"Proceed with Caution: Using Native American Folktales in the Classroom"

The January 2007 issue of Language Arts, published by the National Council of Teachers of English, is out. In it is "Proceed with Caution: Using Native American Folktales in the Classroom," an article I wrote. In it, I discuss the ways that American Indian story is appropriated and distorted when authors retell those stories in picture books for children.

Specifically, I discuss McDermott's Arrow to the Sun, Pollock's Turkey Girl: A Zuni Cinderella Story, and Rodanas's Dragonfly's Tale. All three are widely available in bookstores, public and school libraries. But, all three are deeply flawed. Good stories, perhaps, but they provide little value in terms of informing readers about Pueblo Indians. And as many of you know, teachers often use children's books like these to teach their students about, in this case, Pueblo Indians.

Have you used one of these books in your teaching? Do you have it in your library? I hope the article is helpful to you, and that you view these books and others like them in a different way after reading the article.

I'll say again, I do not blame any teacher for embracing these books. We're all products of a society that romanticizes American Indians. That can change, though, and this article is one tool you can use to bring about that change.

Representation, Stereotypes of American Indians, "Chief Illiniwek"

Those of you familiar with UIUC know that its sports team mascot is "Chief Illiniwek" and that its sports teams are "The Fighting Illini." For many years, Native people on the UIUC campus and in the Urbana-Champaign community, and our allies have asked the University to stop using Native imagery for its sports program.

The regalia worn by the student portraying "Chief Illiniwek" was acquired from Frank Fools Crow in the early 1980s. He was Oglala Sioux. Details regarding how the University came to have the regalia are not clear. It may have been a gift, or it may have been purchased.

Pro-Chief groups at UIUC, including the Department of Intercollegiate Athletics, maintain that this regalia is an endorsement and support for UIUC's "Chief Illiniwek".

Yesterday, the Executive Committee of the Oglala Sioux Tribal Council passed a resolution asking that the regalia be returned to Fools Crow's family, and that the University cease use of its mascot.

We, at the Native American House on campus are authorized to distribute a press release and distribute the resolution. You can read the press release and resolution here:
http://www.nah.uiuc.edu/mascot-news.htm

Will the University return the regalia? The coming days will be revealing. The University claims it honors and respects Native peoples. That should prompt them to return the regalia immediately.

[Note on Jan 21st, 2007: If you are looking for information regarding the Facebook incident at UIUC, you can read about it at Inside Higher Ed: "Ugly Turn in Mascot Debate."]

Marlene Carvell's Sweetgrass Basket

[This review is by Beverly Slapin and used with her permission. It may not be published elsewhere without her written permission.]

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Carvell, Marlene, Sweetgrass Basket. Dutton, 2005. 243 pages; grades 5-up (Mohawk)

Sweetgrass Basket is a young adult novel, told in the alternating voices of two young Mohawk sisters attending the now-notorious Carlisle Indian Industrial School in the early 1900s. Unlike most young adult novels by cultural outsiders, Sweetgrass Basket contains no self-conscious “anthropological asides” to explain to readers what the writer assumes to be important details of an “other” culture. Rather, it’s a wrenchingly beautiful story of two sisters trying to keep themselves together in an atmosphere that fosters only hate and shame. But amidst all the abuse, the children resist the value system being foisted on them, sometimes with great good humor. “I must say,” the older sister Mattie says to Sarah about the hated Mrs. Dwyer, “‘that I hope she steps in a hole and is swallowed by the earth.’ Suddenly Sarah’s eyes brighten and a smile spreads across her face. ‘Mattie, how dreadful,’ she says in mock horror. ‘What a terrible thing to do to Mother Earth.’” The ending is a surprise that’s not really a surprise. Children died at Carlisle, in front of cold, hard white people who didn’t give a damn.

Carvell’s husband’s great-aunt Margaret, who attended Carlisle, was the inspiration for Sweetgrass Basket. Ordinarily, information like this would be enough for me to roll my eyes and close the book, at least for a while. But, as in Carvell’s earlier novel, who will tell my brother?, she really did her homework, and she’s a wonderful writer. I imagine Aunt Margaret is pleased as well.

—Beverly Slapin

Books by and about American Indians: 2005

Each year, the Cooperative Children's Book Center at the University of Wisconsin-Madison publishes an important year-in-review booklet called CCBC Choices. The essay from CCBC Choices 2006 is available on line. Below is an excerpt from the essay.

When CCBC Choices 2007 comes out, what will it tell us about books published in 2006 by and about American Indians? Will CCBC be able to say there were more than 4 books created by Native authors and/or illustrators? I hope so. Here's the excerpt from the CCBC article, "Publishing in 2005."

CCBC Statistics in 2005

Of the nearly 3,000 titles we received at the CCBC in 2005, we documented the following with regard to books by and about people of color:

• 34 books featured American Indian themes, topics, or characters. Of these, only 4 were created by individuals identified as American Indian authors and/or artists. Nine additional Native writers were featured in a single short story collection.

News regarding Seale and Slapin's A Broken Flute: The Native Perspective in Books for Children

Shonto Begay.
Eve Bunting.
Ann Nolan Clark.
Alice Dalgliesh.
Barbara Esbensen.
Russell Freedman.
Gail Gibbons.
Tony Hillerman.
Susan Jeffers.
Thomas King.
Michael Lacapa.
Angela Medearis
Redwing Nez.
Scott O'Dell.
Patricia Polacco.
Delphine Red Shirt.
Robert San Souci.
Luci Tapahonso.
Nancy Van Laan.
Gloria Whelan.
Ed Young.

You may know some of these names, but not all. Each one has written or illustrated a book about American Indians, or a book that has American Indians in the story. Each of these individuals is in the index for A Broken Flute: The Native Experience in Books for Children. This is only a partial listing.

I refer readers to it again and again. It is now available in paperback for $35.00 from Oyate. I have a copy in my home office and one in my office on campus. I use it in my classes. A Broken Flute is an invaluable resource that ought to be in every classroom and school library.

Choosing Children's Books about American Indians

On Friday, January 26, I will be in Chicago leading a workshop for elementary school teachers and librarians in Chicago Public Schools. The workshop is called "Choosing Children's Books about American Indians. "

If you are a teacher in Chicago Public Schools, write to Jolene Aleck at jfaleck@cps.k12.il.us for more information.

The workshop will take place at the Field Museum from 9 to noon.

Teaching Sterling's MY NAME IS SEEPEETZA and Tohe's NO PAROLE TODAY

Last night I watched a video in which a teacher engages her middle school students in a study of boarding schools for American Indian students. The study begins with the students reading Shirley Sterling’s My Name is Seepeetza and “The Names,” which is a poem from Laura Tohe’s No Parole Today.

The video is an hour long and is part of the “Teaching Multicultural Literature” series of teacher resources available on the Annenberg Media website. Here’s the annotation for this particular segment:

Workshop 3: Research and Discovery: Shirley Sterling and Laura Tohe

At the Skokomish reservation in Washington state, Sally Brownfield and her students study and connect with the literature and issues related to the Native American boarding school program through community involvement and self-examination. Students use Shirley Sterling's novel My Name Is Seepeetza and the poetry of Laura Tohe as the lenses through which they explore topics of their choosing. The class visits the Skokomish Tribal Center to interview tribal elders about the impact of the residential boarding program on the community. Author Shirley Sterling visits the class and answers student questions related to her novel, her life, and their personal research topics. Students then decide how to make their learning public.

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This blog has several posts about My Name is Seepeetza, but not enough about Laura Tohe's poetry. A post about her is forthcoming.

It is hard for me to say which portion of the video is the most powerful. Listen to the students, many of whom are Native, talk about the book and their own families. Listen to Laura Tohe’s poem, as the Native teacher reads it aloud. Listen to the elders and what they say about their days as students in a boarding school. And, listen to Shirley Sterling and all that she gives to the students in that classroom.

Some Thoughts On Teaching About Native Americans by John A. Duerk

[Note from Debbie: Several weeks ago, I began email correspondence with John Duerk, during which he shared his experiences as a teacher. I asked him to write an essay for the blog. Here it is.]

While teaching social studies in a rural, Illinois high school, I observed a high level of ignorance and defensiveness about the Native American experience here in the United States. As a teacher who cares about history and its connection to contemporary matters of social justice, I found this to be rather disturbing. Most of my students simply did not have much prior knowledge about Native Americans beyond the generic stories they are told in grade school or the racist stereotypes that are propagated through the mainstream media. This bothered me because there is a serious disconnect between perception and reality – a disconnect that creates barriers which prevent young people from coming to terms with the past and understanding the present. After all, how can students place the current Native American state of affairs in the proper context if they lack knowledge of human experiences that have led to us all to this point? They cannot. In my history and government classes I tried to address these problems with lesson plans designed to challenge and overcome their ignorance and defensiveness.

In US History class, two of the most invaluable lessons I taught involved the voyage(s) of Christopher Columbus and President Andrew Jackson’s Indian Removal policy. With regard to the lesson on Columbus, my students read an excerpt from his journal and discussed the language he used to describe the native people he encountered. Then my students read two recent secondary sources that presented contrasting views of Columbus (one positive, the other negative). Finally, they had to write a paragraph (at least five sentences long) explaining which view they agreed with and why. A class discussion also followed the paragraph writing. Many students commented about how they had never read a criticism of Columbus. This reality speaks to the inadequacies of social studies instruction at the elementary and junior high levels. As for the lesson on Indian Removal, I conducted a mock trial of President Jackson after students studied his policy (Indian Removal Act of 1830) and its results (The Trail of Tears). While students played almost every courtroom role during the trial (I played the judge to oversee the process), contrasting views (for and against removal) were presented through prosecution and defense witnesses. In the end, the jury had to decide Jackson ’s fate based on the case facts. Many students left with a more critical view of his presidency as well as an understanding that some government policies have been incredibly harmful to Native Americans. Ultimately, when young people read and discuss a combination of primary and secondary sources that detail the lives of Indians, then they are more inclined to grasp the depth of the events that transpired.

In American Government class, I taught a provocative lesson on the case of Leonard Peltier, an American Indian Movement activist who is serving two consecutive life sentences for the killing of two federal agents on the Pine Ridge Indian Reservation in South Dakota. Most of my students were unaware of the events that occurred that June day in 1975, much less the doubts many have as to his guilt. To begin this lesson, I lectured on the impoverished and corrupt state of the Pine Ridge reservation at that time, the goals of the American Indian Movement and why its members went to Pine Ridge, and who Leonard Peltier is. Next, students read an excerpt from Peltier’s book, Prison Writings: My Life is My Sundance (specifically Chapter 27 where he recounts the events of June 25^th). Then, they watched either the documentary film Incident at Oglala, or the A&E American Justice special, Murder on a Reservation. Due to the fact that some students felt Incident at Oglala contained biases in favor of Native Americans, I used the latter program in later years to address this concern. While viewing either the film or special, I instructed my students to write down five comments and five questions about the case so we could have a solid class discussion afterward. Also, before the day of the discussion, they read a lengthy news article on the case and answered several questions that I provided. This lesson proved to be more controversial than the others in history class because the event is more immediately relevant. Moreover, it involves a member of a radical civil rights group that sought to protect indigenous people through physical force when necessary. Many students found the case very unsettling regardless of their view of Leonard Peltier (his guilt or innocence).

As a social studies teacher, I tried to provide my students with as much information as possible to build their knowledge base, promote analytical thinking skills, and stir their desire to question the institutions around them. Looking back, there is so much more I wanted to do, but alas, I made a serious effort to address the Native American experience in my classroom. Young people need to learn more about life here before the colonists arrived, and then trace that history to the present to fully understand how our country came to be. They must confront the uncomfortable realities we now live with. Only through critical inquest will we uncover truth. Only through reexamining our perceptions can we bridge the social, political, and economic divides between people. The public school system is one place where genuine change can begin when young people are nurtured with the proper instruction. If there is to be some justice for surviving indigenous peoples, then we owe them a significant place in our curriculum.

John A. Duerk is a Ph. D. candidate in the Department of Political Science at Northern Illinois University and an activist who advocates a variety of progressive causes.


Duerk’s Resources for Teachers:

American Indian Movement website: http://www.aimovement.org/

"The Journey of Christopher Columbus" website: http://www.glencoe.com/sec/socialstudies/btt/columbus/

Leonard Peltier Defense Committee website: http://www.leonardpeltier.net/


No Parole Peltier Association website: http://www.noparolepeltier.com/

Peltier, Leonard. 1999. Prison Writings: My Life is My Sundance. New York , NY: St. Martin ’s Press, p. 123-130.

Stannard, David E. 1992. American Holocaust: The Conquest of the New World . New York , NY: Oxford University Press, Inc., p. 69-72.

Swanbrow, Dianne. 2005. Study: Explorer Still Widely Admired. The University of Record Online: The University of Michigan News Service, 12 October. Available on the Internet, http://www.umich.edu/~urecord/0506/Oct10_05/05.shtml.

Treen, Joe. 1992. A Question of Justice. People Weekly. 4 May, v37, n17, p. 36-39.

Wallace, Anthony F.C. 1993. The Long, Bitter Trail: Andrew Jackson and the Indians. New York , NY: Hill and Wang.

Wilson, Wendy S. and Herman, Gerald H. 2000. Unit 3: “Andrew Jackson and the Removal of the Cherokee Nation” (Mock Trial) in Critical Thinking Using Primary Sources in US History. Portland , Maine: Walch Publishing, p. 16-23, 131-141.

Geraldine McCaughrean's PETER PAN IN SCARLET

A couple of weeks ago, a reader of this blog wrote to me to ask if I’d read Geraldine McCaughrean’s book, Peter Pan in Scarlet, released on October 5 of 2006. It is the much celebrated sequel to J. M. Barrie’s Peter Pan which started out in the early 1900s as a short story and then a play.

The original had stereotypical portrayals of American Indians. The Disney film brought those images to the big screen, and that same stereotypical Native imagery is present in the Julie Andrews film, too.

It is surprising (and not) to learn that Native stereotypes are in McCaughrean’s sequel. I got the book, and below are excerpts from the first ten pages. When I finish the book, I’ll follow up. In the meantime, have any of you read the entire book yet? Any comments?

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Reese notes on Peter Pan in Scarlet:

1) In the opening pages we learn that John is a grown up and that he’s been dreaming about Neverland. Each morning when he wakes, there is something from Neverland in his bed:

“…an alarm clock, a pirate’s tricorn hat, an Indian head-dress” (page 3).

Reese: "An Indian head-dress" -- of course, the single artifact that stands in to signal Indian.

2) All across London, other “Old Boys” are having the same dreams. Wendy, also now grown, decides they must go back to Neverland to find out why dreams are leaking out of Neverland into the “Here and Now.” The Old Boys say:

“Go back to Neverland? Go back to the mysterious island, with its mermaids, pirates, and redskins?” (page 10).

Reese: The word "redskins." In a children's book, in 2006. Defined in most major dictionaries as offensive, yet here it is.

Allen Sockabasin's THANKS TO THE ANIMALS

My family in New Mexico is among those coping with a huge snowfall. My sister says there's two feet outside her door. They're in northern New Mexico, at Nambe Pueblo. Winter has definitely arrived there, with two huge snowfalls in a week's time. Allan Sockabasin's story sounds perfect for my nieces and nephews. Beverly Slapin's review of Thanks to the Animals is below. It may not be published elsewhere without her written permission.

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Sockabasin, Allen (Passamaquoddy), Thanks to the Animals, illustrated by Rebekah Raye. Tillbury House, 2005. Unpaginated, color illustrations; all grades.

Winter arrives, as a Passamaquoddy family prepares for the trip north to the deep woods of Maine, their winter home. Everyone helps as they dismantle their house and tie down the cedar logs and everything else they need—canoe, food, clothing, baskets—on the bobsled, making sure there is enough room for the children to ride in the back. As Papa Joo Tum drives the horses and Mama and the older children settle in for the long ride, nestling together in the warmth of their sealskin coats and patchwork blankets, they don’t notice that little Zoo Sap has tumbled off the sled.

Alerted by Zoo Sap’s cries, the animals of the forest—large and small—come together to keep him warm until Papa Joo Tum comes to get him. Joo Tum thanks the animals, one by one, and carries little Zoo Sap—none the worse for wear—back to his family. This quiet, gentle story is enhanced by the warm, watercolor-and-ink paintings, my favorite of which shows little Zoo Sap contentedly and “safely sleeping in a great pile of warm animals.” Thanks to the Animals, with Passamoquoddy names for the animals in the back, is a perfect bedtime story.

—Beverly Slapin