Showing posts sorted by relevance for query Jane Yolen. Sort by date Show all posts
Showing posts sorted by relevance for query Jane Yolen. Sort by date Show all posts

Thursday, June 25, 2009

Book trailer: ENCOUNTER by Jane Yolen

In recent years, book trailers are taking off. They are like book talks teachers and librarians do when they're pitching a book to readers, but because book trailers are videos, they can incorporate music and imagery.

But just like book talks, if the person giving the talk does not have a critical eye with respect to the way that American Indians are portrayed, the product (book talk or book trailer) will be flawed and will contribute to the misinformation and misperceptions children--and adults--have about American Indians.

Case in point is the book trailer for Jane Yolen's book, Encounter. The on-screen text that is superimposed on the book pages says "Today the Tainos are all gone." As an American Indian mother, I wonder how Taino parents would react to that line? As a professor in American Indian Studies, and a former schoolteacher with a PhD in Curriculum and Instruction, I do not recommend Yolen's book.

Jean Mendoza wrote an excellent essay about Encounter. Her essay is in A Broken Flute: The Native Experience in Books for Children. If you don't have it, order A Broken Flute from Oyate.

Are you, perhaps, surprised that I object to that line ("Today the Tainos are all gone")? History and American society have told you that Native people are all gone. So, don't feel bad that you don't know that the Tainos are still here. The widespread idea that the Tainos were wiped out can change, if you take some time to learn a little bit about them.

Among the Taino people whose work I read and follow is Jose Barreiro. He is Assistant Director for Research at the National Museum of the American Indian. He helped get the American Indian Program launched at Cornell University and has written several books.

He recently gave a lecture titled "A Call to Consciousness on Climate Change." Watch his lecture (below), and then give some thought to whether or not---or how---you will use Yolen's book.

Monday, February 06, 2012

What did Curtis Acosta teach in his Mexican American Literature course?

[Note: A chronological list of links to AICL's coverage of the shut-down of the Mexican American Studies Department at Tucson Unified School District is here. Information about the National Mexican American Studies Teach-in is here. The best source for daily updates out of Tucson is blogger David Abie Morales at Three Sonorans.]

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Barack Obama's speech at the 2004 DNC Convention is among the readings Curtis Acosta taught in his Social Justice, Resistance, and Literature course. 

Ever since January 15th when I read Who's afraid of "The Tempest" in Salon, I've been wondering what the teachers in the Mexican American Studies courses were teaching that led people to write laws to penalize school districts that offered courses that sought to "promote the overthrow of the U.S. government" or "promote resentment towards a race or class of people" or were "designed primarily for pupils of a particular ethnic group" or "advocate ethnic solidarity instead of the treatment of pupils as individuals."

Since then, I've learned a lot about the Mexican American Studies (MAS) Department and resistance to it.  There's a lot more to know. I continue to study the historical context that the program and resistance to it are nested within.

It seems the primary targets of the law were ideas taught in MAS history and social justice classes. I say that based on Governing Board President Stegeman's 2011 proposal to make those courses electives rather than allow them to count as fulfilling core course graduation requirements. Students and community that support the MAS program successfully stopped that proposal from being voted on by occupying the board's meeting room. Students chained themselves to board members chairs. Depending on who you ask, it was a violent and threatening event, or, it was a peaceful demonstration.

TUSD's response was to start having heavy police presence at their meetings. This included the use of helicopters, cordoning off streets, and admitting people to meetings only after they were wanded by security. Most of us know about the police brutality at Occupy Wall Street events, but I don't think the police brutality in Tucson is getting that attention. If you've seen it in the national press, please send me links. Here's a video of that brutality (the video is from a story about police brutality at the Three Sonorans page at Tucson Citizen):



What was being taught that moved people to write the law in the first place? What was being taught that motivated supporters of the program to fight so hard to keep the program intact?

Below is Curtis Acosta's syllabus. I didn't get it from him or the MAS program. I found it on the website for Tucsonans United for Sound Districts (TU4SD). Their January 2012 newsletter, written by co-founder Loretta Hunnicutt, takes credit for the shut down of a program that allowed "political predators" in the classroom to be funded by taxpayer dollars. They've got links to the syllabus for eight different courses, but they've reproduced his on their site. Obviously, they view it as evidence of the work of a "political predator."

At present, they are working on new legislation modeled on the Ethnic Studies law that would say "A teacher who uses partisan books and/or partisan materials or teaches any partisan doctrine or conducts any partisan exercises in school is guilty of unprofessional conduct and his certificate shall be revoked."

This new proposal is meant to control what is taught in any classroom by any teacher, but their work to rid TUSD of the MAS program and their use of Acosta's syllabus as an example of inappropriate course content is very telling.

Jane Yolen, author of Twelve Impossible Things Before Breakfast, has wondered why her book is on the list of books that may no longer be taught by teachers who once taught in the MAS program. When I found Acosta's syllabus, I wrote to Jane to let her know it was her "Lost Girls" story that was being taught. That story is Yolen's take on Peter Pan. In Fairy Tales Reimagined: Essays on New Retellings, Susan Redington Bobby writes that it "subverts a story meant to reinforce traditional gender roles and uses it to reinforce values of feminism" (p. 58).

Race. And feminism, too. What stands out to you? I don't like sounding like a fear mongerer, but I definitely thing we have a lot to be fearful of in the politics of the present time, and I hope you are, too. Could a law like the one in Arizona be passed in your state? Given the money driving politics in the United States right now, I think that the right question is not "could a law" but "When will a law like the one in Arizona be passed in your state?"


Social Justice, Resistance, and Latino Literature

First Quarter - Contemporary Fiction
Non-Fiction - Personal Reflections
  • My Dungeon Shook by James Baldwin
  • La Conciencia de la Mestiza: Towards a New Consciousness by Gloria Anzaldua
Short Stories
  • Selections from Ten Little Indians by Sherman Alexie
  • Eleven by Sandra Cisneros
  • Vatolandia by Ana Castillo
  • Love in L.A. by Dagoberto Gilb
  • Lindo y Querido by Manuel Munoz
  • Brisa by Dagoberto Gilb
  • Aurora by Juno Diaz
  • Lost Girls by Jane Yolen
  • Selection from Tuff by Paul Beatty


Second Quarter - Critical Race Theatre
Counter Story Telling and Cultura Through Teatro 
  • And Where Was Pancho Villa When You Really Needed Him? by Silviana Wood 
  • Culture Clash in America and Culture Clash: Life, Death and Revolutionary Comedy by Culture Clash
Shakespeare, Colonization, and Critical Race Theory
  • The Tempest by William Shakespeare


Third Quarter
Immigration - La Lucha Sigue
  • The Devil's Highway by Luis Alberto Urrea

Resistance Through Rhetoric

Nonfiction
  • The Puerto Rican Dummy and the Merciful Son by Martin Espada
  • Jesse Jackson's speech at the 1984 Democratic National Convention
  • Barack Obama's speech at the 2004 Democratic National Convention
  • Speech at the Afro-Asian Conference by Ernesto "Che" Guevara
  • "Women, Power, and Revolution" by Kathleen Cleaver
  • "Political Prisoners, Prisons, and Black Liberation" by Angela Davis
  • Message to Aztlan by Corky Gonzales
  • Message to the Grass Roots by Malcom X
  • "Beyond Vietnam" and Where We Go From Here by Martin Luther King Jr.
  • "Does 'Anti-War' Have to be 'Anti-Racist', too? by Elizabeth "Betita" Martinez

Fourth Quarter
Resistance/Revolution in Spoken Word, Slam Poetry, and Hip Hop
Poetry
  • Selections from William Carlos Williams, Amiri Baraka, Nikki Giovanni, Ana Castillo, Tracy Morris, Paul Beatty
Hip Hop
Selections from Olmeca, Sihuatl-De, Dead Prez, Common, Kanye West, KRS-1, Mos Def, Talib Kweli, Rage Against the Machine, etc.



Monday, October 23, 2006

Thomas King's A COYOTE COLUMBUS STORY

If you read comments to AICL's blog posts, you'll see that Fuse #8 (that's Betsy Bird, of School Library Journal) posted this comment to the Oct. 11th, 2006 blog about Columbus Day:
"I'd just like to point out that I'm very very fond of "A Coyote Columbus Story" by Thomas King. If you haven't seen this picture book, you might do well to give it a glance."
King's book is terrific. My dear friend and colleague, Jean Mendoza, has an essay about it in A Broken Flute: The Native Experience in Books for Children. The essay, titled "Goodbye, Columbus: Take Two," discusses A Coyote Columbus Story and Jane Yolen's Encounter.

A gifted writer, Jean deftly critiques both books. Yolen is a powerful name in children's literature, and she's written many excellent books, but as Jean points out, Yolen's attempt to give readers a Taino perspective on Columbus ends up blaming the victim.

King's book is a far better choice. Some of you know that Coyote is a trickster. In this story, Coyote is a girl. Here's part of what Jean says:
A Coyote Columbus Story is no finger-pointing lament. None of its characters slouch in defeat with body parts morphing into thin air, as does the narrator at the end of Encounter. The reader sees indignation, not stoicism, on the faces of the people being kidnapped.
Your school or public library probably has a copy of Yolen's book, but not King's. Order a copy of A Coyote Columbus Story and a copy of A Broken Flute and read Jean's essay. You will gain insights that you can apply to other books.

Monday, November 08, 2010

"Bestsellers in Children's Native American Books"

A colleague wrote to ask if I know of a study of the most-assigned Native author in schools. I don't know of one, but will be looking for one, or, trying to figure out how to get the answer to the question, which is basically, "What book about American Indians is most-often taught/assigned in school?" Course, that would vary by grade level and school and other factors like state, public/private, etc.

One thing I (always) wonder about is best-selling books. One source of info is Amazon. In their "Bestsellers in Children's Native American Books" (time/date of list: 7:23 AM, Central Time, November 8, 2010) are the following titles. Some are on their more than once. In some cases, its clear that the duplicate is a Kindle edition, but others seem to just be repeats. There isn't, for example, a note that says it is an audio copy.

It is, overall, a disappointing list and it makes me grumpy on this Monday morning...  I'm glad to see Native authors on the list, but duplicates of some really problematic books like Touching Spirit Bear?! And it is pretty easy to see that Amazon's customers want works of historical fiction or "myths, legends and folktales."  


#1 - The Absolutely True Diary of a Part-Time Indian, by Sherman Alexie.
#2 - Island of the Blue Dolphins, by Scott O'Dell
#3 - One Little, Two Little, Three Little Pilgrims, by B. G. Hennessy
#4 - Island of the Blue Dolphins (Kindle), by Scott O'Dell
#5 - Squanto's Journey: The Story of the First Thanksgiving, by Joseph Bruchac
#6 - Touching Spirit Bear, by Ben Mikaelsen
#7 - North American Indians, by Douglas Gorsline
#8 - Tapenum's Day: A Wampanoag Indian Boy in Pilgrim Times
*#9 - Encounter, by Jane Yolen
#10 - Sing Down the Moon, by Scott O'Dell
#11 - The Rough-Face Girl, by Rafe Martin
#12 - Paddle-to-the-Sea, by Holling C. Holling
#13 - Diamond Willow, by Helen Frost
#14 - Red Fox and His Canoe (I Can Read Book), by Nathaniel Benchley
#15 - The Sign of the Beaver, by Elizabeth George Speare
#16 - The Legend of the Indian Paintbrush, by Tomie de Paola
#17 - Arrow to the Sun: A Pueblo Indian Tale, by Gerald McDermott
#18 - Touching Spirit Bear (Kindle) by Ben Mikaelson
#19 - Julie of the Wolves, by Jean Craighead George
#20 - Touching Spirit Bear, by Ben Mikaelsen
#21 - Indian Captive: The Story of Mary Jemison, by Lois Lenski
#22 - Mountain Top Mystery (Boxcar Children), by Gertrude Chandler Warner
#23 - Grandmother's Dreamcatcher, by Becky Ray McCain
#24 - On Mother's Lap, by Ann Herbert Scott
#25 - Horse Diaries #5: Golden Sun, by Whitney Sanderson
#26 - The Indian in the Cupboard, by Lynn Reid Banks
#27 - Sacagawea: American Pathfinder, by Flora Warren Seymour
#28 - Code Talker: A Novel about the Navajo Marines of World War II, by Joseph Bruchac
#29 - The Heart of a Chief, by Joseph Bruchac
#30 - Little Runner of the Longhouse (I Can Red Book 2) by Betty Baker
#31 - Paddle-to-the-Sea, by Holling C. Hollins
#32 - Love Flute, by Paul Goble
#33 - Soft Rain: A Story of the Cherokee Trail of Tears, by Cornelia Cornelissen
#34 - The Journal of Jesse Smoke: A Cherokee Boy, Trail of Tears, 1838, by Joseph Bruchac
#35 - The Absolutely True Diary of a Part-Time Indian, by Sherman Alexie
#36 - The Birchbark House, by Louise Erdrich
#37 - The Legend of the Bluebonnet, by Tomie dePaola
#38 - Buffalo Woman, by Paul Goble
#39 - Cheyenne Again, by Eve Bunting
#40 - Where the Broken Heart Still Beats: The Story of Cynthia Ann Parker, by Carolyn Meyer
#41 - Julie, by Jean Craighead George
#42 - Children of the Longhouse, by Joseph Bruchac
#43 - Sacred Fire, by Nancy Wood
#44 - Island of the Blue Dolphins, by Scott O'Dell
#45 - Mama, Do You Love Me, by Barbara J. Joosse
#46 - The Year of Miss Agnes, by Kirkpatrick Hill
#47 - Sweetgrass Basket, by Marlene Carvell
#48 - Sitting Bull: Dakota Boy, by Augusta Stevenson
#49 - The Talking Earth, by Jean Craighead George
#50 - Rainbow Crow, by Nancy Van Laan
#51 - The Girl Who Loved Wild Horses, by Paul Goble
#52 - The Polar Bear Son: An Inuit Tale, by Lydia Dabcovich
#53 - The Girl Who Loved Wild Horses, by Paul Goble
#54 - Song of the Seven Herbs, by Walking Night Bear
#55 - Ten Little Rabbits, by Virginia Grossman
#56 - The Lost Children: The Boys Who Were Neglected, by Paul Goble
#57- Moccasin Trail, by Eloise Jarvis McGraw
#58 - Thunder Rolling in the Mountains, by Scott O'Dell
#59 - Meet Kaya: An American Girl, by Janet Beeler Shaw
#60 - When the Legends Die, by Hal Borland
#61 - Sacajawea, by Joseph Bruchac
#62 - Knots on a Counting Rope, by John Archambault
#63 - The Porcupine Year, by Louise Erdrich
#64 - Star Boy, by Paul Goble
#65 - Jim and Me, by Dan Gutman
#66 - Kaya: An American Girl: 1764/Box Set, by Janet Beeler Shaw
#67 - Between Earth and Sky: Legends of Native American Sacred Places, by Joseph Bruchac
#68 - Touching Spirit Bear, by Ben Mikaelsen
#69 - Weasel, by Cynthia Defelice
#70 - When the Shadbush Blooms, by Carla Messinger
#71 - On Mother's Lap, by Ann Herbert Scott
#72 - The Captive Princess: A Story Based on the Life of Young Pocahontas
#73 - Powwow's Coming, by Linda Boyden
#74 - The Gift of the Sacred Dog, by Paul Goble
#75 - Streams to the River, River to the Sea, by Scott O'Dell
#76 - Weetamoo: Heart of the Pocassets, Massachusetts - Rhode Island, 1653 (Royal Diaries) by Patricia Clark Smith
#77 - Indian Trail (Choose Your Own Adventure) , by R. A. Montgomery
#78 - Arrow Over the Door, by Joseph Bruchac
#79 - At Seneca Castle, by William W. Canfield
#81 - Pocahontas, by Joseph Bruchac
#82 - Squanto's Journey: The Story of the First Thanksgiving, by Joseph Bruchac
#83 - Christmas Moccsains, by Ray Buckley
#84 - The Game of Silence, by Louise Erdrich
#85 - Encounter, by Jane Yolen
#86 - Beyond the Ridge, by Paul Goble
#87 - Death of the Iron Horse, by Paul Goble
#88 - The Last of the Mohicans, by James Fenimore Cooper
#89 - Island of the Blue Dolphins (illustrated) by Scott O'Dell
#90 - Frozen Fire: A Tale of Courage by James Houston
#92 - Blood on the River: James Town 1607, by Elisa Carbone
#92 - The Give-Away: A Christmas Story in the American Tradition, by Ray Buckley
#93 - Mystic Horse, by Paul Goble
#94 - Eating the Plates: A Pilgrim Book of Food and Manners, by Lucilee Recht Penner
#95 - Mysteries in Our National Parks: Cliff Hanger, by Gloria Skurzynski
#96 - Jim Thorpe, Olympic Champion, by Guernsey Van Riper Jr
#97 - Good Hunting, Blue Sky (I Can Read Book) by Peggy Parish
#98 - Guests, by Michael Dorris
#99 - Hiawatha and Megissogwon by Henry W. Longfellow
#100 - Sing Down the Moon, by Scott O'Dell


Observations? Books by four Native authors are on the list: Sherman Alexie, (Update on Sep 30 2023: I no longer recommend Bruchac's work. For details see Is Joseph Bruchac truly Abenaki? Joseph Bruchac, Louise Erdrich, and Michael Dorris.  I'll return to this list later to share analyses and observations. Right now, I gotta head to class. The class? American Indian Studies 101, where, over the course of the semester, students gain insight and skills in recognizing problematic depictions of Native peoples. It is encouraging to see that development in them. I wish everyone in the US could take an Intro to American Indian Studies course. Then maybe there'd be some CHANGE in what they buy.

Sunday, January 15, 2012

Teaching critical thinking in Arizona: NOT ALLOWED

 [Note: A chronological list of links to AICL's coverage of the shut-down of the Mexican American Studies Department at Tucson Unified School District is here. Information about the national Mexican American Studies Teach-in is here. The best source for daily updates out of Tucson is blogger David Abie Morales at Three Sonorans.]
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Very early on Saturday, January 15, 2012, I read an article in Salon that said that Rethinking Columbus and the Tempest were being boxed up and removed from classrooms in Tucson, Arizona. They were part of the curriculum of the Mexican American Studies program in the school district. Due to the objection of some people in Arizona, that program has now been shut down.

On January 13, 2012, Bill Bigelow of Rethinking Schools wrote about Rethinking Columbus being removed. Within its pages are items by Native people, including
  • Suzan Shown Harjo's "We Have No Reason to Celebrate"
  • Buffy Sainte-Marie's "My Country, 'Tis of Thy People You're Dying"
  • Joseph Bruchac's "A Friend of the Indians"
  • Cornel Pewewardy's "A Barbie-Doll Pocahontas"
  • N. Scott Momaday's "The Delight Song of Tsoai-Talee"
  • Michael Dorris's "Why I'm Not Thankful for Thanksgiving"
  • Leslie Marmon's "Ceremony"
  • Wendy Rose's "Three Thousand Dollar Death Song"
  • Winona LaDuke's "To the Women of the World: Our Future, Our Responsibility"


As the day progressed, I began asking colleagues if anyone had a complete list of the books being removed. As of now (Sunday, January 15, 2012), several people are trying to find out more about the books that are being taken away.

One colleague pointed me to an audit of the program that includes a lengthy list of books that auditors saw in the classrooms. It includes Sherman Alexie's Ten Little Indians and Tonto and the Lone Ranger Fist Fight in Heaven; it also includes Ofelia Zepeda's Ocean Power: Poems from the Desert



One thing I noted in my quick read of the audit is that the students in the program outperformed students who were not in the program. Further research led me to a broadcast on Democracy Now. On December 29, 2011, Amy Goodman quoted from the audit:
[A] Tucson Unified School District audit found its Mexican American Studies program gives students a measurable advantage over their peers. The audit was conducted by David Scott, the district’s director of accountability and research. In it, he wrote, quote, "Juniors taking a Mexican American Studies course are more likely than their peers to pass the [state’s standardized] reading and writing ... test if they had previously failed those tests in their sophomore year," and that "Seniors taking a Mexican American Studies course are more likely to persist to graduation than their peers."

The Mexican American Studies program was built on critical thinking. Students learned how to think critically, to question texts, to look at moments in history and portrayals of Latino Americans and American Indians from more than one perspective.

The books used in the program are terrific. Some are award winning children's literature, like Matt de la Pena's Mexican WhiteBoy




Some are by writers who are not Latino or American Indian. An example of that is Jane Yolen's Twelve Impossible Things Before Breakfast. I asked Jane yesterday morning if she knew whether or not her book was being boxed up. She hadn't heard anything. 



The list has some nonfiction on it, too. The auditors said that some of the books are not age-appropriate. According to the auditors, they belong in college, not high school classrooms. That, in my view, is bull. It is a convenient rationale for targeting those books that allows them to hide their fear of critical thinking. Nonfiction titles on the list include:
  • Howard Zinn's A People's History of the United States
  • Jonathan Kozol's Savage Inequalities: Children in America's Schools
  • bell hooks' Feminism is for Everybody 

Opponents of the program argued that the classes were promoting resentment toward a race or class of people. That race or class of people is white.

In their (perhaps) unspoken words, thinking critically about America is dangerous and threatening to the existing power structure.

I'm pretty sure that Laura Ingalls Wilder's Little House on the Prairie is not on the list. Towards the end of that story, Pa learns that the federal government wants squatters (he doesn't use that word) to get off of Indian land. They load the wagon and as they drive away, they look back and see that that "their little log house and the little stable sat lonely in the stillness." Pa says that it is a great country, "but there will be wild Indians and wolves here for many a long day."  Books like Little House teach readers to resent a race or class of people, too, but I doubt it is being removed from classrooms in Tucson. 

I'll post updates as I get them...  If you're in Tucson and saw books being boxed up, please write to me and provide me with titles. You can use my email address (dreese.nambe@gmail.com) or the Contact option in the menu bar above, or, if you prefer anonymity, use the comment box below.

UPDATE, JAN 15, 2012, 12:50 PM, CST:
Due to queries, I uploaded a list of the books listed in the audit:
Mexican American Studies Department Reading List

UPDATE, JAN 15, 2012, 1:10 PM, CST:
Brenda Norrell of Censored News is covering the story and includes a response from Roberto Rodriguez.


UPDATE, JAN 15, 2012, 4:20 PM, CST:
For further reading:
  • House Bill 2281 -  "public school pupils should be taught to treat and value each other as individuals and not be taught to resent or hate other races or classes of people." 
  • Arizona District Court document on the Mexican American Studies program.
UPDATE, JAN 16, 2012, 6:50 AM, CST:
Precious Knowledge is a documentary about the Mexican American Studies program that includes powerful footage of students and teachers in the program, and, footage of state administrators who characterize the program and people in it as anti-American.  See the trailer and information about the documentary at Precious Knowledge.

Below is a 30 minute clip about the program. Some of it is from Precious Knowledge. The young man who speaks at the 1:58 mark talks about administrators coming into his classroom last week on Friday and directing teachers to box their books. One young woman who works in the library as an aide says that library copies of books will likely remain on the shelves, but that the teachers cannot teach the books. The young woman at 22:20 said it was heartbreaking to watch their teachers box the books. It concludes in a classroom. The teacher speaks with great emotion, which leads me to think that this footage was filmed after House Bill 2281 was passed. [Video source: Three Sonorans channel on YouTube]



Below is a clip of teacher, Yolanda Sotelo, talking about books and the events of last week. Administrators will visit classes to make sure the teachers are not teaching the banned books. [Video source: Three Sonorans channel on YouTube]




UPDATE: MONDAY, JANUARY 16, 2011, 2:05 PM CST:
The Save Ethnic Studies website has an extensive archive of court documents, statements, transcripts, student work. 

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For ongoing AICL coverage, read through AICL from January 15 to the present or go directly to specific posts by clicking on links below:

Sunday, January 15, 2012

Tuesday, January 17, 2012

Wednesday, January 18, 2012

Thursday, January 19, 2012

Friday, January 20, 2012

Saturday, January 21, 2012

Sunday, January 22, 2012

Monday, January 23, 2012

Tuesday, January 24, 2012


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FOR A COMPREHENSIVE LIST OF AICL'S COVERAGE, CLICK ON:
AICL Coverage of Arizona Law that resulted in shut down of Mexican American Studies Program and Banning of Books

Saturday, January 28, 2012

Jan 28 Updates regarding shut-down of Mexican American Studies program at Tucson Unified School District

 [Note: A chronological list of links to AICL's coverage of the shut-down of the Mexican American Studies Department at Tucson Unified School District is here. Information about the national Mexican American Studies Teach-in is here. The best source for daily updates out of Tucson is blogger David Abie Morales at Three Sonorans.]

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Below is Curtis Acosta's January 26, 2012 update from Tucson. Acosta is a teacher in the now-shuttered Mexican American Studies Department in Tucson Unified School District.

Norma Gonzales
In his letter, Acosta writes about his colleague, Norma Gonzales, and her experiences over the last few days. In addition to teaching literature at the high school level, Gonzales worked with elementary school teachers in TUSD, helping them bring Mexican American content into their teaching. She also did art projects with students at Wakefield Middle School.

On January 24th, students at Wakefield participated in a walkout. They were subsequently suspended. Rather than stay home on Thursday, January 26th, they spent the day attending Mexican American Studies classes at the University of Arizona, including Roberto Rodriguez's class. Among the speakers Rodriguez had lined up for that day was Simon J. Ortiz of Acoma Pueblo. Rodriguez has been writing about the attacks on the MAS at TUSD for some time at his blog. In his post on Thursday, he writes that just as his class ended that day, they learned that the suspension of the students had been lifted.

The Three Sonorans YouTube Channel uploaded a twelve-minute video of interviews with the middle school students. I'm sharing it below and urge you to watch the entire video.






Here is Acosta's letter, titled "Behind the Curtain in Tucson". He concludes with a reference to students in the video.


Thank you all for your patience this morning with the earlier message, and I hope this latest update on what my colleagues and I are experiencing in Tucson find you well.

Unfortunately, there has been little guidance and movement toward how my colleagues and I are to move forward in the development of brand new curriculum and the pedagogical changes that must be made. As I wrote to you all last week, anything from the Mexican American Studies perspective is now illegal for the former MAS teachers. We are being asked to use the district adopted textbooks as the model for how to move forward. We have been told that we can still teach about race and sensitive topics, which is contradiction to earlier direction from our school/site administrators, but we must be balanced and cannot reflect MAS perspectives, although this has yet to be defined.

In fact, Norma Gonzalez (one of my MAS colleagues) was specifically told that she “CANNOT teach or discuss in class anything that is specific towards the culture and background of Mexican American Students.” This is an exact quote from her administrator. She was also asked to leave the middle school site that she is currently teaching and forced to abandon all her current students. Norma's mere presence at her school is seen as unbearable to her administration regardless of her quality work, dedication to her classes and amazing relationships she creates with her students. This is the damage being displayed in our classrooms in order to fall in line with the political motivations behind destroying our program. 

What is troubling for all of us is the fact that we have always been balanced, encouraged students to engage in critical thought, and embraced diverse voices and viewpoints throughout our curriculum and pedagogy. The direction from the district implies the opposite regardless of the many audits and observations that have proven otherwise.

To put this in a more concrete way, my classes were designed in a way that showed multiple perspectives and voices. Here is a short list of authors who are not Mexican that I use: Sherman Alexie, Jane Yolen, Junot Díaz, David Berliner, Angela Davis, Pat Buchanan, Ofelia Zepeda, Malcolm X, Maxine Hong Kingston, Jonathan Kozol, and Martin Luther King Jr. 

This is critical since we see a common theme that administration across the district have told my colleagues and myself - we are all to avoid Mexican work and perspectives at all costs. However, these authors are a part of the same censored, banned, or illegal curriculum and this surely means we must abandon these authors and this curriculum, too. We are also forbidden to use the critical lenses to view the work which challenge students to develop academically credible arguments in order to support their own views.

Thus, when they tell us we may move forward and develop multicultural curriculum it feels like we are being set-up to fail. The district has been caught in so much double speak and contradictory language they have no idea how to move forward, and we have no confidence in trusting them as they give advice. As I have mentioned in other interviews I do not feel safe teaching The Tempest or "Beyond Vietnam" by Dr. King as I normally have for years since it is clear that the district wants us to not only abandon the history and culture of Mexican Americans, but also the curriculum and pedagogy developed by Mexican American teachers. The only safe route appears for us to flee from any history or voices of color, authors that echo the themes that we had used in the past, and embrace curriculum that does not venture down those pathways. In other words, for my colleagues and I we must step back in the time machine to Pleasantville.

We are working without a net and there have been credible claims that two TUSD Governing Board members have told our district superintendent that any violations by teachers should be disciplined harshly and immediately. Thus, my colleagues and I feel that our jobs are very much on the line, and we have not been given any reassurance through specific criteria in curriculum and pedagogy of what is to be avoided and how we can confidently move forward with our students.

Yet our students remain dedicated to the restoration of the program and to have their voices heard. This week many of them participated in walkouts and an Ethnic Studies School was created for a day by the youth of UNIDOS, where many community members and professors from the University of Arizona donated their time to teach the youth. Above all else it is their education that matters, and this massive disruption in their lives and schooling is clear proof of how their futures have been dismissed and marginalized by local and state officials. The good news is that they are resilient and we all will continue to ensure that their future dreams are not compromised by the pettiness and spite of the tragic few that made this deplorable and shameful decision.

In Lak Ech,
Curtis Acosta
   

Tuesday, November 19, 2019

Recommended! THE RELUCTANT STORYTELLER by Art Coulson; illustrated by Hvresse Christie Blair Tiger

Note from Debbie on Nov 28, 2023: Due to my concerns over Art Coulson's claim of being Cherokee, I am no longer recommending his books.  

There's a specialness to Art Coulson's The Reluctant Storyteller that is moving through my head and heart. You won't find it for sale in the usual places because it is published by Benchmark Education, who publishes "leveled readers" for classroom use. Some people don't like books like this because they don't have the slick production values that you find in books in bookstores.

But!

Don't look away! Benchmark Education offers books that I know--without a doubt--that Native children will be happy to read! One of my favorite books--ever--is Where'd You Get Your Moccasins by Bernelda Wheeler. When I was teaching children's literature way back in grad school in the 1990s, it was on the required list of books I asked pre-service teachers to buy. Some would look at the stapled spine and think less of it without reading the words in the book that made, and makes, my heart soar! They had to learn to set aside elite notions of what a book should be like, and think about the content and what that content could do for readers in their classrooms.



I ask that same thing for The Reluctant Storyteller. The things I look for in a book are all here. It is set in the present day, it is tribally specific, it is written and illustrated by Native people, and it rings true! Coulson knows what he's talking about. The family at the heart of this story is filled with storytellers who adore being out and about, telling Native stories. They're from Oklahoma, but live in the Twin Cities. They do visit, a lot, and a trip is coming up. Chooch, the main character in Coulson's book doesn't want to go. He's rather stay in Minneapolis for the Lacrosse tournament.

Chooch doesn't tell stories and can't imagine himself as a storyteller. His dream? To be a chef. But, nobody knows that he wants to be a chef. He enjoys cooking with his mom and grandma, making up recipes. Things he makes are tasty!

On the way to their Oklahoma, Chooch's uncle tells him a story about a Tsula, a fox who wishes he had a coat of feathers, like Totsuhwa, the redbird that he sees flying about in the trees, so that he could fly, too. One day he runs and runs and runs, so fast, that his feet are off the ground. Day moves into night and, well, he started flying. He's no longer Tsula, the fox. Now, he's Tlameha, the bat. People who read AICL regularly know that I'm careful about traditional stories and how a writer works with them, uses them, bringing them into a book. This story is one that the Cherokee people tell. Coulson is Cherokee. I trust that he's sharing a story that can be shared. And--I love the way he brought it to Chooch.

They get to Oklahoma, and Chooch is drawn to the cooking area of a Native gathering. By the time we get to the final pages of The Reluctant Storyteller, Chooch understands himself in ways he did not before the trip. He's learned that there are many ways to be storytellers.

And, there are many ways to tell stories--to bring stories to children and teens! That's what I mean, up top, where I say there's a specialness to this book. There's layers of truth in it. Layers of Native life, too... 

So, don't turn away from leveled readers. If you open the Benchmark catalog, you'll see other writers there, too. Like Ibi Zoboi! And David Bowles! And Jane Yolen! Jerry Craft, and, Virginia Driving Hawk Sneve! These are names teachers and librarians are familiar with. Look at the catalog! You'll see others, too. 

I like The Reluctant Storyteller very much and recommend that you get it... but I think the books are hard to get. I got my copy from Art Coulson's website.

Wednesday, September 15, 2021

Books by Native writers are on list of banned books at Central York High School in Pennsylvania

Update on Friday, September 24: Here is a link to Central York Banned Book List, which is a downloadable pdf of all the books. The pdf was made by the Central York Book Club (they used the original list). The original list was a spreadsheet that had tabs at the bottom to the 4th-6th grade and the high school books. And, earlier this week, news media reports indicate that the school board lifted the "freeze" on the books. 

Wednesday, September 15, 2021. This morning, I saw posts on social about books that are being banned in Central York High School in Pennsylvania. The books are outstanding ones by terrific writers like Zetta Elliott, Jacqueline Woodson, Yuyi Morales, Aisha Saeed, Monica Brown, and Minh Lé. It also has a few books on it by white writers like Eve Bunting's Smoky Night (note: Smoky Night is deeply problematic. Its presence on the list tells us the committee may not be aware of those problems.) 

Books by Native writers are on the list, too. 

The list itself is a spread sheet titled Equity Book Resource List. I gather that a diversity committee created the list for teachers to use, but some parents did not like the books and went to the school board, who put the entire list on hold. There are a few media articles about the list and student protests to the books being banned. Some of the articles are disjointed. If you want to get a solid understanding of what is happening, see Kelly Jensen's article at Book Riot): School District Maintains Ban of Antiracist Books Despite Student Protests

The books by Native writers include:

Picture Books K-3
  • Fry Bread: A Native American Story by Kevin Maillard, illustrated by Juana Martinez-Neal
  • The People Shall Continue by Simon Ortiz, illustrated by Sharol Graves 

Books 4-6
  • An Indigenous Peoples' History of the United States, by Roxanne Dunbar-Ortiz (note: because it is listed in the 4th-6th grade section, I think this is the young peoples adaption that Jean Mendoza and I did. Dunbar-Ortiz and Mendoza are not Native, but I am.). 
  • Indian No More by Charlene Willing McManis
  • We Are Grateful by Traci Sorell (Sorell's book is a picture book. Perhaps the committee felt it should be used at the 4-6th grade level. I'm among those who recommend picture books for all readers.) 
Update on Sept 24, 2021:  We do not recommend Jane Yolen's Encounter (it is on the list). And, unfortunately, Brad Meltzer's I Am Rosa Parks is being used on many news article and social media posts about the ban. I would prefer books by Native and Writers/Illustrators of Color receive visibility. 

Update on Jan 18, 2022: We do not recommend Hoffman's Amazing Grace. It is also on the list.  

Monday, May 02, 2016

Goodreads "Top 100 Children's Books"

On April 27, 2016, Jessica Donaghy posted The Top 100 Children's Books on Goodreads. To determine which chapter and middle grade books should be "on every kid's shelves" they "looked for the best reviewed books, all with average ratings above a 4.0 (a high bar that cuts out giants like Ramona and Huck Finn)." 

Stereotypical representations: thumbs down
Of course, such lists get circulated on social media.

The Children's Book Council tweeted it, and then John Schu tweeted it, which is how I saw it.

Looking it over, I gotta give it a thumbs down for the Native representations on it. Come on, people! How about, when you look at these kinds of lists, you ask yourself about Native representations on it. We all have to speak up for change to happen!

I'm thrilled to see several authors of color on the list. I see Jackie Woodson's Brown Girl Dreaming. And Kwame Alexander's Crossover, too. And Pam Munoz Ryan's Echo. And several titles by Sharon Draper. And Grace Lin's Where the Mountain Meets the Moon. 

But what about Native writers? None. Louise Erdrich's Birchbark House ought to be on here, don't you think? Nothing on it by the most prolific Native writer either! I mean Joseph Bruchac.

What about Native characters or stories that aren't stereotypical? Again, none. Here's the list of titles. The ones in bold are ones that have stereotypical Native characters. Those two? The grunting and animal-like Indians in Little House on the Prairie and the stereotypical Tiger Lily and playing-Indians of Peter Pan

What did and did not got onto this list reflects two things: a visibility problem, and, a refusal to let go of books with stereotypical content. What will you do about that? Who else is missing, I wonder?

Aesop's Fables
Alice's Adventures in Wonderland, by Lewis Carroll
Amulet, by Kazu Kibuishi
Anne of Green Gables, by L.M. Montgomery
The Arabian Nights
Avatar: The Last Airbender, by Gene Luen Yang
Awkward, by Svetlana Chmakova
A Bear Called Paddington, by Michael Bond
The Black Stallion, by Walter Farley
Bone, by Jeff Smith
Book of Three, by Lloyd Alexander
The Borrowers, by Mary Norton
The Boxcar Children (#1), by Gertrude Chandler Warren
Brown Girl Dreaming, by Jacqueline Woodson
Calvin and Hobbes, by Bill Watterson
Chains, by Laurie Halse Anderson
Charlie and the Chocolate Factory, by Road Dahl
Charlotte's Web, by E.B. White
Coraline, by Neil Gaiman
Crossover, by Kwame Alexander
Dealing with Dragons, by Patricia C. Wrede
The Devil's Arithmetic, by Jane Yolen
The Diary of a Young Girl, by Anne Frank
Drama, by Raina Telgemeier
Echo, by Pam Munoz Ryan
El Deafo, by Cece Bell
Fablehaven, by Brandon Mull
The False Prince, by Jennifer A. Nielsen
From the Mixed Up Files of Mrs. Basil E. Frankweiler, by E. L. Konigsburg
The Giver, by Lois Lowry
Gracefully Grayson, by Ami Polonsky
The Graveyard Book, by Neil Gaiman
Grimm's Fairy Tales
A Handful of Stars, by Cynthia Lord
Hans Christian Andersen Fairy Tales
Haroun and the Sea of Stories, by Salman Rushdie
Harry Potter and the Sorcerer's Stone, by J.K. Rowling
The Hobbit, by J. R. Tolkien
Howl's Moving Castle, by Diana Wynne Jones
The Incredible Journey, by Sheila Burnford
Inside Out and Back Again, by Thanhha Lai
Into the Wild (Warriors), by Erin Hunter
The Invention of Hugo Cabret, by Brian Selznick
Just So Stories, by Rudyard Kipling
The Lightning Thief, by Rick Riordan
The Lion, the Witch, and the Wardrobe, by C. S. Lewis
The Lions of Little Rock, by Kristin Levine
Little House on the Prairie, by Laura Ingalls Wilder
The Little Prince, by Antoine de Saint-Exupery
A Little Princess, by Frances Hodgson Burnett
Little Women, by Louisa May Alcott
A Long Walk to Water, by Linda Sue Park
Mary Poppins, by P. L. Travers
Matilda, by Roald Dahl
The Mighty Miss Malone, by Christopher Paul Curtis
The Miraculous Journey of Edward Tulane, by Kate DiCamillo
Mockingbird, by Kathryn Erskine
Mrs. Frisby and the Rats of NIMH, by Robert C. O'Brien
Mrs. Piggle Wiggle, by Betty MacDonald
My Side of the Mountain, by Jean Craighead George
My Sweet Orange Tree, by Jose Mauro de Vasconcelos
The Mysterious Benedict Society, by Trenton Lee Stewart
The Name of this Book is Secret, by Pseudonymous Bosch
The Neverending Story, by Michael Ende
Number the Stars, by Lois Lowry
Old Yeller, by Fred Gipson
The One and Only Ivan, by Katherine Applegate
Out of My Mind, by Sharon M. Draper
Peter and the Starcatchers, by Dave Barry
Peter Pan, by J. M. Barre
The Phantom Tollbooth, by Norton Juster
Pippi Longstocking, by Astrid Lindgren
Princess Academy, by Shannon Hale
The Red Pyramid, by Rick Riordan
The Red Umbrella, by Christina Diaz Gonzales
Redwall, by Brian Jacques
Ranger's Apprentice, by John Flanagan
Sadako and the Thousand Paper Cranes, by Eleanor Coerr
Scary Stories to Tell in the Dark, by Alvin Schwartz
The Secret Garden, by Frances Hodgson Burnett
See You at Harry's, by Jo Knowles
Sideways Stories from Wayside School, by Louis Sachar
The Skin I'm In, by Sharon G. Flake
Smile, by Raina Telgemeier
So Be It, by Sarah Weeks
Stella by Starlight, by Sharon M. Draper
The Story of a Seagull and the Cat Who Taught Her to Fly, by Luis Sepulveda
Tales of a Fourth Grade Nothing, by Judy Blume
The Two Princesses of Bamarre, by Gail Carson Levine
Watership Down, by Richard Adams
The Westing Game, by Ellen Raskin
When You Reach Me, by Rebecca Stead
Where the Mountain Meets the Moon, by Grace Lin
Where the Red Fern Grows, by Wilson Rawls
Where the Sidewalk Ends, by Shel Silverstein
Winnie the Pooh, by A. A. Milne
The Land of Stories and the Wishing Spell, by Chris Colfer
Wolf Brother, by Michelle Paver
Wonder, by R. J. Palacio
A Wrinkle in Time, by Madeleine L'Engle



Tuesday, February 21, 2012

Stories, essays, speeches, poems, and music banned in Tucson

[Note: A chronological list of links to AICL's coverage of the shut-down of the Mexican American Studies Department at Tucson Unified School District is here. Information about the national Mexican American Studies Teach-in is here. The best source for daily updates out of Tucson is blogger David Abie Morales at Three Sonorans.]
___________________________________

When the Mexican American Studies Department in Tucson Unified School District was shut down, books on the Cambium audit and referenced in the finding of the administrative law judge could no longer be taught. The volume of materials is far more than those books or the seven books that the district boxed up. For example, the following short stories, essays, speeches, poems and music are no longer being taught. They were used by Curtis Acosta in his social justice course, housed within the Mexican American Studies Department.

Non-Fiction - Personal Reflections
  • My Dungeon Shook by James Baldwin
  • La Conciencia de la Mestiza: Towards a New Consciousness by Gloria Anzaldua
Short Stories
  • Selections from Ten Little Indians by Sherman Alexie
  • Eleven by Sandra Cisneros
  • Vatolandia by Ana Castillo
  • Love in L.A. by Dagoberto Gilb
  • Lindo y Querido by Manuel Munoz
  • Brisa by Dagoberto Gilb
  • Aurora by Juno Diaz
  • Lost Girls by Jane Yolen
  • Selection from Tuff by Paul Beatty
Counter Story Telling and Cultura Through Teatro 
  • And Where Was Pancho Villa When You Really Needed Him? by Silviana Wood 
  • Culture Clash in America and Culture Clash: Life, Death and Revolutionary Comedy by Culture Clash
Shakespeare, Colonization, and Critical Race Theory
  • The Tempest by William Shakespeare
Immigration - La Lucha Sigue
  • The Devil's Highway by Luis Alberto Urrea
Resistance Through Rhetoric
  • The Puerto Rican Dummy and the Merciful Son by Martin Espada
  • Jesse Jackson's speech at the 1984 Democratic National Convention
  • Barack Obama's speech at the 2004 Democratic National Convention
  • Speech at the Afro-Asian Conference by Ernesto "Che" Guevara
  • "Women, Power, and Revolution" by Kathleen Cleaver
  • "Political Prisoners, Prisons, and Black Liberation" by Angela Davis
  • Message to Aztlan by Corky Gonzales
  • Message to the Grass Roots by Malcom X
  • "Beyond Vietnam" and Where We Go From Here by Martin Luther King Jr.
  • "Does 'Anti-War' Have to be 'Anti-Racist', too? by Elizabeth "Betita" Martinez
Resistance/Revolution in Spoken Word, Slam Poetry, and Hip Hop
Poetry
  • Selections from William Carlos Williams, Amiri Baraka, Nikki Giovanni, Ana Castillo, Tracy Morris, Paul Beatty
Hip Hop
Selections from Olmeca, Sihuatl-De, Dead Prez, Common, Kanye West, KRS-1, Mos Def, Talib Kweli, Rage Against the Machine, etc.



Sunday, January 15, 2012

Mexican American Studies Department Reading List

[Note: For a chronological and comprehensive list of links to AICL's coverage of the shut-down of the Mexican American Studies Department at Tucson Unified School District, go here. To go right to information about the National Mexican American Studies Teach-in, go here.]
______________________________________


Book list below; author responses to their books being banned is here:
Authors banned in Tucson respond

_________________________________________

Cambium Learning, Inc. conducted an audit of the Mexican American Studies program in Tucson. The findings were published in May 2, 2011. The audit took place between March 7, 2011 and May 2, 2011. [Update, Jan 16, 7:35 PM: Cambium was hired by Arizona's Superintendent of Public Instruction, John Huppenthal, district to do the audit. Cambium recommended the Mexican American Studies program be continued. The superintendent disagreed with the audit findings, and shut the program down.]

The following books are listed on Appendix Item Mexican American Studies Department Reading List of the audit of the Mexican American Studies program. I am presenting the lists here, replicating the lists as shown on the audit. News stories indicate that book in the Mexican American Studies classrooms were boxed up and removed from classrooms last week. At this point is is not known if all the books listed below were boxed and removed. They were placed in storage.

For critical discussion, see "Teaching Critical Thinking in Arizona: NOT ALLOWED".
The report (in pdf) is available here: Curriculum Audit of the Mexican American Studies Department, Tucson Unified School District, May 2, 2011.

High School Course Texts and Reading Lists Table 20: American Government/Social Justice Education Project 1, 2 - Texts and Reading Lists
  • Rethinking Columbus: The Next 500 Years (1998), by B. Bigelow and B. Peterson
  • The Latino Condition: A Critical Reader (1998), by R. Delgado and J. Stefancic
  • Critical Race Theory: An Introduction (2001), by R. Delgado and J. Stefancic
  • Pedagogy of the Oppressed (2000), by P. Freire
  • United States Government: Democracy in Action (2007), by R. C. Remy
  • Dictionary of Latino Civil Rights History (2006), by F. A. Rosales
  • Declarations of Independence: Cross-Examining American Ideology (1990), by H. Zinn

Table 21: American History/Mexican American Perspectives, 1, 2 - Texts and Reading Lists
  • Occupied America: A History of Chicanos (2004), by R. Acuna
  • The Anaya Reader (1995), by R. Anaya
  • The American Vision (2008), by J. Appleby et el.
  • Rethinking Columbus: The Next 500 Years (1998), by B. Bigelow and B. Peterson
  • Drink Cultura: Chicanismo (1992), by J. A. Burciaga
  • Message to Aztlan: Selected Writings (1997), by C. Jiminez
  • De Colores Means All of Us: Latina Views Multi-Colored Century (1998), by E. S. Martinez
  • 500 Anos Del Pueblo Chicano/500 Years of Chicano History in Pictures (1990), by E. S. Martinez
  • Codex Tamuanchan: On Becoming Human (1998), by R. Rodriguez
  • The X in La Raza II (1996), by R. Rodriguez
  • Dictionary of Latino Civil Rights History (2006), by F. A. Rosales
  • A People's History of the United States: 1492 to Present (2003), by H. Zinn

Course: English/Latino Literature 7, 8
  • Ten Little Indians (2004), by S. Alexie
  • The Fire Next Time (1990), by J. Baldwin
  • Loverboys (2008), by A. Castillo
  • Women Hollering Creek (1992), by S. Cisneros
  • Mexican WhiteBoy (2008), by M. de la Pena
  • Drown (1997), by J. Diaz
  • Woodcuts of Women (2000), by D. Gilb
  • At the Afro-Asian Conference in Algeria (1965), by E. Guevara
  • Color Lines: "Does Anti-War Have to Be Anti-Racist Too?" (2003), by E. Martinez
  • Culture Clash: Life, Death and Revolutionary Comedy (1998), by R. Montoya et al.
  • Let Their Spirits Dance (2003) by S. Pope Duarte
  • Two Badges: The Lives of Mona Ruiz (1997), by M. Ruiz
  • The Tempest (1994), by W. Shakespeare
  • A Different Mirror: A History of Multicultural America (1993), by R. Takaki
  • The Devil's Highway (2004), by L. A. Urrea
  • Puro Teatro: A Latino Anthology (1999), by A. Sandoval-Sanchez & N. Saporta Sternbach
  • Twelve Impossible Things before Breakfast: Stories (1997), by J. Yolen
  • Voices of a People's History of the United States (2004), by H. Zinn

Course: English/Latino Literature 5, 6
  • Live from Death Row (1996), by J. Abu-Jamal
  • The Lone Ranger and Tonto Fist Fight in Heaven (1994), by S. Alexie
  • Zorro (2005), by I. Allende
  • Borderlands La Frontera: The New Mestiza (1999), by G. Anzaldua
  • A Place to Stand (2002), by J. S. Baca
  • C-Train and Thirteen Mexicans (2002), by J. S. Baca
  • Healing Earthquakes: Poems (2001), by J. S. Baca
  • Immigrants in Our Own Land and Selected Early Poems (1990), by J. S. Baca
  • Black Mesa Poems (1989), by J. S. Baca
  • Martin & Mediations on the South Valley (1987), by J. S. Baca
  • The Manufactured Crisis: Myths, Fraud, and the Attack on America's Public Schools (19950, by D. C. Berliner and B. J. Biddle
  • Drink Cultura: Chicanismo (1992), by J. A Burciaga
  • Red Hot Salsa: Bilingual Poems on Being Young and Latino in the United States (2005), by L. Carlson & O. Hijuielos
  • Cool Salsa: Bilingual Poems on Growing up Latino in the United States (1995), by L. Carlson & O. Hijuielos
  • So Far From God (1993), by A. Castillo
  • Address to the Commonwealth Club of California (1985), by C. E. Chavez
  • Women Hollering Creek (1992), by S. Cisneros
  • House on Mango Street (1991), by S. Cisneros
  • Drown (1997), by J. Diaz
  • Suffer Smoke (2001), by E. Diaz Bjorkquist
  • Zapata's Discipline: Essays (1998), by M. Espada
  • Like Water for Chocolate (1995), by L. Esquievel
  • When Living was a Labor Camp (2000), by D. Garcia
  • La Llorona: Our Lady of Deformities (2000), by R. Garcia
  • Cantos Al Sexto Sol: An Anthology of Aztlanahuac Writing (2003), by C. Garcia-Camarilo, et al.
  • The Magic of Blood (1994), by D. Gilb
  • Message to Aztlan: Selected Writings (2001), by Rudolfo "Corky" Gonzales
  • Saving Our Schools: The Case for Public Education, Saying No to "No Child Left Behind" (2004) by Goodman, et al.
  • Feminism is for Everybody (2000), by b hooks
  • The Circuit: Stories from the Life of a Migrant Child (1999), by F. Jimenez
  • Savage Inequalities: Children in America's Schools (1991), by J. Kozol
  • Zigzagger (2003), by M. Munoz
  • Infinite Divisions: An Anthology of Chicana Literature (1993), by T. D. Rebolledo & E. S. Rivero
  • ...y no se lo trago la tierra/And the Earth Did Not Devour Him (1995), by T. Rivera
  • Always Running - La Vida Loca: Gang Days in L.A. (2005), by L. Rodriguez
  • Justice: A Question of Race (1997), by R. Rodriguez
  • The X in La Raza II (1996), by R. Rodriguez
  • Crisis in American Institutions (2006), by S. H. Skolnick & E. Currie
  • Los Tucsonenses: The Mexican Community in Tucson, 1854-1941 (1986), by T. Sheridan
  • Curandera (1993), by Carmen Tafolla
  • Mexican American Literature (1990), by C. M. Tatum
  • New Chicana/Chicano Writing (1993), by C. M. Tatum
  • Civil Disobedience (1993), by H. D. Thoreau
  • By the Lake of Sleeping Children (1996), by L. A. Urrea
  • Nobody's Son: Notes from an American Life (2002), by L. A. Urrea
  • Zoot Suit and Other Plays (1992), by L. Valdez
  • Ocean Power: Poems from the Desert (1995), by O. Zepeda

UPDATE, Monday, January 16, 2012
The list above is not complete. As I learn of other titles that have been boxed, I will add them to the list.
  • Bless Me Ultima, by Rudolfo Anaya
  • Yo Soy Joaquin/I Am Joaquin, by Rodolfo Gonzales
  • Into the Beautiful North, by Luis Alberto Urrea
  • The Devil's Highway, by Luis Alberto Urrea

UPDATE, Tuesday, February 21, 2012
I'm inserting a list of items taught by Curtis Acosta in his Social Justice course.

Non-Fiction - Personal Reflections
  • My Dungeon Shook by James Baldwin
  • La Conciencia de la Mestiza: Towards a New Consciousness by Gloria Anzaldua
Short Stories
  • Selections from Ten Little Indians by Sherman Alexie
  • Eleven by Sandra Cisneros
  • Vatolandia by Ana Castillo
  • Love in L.A. by Dagoberto Gilb
  • Lindo y Querido by Manuel Munoz
  • Brisa by Dagoberto Gilb
  • Aurora by Juno Diaz
  • Lost Girls by Jane Yolen
  • Selection from Tuff by Paul Beatty
Counter Story Telling and Cultura Through Teatro 
  • And Where Was Pancho Villa When You Really Needed Him? by Silviana Wood 
  • Culture Clash in America and Culture Clash: Life, Death and Revolutionary Comedy by Culture Clash
Shakespeare, Colonization, and Critical Race Theory
  • The Tempest by William Shakespeare
Immigration - La Lucha Sigue
  • The Devil's Highway by Luis Alberto Urrea
Resistance Through Rhetoric
  • The Puerto Rican Dummy and the Merciful Son by Martin Espada
  • Jesse Jackson's speech at the 1984 Democratic National Convention
  • Barack Obama's speech at the 2004 Democratic National Convention
  • Speech at the Afro-Asian Conference by Ernesto "Che" Guevara
  • "Women, Power, and Revolution" by Kathleen Cleaver
  • "Political Prisoners, Prisons, and Black Liberation" by Angela Davis
  • Message to Aztlan by Corky Gonzales
  • Message to the Grass Roots by Malcom X
  • "Beyond Vietnam" and Where We Go From Here by Martin Luther King Jr.
  • "Does 'Anti-War' Have to be 'Anti-Racist', too? by Elizabeth "Betita" Martinez
Resistance/Revolution in Spoken Word, Slam Poetry, and Hip Hop
Poetry
  • Selections from William Carlos Williams, Amiri Baraka, Nikki Giovanni, Ana Castillo, Tracy Morris, Paul Beatty
Hip Hop
Selections from Olmeca, Sihuatl-De, Dead Prez, Common, Kanye West, KRS-1, Mos Def, Talib Kweli, Rage Against the Machine, etc.

_______________________
In the video below, teacher Yolanda Sotelo (she taught in the Mexican American Studies program that was shut down last week) discusses novels she can no longer teach. They were boxed and removed. Teachers have been told that they will be monitored to make sure they do not teach those novels. Ironically, if Sotelo was teaching at Tucson's college prep school, she'd be able to teach Rudolfo Anaya's Bless Me Ultima. [Video source: ThreeSonorans channel on YouTube]




Update: Tuesday, January 17, 2012, 7:00 AM CST

Brenda Norrell of Censored News has video interviews of three students at her site. Interviews were recorded at an MLK event yesterday.

In the first one, the student describes how shelves were cleared of books during class.  In the second, the student points to a double standard. It is only the Mexican American Studies class and books in those classrooms that are being targeted. Those books include more than just ones by Latino/a authors. Amongst the curriculum are books by African American, Asian American, American Indian, feminist, and progressive writers. Other ethnic studies programs are being left alone.  In the third video, the student talks about the importance for all Americans of knowing the histories of all Americans.

Update: Tuesday, January 17, 6:40 PM CST

There are conflicting reports on how many books were removed. Cara Rene, spokesperson for the Tucson Unified School District says:
"The books... have been moved to the district storage facility because the classes have been suspended as per the ruling by Arizona Superintendent (of) Public Instruction John Huppenthal," 
The Tempest was not removed. According to the news story at Arizona Central (Update, 1/29/2012: Listen to an audio discussion between Curtis Acosta, MAS teacher, and TUSD administrators, discussing how he can and can not teach Tempest),
Rene said the seven books removed from the classrooms were: "Critical Race Theory" by Richard Delgado; "500 Years of Chicano History in Pictures" edited by Elizabeth Martinez; "Message to AZTLAN" by Rodolfo Corky Gonzales; "Chicano! The History of the Mexican Civil Rights Movement" by Arturo Rosales; "Occupied America: A History of Chicanos" by Rodolfo Acuña; "Pedagogy of the Oppressed" by Paulo Freire; and "Rethinking Columbus: The Next 500 Years" by Bill Bigelow.


UPDATE, TUESDAY, JANUARY 17, 9:20 PM, CST:

The Tucson Unified School District website has a statement with contradictory statements about the books they boxed up.  Below, I'm reproducing the statement in its entirety, and I am placing the contradictory statements in red. You can find the statement here. The copy below is accompanied with "Last updated: 01/17/2012 14:32:39".

Reports of TUSD book ban completely false and misleading

Posted on: January 17, 2012
Contact: Cara Rene, Communication Director, (520) 225-6101, Cara.Rene@tusd1.org

Tucson Unified School District has not banned any books as has been widely and incorrectly reported.

Seven books that were used as supporting materials for curriculum in Mexcian American Studies classes have been moved to the district storage facility because the classes have been suspended as per the ruling by Arizona Superintendent for Public Instruction John Huppenthal. Superintendent Huppenthal upheld an Office of Adminstriation Hearings’ ruling that the classes were in violation of state law ARS 15-112.

The books are:
  • Critical Race Theory by Richard Delgado
  • 500 Years of Chicano History in Pictures edited by Elizabeth Martinez
  • Message to AZTLAN by Rodolfo Corky Gonzales
  • Chicano! The History of the Mexican Civil Rights Movement by Arturo Rosales
  • Occupied America: A History of Chicanos by Rodolfo Acuna
  • Pedagogy of the Oppressed by Paulo Freire
  • Rethinking Columbus: The Next 500 Years by Bill Bigelow
NONE of the above books have been banned by TUSD. Each book has been boxed and stored as part of the process of suspending the classes. The books listed above were cited in the ruling that found the classes out of compliance with state law.

Every one of the books listed above is still available to students through several school libraries. Many of the schools where Mexican American Studies classes were taught have the books available in their libraries. Also, all students throughout the district may reserve the books through the library system.

Other books have also been falsely reported as being banned by TUSD. It has been incorrectly reported that William Shakespeare’s “The Tempest” is not allowed for instruction. Teachers may continue to use materials in their classrooms as appropriate for the course curriculum. “The Tempest” and other books approved for curriculum are still viable options for instructors.

The suspended Mexican American Studies classes were converted last week to standard grade-level courses with a general curriculum featuring multiple perspectives, as per the directive by the state superintendent. Students remained in classes with their teachers, who are now teaching general curriculum.

As the district has taken action to comply with the order from the state, the goal of the district has continued to be to prevent disruption to student learning. Books used as instructional materials in the former Mexican American Studies classes were collected only from classrooms in schools where the courses were taught. Again, all the books are still available to students through the TUSD library system.

In one instance, at Tucson High Magnet School, materials were collected from a filing cabinet while students were in class though teaching did not stop during the process.

Tucson High Magnet School Principal Dr. Abel Morado acknowledges that the gathering of materials could have been accomplished outside of class time in all instances.

“We had a directive to be in compliance with the law and acted quickly to meet that need,” says Morado. “Part of that directive is communicating with teachers, students and parents, and collecting materials. We regret that in one instance materials were collected during class time.”


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FOR A COMPREHENSIVE LIST OF AICL'S COVERAGE, CLICK ON:
AICL Coverage of Arizona Law that resulted in shut down of Mexican American Studies Program and Banning of Books

Monday, May 07, 2012

Jim Blasingame: "Ethnic Studies Ban Hits Tucson Hard: YA and Canon Alike Take a Hit"

[Editor's Note: A chronological list of AICL's coverage of the shut-down of the Mexican American Studies classes at Tucson Unified School District is here.]
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With permission of Jim Blasingame, I'm republishing his article from the Assembly on Literature for Adolescent's April 2012 online newsletter.  Jim and Simon Ortiz have done some excellent work together with high school students in Arizona. 
 
I wrote about their work two years ago in "I come to school for this class. I deal with the other ones." Here's Jim's article from the ALAN newsletter:
 
Things in Tucson continue to go south (pun intended). Just when it seems nothing worse could happen, someone gets fired or the truth is once again held hostage, or some representative of the Arizona Department of Education or the Tucson Unified School Board makes an even more outrageous and racist claim. The recent announcement that the contract of Sean Arce, Director of the now defunct Mexican American Studies program for the Tucson Unified School District, was not renewed comes on the heels of another announcement: Arce was named winner of the 2012 Myles Horton Education Award for Teaching People's History.

The Horton award is given by the Zinn Education Project, an organization that believes "through taking a more engaging and more honest look at the past, we can help equip students with the analytical tools to make sense of - and improve - the world today" (Zinn). The award is named for Myles Horton, who founded the Highlander Folk School in 1932. According to the Civil Rights Digital Library: Between 1932 and 1962, the Highlander Folk School in Monteagle, Tennessee, provided a valuable training ground for two generations of southern labor organizers and Civil Rights activists. During the 1930s and 1940s, the school was instrumental in unionizing textile, timber, and mine workers throughout the region, often working in concert with national organizations such as the Congress of Industrial Organizations. In the 1950s, Highlander became a seedbed of Civil Rights activism, holding regular educational workshops to promote nonviolent protest and encourage black voter registration.

Myles Horton's students at Highlander included Martin Luther King, Ralph Abernathy, and Rosa Parks, all of whom would become emblematic of the Civil Rights Movement. "We Shall Overcome," often recognized as the anthem of the Movement, was adapted from a gospel song by Horton's wife, Zilphia.

After southern newspaper ran frequent attacks on the school for allegedly generating racial unrest and promoting communism, the state of Tennessee revoked the Highlander Folk School's charter in 1961. Which are almost exactly the charges against the Mexican American Studies Program filed by the Arizona Department of Education (ADE) against the Tucson Unified School District (TUSD).

For those who have not been following this series of events, a quick recap in chronological order may be helpful.

1998: TUSD initiated the La Raza Studies Department in an effort to improve the retention and graduation rates among Latino students. The program yielded some pretty impressive results. More than 97% of students in the program graduated from high school, compared to 44% nationally, and 70% entered college compared to 24% nationally. Students scored higher on the AIMS test compared to other Hispanic students who did not take the classes.

2006: Dolores Huerta, cofounder of the United Farm Workers, speaks to students at Tucson Magnet High School that "Republicans hate Latinos" (Sagara), after which ADE Superintendent of Schools Tom Horne sends Assistant Superintendent and fellow Republican Margaret Garcia Dugan to Tucson to give a speech on recognizing stereotyping of the nature allegedly committed by Huerta. Dugan's own ethnic loyalty was challenged by students attending her presentation. (Page) Horne attacks the Mexican American Studies program in the media, asking for TUSD to examine and eliminate it. A new school board votes 4-1 to retain the program despite Horne's diatribes.

2008, 2009: Superintendent Horne enlists AZ Representative Steve Montenegro to draft legislation to ban "Ethnic Studies," which Montenegro introduces in the House Education committee, failing to cite any statistics on the educational impact of the bill but, rather, descrying it as "anti-American, racist . . . [and] otherwise unfit for teaching in public schools" (Lundholm, 1047). AS Senator Russell Pearce, author of Arizona's SB 1070 sponsors a bill to ban any sort of campus activities or classes that promote ethnic solidarity in Arizona's public schools. This legislation fails to get traction two years in a row in the Arizona Legislature.

2010 (May ): Three weeks after the enactment of Arizona's SB 1070, legislation requiring people stopped by police on suspicion of having committed a crime to present documents proving their citizenship, the bill banning Ethnic Studies HB 2281 also passes. As reported in the Los Angeles Times on May 12, 2010: A bill that aims to ban ethnic studies in Arizona schools was signed into law Tuesday by Gov. Jan Brewer, cheering critics who called such classes divisive and alarming others who said it's yet another law targeting Latinos in the state. (Santa Cruz)

According to the bill: Section 15-112. "Prohibited courses and classes; enforcement" states

A. A school district or charter school in this state shall not include in
its program of instruction any courses or classes that include any of the following:
1) Promote the overthrow of the United States government.
2) Promote resentment toward a race or class of people.
3) Are designed primarily for pupils of a particular ethnic group.
4) Advocate ethnic solidarity instead of the treatment of pupils as
individuals.
(HB 2281)

2010 (October 18): Anticipating the law's passage, [Curtis Acosta] and 10 other Tucson high school teachers filed a lawsuit Oct. 18, 2010, against the superintendent of public instruction (Horne has since moved up to attorney general of Arizona) and the Board of Education, maintaining House Bill 2281 violates the First and 14th Amendments (Fleming).

2010 (December 30): The Tucson Unified School District Governing Board, in agreement with TUSD Superintendent of Schools, John Pedicone, unanimously passes the "Resolution to Implement Ethnic Studies in Tucson Unified School District in Accordance with All Applicable Laws."

2010 (December 30): Just days before leaving office, Tom Horne declares the TUSD Mexican Studies program to be in violation of the law. He does not observe any of the classes but, rather, bases his judgment on his own perusal of the textbooks and his conversation with five former teachers of the class (Lundholm, 1043). Horne says the only way TUSD can be in compliance with state statute is to completely discontinue the program (1043).

2011: Newly elected ADE Superintendent, John Hupenthal, hires an educational consulting firm to complete a study of the program at the cost of $110,000. Consultants evaluate the textbooks, observe classes, conduct interviews and focus groups with people connected with the program and conclude that it in no way violates the state law. Hupenthal vacates the firm's findings and issues his own findings in June that conclude the program violates three of the four tests in 15-112 based on his "independent research" (1044). It is interesting to note that Hupenthal was a member of the Arizona Senate who had added amendments to the bill while in office.

2011 (December 27): Administrative Law Judge Lewis Kowal rules that Mexican American Studies as taught in TUSD violates H.B. 2281 (now A.R.S. 15-111 and 112), as written, validating ADE's power to withhold 10 percent of Tucson Unified School District's funding.

2012 (January 10): The TUSD votes 4-1 to discontinue the Mexican American Studies program.

2012 (January 17): The following books are boxed and relocated to the TUSD storage facility: Critical Race Theory, by Richard Delgado; 500 Years of Chicano History in Pictures, edited by Elizabeth Martinez; Message to AZTLAN, by Rodolfo Corky Gonzales; Chicano! The History of the Mexican Civil Rights Movement, by Arturo Rosales; Occupied America: A History of Chicanos, by Rodolfo Acuña; Pedagogy of the Oppressed, by Paulo Freire; and Rethinking Columbus: The Next 500 Years, by Bill Bigelow. District spokesperson Cara Rene says the books are not banned from school libraries but will not be used in classes (Gersema). For a complete list of additional books from courses in the now defunct Mexican American Studies Program, see Debbie Reese's excellent blog, American Indians in Children's Literature. According to Tucson officials, these books remain available in school libraries.

2012 (April): School Board member Michael Hicks and TUSD teacher Curtis Acosta are interviewed on The Daily Show.

2012 (April): Constitutionality of the law, as challenged by 10 TUSD teachers will be examined at the federal level by Judge Wallace Tashima of the United States Court of Appeals for the Ninth Circuit.

The elimination of the courses which used these books amounts to 10 giant steps backwards to all the teachers, librarians, parents, authors, and scholars who have tried to provide quality, engaging literature that represents as many ways to be a human being as we know of after so many years of the elitist (and boring) DOWM curriculum, as Ted Hipple referred to it (dead, old, white men).

Among these books are many we have been promoting heavily for their power to help young people make sense of the world and understand the valuable part they have to play in it. The loss of these classes means the quieting of the voices of Sherman Alexie, James Baldwin, Jane Yolen, Jimmy Santiago Baca, Sandra Cisneros, Isabella Allende, Matt de la Peña, bell hooks, Malcom X, Francisco Jimenez, Luis Rodriguez, Rudolfo Anaya, Martin Luther King, and even our own local treasures, Ofelia Zepeda and Stella Pope Duarte. Lori Carlson's collections of Latino/a and Native American pieces are boxed and stored, too. The voice of Cesar Chavez, for whom the center square in
downtown Phoenix is named, has been removed, as well as the voice of our own United
States President, Barack Obama.

Which brings us to now, April 16, 2012, a few days after the TUSD school board voted 3-2 not to renew the contract of Mexican American Studies Director Sean Arce in a heavily protested school board meeting. This is also a few days after Arce won the Horton Award for his efforts to teach the truth about history and politics in the Southwest. Perhaps no one said it better than Myle's Horton himself when the state of Tennessee attempted to bring an end to the efforts of the Highlander Folk School: "A school is an idea, and you can't padlock an idea" (Zinn).

And you can't keep books in boxes forever.

James Blasingame
Past president of the Assembly on Literature for Adolescents of
NCTE
Past co-editor of The ALAN Review.
Resident of Chandler, Arizona

Works Cited

Fleming, Susan Domagalski. "A Teacher Put to the Test." Willamette University The Scene. Winter 2012. Web. 16 4 2012. http://www.willamette.edu/scene/editions/2012/winter/feature/26/index.html
 
Gersema, Emily. "Tucson District Denies Ban of Mexican-American Books." Arizona Republic. 17 1 2012. Web. 16 4 2012. http://www.azcentral.com/news/articles/2012/01/17/20120117tucson district-denies-ban-mexican-american-books.html

"Highlander Folk School 25th Anniversary." Civil Rights Digital Library. 11 7 2012. Web. 16 4 2012. http://crdl.usg.edu/events/highlander_25th/?Welcome

Huicochea, Alexis. "TUSD Board Shuts Down Mexican American Studies." Arizona Daily Star. 11 1 2012. Web. 16 4 2012. http://azstarnet.com/news/local/education/precollegiate/tusd-board-shuts-down-mex-american-studies/article_89674600-5584-58a8-9a0f-4020113900f9.html#ixzz1sFaPHtFI

Lundholm, Nicholas B. "Cutting Class: Why Arizona's Ethnic Studies Ban Won't Ban Ethnic Studies." Arizona Law Review 53.1041: 1041-1088.

Menkart, Deborah. April 2, 2012. "Zinn Education Project Honors Sean Arce." Teaching a People's History: Zinn Education Project. 2 4 2012. Retrieved 16 4 2012 from http://zinnedproject.org/news/news-articles

Page, Clarence. "Ethnic Studies Can Unite Us." Chicago Tribune. 16 5 2010. Web. 16 4 2012. http://www.chicagotribune.com/news/opinion/chi-clarence-page-100316- column,0,6783724.column

Reese, Debbie. "Mexican American Studies Reading List." American Indians in Children's Literature. 15 1 2012. Web. 16 4 2012. http://americanindiansinchildrensliterature.blogspot.com/2012/01/mexican-american-studies-department.html

Sagara, Eric. "'Hate-Speak' at School Draws Scrutiny." Tucson Citizen. 13 4 2006. Web. 16 4 2012. http://tucsoncitizen.com/morgue/2006/04/13/9256-hate-speak-at-school-draws-scrutiny/

Santa Cruz, Nicole. "Arizona Bill Targeting Ethnic Studies Signed into Law." Los Angeles Times. 12 5 2010. Web. 16 4 2012. http://articles.latimes.com/2010/may/12/nation/la-na-ethnic-studies-20100512