Showing posts with label Cynthia Leitich Smith. Show all posts
Showing posts with label Cynthia Leitich Smith. Show all posts

Monday, October 25, 2021

Highly Recommended: SISTERS OF THE NEVERSEA by Cynthia Leitich Smith; cover art by Floyd Cooper

HIGHLY RECOMMENDED! 

Sisters of the Neversea
Written by Cynthia Leitich Smith (Muscogee Nation)
Cover art by Floyd Cooper (Muscogee Creek Nation)
Published in 2021
Publisher: Heartdrum (HarperCollins)
Reviewer: Debbie Reese
Review Status: Highly Recommended

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Today AICL is pleased to give a Short and Sweet Rec* to Cynthia Leitich Smith’s Sisters of the Neversea. We recommend you get it for your children, your classroom, or your library. Here’s the description:


Lily and Wendy have been best friends since they became stepsisters. But with their feuding parents planning to spend the summer apart, what will become of their family—and their friendship?


Little do they know that a mysterious boy has been watching them from the oak tree outside their window. A boy who intends to take them away from home for good, to an island of wild animals, Merfolk, Fairies, and kidnapped children, to a sea of merfolk, pirates, and a giant crocodile.

 

A boy who calls himself Peter Pan.


And here is our Short and Sweet Rec! 

Four reasons why AICL recommends Sisters of the Neversea 


First, the author is Native. Cynthia Leitich Smith is a citizen of the Muscogee Nation, telling us a story where the primary character is Muscogee Creek.


Second, Sisters of the Neversea shows readers who Native people are, for real. J.M. Barrie’s stories about Peter Pan have mis-informed generations of readers. His stories encourage others to play Indian in stereotypical ways, and the characters in his story that are meant to be Native (Tiger Lily) are straight-up stereotypes. We are nothing like the “Indians” in his stories. Smith’s take on Peter Pan pushes back on those stereotypes.


Third, Sisters of the Neversea includes Black Indians. Upon seeing Floyd Cooper's cover art, Smith writes that she thought "There you are!" With his art, she saw Lily as Black Muscogee. Later in the book, we meet Strings, a Black Seneca Indian from the Bronx. 


Fourth, Smith's author’s note includes several questions that she poses about the Native people in Barrie’s stories. “How did they get there?” she asks, and “Why were they described in hurtful language?” are two of them. Teachers who use the book in the classroom can draw attention to those questions and encourage students to ask similar questions about Native characters in other books they read.  


We hope you’ll get a copy ASAP, read it, and tell others to read it, too. When you’re at your local library, ask for it! If they don’t have it yet, ask them to order it. 


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*A Short and Sweet Rec is not an in-depth analysis. It is our strategy to tell you that we recommend a book we have read. We will definitely refer to it in book chapters and articles we write, and in presentations we do. Our Short and Sweet Recs include four reasons why we recommend the book.  



Monday, December 09, 2019

Recommended: "A Girl's Best Friend" by Cynthia Leitich Smith, in THE HERO NEXT DOOR

Cynthia Leitich Smith's "A Girl's Best Friend" is one of the stories in The Hero Next Door. Published in 2019 by Crown Books for Young Readers, its main character is a 12-year old named Sophie Bigheart who is Muscogee-Osage and a citizen of the Muscogee (Creek) Nation. She lives with her mom in a tiny apartment in Austin.



Sophie spends a lot of her free time looking at dogs on the animal shelter website, wishing she could get one--but that's against Miz Wilson's (their landlady) rules. Through their occasional visits, Sophie had learned that Miz Wilson's husband died the year before, and that they had a dachshund. It is clear that Miz Wilson is lonely.

Sophie's lonely, too, for a dog. Soon, Sophie and her mom are doing volunteer work at the shelter, walking and playing with the dogs. Miz Wilson--thinking they've adopted one--evicts them!

Then, Sophie comes up with a plan. By the end of the story, Miz Wilson has adopted a dog, Sophie's agreed to help take care of it, and Miz Wilson has decided to decrease their rent. It is a good solution for everyone. Set in the present day, with information about the main character's identity as a citizen of a tribal nation--and just the kind of story that resonates with a lot of kids--I'm pleased to recommend the story, and the book, too!


Tuesday, November 19, 2019

Mark this day... there's a Native Imprint from a Major Publisher!



Way back when I started graduate school in the mid 1990s, I wanted to see so much more being published by Native writers... and here, in 2019, is the very best news that I could hope for...



Congratulations to Cynthia Leitich Smith (Muscogee) for making it happen!

Thank you, to Rosemary Brosnan and HarperCollins, for your commitment to Heartdrum, to Cyn, and to Native writers and illustrators.

And thank you, Ellen Oh! 

And Rainey--the logo... perfect!



[This news was first published by Publishers Weekly.]

Monday, July 29, 2019

Highly Recommended: THANKU: POEMS OF GRATITUDE, illustrated by Marlena Myles; edited by Miranda Paul

I haven't studied book covers for edited books of poems before. This observation, therefore, might not hold water. Here's the cover for Thanku: Poems of Gratitude. 


HIGHLY RECOMMENDED


As you see, Thanku: Poems of Gratitude is illustrated by Marlena Myles (Myles is Spirit Lake Dakota/Mohegan/Muscokee Creek) and edited by Miranda Paul.

First, what I want you to notice is the order of the names of the people who illustrated and edited the book. Myles's name is shown first. I don't think I've seen that before... and I like it! I might look for information about that arrangement. It is unusual but elevates art and artists. In recent months I've seen many people ask us not to ignore the illustrator's name. There is a lot to notice, and praise, in Thanku! Teachers, especially, will find Miranda Paul's work (as the editor) exceptionally helpful. Unobtrusively on each page, there's a note about the kind of poem each one is, and the back matter includes definitions.

Second, I love seeing the names of all the poets on the cover. And as you might guess, I'm thrilled to see names of Native women there!

Kimberly Blaeser's poem is "Flights." Its format is "concrete (shape)." When I was teaching, kids really liked to study shape poems. The words in her poem are arranged in the shape of a bird in flight, as seen from above (or below). The color palette Myles chose for Blaeser's poem is one of the light pastels of the sky and clouds. Blaeser is an enrolled member of the Minnesota Chippewa Tribe.

Students also like found poems. Carole Lindstrom's poem, "Drops of Gratitude" is a found poem. For it, Myles created a young woman in profile, gazing at three blocks of mostly-blacked-out words. The words that aren't left out are the poem Lindstrom wrote. She is Metis/Ojibwe and is tribally enrolled with the Turtle Mountain Band of Chippewa Indians. I want to know what book she used to create her found poem! I'd love to see teens turn racist content in their textbooks into found poems that embody Indigenous resistance!

The poem from Cynthia Leitich Smith (Muscogee Creek Nation) is "Stories for Dinner." It spans two pages, and in its verses, it spans time. The stories in the chant, free verse poem are about boarding school, war, and the "everyday heroes" who plan for future generations. I especially like Myles art for the second page. The "Water is Life" sign embodies those everyday heroes who are fighting for clean water.



And then, there's Traci Sorell's (Cherokee Nation) cinquain, "College Degree." For it, Myles created what I think is a young Traci in a cap and gown, holding her college degree aloft, smiling broadly.

When I got a review copy of Thanku, I took to Twitter to share my thoughts about it. In my review here, I've noted only four specific poems but there are so many others that I like! And I absolutely love the range of emotion and impact that Myles created for each poem.

In short, I highly recommend Thanku: Poems of Gratitude, due out in September from Millbrook Press. It is #OwnVoices at its very best!

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Update: In a comment, Rie asked for more info about what found poems are. There are several ways to do them. The way that Carole chose is to take a page from an existing book, and black out some of the words. The ones that aren't blacked out form the poem. Below is a found poem using a page from Much Ado About Nothing. There's more examples on that page. Take a look: https://artjournalist.com/found-poetry/

black out poetry

Thursday, November 01, 2018

Apple, Echo, and the Importance of “More Than One Book"

Two Native high school girls, two unique stories about not fitting in, and about trying to make sense of Indigenous heritage/ancestry when something has disrupted their place in a Native community....

Most regular readers of this blog won’t need to be convinced that it takes more than one story about a group of people to adequately portray that group’s experience. Still, we know that in classrooms and in library collections across North America, the pickings are usually slim when it comes to books by and about Native people. So “the danger of a single story” Chimamanda Ngozi Adichie warns about is very real.

Right now I’m revisiting that point -- yet again -- via two recently published books with contemporary Native teen girl protagonists. Dawn Quigley’s (Turtle Mountain Chippewa) debut novel Apple in the Middle (2018) is set in Minnesota and the Turtle Mountain Chippewa reservation in North Dakota. The protagonist, Apple, meets her Native family members for the first time, the summer after her sophomore year in high school.

Katherena Vermette’s A Girl Called Echo: Pemmican Wars (2017) is a graphic novel. Echo, the main character, is 13 years old. She is Metis, as is Vermette. The story is set in Winnipeg, Manitoba.

Apple’s mother, who was Turtle Mountain Chippewa, died after giving birth to her. Apple grew up with her dad and stepmother (both white), in their upper middle class suburban world, where she feels like she never quite fits. She carries a sense of guilt for her mother’s death. She’s a bit prickly, and more than a bit socially awkward. Since an incident of open racism during grade school, she has tried to look as white as possible. Her father’s reluctance to tell her about her Native family hasn’t helped. As a narrator, Apple has a lot to say. She can be rude, impulsive, and loud, with a biting sense of humor, but she begins to dial it all down somewhat as she gets to know her Turtle Mountain relatives.

Of her sense of not fitting in, Apple says, “I call it the Ping-Pong effect because you’re the ball, and nobody ever wants you in their space. Have you ever felt like that? Never really belonging anywhere, but trying your darndest to run between two lives only to find you’re always stuck in the middle.”
Apple may feel that she's constantly running, but Echo’s days in Pemmican Wars seem to involve just putting one foot in front of the other, with tremendous effort.
Unlike Apple, Echo is nearly silent. She’s emotionally isolated at school and in her foster placement, and moves as if something is draining all her energy. She spends most of her time with her earbuds in: Guns n Roses, Red Hot Chili Peppers. The only time we see anything like a smile on her face is when she finds some graphic novels about Metis history on a library shelf. She’s in a new school and knows nobody, though her history teacher seems to “see” her. When she falls asleep, she dreams herself into events from First Nations history, and it’s in those dreams that she seems to feel most alive -- and where she has a friend.

Her mother stays in some kind of institution – rehab or mental health facility, maybe – which hints at why Echo is in foster care. Echo opens up slightly when she visits her mom. She speaks, asks questions about their family's Metis background, tells her mom what she is learning. The history class, the dreaming, and her relationship with her mom may be what eventually help her find her place. (That's "eventually" because Echo doesn’t find resolution in Pemmican Wars. Vermette’s second Echo book is due out in December, and we can hope that things will be looking up for her protagonist.)

The changes Apple and Echo go through in their respective stories are very different from each other, though both characters move toward a stronger sense of who they are, and what being Indigenous means (or can mean) to them, as they deal with racism, school, family issues, and so on. Young people deserve to get to know both of them.  Their stories belong on the same shelves (and in the same gift bag!) with Cynthia Leitich Smith’s 2018 release, Hearts Unbroken, whose protagonist Louise faces the effects of personal-level and community-wide racism while navigating peer relationships and romance during senior year. 

Three brand-new, strong Indigenous female teen main characters -- now there's a gift for your students, your teen patrons, your children, and your grandchildren!

(Recognition is due Katherena Vermette’s collaborators on Echo – illustrator Scott B. Henderson and color artist Donovan Yaciuk. Because Echo speaks so seldom, it’s on the illustrations to convey key details about her life. And they do so with subtlety and grace! For example, the letters WPG on the front of a bus Echo rides signal that she's in Winnipeg. Or so I'm told.)

--Jean Mendoza

UPDATE 10/29/19: Last week, @debraj1121 commented on Twitter that although she liked Apple in the Middle, she was concerned about negative mentions of "voodoo." One of Apple's distorted ideas about Native people is that they practice what she thinks of as voodoo, which evidently both intrigues and frightens her. Apple's grandmother pushes back on that mistake, calling voodoo "nonsense" and enlightening Apple about their family's actual beliefs.

Reading the Twitter conversation that followed, I realized 1) how much I need to learn, and 2) it's important to make a statement here about how voodoo appears in Apple in the Middle.

Voodoo is widely misunderstood in mainstream Western culture, and is portrayed in horror films and the like, as a kind of magic that can be used to hurt someone or cause chaos. It's often racialized (practitioners shown as African, Afro-Caribbean, or African-American, and scary). Popular (mis) representations reveal little if anything about the actual cosmology, a complex belief system with origins in Africa. It probably had a powerful role in sustaining many people who were enslaved and brought to the continents currently called the Americas. It has many believers in Haiti and elsewhere, and is more correctly called Vodou or Voudon.

I was dismayed to realize that, focused as I was on Apple's ignorance about Native people, I had scarcely noticed the mention of voodoo in the book.  @debraj1121's tweet got me started looking into what "voodoo" really is. Beyond the very general statements above,  I can't be a reliable source of information; still building a sense of what's trustworthy. One scholarly exploration that I'm finding helpful is "Haitian Vodou and Voodoo: Imagined Religion and Popular Culture" by Adam M. McGee, which focuses not on the actual religion but on how it has been sensationalized in the mainly-White popular imagination.

Anyway, part of Apple's growth as a character involves putting aside misunderstandings about Native people. Authors often do that by having events or other characters interfere with the character's ignorance or mistaken ideas. Apple's grandmother's contradiction (voodoo is "nonsense") falls short.
Author Dawn Quigley has said on Twitter that she honors and values @debraj1121's insights,  and has contacted the publisher of Apple in the Middle about the problem

If you've read or shared Apple in the Middle, recognize that voodoo is a real religion and that in the Western imagination it has been heavily colonized by powerful and persistent misrepresentations in films, stories, etc. 

Also on 10/29/19 -- A large and growing number of previously-White-identified people in eastern Canada have begun coopting First Nations identity by being spuriously designated "Eastern Metis." (For more information, see Darryl Leroux's book Distorted Descent: White Claims to Indigenous Identity,  and his Web site Raceshifting.) We want to note that A Girl Called Echo author Katherena Vermette and her character Echo are of the Metis nation in Manitoba, not the pretender group. 

Monday, October 22, 2018

Some thoughts on Native identity, in response to #ElizabethWarren (again)

Eds note: Below is a compilation of a tweet thread I did from Oct 20-21. (If you do tweet threads and want to compile them, try Spooler. That's what I used for this post.)

Thinking, today, about Native identity, and how we speak of it. 

I used to say "tribe" but realized that just "tribe" wasn't sufficient. For those who did not (and do not) know that we are sovereignty nations, "tribe" alone let them place us as a race or a cultural group. 

I can talk all day long about growing up on our reservation, doing the things we do as Native people there, and say things like "moccasins" and most people in the US would nod because it would fit with what they know of us as peoples with distinct cultures. 

But doing that is not enough. So--I use "nation." When I'm giving a lecture, I give an example of what it means to be a sovereign nation. A simple one: we decide how fast you drive on our reservation. If you go too fast and get a ticket, it is paid to our tribal gov offices. 

The US has many racial groups and many cultural groups but they don't have a land base over which they have jurisdiction such that they can set speed limits. 

If you're following the #ElizabethWarren news, you may have seen the word "citizen" or "citizenship" or "tribal member" or "enrolled." You may have been surprised to hear those words and/or to learn that tribal nations determine who their citizens or tribal members are...

But, that is how it works. Each tribal nation has ways it decides who its members are... and you can look that up if you know the name of the nation you're interested in. 

As I'm laying it out, it might seem pretty simple but... this is all political! Our tribal leaders and councils and the requirements are imperfect because, we're human beings. 

One of my top concerns is fraud. There's so many people that outright lie about a Native identity. It gets them jobs, or cred in some places, that they ought not have. 

Some people get jobs and cred by claiming it, but they're not outright lying. They really believe a family story. When someone asks for specifics, it can get uncomfortable for everyone. 

Someone who can't get enrolled, but who is definitely Native--that's an entirely different story. 

But those folks can generally point to cousins who are enrolled, who are kin. Those folks are usually known in the nations who they name as theirs. People in the nation will speak for them. 

I've been fooled by someone's claim to Native identity--more than once. When you find out that people tried to tell that person to stop identifying that way and they did it anyway... And they still do it... it is hard! 

There's resources out there. Books that can help you learn some of the nuances of all this. Eva Garroutte's REAL INDIANS is one.



Because of Warren, DNA [testing] is the big topic of the moment. It won't help you [get enrolled with a nation]. Read Kim Tallbear's book: NATIVE AMERICAN DNA: TRIBAL BELONGING AND THE FALSE PROMISE OF GENETIC SCIENCE


Speaking of myself, I am tribally enrolled at Nambé Pueblo, a sovereign nation that Spain, Mexico, and then the US regarded as a nation. We were a nation before the United States was a nation. 

Some universities, in an effort to stop fraudulent hirings (and there are MANY) are trying to figure out how to stop that kind of fraud. 

There's so many ways I could go with this thread. Things in my head. Like--years ago, Scott Lyons wrote an article in a newspaper, about tribal nations that were disenrolling Black people. That whole convo is very complicated, but, one

... one thing that Scott said was that tribal nations have to exist as nations, and that if we disenroll Black people, we were engaging in a form of ethnic cleansing. 

Some articles, books, etc. have helped me understand many dimensions of the politics of Native identity. Scott's is one of those. Wish I could find it. He's right. Those disenrollments were wrong. 

Native America Calling has had some very good segments on disenrollment. Here's one: Wednesday, April 6, 2016. Disenrollment. 


A lot of people think that it is racist to ask a Native person for "proof" of the identity. They're using a racial framework, and if this was a racial issue, it would be racist to ask -- but Native citizenship isn't about race. It is about nationhood. 

It is more like asking someone for proof that they're a US citizen. That's fraught, too, esp right now with this racist administration in DC, but that's [nationhoood] the framework where the question belongs. 

And--friends/colleagues who are Indigenous--if you see a tweet in this thread that needs clarification, please let me know. 

Another Native scholar who helped me clarify how I speak about Indigenous identity is Elizabeth Cook Lynn. I used her work to write a post for my site, titled Are We People of Color? 

I try to listen, weekly, to @mediaINDIGENA's podcast. I learn a lot from the guests there. Go here, and scroll down to episode 119. It was about DNA testing. 

People who follow me know that most of my work is in children's and young adult literature. My blog, American Indians in Children's Literature, has 11 years of posts on it. ELEVEN YEARS. That's a lot of content, available to you, at no charge. 

I said "at no charge" because most of the writing that we do is in journal articles, magazines, books... that cost money to get to. So--as a former schoolteacher, I do what I can to provide resources to people who want/need them. 

Most children's/YA books out there that teachers assign are deeply flawed. Like, ISLAND OF THE BLUE DOLPHINS. Ugh. Don't assign that, please. Here's my critique of that book.  

Books like that one are huge obstacles to progress in terms of getting Native writers published, and getting their books read or assigned in schools. Seems ppl prefer long-ago-far-away "Indians" over stories that are real! That show our lives as we live them. 

Coming up soon, I'll be on the #NIEABookClub to talk about two excellent books by Native writers. 

One is @DanielVandever's picture book, FALL IN LINE, HOLDEN, which is about a kid in boarding school, where the goal was to stop Indigenous kids from being Indigenous. So--about identity. And asserting identity. 

The second one is @CynLeitichSmith's HEARTS UNBROKEN, where a teen girl in a suburb is navigating challenges to her identity. There's an important thread in Smith's book--about L. Frank Baum. Native ppl know why that's in there. 

Most non-Native people see "L. Frank Baum" and think 'yay' but they don't know that Baum wanted to exterminate Indigenous people. 

Europeans wanted us out of the way. But our ancestors fought back. That's why we're here, today, saying 'nope' to those who misrepresent us in children's books or in national politics. 

Vine Deloria Jr -- in volume 1 of DOCUMENTS OF INDIAN DIPLOMACY -- wrote something abt treaties that sticks with me. To Indigenous leaders/ppl, they were about relationships. To Europeans/Americans, they were about resources. Interesting, eh? 

Circling back to the Elizabeth Warren situation. So many Indigenous people are getting trolled by people who seem to think that, in speaking up abt what Warren did, we are choosing trump or GOP, as if our existence is one or the other. 

That kind of trolling demonstrates a lack of understanding, or, a lack of care if there is some understanding. That kind of response isn't helpful to anyone. 

The response that is needed, is one that is issued after you've read Native writing(s) about identity--specifically right now--about Warren. To help with that, I'm creating a list: A Curated List of Native Responses to Elizabeth Warren 

When I was at U Illinois, we had a couple of instances of ppl making claims... and so we drafted a statement: Identity and Academic Integrity 


I'll be adding to this thread as I see other items that are of relevance. See Dr. Arica Coleman's article in Time magazine: and get her book, THAT THE BLOOD STAY PURE. (time.com/5430057/elizab…)



See Kim TallBear's threaded response to Zerlina Maxwell's remarks on MSNBC a few days ago:



See Ebony Elizabeth Thomas's thread, with its link to an article by Henry Louis Gates:


As noted in tweets 8, 11, and 12, being a citizen or enrolled in a tribal nation is messy. I'm glad to see threads from friends/colleagues who can add to my/our/your understandings. See Elissa Washuta's thread:
Being an enrolled citizen in a federally-recognized nation is not the only way to be Native. I do not think DNA is valid in determining Indigeneity, but I'm concerned about the reductive takes I'm seeing that equate Indigeneity to citizenship.


See Daniel Heath Justice's thread, too:
In the wake of the Elizabeth Warren debacle, let’s not forget another way in which racial logics have displaced kinship in our own politics and relations: the continuing struggle for Freedmen descendants to be recognized as enfranchised citizens and relatives in the Five Tribes.


And, see Rebecca Nagel's Facebook post about ongoing conversations about Cherokee Freedmen: Here's a screen cap of the first two para's of her post.