Showing posts with label Pub Year 2015. Show all posts
Showing posts with label Pub Year 2015. Show all posts

Friday, February 20, 2015

Pamela Penza's review of Tricia Stirling's WHEN MY HEART WAS WICKED

Last year, Pamela Penza wrote to me about Nick Lake's There Will Be Lies. Pam is a young adult librarian and blogs at Pamelibrarian. I read her review of There Will Be Lies at Goodreads and then got a copy of the book and eventually posted my review.

A few weeks ago, I met Pam in person at ALA. Here we are:



Earlier today, Pam tweeted frustration with an Indian Princess in a book she reviewed. I asked her for details and she pointed me to her review. I read her review, and decided to share part of it here, with the intent of telling you that you ought to follow Pam's blog. I'm very glad she's noting problematic content like that in There Will Be Lies, and today, in Tricia Stirling's When My Heart Was Wicked. Here's an excerpt of Pam's review, but DO GO READ all that she says. And check out the book covers she inserted at the bottom of her review. Such comparisons are fascinating.

Here's an excerpt of Pamela Penza's review of Tricia Stirling's When My Heart Was Wicked:

Lacy's also into science, which is pretty cool.  She loves chemistry and how equations make the world work.  Interestingly, she also believes in magic and casting spells, and is somewhat of an herbalist.  She gathers herbs by the stream and reminisces about the magical things she could have learned from the Maidu people.  Here's a wonderfully romanticized quote:
"Over two hundred years ago, the Maidu Indians lived right here along this creek in their houses made of bark.  I think about them, the Maidu, and how much they knew about the natural world.  Soap plant and sweet Indian potatoes, deer grass and yerba santa.  They were immune to poison oak, so they cooked their bread in the leaves and wove the branches of the poison oak into baskets ... I wish a real live Maidu woman would come out of the bushes and teach me.  We'd weave a basket to carry sorrow for all the old ways that are gone, and then another one to carry hope."
Well, my face is bruised from slamming my hands into it in frustration so many times.  I am by no means an expert on indigenous peoples of California, or Maidu culture, or any of that, but it's just that fairy tale "wheeee magical Indians" concept that really grates on me...  

Saying again, DO GO READ all that Pam wrote about the book.  There's a lot to say about When My Heart Was Wicked. Published in 2015 by Scholastic, it is disappointing.



Tuesday, January 27, 2015

FERAL PRIDE by Cynthia Leitich Smith

Feral Pride is the third book in Cynthia Leitich Smith's Feral series. She is Muscogee Creek. Books in the series consists of a series of chapters, each one told from the point of view of one of the characters.

Prior to this and her Tantalize series, Leitich Smith wrote three books I highly recommend: her picture book Jingle Dancer, the early reader chapter book Indian Shoes, and her young adult novel Rain is Not My Indian Name. Each one is a terrific story featuring Native kids and their families. All three are set in the present day.

Feral Curse, the second book in the Feral series, introduces a Native character. Her name is Jess. She is Osage. Kayla, one of the main characters in Feral Curse, is a shapeshifter. Kayla and Jess grew up together and are good friends. In her early teens when Kayla realized she is a shapeshifter, she started to keep to herself, afraid of what people and friends will think about her, and afraid that she might inadvertently hurt or frighten them.

Some people in the world Leitich Smith creates are fine with shapeshifters; others aren't. It is that facet of the story that stands out to me as a Native women. The world Leitich Smith creates--and the attitudes of people in it--reflect the real world. Here on AICL, I've written about U.S. assimilation policies. Some of those laws and policies took land from Native peoples as a means to destroy our nationhood, and others sought to "kill the Indian and save the man." Those laws and policies were driven by attitudes held by people who did not want 'other' in the U.S.

That history is in my head as I read Feral Pride, or any book. It doesn't matter what I read. I see gaps. And misrepresentations. But as I read Feral Pride, I see Leitich Smith filling those gaps, meeting them head on.

Here's an example from early in Feral Pride. It picks up where Feral Curse left off. Feral Pride opens with Clyde. Like Kayla, he is a shapeshifter. Clyde, Yoshi, and Kayla are on the run. Both Clyde and Yoshi have more experience with being hunted than Kayla does. Jess is driving them in her dad's squad car. He's a sheriff in the small town in Texas where Kayla and Jess are from. They're headed to the Osage reservation. Here's their conversation (p. 3):*
"None of this makes sense," Kayla says from the backseat of the squad car. "It's not illegal to be what we are. Why would federal agents be gunning for us?"
"Why wouldn't they?" answers Yoshi, who's beside her.

Clyde thinks:
They're both right. It's not illegal to be what we are. But whenever anything goes wrong, anything bloody and brutal, shape-shifters are presumed guilty.
As I read "It's not illegal to be what we are" I thought about all the young people in the US today who some segments of society think of as "illegal." I thought about them being hunted, living in fear of being deported. I thought about how they are unfairly blamed for one social ill after another. Those who aren't branded "illegal" may not notice the work this particular part of Feral Pride is doing, but you can be sure that those who are considered "illegal" will note that passage. It speaks to them, as does Jess, on page 9, when she says:
"Shifters are people. There are terrific people. There are terrible people. Most fall in between."
I keep reading Jess's words. The list of peoples in the world that have been dehumanized and demonized by terrible people is astounding. Feral Pride pushes us--if we're willing--to think about that and why it happens.

Weighty topic, I know, but Leitich Smith lightens that weight with the banter the teens engage in as they drive. They're into superheroes and science fiction characters.

And! The parts of the story where characters shift or are talking about clothes? Well, I find those parts exquisite and they make me wish I could see all of this on a movie screen. And the parts where characters from the Tantalize series join the characters in the Pride series? Well done!

There are other tensions throughout the novel that provide opportunities to think about, for example, relationships across race. Characters who experience these tensions reflect on the ways that their own flaws and experiences shape what they say, do, and think. Their reflections and conversations give them space to revisit what they think, say, and do--and of course, provide those opportunities to us, too.

Elsewhere, reviewers note some of what I did above, and they call Feral Pride compelling, action-packed, sexy, campy, and wickedly funny. I agree with all that, and am happy to recommend it.

Feral Pride is due out this year (2015) from Candlewick.

*I read an advanced reader copy of Feral Pride. Page numbers I noted above may not correspond to the book when it is published.



Monday, January 26, 2015

David Arnold's MOSQUITOLAND

A few days ago, I wrote about the ways that Amazon is using a snippet of School Library Journal's review of David Arnold's Mosquitoland, due out this year

In contrast, Barnes and Noble uses the entire review. The reviewer, Angie Manfredi, pointed to Arnold's use of lipstick as "warpaint" and noted that the protagonist is "part Cherokee."

Today (January 26, 2015), David Arnold tweeted the photograph to the right as part of a hashtag started by Gayle Forman. I take it to be his way of showing us his protagonist in her "warpaint."

Mr. Arnold? Did you imagine a Native reader of your book? Did it occur to you that this "warpaint" would be problematic?  I see that this is the person in the book trailer. In it, she is shown putting on this "warpaint." How did the particular "warpaint" design come about?!

The book trailer ends with "Mim Malone is not ok." What you have her doing is not ok either.

Update, 2:04 PM, January 26, 2015
A couple of people have written to tell me that the cover of the book shows the girl with the "warpaint." Here is a screen capture of the girl on the cover. Though the image is pixelated, you can see the "warpaint."


Someone else asked if I could elaborate on why this "warpaint" is problematic. The protagonist is, according to the review, part Cherokee. As a part Cherokee person, she applies "warpaint" to her face when she needs it to overcome something. It plays into stereotypical ideas of Indians "on the warpath." Frankly, I don't know any Native person--Cherokee or otherwise--who would use lipstick in this way, in this pattern, in this day and time, to overcome adversity. 

It suggests to me, that the protagonist is clueless about her Native identity. Is that part of the storyline? That she is ignorant about her Cherokee heritage? Does she, along the way, learn that what she is doing is goofy? Inappropriate? Stereotypical? 

Update, Tuesday Jan 27, 8:18 AM

Reaction to the "warpaint" from Cherokee librarians, writers, and parents:
  • "Sigh. Just once I wish they would pick on someone else."  
  • "Part Cherokee? Which part?" 
  • "Slowly bangs head against desktop."

People who really are Cherokee are weary of their nation being used over and over and over and over and over, and misrepresented over and over and over and over... 

Update, Sunday April, 2015

AICL's full review of Mosquitoland includes Mr. Arnold's response.

AICL's Open Letter to Mr. Arnold includes another response from Mr. Arnold. 

Wednesday, January 14, 2015

Merriam-Webster's CHILDREN'S DICTIONARY

Due out this year (2015) is a new edition of Dorling Kindersley's Merriam-Webster Children's Dictionary. I reviewed a copy, available via Edelweiss, focusing on its Native content. Here's some of my notes/thoughts.

It includes (if I counted right) 27 specific "group[s] of American Indian people" --- but nowhere did the editors use the word 'nation' or 'sovereign' or 'government' to describe these "group[s} of American Indian people."

Let's look at the entry for Apache:
1 a member of an American Indian people of the southwestern United States
2 any of the languages of the Apache people
The editors are focusing on individuals and languages, both of which are important, but, our status as self-governing sovereign nations is the single most important fact about who we are.

As some of you know, there are several Apache nations. If you go to the National Congress of American Indians directory, you can enter Apache into the "Search by Keyword" box and you'll get nine different ones. If I was writing the entry for Apache, I'd do this:
1 a citizen or member of a sovereign Native nation currently located in the southwestern United States
2 any of the languages of the people of the Apache nations

See my use of 'sovereign' and 'nation'? Those words matter! For your reference, here are the entries:

  • Apache
  • Arapahoe
  • Cherokee 
  • Cheyenne
  • Choctaw
  • Comanche
  • Creek
  • Crow
  • Dakota
  • Delaware
  • Fox
  • Hopi
  • Mahigan or Mohican
  • Mohawk
  • Mohegan 
  • Navajo
  • Nez Perce
  • Ojibwa or Ojibway or Ojibwe
  • Oneida
  • Osage
  • Paiute
  • Pueblo
  • Seminole
  • Seneca
  • Shoshone
  • Tlingit
  • Wampanaog

Like some of you, I'm wondering how, out of the hundreds of options, they chose those particular nations.

I wondered if the dictionary has an entry for Eskimo, so did a search and found the word in a photo inset for the word costume, where a child is shown with this caption "Eskimo costume worn in Canada" (there are six children shown; more about that later). The "costume" includes a parka. A parka isn't a costume. It is an article of clothing. The definition of costume is (p. 201):
1 special or fancy dress (as for wear on the stage or at a masquerade) 2 a style of clothing, ornaments, and hair used during a certain period, in a certain region, or by a certain class or group <ancient Roman costume> <peasant costume>.  
Information provided in that photo inset is this:
Many countries and regions have one or more traditional national costumes. These often reflect the lifestyles that people led in the past, both in terms of climate and in the type of work undertaken by many inhabitants of the country.
The six "costumes" shown are described as follows (bullets are mine):

  • "the sari is worn in India" - lines point to "short top" and "sari" 
  • "a costume worn in Finland" - line point to "boots made from reindeer fur"
  • "a costume worn in Vietnam" - lines point to "scarf" and "piece of cloth wound around the legs"
  • "a costume worn in Korea" - lines point to "silk jacket" and "sports shoes are not traditional"
  • "a costume worn in Tanzania" - lines point to "bead necklace" and "bead belt" and "colorful cloth tied around the body"
  • "Eskimo costume worn in Canada" - lines point to "modern parka" and "insulated boots"


I don't think someone in India would call a sari a costume. Do you? Same with the boots worn in Finland, the items worn in Vietnam, etc. If, however, a kid who isn't of those places or people wears one of those items, then I think it would be accurate to say it is a costume.

The other place the dictionary has the word Eskimo is in its front matter, where you learn how to use the dictionary itself. Here's a screen capture (see update at the bottom of this page regarding Eskimo/Inuit):


Thinking about that usage label, I wondered if the word "squaw" is included. It isn't (it isn't in the 2000 version either; see update at end of review). I looked at other words commonly used for Native people. Of course, each nation has its own language and its own word for man, woman, child, baby, etc.

The third entry for brave is "an American Indian warrior" (p. 121). Though I've seen "brave" used as a standard word for man (or braves for men), I think they're trying to say that it is a person who fights. Like a soldier. I wonder who first used brave to describe Native fighters? Cooper?!

The entry for medicine man is "a person especially among American Indian groups believed to have magic powers to cure illnesses and keep away evil spirits." Contrast that to the definition of priest and you see some bias: "a person who has the authority to perform religious ceremonies."

Sachem is "a North American chief" (p. 700) but it is like the word papoose--it has become the default word for chief. In fact, the word is Narragansett and the Narragansett's use it today. I don't know anyone from another tribe who calls their leader a sachem.

Interestingly, the entries for chief don't include reference to Native leaders.

Entries for hogan, tepee (better spelling is tipi), powwow,  and totem pole, are ok.

The entry for tom-tom is "a drum (as a traditional Asian, African, or American Indian drum) that is beaten with the hands" (p. 834). It should not include American Indian because we use drumsticks, not hands, to beat our drums, and we do not call them tom-toms.

The entry for reservation could be better. It is not wrong to say it is "land set aside for American Indians to live" but it raises questions like, who set it aside, why, and when.

The entry for wampum as "beads made of shells and once used for money or ornament by North American Indians" (p. 891) is mostly incorrect and imprecise. Beside it is a photograph of a wampum belt. It is intended to be evidence of wampum as an ornament to be worn. Wampum is made of shell. That is the part of the definition that is correct, but wampum is far more than decoration, and it belongs to specific nations. Here's the first paragraph about wampum, from the Onondaga Nation's website:
Wampum is created from the shell of a clam. The bead is cut from the white and purple parts of the shell. The shell is thought of as a living record. The speaker puts the words of the agreement into the wampum. Each speaker thereafter uses the wampum to remember the initial agreement and the history that has happened to date.
Go read the rest of the page and you'll understand why the definition is wrong.

The definition for wigwam suggests that they are no longer in use, which is inaccurate and it doesn't specify what nations use them.

In conclusion, this was an interesting exercise (and tiring), going through this dictionary. I hope the editors make changes next time around to make it more accurate and less biased.

___________

Update: Thank you, Sarah, for noting that the definition for Eskimo in the screen capture is incorrect. There is no entry for Eskimo in the dictionary. (Note: there is an entry for Eskimo that I missed in my searching. If you use the search option in your e-copy, note that it is inconsistent. The entry for Eskimo does not show up when you search using the word itself. It will come up when you search using Inuit.)

Sarah also provided me with a useful page: Inuit or Eskimo: Which Name to Use? The entry for Inuit is:
1 a member of the Eskimo people of the arctic regions of North America
2 any of the languages of the Inuit people.

____________

Update (first update above was within minutes of the review being uploaded. Here's another update, within an hour of the review being uploaded): Thank you, Michelle, for looking at the 2000 edition of this dictionary. It does not have the word squaw in it. Does someone have an older version?