CHICKADEE, Erdrich's next book in BIRCHBARK HOUSE series

Back in May, Louise Erdrich blogged about Chickadee, the next book in the Birchbark House series. In it, Erdrich writes, Omakayas and her family have moved onto the Great Plains:

I realized that for the sake of this book series we had to move there around 1866.  This is a fascinating year for all sorts of reasons, but for the main character, Chickadee, it is a year of unusual adventure.   Some odd things happen to Chickadee.  He challenges a man named Skunk.  He is kidnapped by two brutish louts who want a servant.  He learns to cook a wretched concoction called bouyah.  Chickadee runs away from well meaning but heartless missionaries.  He learns to survive completely alone in the woods helped by his namesake, the chickadee, who teaches him a song that can heal.  There is lots more, including a visit to Saint Paul, the first city he has ever seen, and composed at the time of shacks, pubs, treeless mansions, and lots of trading companies.  

I'm definitely intrigued. In comments, Erdrich says the book will be out in November of 2012. In the meantime, you might want to get the first three and read (or reread) them. Consider getting signed paperback copies from Erdrich's store, Birchbark Books.

The Birckbark House 

The Game of Silence
 

The Porcupine Year

"Indians in the House" episode of LHOP TV show---deleted or not?!

Many of you may know that I've written about the "Indians in the House" scene of Little House on the Prairie. I don't think I've yet shared what is called a "deleted scene" from the pilot for the television series. Here's the specific segment. It is rather ominous in music and action of the Indians... 

In the book, Laura and Mary are definitely afraid for Ma and Carrie, but the TV segment is especially scary. I don't know if it was cut or not. Comments on the Youtube site say it wasn't. 

Anita Silvey recommends LITTLE HOUSE IN THE BIG WOODS

Yesterday (July 10, 2011) at "Children's Book-A-Day Almanac," Anita Silvey featured Laura Ingalls Wilder's Little House in the Big Woods. She writes that the Little House books "remain one of the best-loved stories of childhood."


Best loved story for whom?

Are they "the best-loved stories of childhood" for everyone? Little Town on the Prairie has Pa in blackface. Dawn Friedman addresses it in her post "Pa in Blackface: Confronting racism in our children's books." I don't think everyone would look on this as a "best loved" story. Would you, for example, knowing it has blackface in it, call it one of your best loved stories? (Update, Feb 5, 2013: Added Garth Williams' illustration of blackface, from page 258.) Here's Pa in blackface:

Same thing with Little House in the Big Woods. On page 53, Pa regales Laura and Mary with his days of youth when he'd pretend he was "a mighty hunter, stalking the wild animals and the Indians." Here's the passage where he said that: 

When I was a little boy, not much bigger than Mary, I had to go every afternoon to find the cows in the woods and drive them home. My father told me never to play by the way, but to hurry and bring the cows home before dark, because there were bears and wolves and panthers in the woods.    

One day I started earlier than usual, so I thought I did not need to hurry. There were so many things to see in the woods that I forgot that dark was coming. There were red squirrels in the trees, chipmunks scurrying through the leaves, and little rabbits playing games together  in the open places. Little rabbits, you know, always have games together before they go to bed.    

I began to play I was a mighty hunter, stalking the wild animals and the Indians. I played I was fighting the Indians, until all woods seemed full of wild men, and then all at once I heard the birds twittering 'good night.'

 
Would you call a book in which the characters romanticize hunting people one of your "best loved" stories?

And of course, there are multiple problems with Little House on the Prairie. (Scroll down to the "labels" section of AICL and you'll see that I've written about the book several times.)

There is no disputing the love and adoration readers shower on the series, but it is a blind love and a blind adoration that has ramifications for all of us. Thinking of a people as "wild" makes it easier to hunt and kill them. I'm thinking the uncritical embrace of these books is akin to planting seeds that will get watered later when someone deems it in America's best interests to go to war...  

I wish that Silvey would take a moment to give her readers a critical view of the Little House series. In her post about Julius Lester, she writes that Lester and Pinkney's Sam and the Tigers removed "the racial sting" associated with Little Black Sambo. "Racial sting" is a mild way to reference racist stereotypes, but she did acknowledge the problems with LBS. I wish she could do the same with LHOP.

Recommended! RETHINKING POPULAR CULTURE AND MEDIA

Rethinking Schools is an excellent source of materials for anyone who looks critically at schooling. Their newest item is Rethinking Popular Culture and Media. It has outstanding essays including Herbert Kohl's "The Politics of Children's Literature: What's Wrong with the Rosa Park's Myth."

Essays specific to AICL's content are:

"Why I'm Not Thankful for Thanksgiving" by Michael Dorris
"A Barbie-Doll Pocahontas" by Cornel Pewewardy
"Human Beings are Not Mascots" by Barbara Munson

It also includes "Fiction Posing as Truth," the first short-essay I wrote with a group of Native and non-Native women who worked collaboratively on in-depth study of Ann Rinaldi's My Heart is on the Ground. 

There are forty-eight different essays. Forty eight! The book is priced at $18.95 and well worth it.

10th Anniversary of RAIN IS NOT MY INDIAN NAME

Click over to Cynsations and read Cynthia Leitich Smith's reflections on Rain is Not My Indian Name. A gorgeous cover that I love to look at, a great story for ten thousand reasons (can you tell I like it?!), and, a hearty congratulations to Cynthia.

Tim Tingle, ALA 2011

On Sunday at ALA 2011, I went by the Cinco Puntos booth, hoping Tim Tingle might be there. He was scheduled for a session at 4:00 to talk about the graphic novel, Trickster, edited by Matt Dembecki. He was there and we visited for awhile. It was terrific to hear him extoll American Indians in Children's Literature (AICL) and the work I do. When he works with teachers, he tells them to spend a few days at AICL. I'm glad he recommends it.  Well---glad is not the right word... The right word is thrilled.

I'm working on a post about the session itself. The panel included Matt Dembicki, Tim, and another author with a story in Trickster, Michael Thompson. All three delivered remarks I want to share with readers of AICL.

As I write, I'm in Hattiesburg, Mississippi, watching the sun rise. I'm here for a couple of days to do some research in the de Grummond Collection. I read the galleys for a couple of books by Berta and Elmer Hader. There wasn't any correspondence in the Hader files or any notes at all that might give me insight to their thinking as they prepared these two books:

Prior to this trip, I had not read either book. Published in 1962 and 1943, both are told from the perspective of a boy who lives in a city and imagines the life of an Indian boy is better than his own.  In both, the white boy gets to be Indian for a day...

ROBOPOCALYPSE by Daniel H. Wilson

A friend wrote to me yesterday to tell me about Daniel H. Wilson's Robopocalypse.

I looked it up and am blown away by the story and the author, too. It is a run-away hit in the adult market and Steven Spielberg has got the rights to turn it into a movie. I'm going to get it as soon as possible. I think it has the potential to cross-over and be a big hit in the young adult market, too.

Here's why I'm so psyched about it:

Wilson is Cherokee. A tribally enrolled Cherokee, that is, who grew up in Tulsa, Oklahoma (regular readers of AICL know that I write a fair bit about claims to Native identity). Here's an excerpt from an interview from the Amazon page:

One of the most interesting robot battling groups in the book is the Osage Nation in Gray Horse, Oklahoma. You are part Cherokee and grew up in Tulsa. How did your upbringing shape the residents and setting of Gray Horse in the book?
In 1889, the United States government took Indian Territory away from Native Americans and gave it to settlers. Nevertheless, there are still dozens of sovereign Native American governments operating in Oklahoma. These mini-nations have their own governments, police forces, hospitals, jails, and laws – all while co-existing with the US government. Growing up as part of the Cherokee Nation, I always felt that even if the wider world were to crumble, the nucleus of these tribal communities would hold firm. That’s why in Robopocalypse the Osage Nation keeps operating as a bastion of humanity in the face of a total government meltdown. 

And here's a video of Wilson talking about the book. About halfway in, he starts talking about sovereign nations.

Regular readers of AICL will get why I'm so excited. I look forward to reading Wilson's book.