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Thursday, July 06, 2006
Cheryl Savageau's MUSKRAT WILL BE SWIMMING
One area of my research is the analysis of American Indian folktales that are marketed as picture books for children. I submitted an article on that topic to Language Arts (a journal for elementary school teachers). It will come out in their January 2007 issue.
The article title is "Proceed with Caution: Using Native American Folktales in the Classroom." It features in-depth analysis of two picture book folktales: Turkey Girl by Penny Pollock and Dragonfly's Tale by Kristina Rodanas.
In the multicultural fervor, we seem to think that folktales are the best way to go. It might be, if the folktales were accurate in their presentation of Native cultures, but as I demonstrate in the article, it isn't easily done and the final products can be deeply flawed.
I strongly urge teachers and librarians and parents to get books that are about modern day Native people. Those that incorporate elements of traditional culture can do a lot to help children know that Native people are still here---that we didn't vanish.
An excellent example is Cheryl Savageau's book Muskrat Will Be Swimming. It is about Jeannie, a modern day Native girl whose family lives by a lake in what is called a "shanty town" and how she feels about being called a "Lake Rat" by kids in her school who live in "big white houses uptown." One evening when she is feeling especially blue about being called a Lake Rat, her grandfather tells her the traditional Haudenonsaunee creation story about Skywoman. In the story, Muskrat (a lake rat) brings earth up from the bottom of the lake to put on Turtle's back so the Woman who fell from the sky would have a place to stand. This moment with her grandfather strengthens Jeannie.
Read more about Muskrat Will Be Swimming at this site: www.tilburyhouse.com. Today (July 6, 2006) it is featured in the top left corner of their website.
Wednesday, July 05, 2006
Teaching about Indians, Part I
I often get private emails from teachers asking about best practice in terms of teaching about American Indians.
Over a series of blog posts, I'll answer some of the more common questions.
Question: Is it ok to dress up in Indian costumes and dance to teach about Indians?
Answer: No. Let's break the question down a bit and look at its parts:
"Costume." The clothing that we wear when we dance is not a costume. It is traditional clothing that isn't worn everyday.
"Dance." We dance---not as performance or entertainment---but as a form of worship. It is best to think of Native dance as prayer in motion. There are exceptions to this, of course. There are social dances, too, and there are performances of Native dance, but even with them, there is a lot of significance that distinguishes them from things like hip-hop or square dancing.
"Dressing up (like Indians)." We don't "dress up" for our dances. We get dressed. I put on my traditional clothes to take part in a traditional dance.
"...like Indians." As a society, we've been dressing up like Indians for such a long time (birthday parties, scouting, Halloween) that we rarely (if ever) pause to think about that activity. If you consider dressing up like a different group, perhaps you can see why this is not a good idea. Would it be appropriate to dress up like Japanese? Africans? Latinos? And do a dance that you think is Japanese, or African, or Latino?
Over a series of blog posts, I'll answer some of the more common questions.
Question: Is it ok to dress up in Indian costumes and dance to teach about Indians?
Answer: No. Let's break the question down a bit and look at its parts:
"Costume." The clothing that we wear when we dance is not a costume. It is traditional clothing that isn't worn everyday.
"Dance." We dance---not as performance or entertainment---but as a form of worship. It is best to think of Native dance as prayer in motion. There are exceptions to this, of course. There are social dances, too, and there are performances of Native dance, but even with them, there is a lot of significance that distinguishes them from things like hip-hop or square dancing.
"Dressing up (like Indians)." We don't "dress up" for our dances. We get dressed. I put on my traditional clothes to take part in a traditional dance.
"...like Indians." As a society, we've been dressing up like Indians for such a long time (birthday parties, scouting, Halloween) that we rarely (if ever) pause to think about that activity. If you consider dressing up like a different group, perhaps you can see why this is not a good idea. Would it be appropriate to dress up like Japanese? Africans? Latinos? And do a dance that you think is Japanese, or African, or Latino?
Labels:
resource for teachers
Monday, July 03, 2006
Joy Harjo's THE GOOD LUCK CAT
In my "links" I include links to Cynthia Leitich Smith's blog and her website. She's got some terrific books (Jingle Dancer, Rain is Not My Indian Name, Indian Shoes).
Today I want to point readers to Joy Harjo's blog.
Harjo is an accomplished writer, singer, and musician. Though her work is primarily for an adult audience (and in some cases young adults), she does have a wonderful children's picture book out.
Take a look at The Good Luck Cat. Published in 2000, it is about a cat named Woogie who brings good luck to its family. The story is about the cat---not about the Native family it lives with. In a beautiful and subtle way, this book tells readers that American Indians live in today's modern society, that our lives and homes are not exotic. We're just people.
Today I want to point readers to Joy Harjo's blog.
Harjo is an accomplished writer, singer, and musician. Though her work is primarily for an adult audience (and in some cases young adults), she does have a wonderful children's picture book out.
Take a look at The Good Luck Cat. Published in 2000, it is about a cat named Woogie who brings good luck to its family. The story is about the cat---not about the Native family it lives with. In a beautiful and subtle way, this book tells readers that American Indians live in today's modern society, that our lives and homes are not exotic. We're just people.
Saturday, July 01, 2006
In "comments" to my previous post, Opal noted that American Indians get short shrift in history classes, in part due to state standards that too often overlook this important part of America's history.
For any history teachers reading the blog, here are a couple of resources you can use to locate reliable information about American Indian history and culture.
The People: A History of Native America, by R. David Edmunds, Frederick E. Hoxie, and Neal Salisbury. This is a brand new textbook that can be used in high school or college classrooms. It is published by Houghton Mifflin.
Second are two encyclopedias:
Encyclopedia of North American Indians (1996), edited by Frederick E. Hoxie, and Native America in the Twentieth Century: An Encyclopedia (1996), edited by Mary B. Davis. Both editors relied heavily (and wisely) on American Indian scholars to serve as advisors, and to write entries, too.
For any history teachers reading the blog, here are a couple of resources you can use to locate reliable information about American Indian history and culture.
The People: A History of Native America, by R. David Edmunds, Frederick E. Hoxie, and Neal Salisbury. This is a brand new textbook that can be used in high school or college classrooms. It is published by Houghton Mifflin.
Second are two encyclopedias:
Encyclopedia of North American Indians (1996), edited by Frederick E. Hoxie, and Native America in the Twentieth Century: An Encyclopedia (1996), edited by Mary B. Davis. Both editors relied heavily (and wisely) on American Indian scholars to serve as advisors, and to write entries, too.
Note on page design: When I started this blog, I used white text on black background because web-design books said that is easier on the eyes. But, I've decided I like the crisp feeling of white background, so I'm making some changes to the template. I may goof things up as I do this, so please bear with me!
Two readers have written to ask about two different books, wondering if I've read them, or know of any critical reviews of them. The two are Indian Captive by Lois Lensky, and When the Legends Die, by Hal Borland.
It is likely that I read both as a kid, but don't have a clear memory of either one. I do have a copy of Indian Captive, but haven't read it yet. Neither book is reviewed in A Broken Flute, but they may be in Through Indian Eyes: The Native Experience in Books for Children . My copy is at my campus office, and I'm working from home right now. Perhaps a reader who has a copy handy can use the "comments" option and tell us if either book is reviewed in Through Indian Eyes.
There are a couple of other on-line resources with reviews of children's books about American Indians. Here's links to them:
Native American Books
http://www.kstrom.net/isk/books/bookmenu.html
"A Critical Bibliography on North American Indians for K-12," on the Smithsonian website. It is pretty extensive, and is arranged by geographical area.
http://www.nmnh.si.edu/anthro/outreach/Indbibl/index.html
Two readers have written to ask about two different books, wondering if I've read them, or know of any critical reviews of them. The two are Indian Captive by Lois Lensky, and When the Legends Die, by Hal Borland.
It is likely that I read both as a kid, but don't have a clear memory of either one. I do have a copy of Indian Captive, but haven't read it yet. Neither book is reviewed in A Broken Flute, but they may be in Through Indian Eyes: The Native Experience in Books for Children . My copy is at my campus office, and I'm working from home right now. Perhaps a reader who has a copy handy can use the "comments" option and tell us if either book is reviewed in Through Indian Eyes.
There are a couple of other on-line resources with reviews of children's books about American Indians. Here's links to them:
Native American Books
http://www.kstrom.net/isk/books/bookmenu.html
"A Critical Bibliography on North American Indians for K-12," on the Smithsonian website. It is pretty extensive, and is arranged by geographical area.
http://www.nmnh.si.edu/anthro/outreach/Indbibl/index.html
Exciting news! The Before Columbus Foundation has selected A Broken Flute: The Native Experience in Books for Children to receive a 2006 American Book Award. Go here for details about the book: http://www.oyate.org/newstuff.html.
A Broken Flute includes a short essay written by my daughter when she was in the 3rd grade. It recounts her experience when her reading group started to read Caddie Woodlawn.
Some people feel the book is too expensive ($50), but I don't think you can find the depth and breadth and expertise it contains anywhere else. To get what it contains elsewhere, you'd have to spend hours and hours looking for articles, reviews, chapters. In that sense, this is a huge bargain. It has hundreds of reviews of books about American Indians---reviews written by people with knowledge and expertise about American Indians, much of it based on lived experience.
A Broken Flute includes a short essay written by my daughter when she was in the 3rd grade. It recounts her experience when her reading group started to read Caddie Woodlawn.
Some people feel the book is too expensive ($50), but I don't think you can find the depth and breadth and expertise it contains anywhere else. To get what it contains elsewhere, you'd have to spend hours and hours looking for articles, reviews, chapters. In that sense, this is a huge bargain. It has hundreds of reviews of books about American Indians---reviews written by people with knowledge and expertise about American Indians, much of it based on lived experience.
Friday, June 30, 2006
Full Text Article: Examining Multicultural Picture Books for the Early Childhood Classroom
One of the best articles I worked on is "Examining Multicultural Picture Books for the Early Childhood Classroom: Possibilities and Pitfalls." It was published by Early Childhood Research and Practice, an on-line journal that publishes its articles in English and Spanish. As the journal title suggests, the articles in the journal are about working with young children. Our article has been republished in several edited volumes about early childhood education.
The article is by my dear friend, Jean Mendoza, and myself. The first portion of the article provides background info on children's literature and education of young children. Later in the article, we discuss some popular books and authors, including:
Brother Eagle Sister Sky, by Susan Jeffers
Arrow to the Sun, by Gerald McDermott
Knots on a Counting Rope, by Bill Martin and John Archambault
A Day's Work, by Eve Bunting, illustrated by Ronald Himler
A Gift from Papa Diego, by Benjamin Alire Saenz, illustrated by Geronimo Garcia
Jingle Dancer, by Cynthia Leitich Smith, illustrated by Cornelius Van Wright and Ying-Hwa Hu.
It is a meaty article, packed with good information for anyone interested in children's books and education.
The article is by my dear friend, Jean Mendoza, and myself. The first portion of the article provides background info on children's literature and education of young children. Later in the article, we discuss some popular books and authors, including:
Brother Eagle Sister Sky, by Susan Jeffers
Arrow to the Sun, by Gerald McDermott
Knots on a Counting Rope, by Bill Martin and John Archambault
A Day's Work, by Eve Bunting, illustrated by Ronald Himler
A Gift from Papa Diego, by Benjamin Alire Saenz, illustrated by Geronimo Garcia
Jingle Dancer, by Cynthia Leitich Smith, illustrated by Cornelius Van Wright and Ying-Hwa Hu.
It is a meaty article, packed with good information for anyone interested in children's books and education.
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