Showing posts sorted by relevance for query CONTENDERS. Sort by date Show all posts
Showing posts sorted by relevance for query CONTENDERS. Sort by date Show all posts

Saturday, April 01, 2023

Highly Recommended! CONTENDERS: TWO NATIVE BASEBALL PLAYERS, ONE WORLD SERIES by Traci Sorell and Arigon Starr



Contenders: Two Native Baseball Players, One World Series
Written by Traci Sorell (Citizen of the Cherokee Nation)
Illustrated by Arigon Starr (Enrolled Member of the Kickapoo Tribe of Oklahoma)
Published in 2023
Publisher: Kokila
Reviewer: Debbie Reese
Review Status: Highly Recommended

****

A few years ago, I would do tweet reviews and sometimes, I'd use a platform (Storify) that would gather the tweets into a single document, and then I'd plop that document in a blog post. People liked that tweet-review-turned-into-blog-post a lot. But Storify didn't last long. I still use Twitter to talk about books. Today I did a series of tweets about Contenders: Two Native Baseball Players, One World Series. I'm pasting them here as my review of the book. I've inserted the time stamp, for reference, and it links to the thread on Twitter. 

I just finished reading CONTENDERS: TWO NATIVE BASEBALL PLAYERS, ONE WORLD SERIES. Written by Traci Sorell and illustrated by Arigon Starr, it is definitely gonna have a "Highly Recommended" label from American Indians in Children's Literature!


It is packed with info that's gonna appeal to Native and non-Native readers, whether they are fans of baseball or not. Starr's depictions of Native people... powerful mirrors. My uncles played ball. In her art, I see them.

I especially like the double-page spread that shows Native ball players, over time. Note they're done like baseball cards! And the cards have their names and tribal nations. SO COOL!!!!



The two players the book is about are Charles Albert Bender, who was Ojibwe and John Tortes Meyers, who was Cahuilla. Wait... I gotta say that when I came to the page about John's childhood, I leaned in. Why?



 He was Cahuilla!
I'm currently doing workshops with educators in California. They're searching for books that can provide Native students in their classrooms with mirrors. In CONTENDERS, they have that mirror!

If the appeal (for you) is the subject, baseball, and you're a long-time fan, you might remember the 1911 World Series. That's kind of what the book is about. But the focus is the two Native men who played in that series and so, you'll likely learn things you did not know.

For example, this page is about the crap they had to endure. I like that Sorell included that, so succinctly. People called them "Chief" but, she writes that neither one was a tribal leader. Others call them "redskins."



The book is due out on April 11 from Kokila. If you haven't ordered it yet, for your school or public library, do it now. And if you're in California, order several copies!

Tuesday, November 28, 2023

AICL's Year In Review for 2023

AICL'S YEAR IN REVIEW: 2023

American Indians in Children's Literature is pleased to share our annual year-end list of books we want you to know about. We'd like multiple copies of them to be in every classroom, school, and public library. (Download AICL's 2023 Year In Review pdf if you wish.)





Our emphasis is books by Native writers and illustrators whose Nations are on the continent we know as North America. Most are ones that came out in 2023. In some way, they've touched our hearts as parents of Native children or as former school teachers who want children to have accurate and honest books about Native peoples. 


For each book, we list the Tribal Nation of the author/illustrator and we encourage you to use that information when reading the book. For example, in the picture book category you'll see A Letter for Bob by Kim Rogers. We encourage you to introduce the book by saying something like:


"This is A Letter for Bob. It is written by Kim Rogers, an enrolled member of the Wichita Affiliated Tribes. The illustrations are by Jonathan Nelson. He's Diné." 


You'll modify that according to the way you're using the book. The main point is that we want you to be tribally specific. That means you specify the author and illustrator's Tribal Nation. If possible, show students the websites of the author/illustrator and of their Tribal Nations. 


Now, it is important to say a few things about claims to Native identity. In October of 2023, Native people in the US and Canada were shocked to learn that an iconic singer, Buffy Sainte-Marie, is not Native. People who follow Native news media know that–in the past few years–there have been several expose’s of individuals who assert a Native identity and use that identity in their professional or academic work. It touches children’s literature, too. In 2023, we withdrew our recommendations of books by Buffy Sainte-Marie, Joseph Bruchac, Marge Bruchac, James Bruchac, and Art Coulson (click on their names for details). One way that investigations of such claims begin is by someone noticing that the ways a person asserts that identity shifts over time in problematic ways. The shift may be in the tribal nation(s) being claimed, or by shifts in language used to make the claim. 


Sometimes, however, a change marks an effort to be more accurate. Using Debbie as an example, she used to say “Nambé Pueblo” but now says “Nambé Owingeh” because “Pueblo” is an externally imposed word, while Nambé and Owingeh are Tewa words (Tewa is the language spoken at Nambé). She also says she is “tribally enrolled” because she meets the requirements at Nambe to be included on the tribal census. Her father and grandmother are enrolled at Nambé. Her mother is from Ohkay Owingeh; her mother’s father is from Hopi. Debbie does not list either one in her email signature line because she grew up at, and is enrolled at, Nambé. In a biographical statement, she might include both because they are part of her life and experiences as a Native woman. She would have a lot more to say about Ohkay Owingeh because she spent a lot of time there as a kid and very little time at Hopi.  


In some cases, the membership or citizenship requirements of a person’s Nation mean that a person’s child cannot be included on a tribal census but they are considered part of the community. We encourage you to read Christine Day’s note in We Still Belong. Her main character cannot be enrolled in the Nation her mother is enrolled in. 


There are hundreds of Tribal Nations, which means there are hundreds of ways in which a person’s nation decides who its citizens are. We are not suggesting that there is a single ‘best’ way of stating a Native identity. Indeed, we learn more about Native identity each year. This year, we learned that some Tribal Nations issue ‘descent’ cards to children of family members who–like the character in Christine Day’s book–can’t be enrolled in their mother’s Nation. Many Nations have moved away from “blood quantum” requirements to lineage. We encourage you to read an interview that NPR did with Elizabeth Rule (she is a citizen of the Chickasaw Nation and her book, Indigenous DC, is on our list this year in the Crossover section).


You will also see “not Native” because there are non-Native writers (like John Coy and Debby Dahl Edwardson who are on last year’s list, or Charles Waters on this year’s) whose writing includes Native content or characters in respectful ways. Several books on this year’s list also are illustrated by non-Native artists.


Before moving on to our list, we want to note that claims – like the one made by Buffy Sainte-Marie – have a harmful impact on Native people who were disconnected or removed from their Native families and communities. Across North America, there are Native people trying to find their way home. It is not an easy process. For many it is full of obstacles put there by agencies that sought to destroy Native Nations. When false claims are called out, people who are trying to find their families and those who are trying to build relationships with their families may feel vulnerable and fearful of being challenged about their search. That vulnerability is an unseen harm done by false claims. 


In our list you will find an author’s Tribal Nation in parenthesis after their name. We use an author’s identity as they name it (and the spellings/capitalizations of their personal names) on their own website (sometimes we write to them to ask for clarification). If they do not have a website, we use what their publisher uses.  We are happy to make edits as needed! Let us know.


Though our list is organized by age/grade levels, we encourage you to use picture books with readers of any age, and we want every teacher and librarian to read all the books. They are far better than the books most people read in their childhood. These will help you understand who Native people really are. We welcome your questions and comments about these introductory paragraphs, or the books we list, below.


And join us in celebrating the growing number of books we list each year!* Many win awards, and the range of what we’re all able to read is outstanding! Across genre, format, and author/illustrator’s Tribal Nations, Native literature is something to pay attention to!



Comics and Graphic Novels 

Cohen, Emily Bowen (Jewish and a member of the Muscogee (Creek) Nation). Two Tribes, illustrated by the author. Heartdrum (2023). US.

Van Camp, Richard (Thlicho Dene), The Spirit of Denendeh, Vol. 2: As I Enfold You in Petals, illustrated by Scott B. Henderson (not Native) and Donovan Yaciuk (not Native). Highwater Press (2022). Canada.

Van Sciver, Noah (not Native), Paul Bunyan: The Invention of an American Legend includes an introduction by Lee Francis (Pueblo of Laguna), stories and art by Marlena Myles (enrolled Spirit Lake Dakota), and a postscript by Deondre Smiles (citizen of the Leech Lake Band of Ojibwe). Toon Graphics (2023). US.

vermette, katherena (Red River Métis),  A Girl Called Echo Omnibus, illustrated by Scott Henderson (not Native) and Donovan Yaciuk (not Native). Highwater Press (2023). Canada.

Board Books 

Taos Pueblo Winter, illustrated by Leonard Archuleta (Taos). Seventh Generation. US. 
Taos Pueblo Spring, illustrated by Frank Rain Leaf (Taos). Seventh Generation. US.
Taos Pueblo Summer, illustrated by Janell Lujan (Taos). Seventh Generation. US.
Taos Pueblo Fall, illustrated by Deanna Autumn Leaf Suazo (Taos). Seventh Generation. US


Picture Books 

Barrett, Elizabeth S. (Red Lake Ojibwe). Mashkiki Road: The Seven Grandfather Teachings, illustrated by Jonathan Thunder (Red Lake Ojibwe). Minnesota Historical Society Press (2022). US.

Bunten, Alexis (Unangan and Yup'ik). What Your Ribbon Skirt Means to Me, illustrated by Nicole Neidhardt (Diné of the Kiiyaa'áanii Clan). Christy Ottaviano Books (2023). US. 

Cooper, Nancy (member of the Chippewas of Rama First Nation), Biindigen! Amik Says Welcome, illustrated by Joshua Mangeshig Pawis-Steckley (Ojibwe, member of Wasauksing First Nation). Owl Kids (2023). Canada.

Dupuis, Jenny Kay (Member of Nipissing First Nation). Heart Berry Bling, illustrated by Eva Campbell (not Native). Highwater Press (2023). Canada.

Goodluck, Laurel (Mandan, Hidatsa, and Tsimshian), Rock Your Mocs! illustrated by Madelyn Goodnight (member of the Chickasaw Nation). Heartdrum (2023). US.

Greendeer, Danielle (Mashpee Wampanoag Tribal Citizen, Hawk Clan), Anthony Perry (citizen of the Chickasaw Nation), and Alexis Bunten (Unangan and Yup'ik). Keepunumuk: Weeachumun's Thanksgiving Story, illustrated by Garry Meeches Sr. (tribe). Charlesbridge (2022). US. 

Harjo, Joy (member of the Mvskoke Nation), Remember. Illustrated by Michaela Goade (enrolled member of the Tlingit and Haida Indian Tribes of Alaska). Random House (2023). US. 

Janicki, Peggy (Nak’azdli Whut’en First Nation). The Secret Pocket, illustrated by Carrielynn Victor (a descendant of Coast Salish ancestors). Orca Book Publishers (2023). Canada.

Lindstrom, Carole (Anishinaabe/Metis and an enrolled member of the Turtle Mountain Band of Ojibwe) Autumn Peltier, Water Warrior. Illustrated by Bridget George (Bear Clan from Kettle and Stony Point First Nation). Roaring Brook Press (2023). US.

Lindstrom, Carole (Anishinaabe/Metis and an enrolled member of the Turtle Mountain Band of Ojibwe.) My Powerful Hair, illustrated by Steph Littlebird (member of Oregon’s Grand Ronde Confederated Tribes). Harry N. Abrams (2023). US.

Newell, Chris (citizen of Passamaquoddy Tribe at Indian Township). If You Lived During the Plimoth Thanksgiving, illustrated by Winona Nelson (member of Leech Lake Band of Minnesota Chippewa). Scholastic (2021), US. 

Rogers, Kim (enrolled member of Wichita and Affiliated Tribes). Just Like Grandma, illustrated by Julie Flett (Cree-Métis). Heartdrum (2023). US. 

Rogers, Kim (enrolled member of Wichita and Affiliated Tribes). A Letter for Bob, illustrated by Jonathan Nelson (Diné). Heartdrum (2023). US.

Sapiel, Minquansis (Passamaquoddy and Penobscot Nation). Little People of the Dawn, illustrated by Minsoss Bobadilla-Sapiel (Passamaquoddy and Penobscot Nation). Black Bears and Blueberries (2023). US.
 
Sorell, Traci (enrolled citizen, Cherokee Nation), Powwow Day, illustrated by Madelyn Goodnight (member of the Chickasaw Nation). Charlesbridge (2022). US.

Sorell, Traci (enrolled citizen, Cherokee Nation), Contenders: Two Native Baseball Players, One World Series, illustrated by Arigon Starr (enrolled member of the Kickapoo Tribe of Oklahoma). Kokila (2023). US.


Early Chapter Books 

Buckley, Patricia Morris (Mohawk). The First Woman Cherokee Chief: Wilma Pearl Mankiller, illustrated by Aphelandra (Filipino and Oneida ancestry). Random House Books for Young Readers (2023). US.

Day, Christine (citizen of the Upper Skagit Indian Tribe). She Persisted: Maria Tallchief, illustrated by Alexandra Boiger (not Native) and Gillian Flint (not Native). Philomel Books (2021). US.

Goodluck, Laurel (Mandan, Hidatsa, and Tsimshian). She Persisted: Deb Haaland, illustrated by Alexandra Boiger (not Native) and Gillian Flint (not Native). Philomel Books (2023). US.

Quigley, Dawn (enrolled citizen of the Turtle Mountain Band of Ojibwe). Jo Jo Makoons: Fancy Pants, illustrated by Tara Audibert (Wolatoqiyik). Heartdrum (2022). US.

Quigley, Dawn (enrolled citizen of the Turtle Mountain Band of Ojibwe). Jo Jo Makoons: Snow Day, illustrated by Tara Audibert (Wolatoqiyik). Heartdrum (2023). US.

Sorell, Traci (citizen, Cherokee Nation). She Persisted: Wilma Mankiller, illustrated by Alexandra Boiger (not Native) and Gillian Flint (not Native). Philomel Books (2022). US.


For Middle Grades 

Anselmo, Anthony (Sault Ste Marie Band of Ojibwe), The Spirit of the North Wind. Black Bears and Blueberries (2023). US.

Coombs, Linda (member of the Wampanoag Tribe of Aquinnah). Colonization and the Wampanoag Story. Crown Books for Young Readers (2023). US.

Day, Christine (Upper Skagit), We Still Belong. Cover art by Madelyn Goodnight (citizen of Chickasaw Nation). Heartdrum (2023). US.

Hobson, Brandon (Cherokee Nation), The Storyteller. Scholastic (2023). US.

Hopson, Nasugraq Rainey (tribally enrolled Inupiat). Eagle Drums. Roaring Brook Press (2023). US.

John-Kehewin, Wanda (Cree), Hopeless in Hope. Portage and Main/Highwater Press (2023). Canada.

Martinez, Lorinda (Lok' aa' Diné'e). Running With Changing Woman. Salina Bookshelf (2023). US.

Waters, Charles (not Native) and Sorell, Traci (Cherokee Nation), Mascot. Charlesbridge (2023). US.

Young, Brian (Diné). Heroes of the Water Monster. Cover art by Shonto Begay (Diné). Heartdrum (2023). US.


For High School

Boulley, Angeline (enrolled member of the Sault Ste. Marie Tribe of Chippewa Indians), Warrior Girl Unearthed. Cover art by Michaela Goade (enrolled member of the Tlingit and Haida Indian Tribes of Alaska). 

Dimaline, Cherie (Metis Nation of Ontario), Funeral Songs for Dying Girls. Tundra Books (2023). Canada.

Graves, Byron (enrolled member of the Red Lake band of Ojibwe), Rez Ball. Cover illustration by Natasha Donovan. Heartdrum (2023). US.

Mosionier, Beatrice (Metis), In Search of April Raintree, 40th Anniversary Edition. Foreword by katherena vermette (Metis); afterword by Raven Sinclair (Cree/Assiniboine/Salteaux, Gordon's First Nation). Portage and Main/Highwater Press (2023). Canada.

Smith, Cynthia Leitich (citizen of the Muscogee Nation). Harvest House. Cover art by Britt Newton (citizen of the Muscogee Nation). Heartdrum (2023). US.

Crossover Books (written for adults; appeal to teens/young adults)

Blackhawk, Ned (Western Shoshone), The Rediscovery of America: Native Peoples and the Unmaking of US History. Yale University Press (2023). US.

Powers, Susan. A Council of Dolls. Harper Collins (2023). US.

Rule, Elizabeth. Indigenous DC: Native Peoples and the Nation's Capital. Georgetown University Press (2023). US.

_____

*AICL differs from review journals like Horn Book or School Library Journal. Publishers send them books. At AICL, some publishers send us books, but for the most part, Debbie and Jean buy books themselves, or check them out from a library. It is just the two of us, talking with each other about books. There are some we haven’t yet read and they will–no doubt–be on next year’s list.

 

Sunday, March 23, 2014

Rush Limbaugh's RUSH REVERE AND THE BRAVE PILGRIMS

Editor's Note, May 14, 2014 8:00 PM: Limbaugh won the Children's Book Council's 2014 Author of the Year Award.

Editor's Note, June 17, 2014, 5:08 AM: Yesterday, Rush Limbaugh made Teaching for Change and its Executive Director, Deborah Menkart, the targets of his venom. In his segment he derides her for not stocking his books. He says he has characters of color in his books that are "heroes." My review (below) illustrates that he created a Native character to fit his agenda. She is not a hero. His use of the word "diversity" is spurious. See Rush Limbaugh Calls Teaching for Change Racist for Promoting Diverse Children's Books


~~~~~

Rush Limbaugh's Rush Revere and the Brave Pilgrims
Review by Debbie Reese, March 23, 2014

Rush Limbaugh's book, Rush Revere and the Brave Pilgrims is a best seller. That status means he is on the Children's Book Council's (CBC) list of contenders for Author of the Year. People in children's literature were shocked when they saw his name on the list. Some suggested that the best selling status was not legitimate. The CBC responded with an open letter explaining why Limbaugh is on the list:
The Author of the Year and Illustrator of the Year finalists are determined solely based on titles’ performances on the bestseller lists – all titles in those categories are listed as a result of this protocol. Some of you have voiced concerns over the selection of finalists from bestseller lists, which you feel are potentially-manipulable indications of the success of a title. We can take this into consideration going forward, but cannot change our procedure for selecting finalists after the fact.  
The CBC letter goes on to say that children will choose the Author of the Year. Voting starts on March 25th. The CBC says that they have procedures in place to eliminate duplicate, fake, and adult votes.

Transcripts on Limbaugh's website state that his company, Two If By Tea, bought many copies of the book and sent them to schools. In this transcript of Limbaugh's conversation with a 10 year old girl from Cynthiana, Kentucky, she thanks him and Two If By Tea for sending books to her school. He asks how many books they got, and she replies "I think we got 60." He goes on to say "We sent like 10,000 or 15,000 books to schools as a charitable donation across the country." At the end of the transcript, he says they donated over 15,000 copies. Presumably, the other authors on the contender list for author of the year do not buy thousands of copies of their own books and donate them to schools.

Sales aside, what does the book actually say (I read an electronic copy of the book and cannot provide page numbers for the excerpts below)?

Limbaugh opens the book with "A Note from the Author" wherein he says that America is exceptional because "it is a land built on true freedom and individual liberty..." and that:
The sad reality is that since the beginning of time, most citizens of the world have not been free. For hundreds and thousands of years, many people in other civilizations and countries were servants to their kings, leaders, and government. It didn't matter how hard these people worked to improve their lives, because their lives were not their own. They often feared for their lives and could not get out from under a ruling class no matter how hard they tried. Many of these people lived and continue to live in extreme poverty, with no clean water, limited food, and none of the luxuries that we often take for granted. Many citizens in the world were punished, sometimes severely, for having their own ideas, beliefs, and hopes for a better future.

The United States of America is unique because it is the exception to all this. Our country is the first country ever to be founded on the principle that all human beings are created as free people. The Founders of this phenomenal country believed all people were born to be free as individuals. 

Nowhere in that note does he reference slavery of American Indians or African Americans in the United States, pre- or post-1777. The word "slave" does appear in his book, though, when his protagonist, "Rush Revere" and two students who time travel with him to 1621 meet Squanto. The two students are a white boy named Tommy and a Native American girl named Freedom.

When Limbaugh's Squanto speaks, he does so with perfect English. Why? Because, Squanto explains, he had been kidnapped and taken to Spain. He says that Bradford's God rescued him from slavery in Spain when Catholic friars helped him escape.

See that? Limbaugh tells us that Spain is one of those places where people could not be free. Slaves in the United States of America? Nope. Not according to Limbaugh. The way that he presents Squanto's enslavement fits with his exceptionalism narrative. How, I wonder, are parents and teachers dealing with that narrative? At Betsy Bird's blog with School Library Journal, Jill Dotter says (in a comment) she is a Libertarian, and that she bought Limbaugh's book for her son. He loves it. She doesn't note any problems with the book. I'll post a question and see what she says.

Squanto continues, saying that he shows his gratitude to Bradford's God by serving his "new friend and holy man, William Bradford." Limbaugh would have us believe that Squanto was loyal to Bradford. The facts are otherwise. Squanto was an opportunist who played one side against the other for his own benefit (see Debo, A History of the Indians of the United States; Jennings, The Founders of America, and Salisbury, Manitou and Providence: Indians and Europeans, 1500-1643.)

In the Prologue, Limbaugh introduces his readers to his buddy, "Rush Revere" who is a history teacher from the twenty-first century at a school where they hire only the "smartest and most educated" teachers. In Limbaugh's world, apparently, it is smart to completely ignore slavery as part of US history.

"Freedom"
Of interest to me is the character, Freedom, in Limbaugh's book. Mr. Revere loves her name. She has long black hair. One day she wears a blue feather, the next day she wears a yellow one. Other students don't like her, but Mr. Revere is intrigued by her. She has dark eyes and a determined stare. She speaks "from somewhere deep within." From her grandfather, she learned how to track animals. She and Mr. Revere's horse, Liberty, can read each other's minds. Liberty can also talk, which I gather from reviews, is what children like about the book. Freedom explains that he must be a spirit animal, that "there is an Indian legend about animals that can talk to humans." She wondered if Mr. Revere was "a great shaman" when she saw Revere and Liberty enter the time travel portal. (Note: Screen capture of Freedom added at 5:30 PM on 3/23/2014. Mr. Revere gazes at her hair, thinking "It was silky smooth, as if she brushed it a thousand times.")

What is behind Limbaugh's creation of a Native American girl named Freedom?

Later in the story, we learn that her mother (we never learn of a specific tribe for Freedom or her mother) named her Freedom because she was born on the fourth of July. Let's think about that for a minute. There are obvious factual errors in the book related to Limbaugh's presentation of slavery. With his character, Freedom, we see how fiction can be manipulated in the service of a particular ideology. Limbaugh is creating a modern day Native girl as someone who holds the same views as he does. Packed into, and around, his Native character are many stereotypes of Native peoples. Does he cast her in that way so that it isn't only White people who view history as he does?

I think so. He casts Squanto and Samoset that way, too.

As noted earlier, Squanto is in Limbaugh's book. So is "Somoset" (usually spelled Samoset). Both speak English. In the note at the end of the book, Limbaugh lists William Bradford, Myles Standish, William Brewster, Squanto, and Samoset (spelled right this time) as brave, courageous, ordinary people who accomplished extraordinary things. Remember how Limbaugh presented Squanto as "serving" Bradford?

Massasoit, who is also part of Limbaugh's story, is not amongst Limbaugh's list of brave and courageous people. Maybe because he spoke "gibberish" instead of English. There's more I could say about Limbaugh's depiction of Massasoit, but I'll set that aside for now. The point is, Limbaugh's book is a factual misrepresentation of history that Limbaugh is donating to schools. How are teachers using it? I think we ought to know.

I will not be surprised if Limbaugh wins the contest when kids vote. They seem to like the horse. Some people seem to think it doesn't matter what kids read, as long as they read. Others, of course, agree with Limbaugh's political views and, no doubt, pass those views on to their children.

As CBC's open letter indicates, they will be revising their criteria. With Limbaugh on the short list for Author of the Year, their credibility is suddenly in question. I had concerns with CBC prior to this when I saw books that stereotype American Indians on CBC Diversity's bookshelf at Goodreads. Amongst those books is Scott O'Dell's Island of the Blue Dolphins, which is one of the best selling children's books of all time. It is fraught with problems in the ways that O'Dell presents his Native character. I asked that it be removed, but that could not be done. As some have said, what I call a stereotype, someone else views as a role model.

Perhaps Limbaugh's book will push CBC to think more critically about the distinctions between quality, viewpoint, and quantity--especially as census data points to the rapid change in majority/minority statistics and the country tries to recognize all of its citizens.

Below are the notes I took as I read Limbaugh's book. I invite your  thoughts on the book, what I said about it, what I left unsaid... Please use the comment option below to submit your thoughts. And--another 'thank you' to K8 for giving me permission in January to post her excerpts/comments about Limbaugh's book.

~~~~~


Detailed notes I took as I read Rush Revere and the Brave Pilgrims; some are not part of the review but could use further study and analysis:

When chapter 1 opens, the principal is telling a classroom of honors history students that their teacher has to take leave. But, he reminds them, their school has the smartest and most educated teachers, and, well, Mr. Revere (remember, in this book, "Mr. Revere" is Rush Limbaugh), the substitute is among the smartest and most educated.

He starts some banter with the students, and notices a girl in the very last row, in the corner:
Her dark hair had a blue feather clipped in it. She wore jeans with a hole in one knee, but I could tell it wasn't a fashion statement. I looked at the seating chart and noticed the girl's name, Freedom. What an unusual name. Personally, I couldn't help but be a fan!
He brings his horse into the classroom. The students gather round, but Freedom hangs back, "unsure of whether she was welcome to join them in their new discovery." Another student, Elizabeth, tells her not to get too close, because the "horse might smell you and run away." Freedom goes back to her desk. Mr. Revere sets up a way for students to watch him and Liberty time travel, and takes off, heading to the portal. Just as he does that, he sees that he was being watched, by Freedom.

Mr. Revere talks with William Bradford and his wife, before they set off from the Netherlands. Revere returns to the present and asks the students what they think of Bradford choosing not to take his little boy on a "death-defying voyage across a tempestuous sea." Freedom, with "dark eyes" and a "determined stare" just like Bradford's, raises her hand and speaks "from somewhere deep within" saying
"I could tell they loved their son, more than anything. They only wanted what was best for him. It took courage for the Pilgrims to leave their homes and travel into the unknown. But it takes more courage to travel into the unknown and leave someone you love behind."


Chapter 3

Freedom and Tommy stay after class (Tommy got in trouble with the principal). Revere thinks Freedom stayed behind because she knows he's doing the time traveling. Liberty (the horse) seems to have disappeared, but Freedom says:
"Liberty, he's still in the room," she calmly said. "I can smell him."
Revere thinks Freedom has a gift. Revere decides to tell Freedom and Tommy that Liberty can make himself invisible, but Freedom says he doesn't disappear, that he just blends into his surroundings. Revere wonders why Freedom could see him, and she says
"I've had lots of practice tracking animals with my grandfather."
Because Liberty can talk, Freedom says:
"he is more than a horse. He must be a spirit animal. There is an Indian legend about animals that can talk to humans."
Revere asks Freedom if she saw he and Liberty jump through the time machine portal earlier that day, and she says:
"Yes, I did. At first I wasn't sure what I saw. As I said, I though Liberty must have been a spirit animal. Maybe you were a great shaman. i did not know. But I'm glad to know the truth."
She leaves, and Tommy and Rush ride Liberty back in time to the Mayflower where they meet Myles Standish. When it is time to leave, Liberty is sleeping. They wake him with an apple and he asks if he missed anything important:
"Nothing too important," I said, still feeding him apples. "But it's time to jump forward to the end of the Mayflower voyage. There's a new land to discover! There are Indians to befriend and a new colony to build. And a celebration to be had called Thanksgiving!
When the ship captain tells them they're going to land at Cape Cod, Tommy wonders if Indians will be in the woods. Myles Standish says:
"Yes, probably Indians," Myles said. "We will do what we must to protect ourselves. We have swords and muskets and cannons if need be."


Chapter 6

Tommy and Revere and Liberty return to the  classroom where Tommy tells the principal all he's learning from Revere. The next day, Tommy and Freedom are waiting for Revere at school:
She was wearing a faded yellow T-shirt and faded jeans. It was hard not look at her black hair. It was silky smooth, as if she brushed it a thousand times. This morning there was a yellow feather clpped in it.
She wants to time travel with them. Revere has winter clothes for her and Tommy because the trip will be to wintertime. Freedom says "I'm a wimp when it comes to the snow." Earlier in the book, Freedom and Liberty started talking to each other without speaking. They can hear each other's thoughts. Tommy asks about it. Revere says:
It's apparent that Freedom has a gift. How long have you been able to communicate with animals?"

"Since I was eight, I think," said Freedom. "My grandfather says that animals can feel what we feel, especially fear. Our emotions are powerful. He trained me to use emotions to speak to the mind of an animal."
Before they leave, Revere tells them it will be cold, and that the Pilgrims were "even attacked by Indians." Freedom replies by talking about the cold, and Tommy says:
"Wait," Tommy said wide-eyed. "Did you say they were attacked by Indians? I thought the Indians were their friends. How many Pilgrims died?"
Rush tells him that none died, and that "friendly Indians" came later. Liberty says he hopes they had friendly horses, too. Elizabeth (another student who happens to be the principal's daughter) shows up. Her and Freedom get into a fight when Elizabeth takes a photo of Freedom dressed as a Pilgrim and says she's going to share it. Elizabeth storms off.

Revere asks Freedom if she can ride a horse. She sprints up to, and jumps up onto Liberty's back. They travel to 1620, Plymouth Plantation. Revere approaches Bradford and Standish, telling them that he and Tommy had been out exploring and
"were fortunate to come across a young Native American girl riding a horse. Strange, I know. But the girl took a liking to us and helped us find our way back to you!"
Bradford tells Revere that Myles and his men had survived an Indian attack, that Mrs. Standish had died, and many others are sick. He also says they found a place to build their town
"When we arrived we found barren cornfields with the land strangely cleared for our homes."
Revere asks if someone once lived there, and Bradford says "Perhaps" but that it has been deserted for years. They talk of building a fort. Revere says he remembers building forts in his living room, using blankets and chairs, and using Nerf guns to keep out his annoying little sisters. Smiling, Standish says those guns probably wouldn't be effective for "savage Indians."

Revere heads off up a hill. Tommy and Freedom approach, on Liberty. Tommy says "We saw Indians!" and Rush asks 'what' and 'where' and 'how many.'

Freedom says there were two scouts, watching, and that they wore heavy pelts and furs and were only curious. They time travel to 1621.

Chapter 7

They arrive in 1621 and see a deer nearby. Tommy asks Freedom if she can talk to it. She stares intently at it, and it approaches then. She walked over to it. All around them are tree stumps. The Pilgrims had cut down trees to make their homes. In the Pilgrim town they meet up with Bradford. Revere introduces Freedom:
"This is Freedom," I said. "We've spent the last couple of months teaching Freedom the English language. She's an exceptional learner."
She replies:
"Thank you," said Freedom slowly. "Please excuse my grammar as I have only just learned to speak your language. I was born on the fourth of July, so my mother felt like it was the perfect name for a special day."
Bradford asks what the significance of that day is, and Freedom realizes the Pilgrims don't know about that day yet. Before Revere or Freedom can come up with an explanation, a bell rings. The bell means Indians. Bradford points to a lone Indian walking towards a brook by the Pilgrim settlement. Bradford tells the men not to shoot:
"Do not fire our muskets! The Indian walks boldly but he does not look hostile. He is only one and we are many. There is no need to fear. God is with us."
The Indian man has black hair and no facial fair, but
the biggest difference was the fact that the Indian was practically naked. A piece of leather covered his waist but his legs and chest were bare.
He approached the group, smiled, saluted, and said "Welcome, Englishmen!" The wind catches his hair. He surveys the group and sees Freedom's hair moving in the wind, too. He stares at her for a minute and then talks to Bradford, saying "Me, Somoset, friend to Englishmen." Bradford asks how he learned English, and he replies
"Me learn English from fishing men who come for cod" 
and then tells them that the harbor is called Patuxet. He says
"Death come to this harbor. Great sickness. Much plague. Many Pokanokets die. No more to live here."
Bradford asks if it was the plague, and Somoset replies
"Yes," said Somoset. "Many, many die. Much sadness. And you. Your people. Much die from cold and sickness. Massasoit knows. Waiting. Watching."
Bradford asks who Massasoit is:
"Massasoit great and powerful leader of this land. He watching you. He knows your people dying. He lives south and west in place called Pokanoket. Two-day journey."
Bradford asks Somoset to let Massasoit know that they (Pilgrims) are his friends. Standish says they have guns, bullets, armor, and cannons, and that they "are here to stay" and hope they can be friends. Samoset says
"Me tell Massasoit. Bring Squanto. He speak better English."

Standish asks who Squanto is, and Samoset says
"Squanto translate for Massasoit. Squanto speak like English man. Help Massasoit and William Bradford together in peace."
Liberty and Revere marvel at what just happened. Liberty wonders about trust, and Revere says Liberty watches too many movies, and that Bradford relied on God's grace to protect them in rough waters and was doing it now, too. Tommy and Freedom offer Somoset a plate of food. Before he takes it,
he reached out to touch the yellow feather in her hair.
She takes it off and offers it to him. He leans toward her and she clips it in his hair. Bradford and Standish wonder if it is safe for him to stay with them overnight. They ask Revere for advice and he tells them that they can't afford to offend Massasoit, and so they agree to let him stay the night. Tommy wonders if Somoset is trustworthy, and Revere tells him that, from everything he'd read, Somoset and Squanto became friends with William, that they realized they could help each other.

Revere, Tommy, Freedom and Liberty are hungry, so time travel to a 50s diner. As they eat, Freedom talks about how hard Pilgrim life was, and Revere tells them that many Pilgrims starved. They return to 1621.

The bell rings and they see five Indians approaching the settlement, led by Somoset, still wearing the yellow father. Squanto steps forward:
"I am Squanto," he said. "I used to live here in Patuxet Harbor. That was many years ago. I've been sent by Massasoit, the sachem and leader of this land. He permits me to come and speak with you. He will come soon. He is eager to meet you."
Bradford asks why his English is so good.
The ease in which Squanto spoke English was unnerving. It didn't seem natural. And yet he was a perfect gentleman as he stood there in his leather loincloth and bare chest.
He doesn't answer, instead talking about sharing of food, and friendship. Somoset gets ready to leave, but before he does, he looks around for Freedom and then gifs her a leather strap with a bear claw attached to it.


Samoset leaves, and Freedom asks Squanto why he and his people left Patuxet Harbor. He replies
"I have heard about the girl they call Freedom," said Squanto. "The girl with midnight hair who speaks perfect English."
She blushes, and, he tells her:
"Seven years ago, I was kidnapped and taken from Patuxet Harbor, never to see my family or loved ones again. I was put on a ship and sailed across the ocean to a new world called Spain. Eventually I sailed to England and learned to speak like you do. Finally I had the chance to travel back to my homeland. I was eager to see my family, my parents and brothers and sisters. But when I returned, there was nothing. Everyone was gone. I soon learned that the plague, a great sickness, had swept over Patuxet Harbor and killed my people."
He pauses, looking into the distance. Freedom and William express condolences. Squanto blinks and a tear rolls down his cheek. He tells them they are kind, and that many of their people died, too, and that the place has "great sorrow" for both Indian and Englishman. But together, he says, they will change that. He will show them how to plant corn.

Revere, Tommy, Freedom, and Liberty travel back to the school where, he thinks, Elizabeth is like Massasoit, that she is "the leader or sachem" of the school, and that students revered or feared her. She watched and waited for signs of weakness in her classmates, or any opportunity to send a message that she was in control of the school. Tommy approaches Revere with a letter that Bradford wanted him to give to Revere. It is an invitation to the "very first Thanksgiving! What an honor!"

Revere, Tommy, Freedom, and Liberty go the the first Thanksgiving. Freedom says "Look at all the Indians." Bradford introduces Revere to "the Indian king, Massasoit" who smiled "and spoke a language that was complete gibberish."

Squanto tells Revere he has a gift for Freedom, and asks permission to give it to her. Revere says it is fine, and that Squanto has been a good friend to Bradford. Bradford says they learned a lot from Squanto, and that
"We believe he's been sent from God as an instrument to help us grow and prosper."

"You are too kind, William," said Squanto. "God, as you say, rescued me from slavery in Spain. The Catholic friars, holy men, helped me escape. They risked their lives to free me so that I could return to my native land. I have much to be grateful for. And I choose to show my gratitude by serving my new friend and holy man, William Bradford."
Later, Revere hears loud shrieks and pounding drums
I turned to see Indians dancing around a fire ring, their faces streaked with paint. Both Indians and Pilgrims smiled as they watched the performing Pokanokets twirl and bend and wave their arms as they sang and chanted to the drums.
They stopped after a while and other Indians whooped and hollered for more. Revere finds Tommy and Freedom. She is wearing a
deerskin dress trimmed with fur and matching moccasins. She also wore a necklace of shimmering shells and two hawklike feathers in her hair.
She tells Revere that Squanto gave her the dress and that
"He said I should be proud of who I am and that I shouldn't care what people think of me. He knows a lot."
The book closes with a note from the author, where Limbaugh writes that Bradford, Standish, Brewster, Squanto, and Samoset were brave and courageous ordinary people who accomplished extraordinary things.




Monday, March 30, 2009

Erdrich's PORCUPINE YEAR in SLJ's "Battle of the (Kids') Books"


School Library Journal launched their first annual "Battle of the (Kids') Books" today. Among the contenders for "the Baddest Book of Them All" is Louise Erdrich's The Porcupine Year. The judges selected sixteen books they deem "the very best" published in 2008.

I'm not at all sure how this will work. Take a look at the bracket. Porcupine Year is matched up with The Hunger Games.

NOTE: Hunger Games is not about King Arthur as previously said here. That was an error on my part, pointed out in a comment (below). Hunger Games is "a gripping story set in a postapocalyptic world where a replacement for the United States demands a tribute from each of its territories: two children to be used as gladiators in a televised fight to the death" according to the Publisher's Weekly review.

According to info at SLJ, the pairings are random. Forgive my lack of sports knowledge. Is that how the Sweet Sixteen is done? Random?

So... in that bracket, it looks like author Ellen Wittlinger will choose between Porcupine Year and The Hunger Games. Reading through the blogosphere, there's a lot of cheering going on for this Battle of the (Kids') Books competition. There is some resistance, too. One blogger writes that the same books are getting more attention, that there are other books that could benefit from attention.

I'm glad Louise's book is included. It is definitely a terrific read. If you want a signed copy, order one from her store, Birchbark Books.

Friday, March 15, 2024

Native Readers are gonna be PSYCHED to know Arigon Starr has a new SUPER INDIAN book for us all!

One of my most-dear memories is when I was working with a group of elementary-aged Native children in New Mexico and told them about Arigon Starr's Super Indian. At lunch time, one girl looked for me and asked if she could read it. Of course, I handed it to her and she was riveted! She laughed, and smiled, and I knew that book was gonna be a hit with our communities. 

As other Native people read Super Indian, the joy in what Arigon Starr created was palpable. There was so much in there -- for readers of all ages -- that it quickly became a favorite of many Native readers. The second volume did, too. 

And today I am PSYCHED to tell you the third volume is is finished and at the printers! Here's the cover:



Here's the description:

When an ordinary reservation boy eats tainted commodity cheese and gains superpowers, hilarity ensues! The third volume in the Super Indian graphic novel series includes two new adventures, plus a bonus issue featuring Laguna Woman. Rounding out the edition are profiles of two real-life super Indians, MLB Baseball All-Star Allie Reynolds and formidable American Indian Movement activist Fern Eastman Mathias. Arigon Starr returns as writer/artist, with Janet Miner as the editor. 64 full-color pages of action, adventure and laughs for all ages.
 
ISBN: 978-0-9859-5354-6
Trade Paperback
Wholesale price per book:    $17.00
Retail Price per book:               $24.99




And here's the full announcement: 

ARIGON STARR RELEASES THE LONG-AWAITED GRAPHIC NOVEL
“SUPER INDIAN VOLUME THREE

When An Ordinary Reservation Boy Eats Tainted Commodity Cheese, Hilarity Ensues.
The Native American Superhero Returns With New Adventures For All Ages.

March 14, 2024 – Los Angeles, CA – Wacky Productions Unlimited and Rezium Studios are excited to announce the release of SUPER INDIAN VOLUME THREE, the latest collection of comic tales of the reservation sensation Super Indian. The 64 page full color graphic novel features words and art from multiple American Indian Youth Literature award-winner Arigon Starr and is edited by Janet Miner.

Super Indian Volume One and Super Indian Volume Two have both found enthusiastic audiences within the Native American community, educational institutions and libraries across the US and Canada. Volume One is on its tenth printing, with Volume Two on its seventh printing. Super Indian has been featured in World Literature Today and First American Art print magazines and online via PBS Books online. Arigon’s comic art has been recognized and included in major art exhibitions including the Heard Museum in Phoenix, AZ; the Gilcrease Museum, Philbrook Museum, First American Museum and Oklahoma Contemporary, all in Oklahoma, and at the KHM – Musuemsverband in Vienna, Austria.

Super Indian was introduced as a comedy audio theater broadcast in 2006. Native Voices at the Autry, a Los Angeles theater company dedicated to producing new works by Native Americans, commissioned an audio theater series based on the initial ten-minute radio play. The program debuted on college, independent and Native radio stations in 2007.

Arigon Starr developed her radio scripts into a comic book. “I wanted the art of the comic to have a timeless look, a homage to my favorite 1980s and 90s comics,” she enthused.

Wacky Productions Unlimited, an independent publisher, released the first Super Indian graphic novel in 2012. The graphic novel gained attention with Native American readers and was championed by librarians, teachers and college educators. Arigon and her work on Super Indian has been featured in online and print media, with appearances in books such as Dreaming In Indian: Contemporary Native American Voices and The Routledge Companion to Native American Literature. Starr’s comic work garnered awards in 2018 from the American Indian Library Association's Youth Literature Award for her anthology Tales of the Mighty Code Talkers and in 2023 for her illustrations for Contenders: Two Native Americans, One World Series. Arigon’s artwork has also been featured online via The Nib, Vox Media’s Polygon and Colorado’s Pop Culture Classroom series Colorful History.

Starr’s work as a multimedia artist brought her to the attention of Providence Pictures, the producers of the PBS series Native America. She was profiled in the episode Women Rule, alongside three other trail blazers. Arigon showcased her musical talents, humor, wisdom and work on Super Indian. The program aired nationally in 2023, bringing attention to the diversity of Native American contributions to contemporary culture.

Super Indian Volume Three includes:

Super Indian Issue #8, “Old School,” A tale of revenge featuring a new-age guru who uses an evil scented gel to take over the Leaning Oak Reservation and the aged avenger who helps Super Indian regain himself.

Super Indian Issue #9, “Call of the Wild,” A thrilling adventure featuring a sentient Mother Bear, a world-renowned Native American scientist and the twisted rock star who hunts to kill on the Leaning Oak Reservation.

Laguna Woman Issue #1, “Lo, The Poor Laguna Woman,” features female superhero Phoebe Francis/Laguna Woman, who has the worst day ever on her homelands in New Mexico.

Real Super Indians: Real life profiles of Major League Baseball All-Star Allie Reynolds and fiery American Indian Movement Activist Fern Eastman Mathias.

“Super Indian’s adventures provide a glimpse into the contemporary world of Native Americans. The fun, edgy humor can be experienced on many levels by a wide variety of readers,” said CEO/Publisher/Editor Janet Miner. Arigon Starr beams, 
“It has been the highlight of my life to bring these comics to life. I am creating the Native themed comics I dreamed about as a kid.”
The book is available for purchase from the Super Indian Comics website and Amazon.com.

Wacky Productions Unlimited is a female led, Native co-owned company based in Los Angeles, CA. Wacky has released four music CD projects from Arigon Starr, co-produced her stage and audio theater productions and is the publisher of the Super Indian catalog.

Contact: Janet Miner

info@superindiancomics.com
Website: https://superindiancomics.com




Tuesday, January 23, 2024

News: American Indian Library Association announced its 2024 Youth Literature Awards


Good morning, AICL readers! Yesterday (Jan 22, 2024) the American Library Association announced its annual book awards. Below a list of the winners of the American Indian Library Association's Youth Literature Awards, given every two years (even-numbered years). Soon, all these books listed below will have the AIYLA seal on them! The photo below is from the AILA website and shows a selection of the books with their seals. 

You can order seals for your copies, directly from the American Indian Library Association. 



Here is a photo of the AILA Youth Literature Award committee members who were there for the announcements and Cindy Hohl (far right) who is the 2024-2025 president of the American Library Association (thank you to Hannah Buckland for permission to use the photo). Cindy Hohl is a member of the Santee Sioux Nation. Members of the committee this year were Naomi Bishop, Akimel O'odham; Mandi Harris, Cherokee Nation; Tara Kenjockety, Ho-Chunk & Seneca Nations; Kelley Kor, Cherokee Nation; Debbie Reese, Nambe Owingeh; Ophelia Spencer, Dine; Duane Yazzie, Hopi and Navajo; and Allison Waukau, Menominee and Navajo.  The committee was co-chaired by Joy Bridwell, Chippewa Cree Tribe; and Danielle Burbank, Dine.  





PICTURE BOOK AWARD

Forever Cousins written by Laurel Goodluck (Mandan & Hidatsa and Tsimshian), illustrated by Jonathan Nelson (Navajo/Diné) and published by Charlesbridge




A Letter for Bob written by Kim Rogers (Wichita & Affiliated Tribes), illustrated by Jonathan Nelson (Navajo/Diné) and published by Heartdrum, an imprint of HarperCollins Publishers




PICTURE BOOK HONORS

Berry Song written and illustrated by Michaela Goade (Tlingit Nation) and published by Little, Brown and Co., a division of Hachette Book Group, Inc.




Rock Your Mocs by Laurel Goodluck (Mandan & Hidatsa and Tsimshian), illustrated by Madelyn Goodnight (Chickasaw Nation) and published by Heartdrum, an imprint of HarperCollins Publishers.




Remember by Joy Harjo (Mvskoke Nation), illustrated by Michaela Goade (Tlingit Nation) and published by Random House Studio, an imprint of Random House Children’s Books, a division of Penguin Random House




Celebration by Lily Hope (Tlingit), illustrated by Kelsey Mata Foote (Tlingit) and published by Sealaska Heritage Institute (SHI)




Contenders by Traci Sorell (Cherokee Nation), illustrated by Arigon Starr (Kickapoo Tribe) and published by Kokila, an imprint of Penguin Random House







MIDDLE GRADE AWARD

We Still Belong written by Christine Day (Upper Skagit), cover art by Madelyn Goodnight (Chickasaw Nation) and published by Heartdrum, an imprint of HarperCollins Publishers




MIDDLE GRADE HONOR BOOKS

She Persisted: Maria Tallchief by Christine Day (Upper Skagit), illustrated by Alexandra Boiger and Gillian Flint and published by Philomel Books, an imprint of Penguin Random House




She Persisted: Deb Haaland by Laurel Goodluck (Mandan & Hidatsa and Tsimshian), illustrated by Alexandra Boiger and Gillian Flint and published by Philomel Books, an imprint of Penguin Random House.




Eagle Drums written and illustrated by Nasuġraq Rainey Hopson (Iñupiaq) and published by Roaring Brook Press




Jo Jo Makoons: Fancy Pants by Dawn Quigley (Turtle Mountain Band of Ojibwe), illustrated by Tara Audibert (Wolastoqey) and published by Heartdrum, an imprint of HarperCollins Publishers






Jo Jo Makoons: Snow Day by Dawn Quigley (Turtle Mountain Band of Ojibwe), illustrated by Tara Audibert (Wolastoqey) and published by Heartdrum, an imprint of HarperCollins Publishers




Mascot by Traci Sorell (Cherokee Nation) and Charles Waters, jacket illustration by Nicole Neidhardt (Navajo) and published by Charlesbridge




She Persisted: Wilma Mankiller by Traci Sorell (Cherokee Nation), illustrated by Alexandra Boiger and Gillian Flint and published by Philomel Books, an imprint of Penguin Random House





YOUNG ADULT AWARD

Rez Ball by written by Byron Graves (Ojibwe), jacket art by Natasha Donovan (Métis) and published by Heartdrum, an imprint of HarperCollins Publishers.




YOUNG ADULT HONOR BOOKS

Warrior Girl Unearthed by Angeline Boulley (Sault Ste. Marie Tribe of Chippewa Indians), jacket illustrations by Michaela Goade (Tlingit Nation) and published by Henry Holt and Company, a trademark of Macmillan Publishing Group




Funeral Songs for Dying Girls by Cherie Dimaline (Métis) and published Tundra Books, an imprint of Tundra Book Group, a division of Penguin Random House of Canada Limited




Running with Changing Woman by Lorinda Martinez (Diné), cover design by Brittany Gene (Navajo) and published by Salina Bookshelf




Man Made Monsters by Andrea L. Rogers (Cherokee Nation), illustrated by Jeff Edwards (Cherokee Nation) and published by Levine Querido




Heroes of the Water Monster by Brian Young (Navajo Nation), jacket art by Shonto Begay (Diné) and published by Heartdrum, an imprint of HarperCollins Publishers.