Showing posts sorted by relevance for query "little house on the prairie". Sort by date Show all posts
Showing posts sorted by relevance for query "little house on the prairie". Sort by date Show all posts

Friday, April 27, 2012

Jacqueline Joseph Pata, Exec Dir of National Congress of American Indians, on Curriculum/American Indian Students

[Editor's Note: A chronological list of AICL's coverage of the shut-down of the Mexican American Studies classes at Tucson Unified School District is here.]
___________________________________________
Jacqueline Joseph Pata (Tlingit)
Jacqueline Johnson Pata, Executive Director of the National Congress of American Indians, was on the lunchtime plenary panel yesterday at the W.K. Kellogg Foundation's America Healing conference. Among her remarks was one that stood out to me.

We (American Indians) don't need, Pata said, state departments of education telling us what is, or is not, acceptable curriculum for our children. 
Pata is absolutely on-target with that remark.
Too many of the books our children are asked to read give them stereotypical portrayals of monolithic American Indians as savages who terrorized pioneers, or, tragic heroic figures of the past who fought the good fight but are now all dead and gone.
Too many of the assignments our children are asked to complete ask them to answer questions where the right answer is one in which they must agree with that point of view. 

It is no wonder American Indian students disengage from school. Wouldn't you?! It is no surprise that our children drop out at such high rates, and, that so many of them choose to end their own lives. 

We can all do a lot to interrupt that way of teaching, but we've got to have the courage to do it. 
Do you have the courage to stop teaching Little House on the Prairie? Though it is much beloved in the United States, it is full of stereotypes, bias, and errors. In it, you see savage Indians scaring Ma, and you see heroic ones who choose to protect Laura and her family from the savage ones. The thing is, both portrayals are incorrect. Embracing them, however, lets Americans feel good about what they have today. In teaching Little House, teachers are miseducating the students in their care.

Native children in those classrooms are not only miseducated, they are--in effect--assaulted. State departments of education are populated by people who love Little House. In that light, it is easy to see why Pata is calling for state departments of education to revisit their actions. 

If you're interested in critical writing about Little House on the Prairie, you're in the right place. I've written a lot about it. You can read my blog posts (there's a list of them on the right side of the page), or you can read my full text article, "Indigenizing Children's Literature."

The W.K. Kellogg Foundation has video of some of Pata's remarks here:

Saturday, October 16, 2010

Jean Craighead George's THE BUFFALO ARE BACK

I received an inquiry about Jean Craighead George's The Buffalo Are Back (Dutton, 2010) and will share my observations and analysis as I turn each page of the not-paginated picture book. The paintings are by Wendell Minor. I've included some of the illustrations.

Based on my analysis, I do not recommend The Buffalo Are Back.

In this analysis, I am focusing primarily on the Native imagery/representations in the book. My descriptions and summary text are in regular font; my comments are in italics. Note: In the analysis I use the word "gutter," which is the term used to describe the space where the pages are bound together. Pages to the left and to the right meet together, in the gutter.

I hope this analysis helps parents, teachers, librarians, book reviewers, writers, illustrators, and editors see books from the vantage point of a Native educator who is interested in books that accurately portray American Indians and Indigenous Nations and peoples around the globe.

Among the criteria I have in mind when analyzing a book are the following:
  1. Does the author/illustrator specify a tribal nation?
  2. What is the time period?
  3. Is the history accurate?
  4. How does the author/illustrator present gender?
  5. Does the author's word choice indicate bias against Native peoples?

Let's begin!

The front cover (shown above)
On the left side of the cover is a buffalo head in profile. To its right is a buffalo calf. They're in some tall grass. Perched atop one of the tall blades of grass is a lark. All are looking to the right. This orientation invites us to open the book.

Title page
The calf is standing, alone, in the center of the page. Beneath it are two prairie dogs standing upright as prairie dogs often do.

First double-paged spread

Left of gutter: Acknowledgement from Wendell Minor, the illustrator.

Right of gutter: Jean Craighead George dedicates the book "To Cyd and Carol Ann, who praise the diversity of the earth and the return of the buffalo. Minor dedicates it "To Jean, in celebration of her fifty years of writing wonderful books that teach children the wonders of nature." The page includes a profile of the calf's head.

Second double-page spread
Left of gutter: same illustration as shown on the cover

Right of gutter: Three prairie dogs face left, looking toward the calf. The text reads:
In a time long ago, an orange buffalo calf was born. [...] On that day in the mid-1800s seventy-five million buffalo roamed in North America. In little more than fifty years, there would be almost none.

What happened? The answer is a story of the American Indians, the buffalo, and the grass.
Craighead George tells us that the book is set in 1850 or thereabouts. She tells us there were millions of buffalo, but that there would soon be almost none. She poses a 'what happened' question and answers her question with "...a story of the American Indians, the buffalo, and the grass." As I read her answer to that question, I think to myself "What? No mention of Americans or the U.S. government who were largely responsible for that dramatic change?"

Third double-page spread
Left of gutter: The page is titled "The American Indians." In the first paragraph, Craighead George says that on the day the calf was born, the air was smoky because "The Indians who lived on the plains were setting the grasses ablaze, as they had for thousands of years." I like that she said they had been there for thousands of years. I would have liked her to specify a tribal nation instead of saying "Indians." For example, she could have said "The Plains Indians were setting the grasses ablaze..." and that would have been ok, but, it would have been better if she had said "Northern Plains" or "Southern Plains" or even better if she'd specified a tribe. 

Right of gutter: Minor depicts the prairie on fire. The Indians Craighead George refers to are shown in the distance, some with a hand raised. In that hand is a flame. One Indian is on horseback. In the background is a structure that I take to be a grass lodge like those used by the Wichitas (Southern Plains tribe). Minor's illustration of the grass lodge tells me that he's depicting the southern plains. The illustration, in this case, is tribally specific, but not the accompanying text.

Fourth double-page spread
Left of gutter (see illustration to the right): A hunter, who I learn from the facing page, is a "white fur hunter." He is looking out over a herd of buffalo (the illustration spills over to the right side of the gutter).

Right of gutter: The page is titled "The Buffalo." The first paragraph reads:
In the mid 1800s, change came to the plains. First it was white fur hunters. They stacked the beautiful buffalo hides in pointed canoes and sold them east for profit. Then the American explorers came, who shot many animals for fun. Buffalo made good targets for the hunters because they are big and often stand still.
In fact, change came to the plains much earlier than the mid 1800s. Anthony Hendry of the Hudson's Bay Company, for example, was there in the 1750s. 


I wonder why Craighead George uses "white" to describe fur traders and "American" to describe explorers? 

Lewis and Clark--explorers--set out on their expedition in 1804, which is before the period Craighead George is referring to (mid 1800s). Her timeline is wrong. Change came long before the mid 1800s. 
  • In The People: A History of Native America by Edmunds, Hoxie, and Salisbury (published in 2007 by Houghton Mifflin, p. 198), the authors state that during the 1780s, the Three Affiliated Tribes (Mandans, Hidatsas, and Arikara's)--they're Plains tribes--were devastated by smallpox. Their population went from 16,000 to 6,100. And in 1837, a steamboat of the American Fur Company that had several passengers aboard who had smallpox landed at a Mandan village. Another epidemic ensued, and the Three Affiliated Tribes population declined again, to 2,300. 
  • According to information on the website of the Three Affiliated Tribes, in 1825, the U.S. government negotiated treaties with the Teton, Yankton, and Yanktonai Dakota as well as the Cheyenne, Mandan, Hidatsa, and Arikara, treaties through which the tribes agreed not to trade with anyone but American citizens.
In short, the history is far more complicated than Craighead George suggests with her "In the mid-1800s, change came to the plains."

The second paragraph (still on the fourth double-page spread) of "The Buffalo" reads:
But it was settlers from the East and the American government that killed almost all of the buffalo herds. After the Civil War, the government bought huge tracts of land from the Indians. They forced many Indians to go to reservations and sold the land to settlers. Families from Europe and the East Coast rushed west to settle the rich black prairie land.
Yes, it was settlers and the U.S. government that killed most of the herds. 

In her second sentence, Craighead George says the government bought huge tracts of land from the Indians after the Civil War. The Civil War took place from 1861 to 1865. I wonder if she's talking about the Dawes Act of 1887? Through that act, Native Nations lost land, but not due to the government buying the land from them. Rather, it was a legal move by the U.S. government to break up the integrity and community values/orientation of the tribes as Nations by allotting individuals plots of land that they would own. Such ownership, the hope was, would assimilate them into becoming white American citizens. The "surplus" land would be sold to settlers.


And "forced to go to reservations" is not quite right either---at least not at that time period. Native Nations were forcibly moved from their homelands in the East and South to what was then-called Indian Territory, but that happened in the early 1800s, not after the Civil War. Returning again to the Mandan, Hidatsa and Arikara Nation website, there is information about the 1851 Treaty of Fort Laramie, which says that through the treaty, several tribes established boundaries for what became their reservations. That was in 1851, before the Civil War. Maybe that's what Craighead George is thinking about. 


This all might seem a bit picky to, perhaps, a mainstream reader, but it definitely matters to, say, someone in a tribal nation whose history includes close relationships with buffaloes. 

Craighead George's repeated use of "Indians" is confusing to me, a Pueblo Indian woman, trying to understand what she's talking about. When she uses the word "Indians," is she talking about specific individuals or does her "Indians" refer to Native Nations? And, her last sentence in the paragraph says "Families from Europe and the East Coast...." ---- She doesn't use "families" to talk about Indian people in her book. As such, she unintentionally affirms a pervasive representation of "Indian" meaning Indian men who are too-often shown without wives, children, mothers, fathers, families, etc. 
 
Fifth double-page spread:
Left of gutter: The illustration is an Indian man in profile (shown here on right). He's facing towards the facing page, on which are shown tipis and a staff on which there is a buffalo skull. One half of the skull has red dots; the other half has blue dots. There are two feathers affixed to the pole, above the skull.

Here's the kicker:  Unlike the white fur hunter on the previous page, this Indian man is see-through. You can see through his torso to the prairie grasses behind him. Why did Minor do that? 


Because his name is included in the text on the facing page, I think this illustration is supposed to be Sitting Bull.

Right of gutter: Remember, the words on the previous page said that families from the East Coast were rushing in to settle on the prairie. The text on this page reads:
But there was trouble on the plains. The government broke its treaties with the Indians. So the Indians fought back and won several battles against the United States Army. Then the government saw another way to defeat the Indians. Soldiers and settlers were encouraged to shoot every buffalo they saw, or drive whole herds over cliffs. Without the buffalo for food, shelter, and clothing, the Indians could not survive on the plains. 
Yes, there was trouble. I like that she uses "battles" and that she doesn't use "massacre" or "uprising." It was, in fact, war. But I wish she had said "The United States government broke its treaties with the Native Nations (or Native governments)." That small change would be far more accurate. Elizabeth Cook-Lynn has an insightful article in which she talks about words and what they mean, with respect to the wars between Native Nations and the the United States. It is called "The Lewis and Clark Story, the Captive Narrative, and the Pitfalls of Indian History." It is in Wicazo Sa Review, Volume 19.1. If you'd like a copy send me an email and I'll send it to you.


In Our Hearts Fell to the Ground: Plains Indian Views of how the West was Lost, Colin G. Calloway writes that the U.S. Army and professional hide hunters (sportsmen) worked together to kill buffalo. At this point, I'm not sure where Craighead George will go with her "Indians could not survive" sentence.

Her next paragraph reads:
Said the great Sioux Chief Sitting Bull, who defeated General George A. Custer at the battle of Little Big Horn: "A cold wind blew across the prairie when the last buffalo fell--a death-wind for my people."

And, the settlers soon discovered, a death-wind for the prairie.
Finally! Craighead George names a specific tribal nation but I wish she had been even more specific, using "Hunkpapa Lakota" instead of "Sioux".... Seeing Sioux, though, makes me wonder if all along, the tribal nation she's thinking of when she says "Indians" is the Lakota/Dakota/Nakota (Sioux).  If so, then I think I am right in guessing that it is Sitting Bull that Minor portrayed earlier in the book, but again, why did he present him as a see-through image? It reminds me of the illustrations in Susan Jeffers' Brother Eagle Sister Sky (see discussion of that book in "Pitfalls and Possibilities," an article Jean Mendoza and I did a few years ago).

Sixth Double-page Spread
Left of the gutter: The page is titled "The Grass." The first paragraph reads:
With the death of the buffalo, the Indian Wars were over. The settlers faced a new fight--the battle of the grasses. Over the eons the prairie grasses had adapted to the Great Plains' frequent droughts by growing tough roots to hold in moisture. These roots were wide and deep and held the rich soil in place. The buffalo's sharp hooves, and the Indians' prairie firs, had helped keep the grasses healthy. But the new settlers did not understand the importance of the grass.
From there Craighead George moves on to talk about ranchers, cowboys, settlers, farmers, steel plows, steam tractors, wheat, corn, soybeans... 

Seventh Double-page Spread
Left of the gutter: Craighead George begins by talking about crops that flourish and railroads that take the harvest to market. She says "Now not one orange buffalo wobbled to its feet." She says the larks are gone, prairie dogs are silent, and that "Without the buffalo, without the grasses, and without the Indians to care for them, the prairie was in danger." She goes on to talk about drought and grasshoppers. On the right is a very cool painting of farmers using switches to beat the grasshoppers. Her phrase, "without the Indians" gives me pause. What happened to them? Her last mention of them is that without the buffalo, the Indians "could not survive." On this page she says "without the Indians" --- Does she mean to tell us that they did not survive?

Eighth Double-page Spread
A terrific Minor illustration spans the two pages, showing dust clouds billowing and a barren land, made that way by farmers. The text explains that buffalo hooves played a role in the health of the land.

Ninth Double-page Spread
Here, Minor shows farmers and townspeople leaving the barren land.  One line reads:
In just over fifty years, it [the "great plow up"] had destroyed the buffalo, the protective prairie grasses, and the Indians who had cared for both." 
Does she really meant to say that the "great plow up" destroyed the Indians? And what does "destroyed" Indians mean? What does a child (the audience for her book) understand by what she says? 

Tenth Double-page Spread
Left of the gutter: The page is titled "The Prairie Comeback." The page is about President Roosevelt and that he wanted to save the buffalo. He sent scouts out to look for them. The scouts found nothing. Then, a naturalist named W. T. Hornaday, "looked and looked and would not give up." Following a tip from "a Crow Indian" Hornaday found three hundred buffalo in a meadow in Montana. A small illustration inset on the page shows a man on a horse looking down a hill at a herd of buffalo.

With her reference to "a Crow Indian" Craighead George tells us that she knows that not all the Indians were destroyed. As a writer, I think she could have been more clear in earlier pages. I think the man on the horse is Hornaday.   

Right of gutter: Minor's illustration is of Roosevelt standing in front of a buffalo herd.

Eleventh Double-page Spread
Left of gutter: A buffalo calf fills the page. Below and spilling across the gutter is a herd.


Right of gutter: The text is:
There had been seventy-five million buffalo on the plains. Now there were three hundred left in the wild. People who understood the land, led by Hornaday, knew the buffalo had to be saved. The president helped.

Roosevelt established the National Bison Range in Montana and made it illegal to shoot buffalo. Over the years, more land was set aside in western states for the great grazing herds, which were beginning to grow.
Curious to know more about the Hornaday and comeback of the buffalo, I checked out a couple of books. None of the ones I got are on the list of sources on the last page of the The Buffalo Are Back. The note above the three books listed says they are among the sources used by the artist. I wonder if Craighead George used them, too? If not, what did she use?


One of the books I got is The Extermination of the Buffalo, by William T. Hornaday. It is a fascinating book. Reading it, I see that there is a lot more to Hornaday than Craighead George included on the ninth and tenth double-page spreads. In her text, he sounds like a heroic figure. Reading his own words, though, I see that he, himself, actively hunted buffalo. I didn't find, in his own book, anything that says he found "three hundred buffalo in a meadow in Montana" as Craighead George says on the previous page of her book.

In 1886, Hornaday was the "chief taxidermist of the National Museum." He determined that the museum did not have an acceptable buffalo "specimen" in its holdings, and he was afraid that the remaining buffaloes would be killed before the museum was able to get one. So, an expedition was put together, and on May 6th, off they went to the northwest, looking for buffaloes. Sometime after May 20 they found a calf. Ten days after finding the calf, they found two bulls. They killed one and the other got away. The one they killed was in "unkept and 'seedy' appearance. They decided that the "skin was not in condition to mount" so took "only the skeleton, entire, and the skin of the head and neck." They decided to stop looking until August when the buffaloes would be finished with the shedding of their hair. They returned to Washington with several hides and skulls, and--the baby calf they found (more about that later). 


They returned to the "hunt" in the northwest in September. He does say "hunt" again and again, and they do, in fact, kill many buffaloes to serve as specimens. He includes a map with dots to mark locations where they killed buffalo. Here's one of his accounts (p. 537):
McNaney killed a fine old bull and a beautiful two year old, or "spike" bull, out of this herd, while I managed to kill a cow and another large old bull, making four for that day, all told. This herd of fourteen head was the largest that we saw during the entire hunt.
At one point he writes (p. 540):
About 4 miles from our late camp we came suddenly upon a fine old solitary bull, feeding in a hollow between two high and precipitous ridges. After a short but sharp chase I succeeded in getting a fair shot at him, and killed him with a ball which broke his left humerus and passed into his lungs. He was the only large bull killed on the entire trip with a single shot. He proved to be a very fine specimen, measuring 5 feet 6 inches in height at the shoulders.
Language he uses to describe their hunting indicates he loved the hunting. When he kills another "truly magnificent specimen," he says (p. 542):
I was delighted with our remarkably good fortune in securing such a prize, for, owing to the rapidity with which we the large buffaloes are being found and killed off these days, I had not hoped to capture a really old individual.
The live calf the expedition took to Washington was kept in a pen. It became quite popular, and in 1887, Hornaday proposed a "Department of Living Animals" at the Smithsonian. As director of the department, he proceeded to develop a captive herd.  


Craighead George, correctly, gives credit to both, Roosevelt and Hornaday, for actions they took but she completely omits all the work that Native people were also doing in that same time period, and she doesn't give us a complete picture of Hornaday's activity as a buffalo hunter. 

Ken Zontek's Buffalo Nation: American Indian Efforts to Restore the Bison (2007, University of Nebraska Press) provides a great deal of information about the work of Native people who sought to restore the bison. For example, Zontek writes of a herd of 300 developed and cared for in the 1890s by Michael Pablo whose mother was Blackfeet.


Twelfth Double-page Spread
Left side of gutter: Craighead George describes government efforts to save the prairie by planting crops in curves instead of straight lines, planting trees with deep roots to break the wind, and, planting grass between corn to hold the soil in place.

Right side of gutter: Minor's illustration of a farmer on his tractor spreads across the double-page spread.

Thirteenth Double-page Spread
Left of gutter: Craighead George writes that one day, a young girl walked into her Kansas house carrying a six-foot blade of grass. Her dad asks her where she got it, and that it is buffalo grass that he thought was extinct. She tells him she got it in the schoolyard.

Right of gutter: Minor's illustration is of a school house on the prairie. The clothing on the children in the yard suggests a more recent time period.

Fourteenth Double-page Spread
Left of gutter: Craighead George describes the search for native grasses (bluestem, gamma, bunch, and buffalo grass). She says people raised the grasses and sowed the seeds on abandoned farms and grasslands. She says the Tall Grass Prairie Preserve was established in Kansas, and that 300 buffalo were released into that preserve.

Right of gutter: Minor's illustration is of a prairie and in the distance, a buffalo herd.

I think Craighead George made a mistake about the preserve. The one in Kansas does not have buffalo. There is one in Oklahoma with buffalo. On the Nature Conservancy website and on the Oklahoma Prairie Country website is information about the Tallgrass Prairie Preserve. Both sites say that in 1993, the Nature Conservancy donated 300 bison for the preserve and that the herd is at its target herd of approximately 2500. 

Fifteenth Double-page Spread
Left of gutter: The text reads:
One morning not too long ago, a young man just out of graduate school galloped his horse across the Prairie Preserve, counting buffalo for the buffalo census. Suddenly he reined in his horse. An orange calf wobbled to his feet and blinked.

Welcome, little calf," the Wichita Indian youth called. "You are America's two hundred thousand and eighty-first buffalo."

A lark flew to the top of a six-foot blade of grass and sang as sweetly as a panpipe. The buffalo are back.
Craighead George tells us the man is Wichita. (Note: I searched on "Wichita Nation" to see if they have a herd, and the first hits the search returned are to Indian Guides programs. The Indian Guides program, while admirable for its goal of having families do activities together, makes a mess of things as they choose an Indian tribal name and engage in stereotypical activities.) I tried again, searching on "Wichita Tribe" and the first hit was, in fact, a link to the website of the Wichita and Affiliated Tribes, whose offices are in Anadarko, Oklahoma. They do not have a buffalo herd, but the Wichita guy may work for one of the tribes that does, or, he may work at the preserve.


I am glad Craighead George ended her book with the Wichita man, but I wish she had done more with the work Native Nations are doing today.  The Inter-Tribal Bison Cooperative, established in 1990, includes over 50 different tribes who now maintain herds on their lands. Their website refers to Roosevelt and conservationists (they don't mention Hornaday) but like Craighead George, they don't refer to Native efforts in the 1890s. I will send them a quick note recommending they add that info. 

Minor's website includes reviews of the book. School Library Journal says it is "a must have for most libraries" and Horn Book calls it compelling. 

I understand why it got positive reviews, but, it is one of the many books that---when the lens is focused on the way the book represents American Indians---it falls far short of being a book that I can recommend. I think Craighead George tried hard to approach the book with an interest in being unbiased. I say that because of some of her word choices (battle instead of massacre) and I think it is terrific to see that awareness in an author's work--but bias is there nonetheless in the heroic way Hornaday is portrayed, in the ghost-like portrayal of Sitting Bull, and in the "no Indians" portrayals of people who obviously weren't dead and gone. 

In the end, authors have to do both: be fair, and, be accurate. I think her research---or the researcher who helped her---failed because the dates are off, which makes the related information problematic. I think Craighead George's editor failed her, too. He/she could have caught the problems with time periods.


I'll be thinking about the book for a while. I invite your thoughts, too, on what I've said here, and the book itself if you've got a copy.

Saturday, February 14, 2015

Stereotypes in Wilder's THE LONG WINTER

Earlier today, I saw a post on Facebook in which a person said, of Wilder's The Long Winter, "this is the only book that can put what's happening in Boston in perspective. It could be worse, wicked worse."

The woman who wrote that post must think she's being clever, comparing the blizzard in Boston to the one in The Long Winter. 

If you care about accuracy in how Native peoples are depicted, or if you care about how derogatory depictions of Native people impact the growing minds of Native and non-Native children, then I think we'd agree that it is long past time to set aside that series.

Because of their status and 
place of nostalgia in the minds 
of so many Americans, 
few books for children are as wicked 
as those in the Little House on the Prairie series.


Ah---you say, 'there were Indians in The Long Winter?'

Yes. The chapter called "Indian Warning" has a "very old Indian" in it. Here's from page 61:
"Heap big snow come," this Indian said.
As he gestures, the blanket he is wearing slides off his shoulder and his "naked brown arm" came out. He continues:
"Heap big snow, big wind," he said.
Pa asks him how long, and of course he says "Many moons" and holds up four, and then three fingers that mean seven months of blizzards.
"You white men," he said. "I tell-um you."
On page 186, the wind grows louder and louder. It reminds Laura of the "Indian war whoops" when Indians were doing "war dances" by the Verdigris River when she was younger.

See what I mean? Stereotypes. Set it aside.

Update, Feb 17, 2015:

Anonymous submitted a comment indicating I was engaging in ageism by focusing on the "old Indian." My point in quoting those words is not about age. My point is that he is nameless and tribeless, and speaks using "many moons" and "heap big" and "tell-um" --- all of which are examples of speech patterns non-Native people attribute to Native people. You see those phrases a lot, regardless of location and, often, time period. As a literary device, it works for those who don't know better or who haven't paused to think about the sheer diversity that existed/exists across the Native peoples of this continent.


Update, Feb 18, 2015:

Notes on Indian-hating-Ma didn't make it into the initial post, so I'm adding them here.

On page 64, Pa is talking about how he feels the need to hurry to get their house ready for winter, especially given the information he got from "that Indian...":
He stopped.
"What Indian?" Ma asked him. She looked as if she were smelling the smell of an Indian whenever she said the word. Ma despised Indians. She was afraid of them, too.
"There's some good Indians," Pa always insisted. Now he added, "And they know some things that we don't. I'll tell you all about it at supper, Caroline."
Debbie's comments: Elsewhere, I've written about the effect of those words on a 3rd or 4th grade Native child (the age at which the books are read or read aloud in class). Imagine the sneer on Ma's face. Imagine the face of that Native child. Imagine the face of the non-Native child, just taking in that hate. As for good Indians, who might they be, in this particular story? The one who helped Pa. Just like in Little House on the Prairie. The bad ones there were the ones who were gathering and didn't want the Ingalls family on land that was meant for Native people. My guess? Pa and Ma would say that bad Indians in The Long Winter are those who object to having their lands declared surplus by the federal government and then sold to family's like the Ingalls family. 

Wednesday, March 04, 2009

"Indian Day"

I'm at the Beinecke Rare Book Library at Yale, reading the American Indian Magazine, Vol. IV, No. 2, April-June, 1916, I came across an article about Indian Day. It is on page 189. The magazine was published by the Society of American Indians, which was formed by influential Native people in 1911.

"The First Indian Day"

May 13, American Indian Day. For the first time the race which roamed the western continent before the white man set foot on its shores is being honored with a day which bears that race's name. The event gives occasion for comment as tardy national recognition of a people who have to a large extent proved their worth. But how well and how comprehensively he proved it is a matter about which a great many persons still need enlightenment.

There is yet a widespread tendency to think of the American Indian as he used to be, rather than as he now is. Where is the small boy who does not picture the Indian as a savage in war paint and feathers, ready to sally forth with tomahawk and spear to avenge himself upon his foes? Where is the small girl who does not avoid reading the Indian stories which so delight her brother, and does not feel sorry for other little girls who live on prairies where they are liable to an unexpected visit from the Indians almost any hour of the day or night? Where is the father who does not enjoy getting an Indian costume for his little boy and even take pleasure in helping him put up a wigwam in the back yard? And where is the mother who does not clap her hands over her ears when that same small son and his pals chase one another round the house, "yelling like Indians"?

In the evening perhaps the family go to the nearest motion picture house. The most exciting film is a story of hairbreadth escapes from the Indians. There is usually nothing to indicate when the events are supposed to have taken place, but the impression gained is that they are comparatively recent. The children go home and dream the story over again that night to repeat its details next day at school or elsewhere.

Next week the circus comes to town. Flaring posters show in advance the "Wild West" show which is to be such a prominent part of the program, and describe in graphic terms the side show in which several Indian families are to be on exhibition. Emphasis is laid on the war dance with which those who pay ten cents admission will be regaled.

In the summer there come those happy days when the family go on a picnic to some near-by resort. Among the attractions along the main boulevard there is probably an Indian shop. Here may be purchased little birchbark canoes, moccasins, bows and arrows, and beads of many colors. If the shop is somewhat pretentious is may even offer for sale Navajo blankets and specimens of basketry and pottery. Perhaps these were made by American Indians, but more likely they were not.


Written almost 100 years ago, it could have been written yesterday...

The day to honor Native peoples? That'd be "American Indian Day" celebrated the day after Thanksgiving.

The small boy of today, if asked to draw an Indian, would certainly draw one in paint and feathers.

The small girl takes great delight in reading Little House on the Prairie.

The father getting an Indian costume and wigwam for his son? Hmm... Boy Scouts, maybe? Order of the Arrow?

And the mother who asks her small son and his pals to stop "yelling like Indians"? If you search Google blogs with "wild Indians" you'll find Todd, writing on March 1st, 2009 "...I would not tolerate them acting like a couple of wild Indians..." and Heather, on March 2nd, "I told the boys to settle down and quit acting like wild Indians..." and Raj, on March 3rd, "...Newton and Pye, running around the house like a pair of wild Indians."

The movies? How about Mel Gibson's Apocalypto...

Wild West shows? Not on tour or on stage that I know of in the U.S., but visit Disney Village in Paris and you can see that show this evening, at 6:30 or 9:30! If you want a preview, there's one on Youtube.

As for birchbark canoes, moccasins, bows and arrows, and beads and the like, your local toy store will have what you need...

Clearly, we haven't made much progress in the last 100 years. What are you doing to change that?