Evangeline Parsons Yazzie's DZANI YAZHI NAAZBAA'/LITTLE WOMAN WARRIOR WHO CAME HOME: A STORY OF THE NAVAJO LONG WALK

[This review may not be used (published elsewhere, online or in print) without written permission of its author, Beverly Slapin.]

Yazzie, Evangeline Parsons (Diné), Dzáni Yázhi Naazbaa’/Little Woman Warrior Who Came Home: A Story of the Navajo Long Walk, color paintings by Irving Toddy (Diné), Navajo translation by the author. Salina Bookshelf, 2005, grades 3-up

Children, today more than ever, need to know the truths of history, even—no, especially—the ugly parts, the parts often deemed “not for children.” One of these truths is what has come to be known as the “Navajo Long Walk.” In 1863-1864, U.S. soldiers launched a scorched-earth offensive against Diné Bekayah, grabbed up some 8,000 Navajo women and men, children and old people, and marched them off to a barren concentration camp known as Bosque Redondo (Fort Sumner). On this death march of hundreds of miles, more than 3,000 died of cold and starvation or were killed—the soldiers shot pregnant women and elderly people and all others who couldn’t keep up.

Dzáni Yázhi Naazbaa’ (Little Woman Warrior Who Came Home) is the young Naabeehó (Navajo) girl who survives the Long Walk and the four-year incarceration at Fort Sumner. Yazzie, to whom these family stories have been passed down, spares little detail—the terror of being forcibly taken from home; seeing the elderly and sick being shot as they fall behind; experiencing crop failure and having to rely on foreign, rotten and bug-infested rations; stealing food from the soldiers’ horses to allay starvation. But throughout the torture, persecution, hunger and homesickness, the parents and elders feed the children with perseverance and hope that come from the clan system and the prayers and stories, and the knowing that the land, culture and community will survive. And, indeed, Little Woman Warrior does come home. Toddy’s paintings, especially those of the land and the frightened children, perfectly complement this bilingual story, in Navajo and English, of endurance and strength.

Of all the published children’s stories about the Long Walk period, only Dzáni Yázhi Naazbaa’/Little Woman Warrior Who Came Home and Joe Bruchac’s and Shonto Begay’s Navajo Long Walk (National Geographic, 2002) tell these truths, and Little Woman Warrior is a perfect antidote to Scott O’Dell’s toxic Sing Down the Moon (Houghton Mifflin, 1970) and Ann Turner’s equally poisonous The Girl Who Chased Away Sorrow: The Diary of Sarah Nita, A Navajo Girl, New Mexico, 1864 (Scholastic, 1999).—Beverly Slapin

[Note from Debbie: This book is available from Oyate.]

What do Native writers write about?

An observation: Most of the books written by Native writers are about Native people of the present day. There's a few works of historical fiction and a few traditional stories, but for the most part, the stories they are moved to tell are best described as realistic fiction. Something to think about!

Posts to this site are fewer than usual. I'm home (Nambe Pueblo), spending time with family and friends. I spent most of yesterday with Evelina Zuni Lucero. She teaches creative writing at the Institute for American Indian Art. She's from Isleta and Ohkay Owingeh. You can read about her novel and other writing here. I'll write about her book Night Sky, Morning Star later this summer. We went to see a new exhibit, Comic Art Indigene, at the Museum of Indian Arts and Culture. It makes an important point. Though much of America thinks of Native people as suspended in time and days of long ago, we're very much part of the present day. We are critical of representations of us that America loves to love. The exhibit demonstrates all of that. Excellent work to be seen! If you're in Santa Fe this summer, do visit the exhibit.