Wednesday, January 18, 2012

TUSD vs The Tempest: To teach or not to teach

[Note: A chronological list of links to AICL's coverage of the shut-down of the Mexican American Studies Department at Tucson Unified School District is here. Information about the national Mexican American Studies Teach-in is here. The best source for daily updates out of Tucson is blogger David Abie Morales at Three Sonorans.]
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Yesterday afternoon, the Tucson Unified School District issued a press release that says reports of book banning are misleading. They specifically say that teachers can teach The Tempest. As this audio demonstrates, teachers who taught in the Mexican American Studies program can teach it if they can do it without talking about race or oppression. [Source for video: Three Sonorans YouTube channel]




"Once you begin to describe the Natives, and once you begin to delve into issues that are going to be from a critical race theory perspective, that's when you're not in that safe harbor, so to speak."


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FOR A COMPREHENSIVE LIST OF AICL'S COVERAGE, CLICK ON:
AICL Coverage of Arizona Law that resulted in shut down of Mexican American Studies Program and Banning of Books

Tuesday, January 17, 2012

Authors banned in Tucson Unified School District respond

[Note: A chronological list of links to AICL's coverage of the shut-down of the Mexican American Studies Department at Tucson Unified School District is here. Information about the national Mexican American Studies Teach-in is here. The best source for daily updates out of Tucson is blogger David Abie Morales at Three Sonorans.]

Editors Note on Feb 25, 2018: Please see my apology about promoting Alexie's work. --Debbie
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As I find them, I will add responses from authors whose books were taught in the now-outlawed Mexican American Studies program at Tucson Unified School District:

SHERMAN ALEXIE 

On January 17th, 2012, Sherman Alexie tweeted:


Teachers who taught in the Mexican American Studies program that was shut down last week are no longer allowed to teach two of his books:



On January 29, 2012, I read Alexie's response at The Progressive. He wrote:
Let's get one thing out of the way: Mexican immigration is an oxymoron. Mexicans are indigenous. So, in a strange way, I'm pleased that the racist folks of Arizona have officially declared, in banning me alongside Urrea, Baca, and Castillo, that their anti-immigration laws are also anti-Indian. I'm also strangely pleased that the folks of Arizona have officially announced their fear of an educated underclass. You give those brown kids some books about brown folks and what happens? Those brown kids change the world. In the effort to vanish our books, Arizona has actually given them enormous power. Arizona has made our books sacred documents now.



RUDOLFO ANAYA (added on Jan 25, 2012):

On Friday, January 21, Rudolfo Anaya was on Jay Nightwolf's radio program. You can listen to the program by going to the Zinn Education Project website. Anaya is the author of Bless Me Ultima, and The Anaya Reader, two books that were taught in the Tucson Unified School District's Mexican American Studies program that was shut down.







JIMMY SANTIAGO BACA

On January 28, 2012, I read Jimmy Santiago Baca's response at The Progressive. In part, he writes:
The banning in Tucson is a political tactic to oppress us, just the latest attempt of many to lie to us, to spread distortions, to enfeeble us by taking away our rights to education. They know that education is a way to achieve equality, to empower ourselves, to see ourselves with pride and enhance our self-esteem. Books that see us as intelligent, that reflect our experience in a healthy light, lend themselves to invigorating our resistance against injustice.
Six of his books were used in the now-banned Mexican American Studies program, including A Place to Stand.




BILL BIGELOW

On January 13, 2012, Bill Below wrote on the Rethinking Schools blog: 
Rethinking Schools learned today that for the first time in its more-than-20-year history, our book Rethinking Columbus was banned by a school district: Tucson, Arizona.  [...] What’s to fear? Rethinking Columbus offers teaching strategies and readings that teachers can use to help students consider perspectives that are too often silenced in the traditional curriculum. 

Teachers who taught in the Mexican American Studies program that was shut down last week are no longer allowed to teach Rethinking Columbus, a book he edited that includes essays, poems, and prose by American Indian writers.




JOSEPH BRUCHAC

In an email to me on January 17, 2012, Joseph Bruchac said:

In the long run, I think the actions of the Tucson
School Board may end up in a positive way--by
drawing attention back to RETHINKING COLUMBUS
and creating further awareness of the complex legacy
of Cristobal Colon. Either this was their intention all
along (closet progressives that they are on the school
board) or (thinking in terms of nautical metaphors), they
are attempting to save the sinking ship of the myth of
heroic European colonialism by an action as effective as
bailing with a tea cup!
His essay, "A Friend of the Indians" is in Rethinking Columbus, a book that teachers who taught in the Mexican American Studies program are no longer allowed to teach.

RICHARD DELGADO and JEAN STEFANCIC (added Jan 31, 2012):

On January 31, 2012, I read Richard Delgado and Jean Stefancic's response at The Progressive. Here's an excerpt:
Young minds will not learn about critical race theory or Latino history or the historic struggles of their predecessors for school desegregation, immigration reform, and equal rights. They may learn about them piecemeal, but without an overarching framework, it will be difficult for them to develop a comprehensive view of race in American society. 
Their book, Critical Race Theory, was taught in the now-shut down Mexican American Studies department at Tucson Unified School District.





JUNOT DIAZ (added January 29, 2012):

On January 29, 2012, I read Junot Diaz's response at The Progressive:
This is covert white supremacy in the guise of educational standard-keeping--nothing more, nothing less. Given the sharp increase of anti-Latino rhetoric, policies, and crimes in Arizona and the rest of the country, one should not be surprised by this madness and yet one is. The removal of those books before those students' very eyes makes it brutally clear how vulnerable communities of color and our children are to this latest eruption of cruel, divisive, irrational, fearful, and yes racist politics. Truly infuriating. And more reason to continue to fight for a just society. 
His book, Drown was taught in the now-banned Mexican American Studies program.



MARTIN ESPADA (added January 31, 2012)

Earlier today, I read Martin Espada's response at the Progressive website. He said, in part:
In the end, this is just another bomb threat. All they have done is force us to evacuate the building. We will gather ourselves in the dark, and keep reading to each other in whatever light we can find.
His book, Zapata's Disciple: Essays, can no longer be taught by teachers who taught in the now-banned Mexican American Studies Department at Tucson Unified School District.




DAGOBERTO GILB (added January 31, 2012)

Yesterday, I read Dagoberto's response at The Progressive website:
What subversive information did those Tucson students learn? What is kept from the government-approved textbooks and classrooms all across the West?: You don’t have to be from somewhere else more important and better to be a lawyer or an artist or a doctor or scientist. You don’t have to leave your culture. You don’t have to be ashamed that your parents struggled with English. We don’t have to accept being only the cooks and maids, custodians and gardeners.
Two of his books are on the Cambium audit and can no longer be taught by the teachers in the now-banned Mexican American Studies Department.





SUZAN HARJO

In an email to me on January 18, 2012, Susan Harjo said:
The banned books and other materials removed from the Tucson public schools are a good start for a required reading list. I consider it a mark of distinction to be among the banned authors for my part of Rethinking Columbus. I am honored to be in the company of other writers who are targeted in Arizona's war on ethnic studies. I hope their reckless actions help raise awareness among more and more people of good will about what this last gasp of white supremacy is doing to our children and young people. 
Her essay, "We Have No Reason to Celebrate" is in Rethinking Columbus, a book that teachers who taught in the Mexican American Studies program are no longer allowed to teach.

Update, January 25th, 2012: Harjo wrote an extended essay for Indian Country Today. For more on her response to being banned, see Rethinking Columbus: Book Banning in Tucson.

WINONA LADUKE (added January 25, 2012):

On January 21, 2012, Winona LaDuke's response to being banned was published at INFORUM. Her essay is in Rethinking Columbus, one of the books boxed up and removed from classrooms in Tucson Unified School District. Rethinking Columbus is no longer being taught in TUSD. See LaDuke's "On Being Banned in Tucson."

WILLIAM L. KATZ

On January 18, 2012, via email, I received William L. Katz's response:
As the writer of two essays contributed from my Black Indians: A Hidden Heritage to Rethinking Columbus, a former public school teacher for fourteen years, and the writer of forty history books that have earned praise from sources ranging from the Wall Street Journal to Howard Zinn, I can only hope this pathetic censorship of ideas and knowledge that aims to keep young people uninformed about their lives, their society and the struggles that shaped their country and world, that this stupid decision in Arizona, will finally lead to a resounding victory for an inclusive, multicultural curriculum. We all deserve that, to read what we want, to learn what we need, and to understand our history not as patriotic, tasteless pablum, but something substantial and true enough to enable us to live in a country and world that was built by women and men of every race and region, and to appreciate and enjoy our neighbors. Part of this is learning that women and men were not handed democracy and justice but often had fight and sometimes die for it, and this is particularly true if they were in the way of those bent on conquest, exploitation, or just the pursuit of obscene profits.

His essay, "Black Indians and Resistance" is in Rethinking Columbus, a book that teachers who taught in the Mexican American Studies program are no longer allowed to teach.

MATT DE LA PENA

On January 16th, Matt de la Pena wrote on his blog:
A truly scary situation. Tucson schools have just “shut down” all courses related to Mexican American Studies (in essence, banning Chicano authors). If you’re familiar with Tucson’s racial makeup, you know this means that literally thousands of Chicano students will no longer be allowed to see a reflection of themselves in literature. The teachers literally had to pack up the books and remove them from their classrooms.

Teachers who taught in the Mexican American Studies program that was shut down last week are no longer allowed to teach his book, Mexican WhiteBoy.


BOB PETERSON (added Jan 31, 2012)

On January 16, 2012, Bob Peterson wrote on his blog:
What’s most disturbing is the banning’s broader context, in particular Arizona’s anti-immigrant legislation and the move across the country toward scripted curriculum that too often ignores students’ cultural heritages and that undermines the ability to promote critical thinking. On a more positive note, however, the banning can be seen as the flailing of small-minded bigots attempting to derail multicultural, anti-racist curriculum. In this sense, the move is similar to the anti-gay rantings of Santorum and Company. 
Teachers who taught in the Mexican American Studies program that was shut down last week are no longer allowed to teach Rethinking Columbus, a book he edited that includes essays, poems, and prose by American Indian writers.



CORNEL PEWEWARDY

On January 20, 2012, Cornel Pewewardy sent me the following comment by email:

The "Empire" Strikes Back via a Neoliberal Agenda

His essay, "A Barbie-Doll Pocahontas" is in Rethinking Columbus, a book that teachers who taught in the Mexican American Studies program are no longer allowed to teach.


ROBERTO RODRIGUEZ (added on Jan 25, 2012):

On Friday, January 21, Roberto Rodriguez was on Jay Nightwolf's radio program. You can listen to the program by going to the Zinn Education Project website. Rodriguez is the author of Justice: A Question of Race and The X in La Raza II (I am unable to locate a cover of the book; please send me a link or image), both of which were used in the Tucson Unified School District's Mexican American Studies program that was shut down.



LUIS ALBERTO URREA (added January 29, 2012)

On January 29, 2012, I read Luis Alberto Urrea's response at The Progressive website:

The issue seems to be the power boys and girls are afraid that studying MacArthur winning Tohon O'odam poet Ofelia Zepeda is un-American. Cult-like. Divisive. Yes, that's right--Indians are out too. Sherman Alexie, that notorious wetback, has been ba--ed, boxed. As well as that notorious narco, Guillermo Shakespeare. Thoreau--well. Come on. When isn't Thoreau banned? I hereby make him an Honorary Homeboy.

Urrea is the author of five books on the list of works taught by teachers in the now-banned Mexican American Studies program, including The Devil's Highway: A True Story. 

 
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FOR A COMPREHENSIVE LIST OF AICL'S COVERAGE, CLICK ON:
AICL Coverage of Arizona Law that resulted in shut down of Mexican American Studies Program and Banning of Books

Sunday, January 15, 2012

Mexican American Studies Department Reading List

[Note: For a chronological and comprehensive list of links to AICL's coverage of the shut-down of the Mexican American Studies Department at Tucson Unified School District, go here. To go right to information about the National Mexican American Studies Teach-in, go here.]
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Book list below; author responses to their books being banned is here:
Authors banned in Tucson respond

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Cambium Learning, Inc. conducted an audit of the Mexican American Studies program in Tucson. The findings were published in May 2, 2011. The audit took place between March 7, 2011 and May 2, 2011. [Update, Jan 16, 7:35 PM: Cambium was hired by Arizona's Superintendent of Public Instruction, John Huppenthal, district to do the audit. Cambium recommended the Mexican American Studies program be continued. The superintendent disagreed with the audit findings, and shut the program down.]

The following books are listed on Appendix Item Mexican American Studies Department Reading List of the audit of the Mexican American Studies program. I am presenting the lists here, replicating the lists as shown on the audit. News stories indicate that book in the Mexican American Studies classrooms were boxed up and removed from classrooms last week. At this point is is not known if all the books listed below were boxed and removed. They were placed in storage.

For critical discussion, see "Teaching Critical Thinking in Arizona: NOT ALLOWED".
The report (in pdf) is available here: Curriculum Audit of the Mexican American Studies Department, Tucson Unified School District, May 2, 2011.

High School Course Texts and Reading Lists Table 20: American Government/Social Justice Education Project 1, 2 - Texts and Reading Lists
  • Rethinking Columbus: The Next 500 Years (1998), by B. Bigelow and B. Peterson
  • The Latino Condition: A Critical Reader (1998), by R. Delgado and J. Stefancic
  • Critical Race Theory: An Introduction (2001), by R. Delgado and J. Stefancic
  • Pedagogy of the Oppressed (2000), by P. Freire
  • United States Government: Democracy in Action (2007), by R. C. Remy
  • Dictionary of Latino Civil Rights History (2006), by F. A. Rosales
  • Declarations of Independence: Cross-Examining American Ideology (1990), by H. Zinn

Table 21: American History/Mexican American Perspectives, 1, 2 - Texts and Reading Lists
  • Occupied America: A History of Chicanos (2004), by R. Acuna
  • The Anaya Reader (1995), by R. Anaya
  • The American Vision (2008), by J. Appleby et el.
  • Rethinking Columbus: The Next 500 Years (1998), by B. Bigelow and B. Peterson
  • Drink Cultura: Chicanismo (1992), by J. A. Burciaga
  • Message to Aztlan: Selected Writings (1997), by C. Jiminez
  • De Colores Means All of Us: Latina Views Multi-Colored Century (1998), by E. S. Martinez
  • 500 Anos Del Pueblo Chicano/500 Years of Chicano History in Pictures (1990), by E. S. Martinez
  • Codex Tamuanchan: On Becoming Human (1998), by R. Rodriguez
  • The X in La Raza II (1996), by R. Rodriguez
  • Dictionary of Latino Civil Rights History (2006), by F. A. Rosales
  • A People's History of the United States: 1492 to Present (2003), by H. Zinn

Course: English/Latino Literature 7, 8
  • Ten Little Indians (2004), by S. Alexie
  • The Fire Next Time (1990), by J. Baldwin
  • Loverboys (2008), by A. Castillo
  • Women Hollering Creek (1992), by S. Cisneros
  • Mexican WhiteBoy (2008), by M. de la Pena
  • Drown (1997), by J. Diaz
  • Woodcuts of Women (2000), by D. Gilb
  • At the Afro-Asian Conference in Algeria (1965), by E. Guevara
  • Color Lines: "Does Anti-War Have to Be Anti-Racist Too?" (2003), by E. Martinez
  • Culture Clash: Life, Death and Revolutionary Comedy (1998), by R. Montoya et al.
  • Let Their Spirits Dance (2003) by S. Pope Duarte
  • Two Badges: The Lives of Mona Ruiz (1997), by M. Ruiz
  • The Tempest (1994), by W. Shakespeare
  • A Different Mirror: A History of Multicultural America (1993), by R. Takaki
  • The Devil's Highway (2004), by L. A. Urrea
  • Puro Teatro: A Latino Anthology (1999), by A. Sandoval-Sanchez & N. Saporta Sternbach
  • Twelve Impossible Things before Breakfast: Stories (1997), by J. Yolen
  • Voices of a People's History of the United States (2004), by H. Zinn

Course: English/Latino Literature 5, 6
  • Live from Death Row (1996), by J. Abu-Jamal
  • The Lone Ranger and Tonto Fist Fight in Heaven (1994), by S. Alexie
  • Zorro (2005), by I. Allende
  • Borderlands La Frontera: The New Mestiza (1999), by G. Anzaldua
  • A Place to Stand (2002), by J. S. Baca
  • C-Train and Thirteen Mexicans (2002), by J. S. Baca
  • Healing Earthquakes: Poems (2001), by J. S. Baca
  • Immigrants in Our Own Land and Selected Early Poems (1990), by J. S. Baca
  • Black Mesa Poems (1989), by J. S. Baca
  • Martin & Mediations on the South Valley (1987), by J. S. Baca
  • The Manufactured Crisis: Myths, Fraud, and the Attack on America's Public Schools (19950, by D. C. Berliner and B. J. Biddle
  • Drink Cultura: Chicanismo (1992), by J. A Burciaga
  • Red Hot Salsa: Bilingual Poems on Being Young and Latino in the United States (2005), by L. Carlson & O. Hijuielos
  • Cool Salsa: Bilingual Poems on Growing up Latino in the United States (1995), by L. Carlson & O. Hijuielos
  • So Far From God (1993), by A. Castillo
  • Address to the Commonwealth Club of California (1985), by C. E. Chavez
  • Women Hollering Creek (1992), by S. Cisneros
  • House on Mango Street (1991), by S. Cisneros
  • Drown (1997), by J. Diaz
  • Suffer Smoke (2001), by E. Diaz Bjorkquist
  • Zapata's Discipline: Essays (1998), by M. Espada
  • Like Water for Chocolate (1995), by L. Esquievel
  • When Living was a Labor Camp (2000), by D. Garcia
  • La Llorona: Our Lady of Deformities (2000), by R. Garcia
  • Cantos Al Sexto Sol: An Anthology of Aztlanahuac Writing (2003), by C. Garcia-Camarilo, et al.
  • The Magic of Blood (1994), by D. Gilb
  • Message to Aztlan: Selected Writings (2001), by Rudolfo "Corky" Gonzales
  • Saving Our Schools: The Case for Public Education, Saying No to "No Child Left Behind" (2004) by Goodman, et al.
  • Feminism is for Everybody (2000), by b hooks
  • The Circuit: Stories from the Life of a Migrant Child (1999), by F. Jimenez
  • Savage Inequalities: Children in America's Schools (1991), by J. Kozol
  • Zigzagger (2003), by M. Munoz
  • Infinite Divisions: An Anthology of Chicana Literature (1993), by T. D. Rebolledo & E. S. Rivero
  • ...y no se lo trago la tierra/And the Earth Did Not Devour Him (1995), by T. Rivera
  • Always Running - La Vida Loca: Gang Days in L.A. (2005), by L. Rodriguez
  • Justice: A Question of Race (1997), by R. Rodriguez
  • The X in La Raza II (1996), by R. Rodriguez
  • Crisis in American Institutions (2006), by S. H. Skolnick & E. Currie
  • Los Tucsonenses: The Mexican Community in Tucson, 1854-1941 (1986), by T. Sheridan
  • Curandera (1993), by Carmen Tafolla
  • Mexican American Literature (1990), by C. M. Tatum
  • New Chicana/Chicano Writing (1993), by C. M. Tatum
  • Civil Disobedience (1993), by H. D. Thoreau
  • By the Lake of Sleeping Children (1996), by L. A. Urrea
  • Nobody's Son: Notes from an American Life (2002), by L. A. Urrea
  • Zoot Suit and Other Plays (1992), by L. Valdez
  • Ocean Power: Poems from the Desert (1995), by O. Zepeda

UPDATE, Monday, January 16, 2012
The list above is not complete. As I learn of other titles that have been boxed, I will add them to the list.
  • Bless Me Ultima, by Rudolfo Anaya
  • Yo Soy Joaquin/I Am Joaquin, by Rodolfo Gonzales
  • Into the Beautiful North, by Luis Alberto Urrea
  • The Devil's Highway, by Luis Alberto Urrea

UPDATE, Tuesday, February 21, 2012
I'm inserting a list of items taught by Curtis Acosta in his Social Justice course.

Non-Fiction - Personal Reflections
  • My Dungeon Shook by James Baldwin
  • La Conciencia de la Mestiza: Towards a New Consciousness by Gloria Anzaldua
Short Stories
  • Selections from Ten Little Indians by Sherman Alexie
  • Eleven by Sandra Cisneros
  • Vatolandia by Ana Castillo
  • Love in L.A. by Dagoberto Gilb
  • Lindo y Querido by Manuel Munoz
  • Brisa by Dagoberto Gilb
  • Aurora by Juno Diaz
  • Lost Girls by Jane Yolen
  • Selection from Tuff by Paul Beatty
Counter Story Telling and Cultura Through Teatro 
  • And Where Was Pancho Villa When You Really Needed Him? by Silviana Wood 
  • Culture Clash in America and Culture Clash: Life, Death and Revolutionary Comedy by Culture Clash
Shakespeare, Colonization, and Critical Race Theory
  • The Tempest by William Shakespeare
Immigration - La Lucha Sigue
  • The Devil's Highway by Luis Alberto Urrea
Resistance Through Rhetoric
  • The Puerto Rican Dummy and the Merciful Son by Martin Espada
  • Jesse Jackson's speech at the 1984 Democratic National Convention
  • Barack Obama's speech at the 2004 Democratic National Convention
  • Speech at the Afro-Asian Conference by Ernesto "Che" Guevara
  • "Women, Power, and Revolution" by Kathleen Cleaver
  • "Political Prisoners, Prisons, and Black Liberation" by Angela Davis
  • Message to Aztlan by Corky Gonzales
  • Message to the Grass Roots by Malcom X
  • "Beyond Vietnam" and Where We Go From Here by Martin Luther King Jr.
  • "Does 'Anti-War' Have to be 'Anti-Racist', too? by Elizabeth "Betita" Martinez
Resistance/Revolution in Spoken Word, Slam Poetry, and Hip Hop
Poetry
  • Selections from William Carlos Williams, Amiri Baraka, Nikki Giovanni, Ana Castillo, Tracy Morris, Paul Beatty
Hip Hop
Selections from Olmeca, Sihuatl-De, Dead Prez, Common, Kanye West, KRS-1, Mos Def, Talib Kweli, Rage Against the Machine, etc.

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In the video below, teacher Yolanda Sotelo (she taught in the Mexican American Studies program that was shut down last week) discusses novels she can no longer teach. They were boxed and removed. Teachers have been told that they will be monitored to make sure they do not teach those novels. Ironically, if Sotelo was teaching at Tucson's college prep school, she'd be able to teach Rudolfo Anaya's Bless Me Ultima. [Video source: ThreeSonorans channel on YouTube]




Update: Tuesday, January 17, 2012, 7:00 AM CST

Brenda Norrell of Censored News has video interviews of three students at her site. Interviews were recorded at an MLK event yesterday.

In the first one, the student describes how shelves were cleared of books during class.  In the second, the student points to a double standard. It is only the Mexican American Studies class and books in those classrooms that are being targeted. Those books include more than just ones by Latino/a authors. Amongst the curriculum are books by African American, Asian American, American Indian, feminist, and progressive writers. Other ethnic studies programs are being left alone.  In the third video, the student talks about the importance for all Americans of knowing the histories of all Americans.

Update: Tuesday, January 17, 6:40 PM CST

There are conflicting reports on how many books were removed. Cara Rene, spokesperson for the Tucson Unified School District says:
"The books... have been moved to the district storage facility because the classes have been suspended as per the ruling by Arizona Superintendent (of) Public Instruction John Huppenthal," 
The Tempest was not removed. According to the news story at Arizona Central (Update, 1/29/2012: Listen to an audio discussion between Curtis Acosta, MAS teacher, and TUSD administrators, discussing how he can and can not teach Tempest),
Rene said the seven books removed from the classrooms were: "Critical Race Theory" by Richard Delgado; "500 Years of Chicano History in Pictures" edited by Elizabeth Martinez; "Message to AZTLAN" by Rodolfo Corky Gonzales; "Chicano! The History of the Mexican Civil Rights Movement" by Arturo Rosales; "Occupied America: A History of Chicanos" by Rodolfo Acuña; "Pedagogy of the Oppressed" by Paulo Freire; and "Rethinking Columbus: The Next 500 Years" by Bill Bigelow.


UPDATE, TUESDAY, JANUARY 17, 9:20 PM, CST:

The Tucson Unified School District website has a statement with contradictory statements about the books they boxed up.  Below, I'm reproducing the statement in its entirety, and I am placing the contradictory statements in red. You can find the statement here. The copy below is accompanied with "Last updated: 01/17/2012 14:32:39".

Reports of TUSD book ban completely false and misleading

Posted on: January 17, 2012
Contact: Cara Rene, Communication Director, (520) 225-6101, Cara.Rene@tusd1.org

Tucson Unified School District has not banned any books as has been widely and incorrectly reported.

Seven books that were used as supporting materials for curriculum in Mexcian American Studies classes have been moved to the district storage facility because the classes have been suspended as per the ruling by Arizona Superintendent for Public Instruction John Huppenthal. Superintendent Huppenthal upheld an Office of Adminstriation Hearings’ ruling that the classes were in violation of state law ARS 15-112.

The books are:
  • Critical Race Theory by Richard Delgado
  • 500 Years of Chicano History in Pictures edited by Elizabeth Martinez
  • Message to AZTLAN by Rodolfo Corky Gonzales
  • Chicano! The History of the Mexican Civil Rights Movement by Arturo Rosales
  • Occupied America: A History of Chicanos by Rodolfo Acuna
  • Pedagogy of the Oppressed by Paulo Freire
  • Rethinking Columbus: The Next 500 Years by Bill Bigelow
NONE of the above books have been banned by TUSD. Each book has been boxed and stored as part of the process of suspending the classes. The books listed above were cited in the ruling that found the classes out of compliance with state law.

Every one of the books listed above is still available to students through several school libraries. Many of the schools where Mexican American Studies classes were taught have the books available in their libraries. Also, all students throughout the district may reserve the books through the library system.

Other books have also been falsely reported as being banned by TUSD. It has been incorrectly reported that William Shakespeare’s “The Tempest” is not allowed for instruction. Teachers may continue to use materials in their classrooms as appropriate for the course curriculum. “The Tempest” and other books approved for curriculum are still viable options for instructors.

The suspended Mexican American Studies classes were converted last week to standard grade-level courses with a general curriculum featuring multiple perspectives, as per the directive by the state superintendent. Students remained in classes with their teachers, who are now teaching general curriculum.

As the district has taken action to comply with the order from the state, the goal of the district has continued to be to prevent disruption to student learning. Books used as instructional materials in the former Mexican American Studies classes were collected only from classrooms in schools where the courses were taught. Again, all the books are still available to students through the TUSD library system.

In one instance, at Tucson High Magnet School, materials were collected from a filing cabinet while students were in class though teaching did not stop during the process.

Tucson High Magnet School Principal Dr. Abel Morado acknowledges that the gathering of materials could have been accomplished outside of class time in all instances.

“We had a directive to be in compliance with the law and acted quickly to meet that need,” says Morado. “Part of that directive is communicating with teachers, students and parents, and collecting materials. We regret that in one instance materials were collected during class time.”


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FOR A COMPREHENSIVE LIST OF AICL'S COVERAGE, CLICK ON:
AICL Coverage of Arizona Law that resulted in shut down of Mexican American Studies Program and Banning of Books

Teaching critical thinking in Arizona: NOT ALLOWED

 [Note: A chronological list of links to AICL's coverage of the shut-down of the Mexican American Studies Department at Tucson Unified School District is here. Information about the national Mexican American Studies Teach-in is here. The best source for daily updates out of Tucson is blogger David Abie Morales at Three Sonorans.]
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Very early on Saturday, January 15, 2012, I read an article in Salon that said that Rethinking Columbus and the Tempest were being boxed up and removed from classrooms in Tucson, Arizona. They were part of the curriculum of the Mexican American Studies program in the school district. Due to the objection of some people in Arizona, that program has now been shut down.

On January 13, 2012, Bill Bigelow of Rethinking Schools wrote about Rethinking Columbus being removed. Within its pages are items by Native people, including
  • Suzan Shown Harjo's "We Have No Reason to Celebrate"
  • Buffy Sainte-Marie's "My Country, 'Tis of Thy People You're Dying"
  • Joseph Bruchac's "A Friend of the Indians"
  • Cornel Pewewardy's "A Barbie-Doll Pocahontas"
  • N. Scott Momaday's "The Delight Song of Tsoai-Talee"
  • Michael Dorris's "Why I'm Not Thankful for Thanksgiving"
  • Leslie Marmon's "Ceremony"
  • Wendy Rose's "Three Thousand Dollar Death Song"
  • Winona LaDuke's "To the Women of the World: Our Future, Our Responsibility"


As the day progressed, I began asking colleagues if anyone had a complete list of the books being removed. As of now (Sunday, January 15, 2012), several people are trying to find out more about the books that are being taken away.

One colleague pointed me to an audit of the program that includes a lengthy list of books that auditors saw in the classrooms. It includes Sherman Alexie's Ten Little Indians and Tonto and the Lone Ranger Fist Fight in Heaven; it also includes Ofelia Zepeda's Ocean Power: Poems from the Desert



One thing I noted in my quick read of the audit is that the students in the program outperformed students who were not in the program. Further research led me to a broadcast on Democracy Now. On December 29, 2011, Amy Goodman quoted from the audit:
[A] Tucson Unified School District audit found its Mexican American Studies program gives students a measurable advantage over their peers. The audit was conducted by David Scott, the district’s director of accountability and research. In it, he wrote, quote, "Juniors taking a Mexican American Studies course are more likely than their peers to pass the [state’s standardized] reading and writing ... test if they had previously failed those tests in their sophomore year," and that "Seniors taking a Mexican American Studies course are more likely to persist to graduation than their peers."

The Mexican American Studies program was built on critical thinking. Students learned how to think critically, to question texts, to look at moments in history and portrayals of Latino Americans and American Indians from more than one perspective.

The books used in the program are terrific. Some are award winning children's literature, like Matt de la Pena's Mexican WhiteBoy




Some are by writers who are not Latino or American Indian. An example of that is Jane Yolen's Twelve Impossible Things Before Breakfast. I asked Jane yesterday morning if she knew whether or not her book was being boxed up. She hadn't heard anything. 



The list has some nonfiction on it, too. The auditors said that some of the books are not age-appropriate. According to the auditors, they belong in college, not high school classrooms. That, in my view, is bull. It is a convenient rationale for targeting those books that allows them to hide their fear of critical thinking. Nonfiction titles on the list include:
  • Howard Zinn's A People's History of the United States
  • Jonathan Kozol's Savage Inequalities: Children in America's Schools
  • bell hooks' Feminism is for Everybody 

Opponents of the program argued that the classes were promoting resentment toward a race or class of people. That race or class of people is white.

In their (perhaps) unspoken words, thinking critically about America is dangerous and threatening to the existing power structure.

I'm pretty sure that Laura Ingalls Wilder's Little House on the Prairie is not on the list. Towards the end of that story, Pa learns that the federal government wants squatters (he doesn't use that word) to get off of Indian land. They load the wagon and as they drive away, they look back and see that that "their little log house and the little stable sat lonely in the stillness." Pa says that it is a great country, "but there will be wild Indians and wolves here for many a long day."  Books like Little House teach readers to resent a race or class of people, too, but I doubt it is being removed from classrooms in Tucson. 

I'll post updates as I get them...  If you're in Tucson and saw books being boxed up, please write to me and provide me with titles. You can use my email address (dreese.nambe@gmail.com) or the Contact option in the menu bar above, or, if you prefer anonymity, use the comment box below.

UPDATE, JAN 15, 2012, 12:50 PM, CST:
Due to queries, I uploaded a list of the books listed in the audit:
Mexican American Studies Department Reading List

UPDATE, JAN 15, 2012, 1:10 PM, CST:
Brenda Norrell of Censored News is covering the story and includes a response from Roberto Rodriguez.


UPDATE, JAN 15, 2012, 4:20 PM, CST:
For further reading:
  • House Bill 2281 -  "public school pupils should be taught to treat and value each other as individuals and not be taught to resent or hate other races or classes of people." 
  • Arizona District Court document on the Mexican American Studies program.
UPDATE, JAN 16, 2012, 6:50 AM, CST:
Precious Knowledge is a documentary about the Mexican American Studies program that includes powerful footage of students and teachers in the program, and, footage of state administrators who characterize the program and people in it as anti-American.  See the trailer and information about the documentary at Precious Knowledge.

Below is a 30 minute clip about the program. Some of it is from Precious Knowledge. The young man who speaks at the 1:58 mark talks about administrators coming into his classroom last week on Friday and directing teachers to box their books. One young woman who works in the library as an aide says that library copies of books will likely remain on the shelves, but that the teachers cannot teach the books. The young woman at 22:20 said it was heartbreaking to watch their teachers box the books. It concludes in a classroom. The teacher speaks with great emotion, which leads me to think that this footage was filmed after House Bill 2281 was passed. [Video source: Three Sonorans channel on YouTube]



Below is a clip of teacher, Yolanda Sotelo, talking about books and the events of last week. Administrators will visit classes to make sure the teachers are not teaching the banned books. [Video source: Three Sonorans channel on YouTube]




UPDATE: MONDAY, JANUARY 16, 2011, 2:05 PM CST:
The Save Ethnic Studies website has an extensive archive of court documents, statements, transcripts, student work. 

_________________________
For ongoing AICL coverage, read through AICL from January 15 to the present or go directly to specific posts by clicking on links below:

Sunday, January 15, 2012

Tuesday, January 17, 2012

Wednesday, January 18, 2012

Thursday, January 19, 2012

Friday, January 20, 2012

Saturday, January 21, 2012

Sunday, January 22, 2012

Monday, January 23, 2012

Tuesday, January 24, 2012


________________________________________________________
FOR A COMPREHENSIVE LIST OF AICL'S COVERAGE, CLICK ON:
AICL Coverage of Arizona Law that resulted in shut down of Mexican American Studies Program and Banning of Books

Friday, January 13, 2012

Stereotypes of American Indians in Little Golden Books

Editors Note: Updated April 10, 2013 with annotations for My Little Golden Dictionary, Howdy Doody and the Princess, Bugs Bunny and the Indians; the addition of the Giant Golden Book, Cowboys and Indians, and The Little Trapper.

_______________________________________

In 1942, Little Golden Books was launched. Among them are several with stereotypes of American Indians and Alaska Natives.

I don't know if this compilation is comprehensive...  If something is missing, let me know!  Below are the covers of books published from 1948 through 1974. Some observations about the 20 books:
  • Two are alphabet books.
  • Seven are television shows or movies.
  • Four show a non-Native kid (or a rabbit) playing Indian.
  • Seven show warbonnets.
  • Six show headbands. 
  • There are 18 Indians shown on these covers (two on the Bugs Bunny one; none on the Roy Rogers and Little Trapper books). Only 2 are female. One of the two females is... umm... Howdy Doody's "Princess." I wonder what words Margaret Wise Brown used in her book? It is possible the Eskimo is female, too. I've assumed it is a male. If I'm wrong, let me know! 

Do you have any of these books? Others? What are your observations?

I have Golden Legacy: How Golden Books Won Children's Hearts, Changed Publishing Forever, and Became an American Icon Along the Way by Leonard Marcus. I don't think he mentions any of these in his book. 

Here we go...



1948
Up in the Attic: A Story A B C
by Hilda K. Williams, illustrated by Corinne Malvern




1948
Cowboys and Indians
by Kathryn Jackson and Byron Jackson
illustrated by Gustaf Tenggren

From reviews at Amazon, I see the book has 52 stories and rhymes. The Indian's is "Little Bear." There's also a Chinese cook named "No Pow Wow."

In "Lazy River Ranch" we read that "Injuns" that were "painted all up with fierce war paint" fought "your grandpa" but "a heap of red men bit the dust."

In "The Poor Wandering Cowboy" there's an Indian who comes riding along: "The Indian said 'How!'" Head over to Golden Gems and read both in their entirety, and others, too.






1949
My Little Golden Dictionary
illustrated by Richard Scarry


I for Indian was once commonly done. So was E for Eskimo. Notice all the other items shown on the cover are objects or animals. No G for German, J for Japanese, etc.

This seemingly innocuous use of "Indian" or "Eskimo" dehumanizes and obscures who Native people are. There are over 500 federally recognized tribal nations in the US and Alaska. "I for Indian" suggests that we all wear large feathered headdresses. We don't.







1950
The Little Trapper
by Kathryn and Byron Jackson
illustrated by Gustaf Tenggren

No Indian on the cover, but inside, Dan (shown on cover), meets an "Indian girl." To see her, go to Golden Gems. She looks just like Teggren's Little Bear on the cover of Cowboys and Indians (shown above) except that she is wearing a dress, a necklace, and a bracelet. Like Little Bear, she has blue moccasins and trousers trimmed with red triangles on a white background. Her hair and Little Bear's hair is identical, and so is the feather (white on bottom, red on tip). Her headband is red; his is multi-colored.





1951
Bugs Bunny and the Indians
by Annie North Bedford

Bugs Bunny spends the summer on a ranch where he wears two guns. None of the other cowboys have guns, by Bugs tells Porky Pig, "You have to be prepared, my Boy... There might be wild Indians around." The cowboys laugh at Bugs and conspire to play a trick on him, in which Cowboy Slim, who is "a real Indian" and other Indians capture a very scared Bugs. One "brave" (Cowboy Slim) says "Now let us see you shoot those guns you carry for the wild Indians." Turns out Bugs is armed with water pistols. The Indians love 'em and trade with Bugs. In the end, he's wearing a feathered headdress.  




1952
Howdy Doody and the Princess
by Edward Kean

The princess is named "Princess Summerfall Winterspring." From his airplane (the "Air-o-doodle") they see a "contraption" (wagon). Princess says "Looks like a medicine man to me." They land to check it out. The "medicine man" is a showman (not an Indian) named Doc Lemon who does magic tricks. The princess has a magic necklace and outshines Doc. He's a sly one and swaps her necklace with one of his that isn't magic. Later when she talks to hers: "Kawa goopa tinka tonka--which way?" it does nothing. They set out to get it back.

Problems? Name of princess; calling showman a medicine man trivializes medicine people who are revered within Native Nations; words princess uses are bogus; stereotype portrayal of princess--no tribe, tipi, fringed clothing.




1952
Indian Indian
by Charlotte Zolotow





1952
The Little Eskimo
 by Kathryn Jackson



1952
Peter Pan and the Indians
by Annie Bedford



1953
Hiawatha
Walt Disney Studios




1954
Little Indian
by Margaret Wise Brown
illustrated by Richard Scarry




1956
Buffalo Bill, Jr.
by Gladys Wyatt
illustrated by Hamilton Green



1956
Roy Rogers and the Indian Sign
by Gladys Wyatt
illustrated by Mel Crawford



1957
Lone Ranger and Tonto
by Charles Verral




1957
Brave Eagle
by Charles Verral




1957
Broken Arrow
by Charles Verral
illustrated by Mel Crawford




1958
Cowboys and Indians
by Willis Lindquist
illustrated by Richard Scarry




1959
Tonka
by Elizabeth Beecher



1961
I'm An Indian Today
by Katheryn Hitte
illustrated by William Dugan



1974
Little Crow
by Caroline McDermott

AICL in VOYA: Voices of Youth Advocates

Screenshot of VOYA website, 1/13/2012

In September 2011, Rebecca A. Hill interviewed me for an article she was writing for VOYA: Voices of Youth Advocates. The article, "The Color of Authenticity in Multicultural Children's Literature", is in the December 2011 issue of VOYA. Shown here is a screenshot of the VOYA website. I read Hills' article by clicking on the "Digital VOYA" frame shown on the right of the image.

Hill does an excellent job laying out issues that I write about here on AICL.

After posing some provocative questions, she moves into a discussion of the work of Rudine Sims Bishop in Shadow and Substance, and, key moments in the development of multicultural literature. These include Nancy Larrick's The All White World of Children's Books, published in the Saturday Review in 1965, and the vitally important work done by the Council on Interracial Books for Children (CIBC).

Then, Hill features K.T. Horning and the work done at the Cooperative Children's Book Center (CCBC) at the University of Wisconsin. CCBC has been charting the number of books by and about writers of color and, K.T. notes, they've seen little change from one year to the next. A quote from K.T.:
"Back in the 1980s and into the 1990s, we used to hear that publishers wanted to publish more multicultural books, but that they didn't have authors and artists of color submitting things," Horning said. "The last ten years we have been hearing that [it is] marketing that drives the decisions. The book buyers claim that books with kids of color on the cover don't sell or, in order for the buyers to purchase these books, a kid of nondescript color needs to be on the cover."
From there, Hill's article is about the "who can write" debate. That's where she turns to her interview with me where we talked about Little House on the Prairie and the need to do more than archival research when writing a book that has Native characters.

I downloaded a pdf copy of the article from VOYA's nifty "Digital VOYA". If you go to the VOYA site while the December issue is available, you can download it, too. And other articles, as well! The option to read VOYA in digital copy is terrific. (Note: When I talked with Rebecca, I told her about Onate, the Spanish explorer who invaded Pueblo lands and issued orders to have a foot cut off of men and boys who survived a fight between the Spanish and the people of Acoma Pueblo. Columbus may have done that, too. I don't know. )

Thursday, January 12, 2012

Lii Yiiboo Nayaapiwak lii Swer/Owls See Clearly at Night


As I watch the snow fall outside, I remember a book that I presented in Chicago last January at the Chicago Metro AEYC (Association for the Education of Young Children) meeting. That book is Julie Flett's Lii Yiiboo Nayaapiwak lii Swer/Owls See Clearly at Night, published by Simply Read Books. Its subtitle is L'alphabet di Michif/A Michif Alphabet.

Flett is Metis. Her language, Michif, has prominence in the book. For example, on the 'A' page, she's got the letter 'A' and "Atayookee!" Beneath "Atayookee" is the phrase "Tell a story", which is what Atayookee means. That pattern continues throughout the book. The text is on the left of each double page spread. To the right is Flett's art.

Isn't the cover gorgeous?!

The rest of the book, is, too. Flett's art is stunning. Each page invites you to be with that page, studying the composition of what she gives you on that page.  Here's another page (the illustration is from the publisher's website; in the actual book, the text is on the left page):


And below is a scan of the page I showed at the conference (my scan is dark; the page itself is white as snow). It is the art for the 'I' page. "Itohteew" is the Michif text, and "He/she goes" is the English translation.



I also love the page that shows two Michif children wearing blue dresses and moccasins, dancing a jig. And I love the 'S' page: "Li Siiroo" which is Syrup. In the illustration, there's a cabin in the background. In the foreground is a tree with its tap and bucket. Peering at it is a dog, and a gorgeous black and red bird is flying towards the cabin. And I also like, well... Truth be told, I love this book, cover to cover! 

In the front of the book is an Introduction with information about the Metis people and the Michif language. There's a glossary in the back.

In preparing this post, I learned that in April of 2011, it won the 2011 Christie Harris Illustrated Children's Literature Prize in British Colombia.  And in August, it won the 2010 IBBY Canada Elizabeth Mrazik-Cleaver Picture Book Award. Congratulations to Flett and her publisher, Simply Read Books!

Monday, January 09, 2012

Behind the Scenes: The Real Story of the Quileute Wolves

Coming up this Saturday (January 14, 20120 at the National Museum of the American Indian is "Behind the Scenes: The Real Story of the Quileute Wolves." If you can't be there, you can watch the webcast of Chris Morganroth, Quileute elder. At the NMAI website about his talk, you'll find a link to the webcast.

Here's the blurb:
Listen to traditional Native stories and watch stories told through dance. Chris Morganroth, a Quileute elder, tells traditional stories geared towards kids and families. Morganroth also gives an introduction to Quileute culture and discuss how the tribe is presented in the popular Twilight books and movies.
I wrote about Morganroth on December 6, 2009. He's been pushing back on the Twilight books for a while. I look forward to listening in next week!

The Washington Post carried a story today. It has more info, so do take a minute to read it, too: Quileute tribal museum show debunking Twilight movies opening in Washington, DC

CALEB'S CROSSING

Prompted by a friend, I finally read Caleb's Crossing. Written by acclaimed author Geraldine Brooks (she won the Pulitzer Prize in 2006 for March), I found it more than disappointing.

The Caleb in the title is Caleb Cheeshahteaumauk. He was the first American Indian to graduate from Harvard, way back in 1646. But, as Brooks tells us, Cheeshahteaumauk was the inspiration for the Caleb in her story.  She's careful to tell us this is fiction. She's making up all kinds of things about him.

Her Caleb gets that name from Bethia, the protagonist. She names him.  He calls her Storm Eyes. It is her teachings that bring him to the notice of her father (a minister) who brings him into their home for education and enlightenment. They rescue and convert this heathen salvage (oh, I forgot... her father insists they call them by their tribal name rather than salvage).

The real Cheeshahteaumauk died soon after he graduated from Harvard.

In Caleb's Crossing, Bethia saves Caleb on his death bed. She does that by visiting his pagan uncle and going through a ceremony that she cannot disclose (cleverly can't disclose). After that, she goes to Caleb and whispers to him, in Wampanoag, verses she's learned from that pagan uncle. This comforts him tremendously ("the lines of pain of a sudden all erased" p. 297) and then she lights a bundle of herbs and waves them around the room. Last, she puts a wampum belt on his chest. With his last breaths he sings his death song.

That isn't the first time Bethia goes Native. She did it early in the novel, too, when she comes upon a village where the people are dancing. She removes her sleeves, hose, and shoes and "found the rhythm. Thought ceased, and an animal sense drove me until, in the end, I danced with abandon." (pp 30-31).

Early in the book when I read the passages where Bethia first looks at the Indian she would name Caleb, it was like reading one of those bodice rippers you get at the grocery store, where a white woman gazes at the body of the Indian man shown on the cover. It was hard, in other words, for me to take this novel seriously.

I asked colleagues who study Native literature about Caleb's Crossing, and of the several who responded, nobody defended it. Indeed, one pointed to the USA Today review that said the novel is a mashup of Avatar and Dances with Wolves. (For those who don't know, both of those films are much derided within Native circles.) Click here to read the review in USA Today.

I don't know why the novel is called Caleb's Crossing. It is far more about Bethia than Caleb. The answer may be on page 230, where Bethia and Master Corlett (he runs the prep school that Caleb goes to prior to going to Harvard) are talking about President Chauncy (he runs the Indian College at Harvard) who, Corlett says "has come to think of the entire venture as a kind of milch cow" (p 230).

Looking at the reviews of the novel, I think that Caleb is a milch cow for Brooks and her publisher! I wish she hadn't used Caleb Cheeshahteaumuak as she did.  She could have chosen a different name for that character and still told the story she tells. In the Author's Note (page ix), she writes:
I have presumed to give Caleb's name to my imagined character in the hope of honoring the struggle, sacrifice and achievement of this remarkable young scholar.
Unfortunately for all of us, I think her book dishonors him and his achievements in the same ways that stereotypical mascots are said to "honor" American Indians. The thing is that people do really want to know about American Indians. There are better places to go for that knowledge and there are ways to become more informed and critical readers of these 'honorable' portrayals. One place to start is by reading articles in journals like Studies in American Indian Literatures. If more writers and editors spent time with critical works like those found there, the result would be better literature for all of us.




Saturday, January 07, 2012

Teaching for Change's Busboys and Poets Bookstore


Earlier this week, Don Allen at Teaching for Change asked if I'd be interested in having my recommended book lists on their bookstore website. Of course, I'm interested in calling as much attention as possible to excellent books by Native authors, so I said yes. The bookstore link on their site goes to the awesome Busboys and Poets bookstore... Correction (Jan 7, 2011, 12:20 PM): Teaching for Change's bookstore is inside the Busboys and Poets restaurant.

A couple of years ago, I was in Washington DC for meetings of the Reading is Fundamental Multicultural Advisory board. While there, I went to Busboys and Poets. If you're ever nearby, stop in. Here's their mission statement:
Busboys and Poets is a community where racial and cultural connections are consciously uplifted... a place to take a deliberate pause and feed your mind, body and soul... a space for art, culture and politics to intentionally collide... We believe that by creating such a space we can inspire social change and begin to transform our community and the world.
In addition to terrific food (restaurant and coffee shop) they have a bookstore and a full calendar of events that includes lectures by authors. Given the mission statement, it is not surprising that Teaching for Change has a professional relationship with Busboys and Poets, and I'm glad to be part of that progressive network. If you can, attend one of the many events Teaching for Change schedules. 

Update, Jan 7, 2011, 12:20 PM: For details on that relationship, read the About Us page.