Saturday, September 30, 2006
Friday, September 29, 2006
In the workbook you will find familiar worksheets. There are segments to read that have unfamiliar words followed by phonetic spelling to help pronounce the words. Blocks of text are followed by fill-in-the blank statements. There is a glossary. There are pages about education and schools, religion, and dating. The illustration on the front cover is of a man at a golf course.
Some people strongly object to the ways that the authors present Christianity, which makes the case beautifully about what is wrong with the ways that Native cultures and religions are presented in children's books.
If you find yourself thinking that a critique of one of your favorite (or a popular) children's book is "nit-picky," you will gain important insight by spending time with this book. It costs little ($13) and is available from Oyate.
Thursday, September 28, 2006
[Note: This review is by Beverly Slapin of Oyate. I am grateful to her for sending me her reviews. Early in my graduate work, I read Through Indian Eyes: The Native Perspective in Books for Children, edited by Slapin and Seale. It marked an important moment in my work. In the field of children's literature, it is a touchstone, and its sequel A Broken Flute: The Native Perspective in Books for Children is equally important. As is clear to regular readers of my blog, I link to Oyate often, suggesting you order books like Hidden Roots from there. I would not do that if Oyate was a for-profit bookseller. Oyate is a not-for-profit organization that is doing very important and necessary work on a shoestring. ---Debbie]
Bruchac, Joseph (Abenaki), Hidden Roots. Scholastic Press, 2004. 136 pages, grades 5-up
Living with his family in a tiny town in upstate
Taking place in the early 1960s, Hidden Roots is rooted in the Vermont Eugenics Program that began some thirty years before and left the Abenaki people, for generations, “hiding in plain sight.”
Slowly, Sonny begins to understand how a Jewish librarian’s parents’ secret saved her life and how Indians had to pretend they weren’t Indian: “Sometimes people jes have to do the hardest things for their children,” Louis says. The hardest things, such as giving your children away so they can survive.
When Louis can no longer contribute to the silence and shame, Sonny begins to understand the “whys” of having to leave your home in the middle of the night, having secrets hanging heavily in the air, having to keep your head down and not bring attention to yourself, having to watch your father’s self-hatred turn to violence, having been told your grandfather is your “uncle” because he still lives in the Indian way. And Sonny begins to come to know that roots—even hidden roots—run deep.
Hidden Roots is for all those Indian families whose lives were interrupted by the eugenicists and for all the elderly mothers who still whisper to their adult daughters, “You better get your hair cut, or everybody’ll know you’re an Indian.” For all those who see their lives in this story, and for all those who never knew and now bear the responsibility to bring about change.
In a poem called “Rez Kid” (in Above the Line, West End Press, 2003), Joe Bruchac writes,
…hidden roots still give you strength.
There will always be another day.
The wind will always remember our name.
No matter how many roads they build,
the earth under our feet is our mother.
Joe Bruchac has written an honest, truth-telling story that may well be the most important book this prolific writer has ever produced. Thank you, Joe. You have done a good thing.