An advocacy group devoted to amplifying the voices of Indigenous women says Buffy Sainte-Marie, a musician known for decades of Indigenous activism, appears to have engaged in a great deception regarding her origins as an Indigenous Sixties Scoop Survivor.
As much as anyone, I want the allegations of her deception and dishonourable conduct to be untrue. I want her to stay firmly on the pedestal I and many others have put her on. But the evidence against her, as hard as it is to say, does not look good. And now I'm reeling, as are all Buffy fans, especially Indigenous ones like me.
Whether we like it or not, at least part of the truth has been revealed. It is up to Indigenous people to make sense of it, to reconcile our pain and disbelief, and to figure out how to move forward with care and respect for one another's responses to these revelations. That's our burden, one that the CBC, or any major news outlet, does not have to carry. They can move on to the next story.
Tim Johnson, an Ohsweken resident and the artistic producer for Celebration of Nations held annually at the Performing Arts Centre in St. Catharines, said Sainte-Marie's deception about her Indigenous identity has caused incalculable reputational and financial damage to authentic Indigenous musicians.
"When you are a Juno Award-winning artist, opportunities open for you both in terms of notoriety, income and prestige," said Johnson, a Mohawk, Wolf Clan, from Six Nations of the Grand River.
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