing as Witness
The Year of Miss Agnes
Yonder Mountains: A Cherokee Legend
Yudonsi: A Tale from the Canyons
A Zuni Artist Looks at Frank Hamilton Cushing
Zuni Breadstuff
Zuni Children and Elders Talk Together
The Zunis: Self-Portrayals

Sunday, August 23, 2015

Chapter-by-chapter notes on Erin Bowman's VENGEANCE ROAD

I'm reading an ARC (advanced reader copy) of Erin Bowman's Vengeance Road, published in 2015 by Houghton Mifflin Harcourt.

Here's my notes as I pick up and start to read Vengeance Road. Summary is in standard font. My questions, comments, observations are in italics.

Notes on August 23, 2015

The front cover: Cactus, skulls (human and animal), pistols.
Debbie's thoughts: This is a western. 

The back cover: Blurb tells me the story is about 18 year old Kate Thompson. Her father is killed "for a journal that reveals the secret location of a gold mine."
Debbie's thoughts: Hmmm... an old west story, something to do with gold mines. Anytime a story is about the west and mining, I wonder if it'll include the fact that those mines were on Native homelands. I wonder if it'll include the violence Native peoples endured by those who staked claim to those homelands. 

The map that appears on two pages, after the title, CIP, and dedication pages: Dated "Arizona Territory, 1877.
Debbie's thoughts: I don't see any Native spaces on the map. It has things like "Thompson Homestead" but I think it is fair to say the map erases Native presence from their homelands. Obviously, we're talking about point of view. I wonder who made the map? Was it made by someone in the story? Carlos Montezuma was born, in Arizona, around 1866. He was afraid to be kidnapped. By then, Native peoples were doing all they could to protect their homelands, AND, protect their families from being abducted and forced to work in mines. I'll need to get Ned Blackhawk's book, Violence Over the Land, out again if I need/want to say more about this! 

Chapter 1

Kate (the protagonist) is at the river "yanking a haul" on her Pa's plot of land, which she calls "the best plot of land 'long Granite Creek" (p. 1).
Debbie's thoughts: wondering how that plot of land came to be his? And what makes it best? I think yanking a haul means hauling water.  A search of Google maps tells me that Granite Creek is north of Prescott and southwest of Flagstaff. 
Smoke and yelping cause Kate to head to the house but it is too late. Her father is dead, swaying from a tree, and the house is on fire. She sees figures riding away and shoots at them. One falls. Scene switches to the Quartz Rock Saloon in Prescott (five miles away), where Kate, dressed like a boy, is watching the person who fell. She's sure he won't last long. She listens to conversation around her, which includes "a pair of uniforms from Fort Whipple" who are "hammering 'bout the Apache."
Debbie's thoughts: Apache. First mention of a tribe. That's important, but will there be context for the existence of that fort? And, context for why the Apaches are the subject of conversation?

The guy leaves the saloon. Kate follows him to an outhouse where she yanks open the door and points her pistol at him. He's inside it, sitting on a pot that is set into a wooden seat in the outhouse. He isn't using the outhouse for its purpose; he's sitting in there to look at his gunshot wound.
Debbie's thoughts: Small point, but a pot inside an outhouse? Doesn't make sense to me. 

He tells Kate that her dad had a secret, told to him and his friends by Morris, a clerk at Goldwaters. He won't tell her what that secret is. She shoots him.

End of chapter 1.
Debbie's thoughts: Bowman is using the shoot-em-up style of writing in a way that will definitely appeal to readers who like this style, but it is, so far, very much within the master narratives of US history. By that, I mean the praise of prospectors who set out to "strike it rich" on resources that belonged to someone else. Of course, that someone else is dehumanized in these stories. "Savage Indians," you know, who don't "properly use the land" -- which justifies what was done to them, in the name of capitalism and manifest destiny. Yeah, I didn't use caps for manifest destiny. Just don't want to right now.   

That's it for now. Other things to do before I start chapter 2, but hitting the 'publish' button on this. I'll be back.

__________________________________________________

Notes on August 24th, 2015:

Chapter 2

Kate heads to Goldwaters (a general store) and asks Morris (he's sweet on her) if anyone had been in to ask about her dad. Morris tells her yes, and asks her if anything happened. She doesn't answer, mulling over what he'd say if she did tell him. One option is to report her father's murder to Fort Whipple, but, Kate thinks "Whipple's soldiers protect settlers 'gainst Apache raids, not attacks from their own kind."
Debbie's thoughts: Apache raids. As before, good that Bowman is specific in naming a tribe, but again, context? Why would Apache's be raiding settlers? And, what about the use of "settlers" -- will Bowman provide more information on them? Again--how did they come by the land they're "settling" on?

Back at their house, Kate finds a few items, in a lunch box, that didn't burn in the fire. One of them is a photograph of her and her parents, with Kate as a baby. Her mother is Mexican. She recalls her father saying there wasn't a more beautiful woman in the territory. Gazing at the photo, Kate notes her mother's piercing eyes, high cheeks, and stern expression.
Debbie's thoughts: Hmmm... we could say that Vengeance Road merits a "diverse" tag because Kate is biracial. But--so far she hasn't struck me as identifying as biracial. Maybe that will come later. Another thought: Could a white man marry a Mexican woman in 1859? At that time, it was still called New Mexico Territory. It became Arizona Territory in 1862. And, I'm assuming Kate's parents were married. Small point: I'm curious about that lunch box. A quick look suggests there were lunch pails then. 
Kate thinks it is a blessing "in a way" that her mother died young, of consumption, because Prescott "ain't taking kindly to Mexicans lately." They're spat on, and "the cowardly part of me's happy" she (Kate) has skin "caught somewhere between his fair complexion and her golden bronze" (p. 14-15).
Debbie's thoughts: I guess thinking it is good her mother is dead fits in this "True Grit" style of writing. About that "golden bronze" skin: descriptions of skin tone are always fraught with layer upon layer of risk. In this case, I'm coming up short trying to imagine a golden bronze Mexican. "Golden bronze" sounds more like the words used to describe a fair skinned person who has a tan... like maybe a Spanish woman from Spain. In my experience, Mexicans, being Indigenous people, are darker than people from Spain. I'll also say that I feel like I'm on that slippery slope as I try to sort this out!
The lunch box also has a deed to their acreage, acquired through the Homestead Act, and a note from Pa telling her to go to Wickenburg and see Abe. It is something he's told her, over and over, as she's grown up. If something happens, go see Abe. Wickenburg is south, and Kate can't head there till the morning. Trying to go in the dark, she would need a light, and "fire's nothing but a beacon for the Apache" (p. 16).
Debbie's comments: Ah, yes. The Homestead Act of 1862, by which 160-acre plots of land in the "public domain" were made available to a head of household who would improve it. Recall what I said about who owned that land? Those Apache's were fighting for their homelands, also known as "public domain." 

Chapter 3

In the morning, Kate (still disguised as a guy) heads for Wickenburg. "Apache raids" aren't a "guaranteed occurrence" anymore and she "can't remember the last time a freighter lost a haul to a burnt wagon on account of Indians" (p. 20). She's following the Hassayampa, a river "that flows upside down" (p. 20). She says she "ain't fond of having to follow it" (p. 20) because Indians and crooks like the water. At one point she stops to let the horses drink and spots someone crouched on the trail, who she thinks is an Indian that is tracking her. Back on her horse, she heads on to Wickenburg, but stops in a saloon at Walnut Grove and learns where she can find Abe. She also asks about "a friend" who is really one of the guys who shot her dad, and finds out that the gang who killed her dad are called the Rose Riders. The people in the saloon think she's part of the gang and run her off. That night when she makes camp, two guys after a bounty on members of the Rose Riders try to get her but she kills one. The other takes off, but so does she.
Debbie's comments: Saying (again) that Apaches were defending their families and homelands. If you're interested in knowing more about Apaches during that time, see the transcript (or video) of the PBS series, We Shall Remain. Here's a quote: "Some miners were barbarous—poisoning the Apaches’ food with strychnine, cutting fetuses out of the bellies of pregnant women, selling Apache girls into slavery. When Americans decapitated a venerated Apache chief and sent his boiled skull back East as a gruesome trophy, they pushed Cochise too far." By the time of Bowman's story, many Apache's were on reservations. Geronimo resisted being put on a reservation and was captured in 1877. 

Chapter 4

Kate (she introduces herself as Nate) finds Abe's home, but he's gone (died two years prior). People there, however, know all about her dad and give her a letter from her dad that Abe had been keeping. It has details about a journal her parents found that led them to a cache of gold from a mine located in the Superstition Mountains.  The letter tells Kate to stay there, to live with Abe, but Kate sets out again, wondering why the Rose Riders killed her father rather than just beat him till he turned over the journal. They wanted the gold, and she thinks on what Pa said about gold making monsters of men and women.
Debbie's comments: As I read, I wonder about other works of historical fiction... are there stories wherein an oppressed people is ignored, for the glory of the oppressor? I know the answer, I suppose. Most children's books about Thanksgiving do that, too. Will I read, later in this story, how the miners are monsters, too, killing and raping Native women? Or is that fact not going to be part of this story?

Chapter 5

As she rides, someone fires (she thinks) at her. Turns out to be Jesse and Will (who she met at Abe's house), who fired a bullet into the sky to get her attention.  They want her to ride with them to Tucson to get some cattle but she doesn't want to do that. She tells them she's after the Rose Riders. They ride on together anyway.

Chapter 6

The three make camp for the night and take turns keeping watch for Apaches and the Rose Riders, just in case. She thinks back on what her dad taught her, including how to read. He made her read aloud from a book of poems. She thinks "Poetry don't make yer crops grow better or keep Apache from raiding yer land" (p. 53). They come across a burning carriage and remains of a family. The Rose Riders are responsible. They've left their mark, which is the image of a rose, carved into the forehead of the driver. It was also on Kate's dad's forehead.
Debbie's comments: Bad guys to watch out for are the Rose Riders who mutilate people, and, the Apaches. 

Chapter 7

The three camp again for the night, in the mountains where there's some pools, of water to bathe in. Kate declines the bath (the boys don't know she's a girl); the two boys get in the water. Kate goes for a walk, finds some "tribal markings" and heads back to camp, preferring awkwardness with the boys over "Apache arrowheads." At camp, the boys tell her what happened to their mother: "The Apache raided that afternoon." and "We'd murdered and pillaged their kind plenty, and when the federal troops went east to repel the Confederates invading New Mexico, I bet it looked like a surrender. Like we'd given up and it were time for revenge. Whatever the reason, the Apache rode through town and destroyed everything they could that day." Jesse saw what happened. Their mother was dragged off, and he watched her pull her derringer out and shoot herself in the mouth. he also watched them "scour and kill. Watched 'em drag women off."
Debbie's comments: Ok, a gesture towards violence whites did to the Apaches, but more striking is the graphic description of what the Apaches did. 
That is all for today. Hitting the "update" button.

______________________________________________

August 25, 2015

Chapter 8

The next day, Kate and the boys spend part of the day showing each other their shooting skills. When they start out again, they see two of the Rose Riders.

Chapter 9

The two groups exchange fire. Kate gets shot in the shoulder, falls, and hits her head hard as she falls. When the shooting stops, the boys take off her shirt to check her wound. They realize Nate is not a guy. They take her to Phoenix where a whore named Evelyn doctors her. When she wakes, she tells him what she's doing (seeking vengeance).

Chapter 10

Well enough to move around, Kate figures out the Rose Riders are in Phoenix, too. Kate, Will, and Jesse come up with a plan to kill Waylan (leader of the Rose Riders). Kate will put on one of Evelyn's dresses and make a fuss about wanting to play poker (women aren't supposed to do that). One of the Riders steps up and escorts her to a table. On the way to it, Kate trips. He catches her and the kicks what she tripped up on. It was "an Apache girl" who is on "all fours scrubbing the floorboards." He calls her a "goddamn injun." She says something in her language and gets kicked again. Around them, men snigger and Kate thinks about the difference in how they are treating her versus how they treat the Apache girl. The man gets ready to kick the girl again, and Kate puts her own leg out to stop him, saying that she'll scrub better if he isn't kicking her. She ends up taking the kick on her shin.
Debbie's comments: Some people will read that part of the book and think well of Kate. It is a good thing to intervene when someone is being abused, but this is also within the White Savior trope.  

As Kate continues to the table, she catches the girl's eye. She looks confused and suspicious, and Kate isn't sure why she intervened. She thinks "I wouldn't expect an ounce of kindness from an Apache if I was to fall into their hands and I reckon she don't expect much from us, neither." She can tell that her leg is bruising and thinks "That's the last time I help an Indian who don't even thank me."
Debbie's comments: Who is this Apache girl? What is her role in this story? Bowman is clearly setting out the conflict between "us" and "them." This makes me think Kate doesn't identify at all as Mexican. Not sure what to think about that... Apaches did, in fact, fight Mexicans, too, which means it makes sense for Kate to collapse her Mexican and American identities as an "us" who sees Apaches as "them." 

Kate joins Waylan at the poker table. As they play, the Apache girl refills drinks and empties ashtrays. Whenever she walks by the man who kicked her, he spits at her back.
Debbie's comments: Not sure this makes sense. One minute she's scrubbing floors, and the next she's serving drinks? Setting that aside, was this spitting part necessary? We already know that guy detests her. He kicked her and called her an injun, remember? 

Kate sees that Waylan has her dad's pistol. A bit later, Waylan puts the journal on the table as part of his bet. A fight breaks out, and a fire. Kate has the journal. As she heads for the door she hears "Help" and finds the Apache girl, who doesn't look like an Apache anymore. Now she's just a scared girl. Kate shouts at her to run towards her, through a burning doorframe but the girl won't. Kate leaves. Outside she thinks of the people who burned in the carriage (chapter 7). Finding a blanket and a water barrel, she pushes the barrel to the saloon and runs inside where she wraps the blanket around herself and the girl and brings her out.
Debbie's comments: Saves her again... 

Kate is ok but the Apache girl's palms are blistered. She looks at Kate with astonishment. Kate leaves her to find Jesse and Will. Together again at Evelyn's, they learn that the Rose Riders are on their way up to get them. They climb out a window, just in time.

Chapter 13

Kate and the boys ride out of town, with the Rose Riders chasing them. They find an abandoned house to hide in. Waylan tracks them to it, but the townspeople are tracking him. Waylan takes off. The townspeople leave.

Chapter 14

Kate and the boys take turns sleeping and keeping watch for Waylan. Kate and Jesse talk. Kate realizes she wants Jesse to be a person that Jesse trusts.

Chapter 15

In the morning, Kate studies the journal's maps and notes. They make a plan to head into the Superstitious Mountains but Will is worried about the ghost shooter. He tells Kate that the ghost shooter is a sharpshooter who is in the mountains, killing people who enter. Some say the sharpshooter is "an Apache spirit protecting their land" (p. 159).  As they ride towards the mountains they realize they're being followed by the Apache girl. Through the binoculars, Kate sees that "her hair's parted into two long braids, and they hang over her shoulders looking like suspenders."
Debbie's comments: Hmmm... So far no mention that living Apaches might be protecting their land. Just this spirit can do that. And this description of the Apache girl... braids. Why that detail? 

Kate rides over to the girl, who says she isn't following them, but that they're on the same path. Kate tells her to go back to the saloon but the girl says "I'm never going back to that saloon. I used to have family and purpose and hope. White Eyes came and took it. They marched my people to camps like a herd, commanded my life like they were my god" (p. 162).
Debbie's comments: Clearly, this Apache girl is emerging as a new character. A plus: Bowman gives her good English speaking skills. Wondering how the girl came to work in a saloon? Why isn't she on the reservation with the rest of her people? 

Chapter 16

The girl tells Kate that the Superstitious Mountains are "sacred land, not to be tampered with. Angry land. A guide might be useful." Kate thinks over what the girl might provide. She thinks the girl knows her way around and could be helpful, kind of like the Indians who become scouts at Fort Whipple. She wonders who is crazier: "the Indians who desert their own kind or the ones fighting an endless supply of uniforms" (p. 162).
Debbie's comments: Bowman's reference to those scouts indicates she's done some research... 

Kate asks the girl if she knows the area well, and she replies "My people move when it suits us. When White Eyes came, the men had gone west to what you call Fort McDowell, along the Verde, to retaliate against a recent raid. Us women and children stayed behind only to be rounded up by the very men ours went to fight. The lucky ones got away, the rest walked to a prison White Eyes called a reserve. I was fortunate to escape the march but was picked up and taken to that saloon to work" (p. 163).
Debbie's comments: Aha! Now we know why she was in the saloon. That said, kind of odd imagining an Apache girl, speaking to a white/Mexican girl, and saying "White Eyes." She could say "your people" couldn't she? I've got to see what the source of "White Eyes" is, too. And the attack the girl is recounting must be something that happened around 1867 (guessing she's about same age as Kate, and since she was girl, subtracting 10 which puts her at childhood, age 8). 

The girl is looking for others who might be in the mountains and asks Kate what she seeks in the mountains. Kate replies "justice." The girl says, again, that the mountains are sacred and that "if you wish to pray to Ussen, there is no better place." Kate repeats that name and the girl tells her "the creator of life" but Kate thinks "Heaven forbid she just call him God."
Debbie's comments: With her thought that the girl should say "God" instead of "Ussen," Kate is disdainful of the girl's religion. 

Kate tells the girl that she thinks the men who hung her Pa may be at the gold mine. The girl frowns, saying "It is one thing to pick up gold scattered on the ground and another to dig in Mother Earth's body for it. To do so will bring Ussen's wrath and awaken the Mountain Spirits. They will stomp and stampede, causing the ground to heave and destroy everything near."  Kate asks her if she means that mining causes earthquakes. The girl replies "The Mountain Spirits serve Ussen. They will bring ruin upon those who dig for gold. I cannot help you. Not if gold is what you seek."  Kate tells her she's after the men, not the gold. The girl decides she can help her but will leave if she comes across her own people, and she'll leave when they get to the mine and find the men "violating the earth" because "It is sacred land, not to be tampered with" (164-165).
Debbie's comments: Wonder about the source for all of that? Native peoples do, in fact, hold lands sacred. What I see here, though, sounds a bit romantic. It'll work, though, for readers who like that romantic Indian stuff. 

The girl says "I am Liluye" and that it means Hawk Singing. She thanks Kate for what she did for her at the saloon. Kate calls her Lil and hears her tell her horse "My name is not Lil, but it's a start" (p. 166).
Debbie's comments: Finally! The girl has a name. I put it into a Google search and found a variation of it on a baby names page. Here's a screen shot:





Here's another:





It is also in Kroeber's book, Arapahoe Dialects, Volume 12, as an Arapahoe word meaning chicken hawk singing when soaring. What is it, I wonder? Miwok? Arapahoe? In my quick look I can't find it noted anywhere as being an Apache word or name... 

That's it for now. Lot of research to do with notes I took today, but for now... other things to do. Hitting that update button... And, I'll be back!

Update: Feb 24 2016 - I have not yet finished reading this book, but based on what I've read so far, it is going onto the Not Recommended list.